Tag Archives: Selby

CMK Mare Families

The original Crabbet/Maynesboro/Kellogg mare families: Foundation of a unique North American gene pool one hundred years in the making

Used by permission of Rick Synowski. First published in the CMK Heritage Catalogue Volume III

This treatment reflects the CMK dam line picture before the 1993 revision of the CMK Definition. — MB

While CMK Arabian horses have come to represent a minority breeding group today, CMK foundation mare lines hold fast to their international domination of lists of leading dams of champions. Their production records, some accomplished by mares now deceased, may never be equalled. The character, type and breeding of such celebrated mares must inevitably be diminished and disappear when outcrossing to stallions of other breeding groups predominates.

Veteran horsewoman Faye Thompson, whose father Claude Thompson introduced the Arabian horse into Oregon nearly 60 years ago, observes that “modern Arabian horses are good horses, but they’ve lost that classic, desert look that used to excite me so. Modern horses don’t get me excited the way the old ones did” [CMK Record, Spring 1989].

It is to be hoped the classic desert look which so excited the observer does not disappear, but may be perpetuated on some scale as CMK mares produce within the CMK breeding group. Perhaps the realization of the unique history behind these mares will contribute to this end.

Imported in 1888: *Naomi

THE FIRST ARABIAN MARE TO come to North America and leave modern descent, and the oldest mare in the Arabian Horse Registry of America, is *Naomi, foaled in England in 1877. Her sire and dam YATAGHAN and HAIDEE were brought from the desert by Capt. Roger Upton. Randolph Huntington, America’s earliest breeder of Arabian horses still represented in modern lines, imported *Naomi in 1888. In 1890 *Naomi foaled the fine chestnut colt ANAZEH, the first Arabian bred and born on American soil to leave modern descent. ANAZEH was sired by *Leopard, the grey Arabian stallion presented by Sultan Abdul Hamid II of Turkey to General U.S. Grant in 1878.

A mare with many firsts to her credit, though perhaps not of the show ring variety, *Naomi was photographed here at age 18, standing behind the strapping 13-day-old Khaled, her eighth of ten foals. As an individual *Naomi must have pleased Randolph Huntington, who by this time was enjoying no small recognition as one of America’s leading breeders of light horses. Huntington would build his entire Arabian program around this single mare, and thus *Naomi would make a far-reaching contribution to the development of a North American Arabian gene pool via her high-quality descendants.

Perhaps the most important of *Naomi’s tail-female descendants was to be the Manion-bred IMAGIDA, dam of the illustrious *Raffles daughters GIDA and RAFGIDA and two sons also by *Raffles, IMARAFF and RAFFI. Another distinguished female line was founded by the straight Maynesboro MADAHA. *Naomi’s descent from both sons and daughters also included the likes of RAHAS, GHAZI, RABIYAT, GHAZAYAT, Abu Farwa, ALLA AMARWARD and Aurab, just to name a few of the famous ones. *Naomi’s sons and daughters were among the finest horses of their time, and their descendants continue to be so regarded.

1893: *GALFIA and *NEJDME

IN 1893, BY SPECIAL ARRANGEMENT with Abdul Hamid II, Sultan of the Ottoman Empire, 45 Arabian horses were brought from Syria for exhibition at the Chicago World’s Fair. The Hamidie horses, so named for the Hamidie Hippodrome Company which sponsored the exhibition, were beset by a series of disasters. Financial ruin of the company and a fire left 28 horses to be auctioned off.

Only three mares of the entire group would be given the opportunity to breed on. In 1894 Peter Bradley purchased the mares *GALFIA and *PRIDE. The third mare, *NEJDME, was purchased by J.A.P. Ramsdell. *GALFIA would be the first of the three to produce with her 1895 colt, MANNAKY JR. by the Hamidie stallion *MANNAKY. The following year *GALFIA again foaled to *MANNAKY and the filly ZITRA was to establish *GALFIA’s tail female line into modern descent.

In 1898 *NEJDME established the third American mare line with the birth of NONLIKER, sired by Ramsdell’s Ali Pasha Sherif stallion *SHAHWAN. Unfortunately NONLIKER was the only foal of the magnificent *SHAHWAN to breed on in America. That *SHAHWAN left scant descent at Crabbet prior to his importation was to be regretted by the Blunts as well, given the breeding performance of his daughter YASHMAK. NONLIKER was joined by younger half-sisters NANSHAN (1902) and NANDA (1905); the *NEJDME lines of DAHURA and LARKSPUR came to be particularly highly prized.

The third Hamidie mare bred on but not in tail female. *PRIDE produced just one registered foal, the 1902 mare SHEBA sired by MANNAKY JR. SHEBA would leave an important mark on the breeding program of Albert W. Harris in her sons NEJDRAN JR (by *NEJDRAN) and EL JAFIL (by *IBN MAHRUSS), sire of Harris’ noteworthy EL SABOK.

Much of the identifying information on the Hamidie horses, including the original authentication, has been lost, presumably in the fire. Bits and pieces of information from letters and newspaper articles have surfaced over the years. Some of the information coming down is conflicting regarding strains and birthdates, if not the outright identities of some of the horses. What we do know is that the horses which bred on did so extremely well.

1900: BASILISK

IN 1900 THE FIRST CRABBET MARE came to America in the person of the BASILISK granddaughter *BUSHRA. She is registered as imported from the Crabbet Stud by “Mr. Eustis” but almost certainly went directly to Randolph Huntington’s ownership and produced her American offspring for Homer Davenport.

Wilfrid Blunt considered the family of BASILISK to be one of the best of their early desert importations. Later, the American breeder Spencer Borden noted the BASILISK mare line as the “best blood in the world.” The BASILISK family would be well represented among the early imports. *BUTHEYNA, *BARAZA and *BATTLA followed *BUSHRA.

The BASILISK female line died out at Crabbet, though it continued to England from the line established by BELKA at the Courthouse Stud. In America the line flourished notably from the Maynesboro mare BAZRAH.

1905: WILD THYME and RODANIA

SPENCER BORDEN CAME UPON the scene at the turn of the century. His contribution to the Arabian horse in America as an importer, breeder and author during these early days was to be monumental. In 1898 Borden had imported *SHABAKA from England, a mare by the desertbred MAMELUKE and out of KESIA II, imported en utero from the desert. *SHABAKA was not to establish a female line but her influence was realized in a highly valued son, SEGARIO. The KESIA mare line would in fact never become established here, but was represented again in Borden’s 1905 import, *SHABAKA’s half-brother *IMAMZADA, and in the 1924 Harris import *NURI PASHA [ex RUTH KESIA].

In 1905 Borden imported two fillies from the Hon. Miss Ethelred Dillon and introduced the WILD THYME mare line to breed on in America. Borden’s yearling *MAHAL and weanling *NESSA were both daughters of the Crabbet mare RASCHIDA (Kars x Wild Thyme). Like BASILISK’s, WILD THYME’s family died out early at Crabbet, but it was ably perpetuated by both *MAHAL and *NESSA in this country.

It was a stroke of genius that, also in 1905, Borden introduced the RODANIA female line to America with his importation of the dowager queen mother of Crabbet, *ROSE OF SHARON. Borden’s coup in obtaining the most celebrated of Crabbet’s early matrons must be considered in light of her unparalleled international influence.

The RODANIA daughters spread the influence of Crabbet breeding to virtually every other Arabian horse breeding base in the world. *ROSE OF SHARON’s mare line would carry forward in American breeding by her tail female descendants imported later from Crabbet. Her uniquely American contributions to the breed came via her son *RODAN and daughter ROSA RUGOSA, dam of the important Maynesboro sire SIDI.

The two remaining branches of RODANIA’s family were brought to America later and also became firmly established here. The RODANIA daughter ROSEMARY is represented by *ROKHSA, imported in 1918 by W.R.Brown, *RAIDA, imported in 1926 by Kellogg, *RISHAFIEH, imported in 1932 by Selby, and *KADIRA, imported 1939 by J.M. Dickinson. The ROSE OF JERICHO branch was established by the 1926 Kellogg imports *ROSSANA, *RASIMA and *RASAFA, and the 1930 Selby ones *RASMINA and *ROSE OF FRANCE.

1906: *WADDUDA, *RESHAN, *ABEYAH, *URFAH, *WERDI, *HADBA

IN 1906 HOMER DAVENPORT imported 27 Arabian horses directly from the desert. This importation would be the largest genetic contribution unique to American Arabian horse breeding. Six of Davenport’s desert mares would establish mare lines, and each would be represented on the leading dams of champions lists. For many years the leading dam of champions, BINT SAHARA, and her runner-up daughter FERSARA, are of *WADDUDA’s line. SAKI, whose champion produce record would come to equal BINT SAHARA’s, was of *WERDI’s family.

As in the case of each of these mares, Davenport breeding blended wonderfully well with that of other early CMK sourcess, the result being realized in some of the best representatives of the breed in history. Interestingly, some of Davenport’s desert sources were the same breeders from whom the Blunts had purchased foundation stock nearly 30 years earlier. The success Davenport, and later W.R.Brown, Harris, Kellogg, Hearst and Selby realized in combining Davenport and Crabbet breeding represented in some cases a recombining of lines derived from the same desert sources.

Davenport mare lines survive both in straight Davenport breeding programs and inextricably within the larger CMK breeding group. Their contribution of classic desert type and quality can still readily be identified.

1909: BINT HELWA

APART FROM HOMER DAVENPORT, there was no one to compare to the spirited patronage of Spencer Borden for the Arabian horse in America at the turn of the century. Borden’s visits to the Crabbet Stud and his lively correspondence with Lady Anne Blunt were to gain him respect and favor in securing some of the best individuals of that Stud. And so in 1909 Borden would again bring a grande dame of Crabbet to American shores, the Ali Pasha Sherif bred *GHAZALA, daughter of the Crabbet family foundress BINT HELWA.

BINT HELWA’s line was a third to take hold in America but die out at Crabbet. And take hold it did in the two illustrious *GHAZALA daughters, GULNARE and GUEMURA. Two other branches of the BINT HELWA family would later provide foundation mares to American CMK breeding in *HAMIDA, *HAZNA and *HILWE.

1910: DAJANIA and *LISA

THE NEXT YEAR A FIFTH Crabbet family line would reach America in the DAJANIA mare *NARDA II, imported by F. Lothrop Ames. *NARDA II, a daughter of NARGHILEH, was purchased in foal to RIJM and the next year foaled *NOAM, a three-quarters sister to *NASIK, *Nureddin II and NESSIMA.

The DAJANIA family would be greatly distinguished at Crabbet and in America as producers of some of the greatest sires in the history of the breed: the aforementioned *NASIK and *Nureddin II, and NASEEM, INDIAN GOLD, *NIZZAM, INDIAN MAGIC, *SERAFIX, ELECTRIC SILVER and *SILVER DRIFT. In America the DAJANIA line sires included INDRAFF, RAPTURE and AARAF.

Later *INDAIA was imported by Roger Selby and *INCORONATA by Kellogg, bringing the imported family of DAJANIA mares to just four.

Also in 1910, the mare *LISA was imported by C.P.Hatch. She was listed as having been “bred in the desert” and registered as black. *LISA’s family line survives via one daughter, ALIXE by *HAURAN. ALIXE’s breeder was Warren Delano of Barrytown, NY. ALIXE in turn produced three daughters by JERREDE (*Euphrates x *Nejdme), and of these JERAL and NARADA bred on.

1918: FERIDA and SOBHA

THE MAYNESBORO STUD IN Berlin, NH was founded in 1912 by William Robinson Brown. Brown’s foundation stock was acquired in the beginning from other American breeders. It was, in fact, via Maynesboro that key links with some of the earliest CMK bloodlines were to be carried forward.

In 1918 Brown made an importation of 17 horses from the Crabbet Stud. Brown’s purchase would be a timely one for CMK breeding in that advantage was taken, purposely or not, of the legal feud between Lady Wentworth and her father Wilfrid Blunt, after Lady Anne Blunt’s death. Certain Crabbet horses were acquired by Brown which might otherwise never have left the Stud. This was especially true of the phenomenal *BERK.

The 1918 Maynesboro importation introduced the FERIDA family to North America in the two-yr-old chestnut filly *FELESTIN. *FELESTIN’s dam FEJR (Rijm x Feluka) also produced the stallions FARIS and FERHAN, sires in turn of the important English breeding horses RISSALIX and INDIAN GOLD.

A second, more prolific, branch of the FERIDA family was established eight years later with the importation of the celebrated FELUKA daughter, *FERDA, by W.K.Kellogg. Ten years after her importation, half the horses at the Kellogg Ranch would be descended from *FERDA, such was the value of this FERIDA line mare.

The 1918 Maynesboro importation also brought a seventh Crabbet family to America in the SOBHA representative, *SIMAWA, a mare who would later become important to the breeding program of Albert Harris. Selby and Kellogg would each make astute importations of SOBHA line mares in *SELMNAB (imported 1930) and *CRABBET SURA (imported 1936).

The most acclaimed branch of the SOBHA family did not reach America until the 1950s. This was the line of Lady Wentworth’s unforgettable SILVER FIRE.

1921 and 1922: *BALKIS II and *KOLA

W.R. BROWN WAS A U.S. ARMY Remount agent, and it was a major purpose of his breeding program that Arabians be bred as suitable mounts for cavalry. It was probably with this in mind that in 1921 and ’22 he imported Arabian horses from France, a country long esteemed for breeding cavalry horses.

Brown’s French importation was in keeping with the tradition of Huntington, Borden, Bradley and Davenport, who touted the utilitarian supremacy of the Arabian horse, promoting the Arabian for American cavalry use.

Two of the French mares would establish mare lines at Maynesboro. The *BALKIS II granddaughter FOLLYAT and the *KOLA daughters FADIH and FATH were broodmatrons which especially earned respect for the contribution of French breeding to the CMK foundation.

1924: QUEEN OF SHEBA

THE SOLE REPRESENTATIVE of the Crabbet family of QUEEN OF SHEBA to breed on in CMK founder lines was *ANA (Dwarka x Amida), imported to America in 1924. *ANA would produce two daughters for her importer Albert Harris. She was later sold to Philip Wrigley for whom she was to produce four more daughters including the notable ADIBIYEH.

*ANA was full sister to *ALDEBAR, bred by H.R.H. the Prince of Wales and imported by Henry Babson.

1928: *NOURA and MAKBULA

AMEEN RIHANI OF NEW YORK imported three Arabians from the desert in 1928, a stallion *SAOUD and two mares, *NOURA and her daughter *MUHA. A thin but well-regarded line was to come from these mares. *NOURA’s family would be famously represented by Margaret Shuey’s elegant matron MY BONNIE NYLON.

Roger Selby’s Crabbet importation of 1928 introduced the MAKBULA family to America in the small-statured, exquiste *KAREYMA. *KAREYMA would prove to be one of Selby’s best purchases from Crabbet, judging by the excellence of her produce. Selby would bring three more representatives of the MAKBULA line to Ohio in 1930 with the importation of *KIYAMA, *JERAMA and *NAMILLA.

1929: *MALOUMA

IN 1929 HERMAN FRANK of Los Angeles imported *MALOUMA, the first of two Egyptian lines to be incorporated into the foundation of CMK breeding. *MALOUMA was purchased by Kellogg for whom she produced the four daughters which carry on her line.

1931: *LA TISA

IN 1931 THE CHICAGO INDUSTRIALIST and philanthropist Charles Crane made a trip to the Middle East and came back with some Arabian horses, gifts from Saudi Arabia’s King Abdul Aziz, who had not met an American before Crane. Crane dispatched a geologist engineer to Arabia in search of oil and water.

This exchange of favors between Crane and the Saudi ruler resulted in ARAMCO’s being established as Saudi Arabia’s petroleum exploration and development partner–a partnership which only too obviously has shaped American foreign policy to this day.

Crane’s two fillies, *LA TISA and *MAHSUDHA, reportedly were of quality and beauty in keeping with the rest of his venture. *LA TISA would establish a family which has carried forward into CMK breeding.

1932: BINT YAMAMA

W.R.BROWN INTRODUCED A second Egyptian mare line to CMK breeding with the 1932 importation of seven Arabians bred by Prince Mohammed Ali of Cairo. All were of the BINT YAMAMA family line, which was perpetuated by the four mares: *RODA and *AZIZA, daughters of NEGMA; *H.H. MOHAMMED ALI’S HAMAMA and *H.H. MOHAMMED ALI’S HAMIDA, both out of the famed NEGMA daughter MAHROUSSA. The Maynesboro Egyptian importation had been made at the same time as Henry Babson’s importation of six horses also from Egypt.

Interestingly, the origins of the Egyptian horses can be traced back in part to Abbas Pasha/Ali Pasha Sherif stock of the Blunt’s day. The exact origin of BINT YAMAMA and her relationship to early Blunt horses is a mystery yet to be solved.

1934: ZULIMA

IN 1934, JIM AND EDNA Draper of Richmond, California brought home five Arabians from Spain. Four of the five were mares, and all of the same female line, that of the Spanish ZULIMA through SIRIA. The elegant grey *NAKKLA was purchased by Kellogg’s and incorporated into that breeding program. The Drapers retained the SIRIA daughters *MECA and *MENFIS (dam of *NAKKLA) and *MECA’s daughter *BARAKAT, breeding them to CMK stallions.

The Draper Spanish mares produced admirably, gaining a place of pride within the CMK tradition. Edna Draper holds the distinction of being the last importer of CMK foundation stock still living.

1947: *NAJWA, *LAYYA, *KOUHAILANE, *LEBNANIAH, *RAJWA, *NOUWAYRA

THE LAST DESERT CONTRIBUTION considered a part of CMK foundation breeding was the Hearst importation of 1947. This was the largest group of Arabians brought directly from the Arabian desert countries since that of Homer Davenport.

The Hearst Ranch had been established with the purchase of Maynesboro stock upon that farm’s dispersal, which included the Maynesboro sires RAHAS, REHAL, GHAZI and GULASTRA. Hearst had also purchased Kellogg stock, bring about a parallel breeding program to that Stud’s.

The Hearst importation included eight mares (*RAJWA was accompanied by her daughter *BINT RAJWA), all but one of which contributed to the CMK breeding tradition.

1953: HAGAR

HAGAR, THE “JOURNEY MARE,” was the Blunts’ second acquisition in the desert, but it took 75 years before her female line reached America to stay. HAGAR was purchased to carry Wilfrid Blunt from Aleppo to Baghdad and back to Damascus on the Blunts’ 1878 journey. She proved admirably up to the task and earned praise from Lady Anne in her journals.

HAGAR was sent to England as part of the foundation of the Crabbet Stud. She was sold to the Hon. Ethelred Dillon for whose Puddlicote Stud HAGAR proved a foundress. The first HAGAR breeding reached America in 1905 via the important Dillon-bred *NESSA’s sire *HAURAN and another HAGAR son, HAIL.

There was still no HAGAR female line in America when hers became another family lost to Crabbet. The line persisted through Miss Dillon’s ZEM ZEM and through HOWA, foundation mare of the Harwood Stud. ZEM ZEM and her daughter ZOBEIDE were left to Borden by Miss Dillon’s will, but left no further registered progeny.

It was not until 1953 that the HAGAR family would reach American shores and be carried on into CMK breeding. This came about when seven mares from Holland’s Rodania Stud (Dr. H.C.E.M. Houtappel) were imported to New York by T. Cremer. The mares were *CHADIGA, *FAIKA, *LATIFAA, *FATIMAA, *RITLA, *LEILA NAKHLA and *MISHKA.

With HAGAR’s line, American breeders had 10 mare families to carry on the Crabbet breeding base.

THESE, THEN, ARE THE ORIGINAL CMK MARE FAMILIES. They have been combined in American horse breeding history to form one genetic legacy uniquely American–CMK. The timeless quality of CMK mares should be obvious to all fanciers of the Arabian horse, but it would appear to fall to a few to recognize that an effort must be made to conserve the identity of these irreplaceable lines for posterity.

This treatment reflected the CMK dam line picture before the 1993 revision of the CMK Definition. — MB

Line-Breeding And In-Breeding

by BEN HUR (Western Horseman May/Jun’45)

[Ed. Note: Today Ibrahim is accepted as a Desert-Bred stallion. See footnote (1) below]

Aarah No. 1184, chestnut Arabian mare owned by Ben Hur Farms, and her filly foal, Aarafa No. 2870, by Champion Raffles. She and all in her pedigree, including the fourth generation, have the blood of the tap-root stallion, Zobeyni — a striking example of line-breeding.

What kind of a stallion would you select to mate to your mares to improve the quality of the foal? Would your first consideration be that the stallion and mares be unrelated? Or would you select the best stallion available, with the best breeding (pedigree) regardless of his relationship to the mares?

Do you study the pedigrees of prospective sires? Do you know their breeding, and do you have the pedigree of your mares? Marked improvement in your foals can be made regardless of the kind of mares you have. You may have Pintos, Palominos, Quarter Horses, Morgans, Albinos, Arabians or American Saddle horses or just plain Stock Horses. By selecting the right kind of stallion you can make improvements each generation. The better the breeding of your mares, the more nearly pure in blood, the greater improvement in the foals.

Line-breeding and in-breeding are the old and time-proven methods by which breed improvement has been made in the past. This is true in cattle, horses, sheep, poultry, dogs. All our present day breeds are the result of close line-breeding and often, intense in-breeding. There is no mystery where our finest horse, cattle, sheep and dogs came from. A study of their pedigrees will reveal the facts. Owners of pedigreed animals are well aware of the importance of line-breeding and in-breeding. However, you, too, with grade mares may, by a definite breeding program and the proper selection of a stallion, employ the same methods of improvement in the foals.

Let us study the breeding of Arabians. They are pure in blood and their pedigrees extend back many generations. Pedigrees of Thoroughbreds, Morgans, American Saddle horses, as well as Arabians, all reveal the same fact, i.e., that there have been certain outstanding males every so often that have dominated and influenced all succeeding generations. The male exerts a far greater influence in breed improvement than the female, due solely to the numerical supremacy of off-spring. A mare may have twenty foals in a lifetime, but a stallion may get fifty or one hundred foals a year for ten to twenty years.

Zobeyni, famous Arabian stallion more than 100 years ago, furnishes an interesting study. Pedigrees of Arabians back five or six generations seldom show his name. But his blood is the greatest influence today among Arabians in England, the United States, Egypt, Australia, South America or whenever there are pure Arabians. It is more difficult to find Arabians without his blood, than with it. Zobeyni was a grey Seglawi Jedran stallion of the strain of Ibn Sbeyni of the Mehed tribe of the Fedaan Anazeh Bedouins, bred in Arabia and imported to Egypt early in the 19th century where he became enormously important in the world-famous stud of Abbas Pacha I. He is the founder of the male line that has been most successful throughout the world the past century. His great grandson, Mesaoud, and great, great grandson, Skowronek(1), are each in turn contributing as much or more than their illustrious ancestors to the success of Arabians in the 20th century.

Skowronek, bred in Poland, was later used as leading stallion at Lady Wentworth’s Crabbet Stud in England, from where his blood has gone to all parts of the world where Arabians are bred.

Mesaoud, grandson of the tap-root stallion, Zobeyni. Bred in Egypt, he was taken to England, then to Russia.

Arab tribes in the desert followed the custom of giving the strain and family name of the mare to the foal, rather than the name of the sire. The custom, followed in this country for a number of years, led to confusion and misunderstanding. The foal, given the strain name of its dam, might be, and in nearly every instance was, from a number of other strains and with many more related bloodlines on the male side than the female. As a result of this confusion, The Arabian Horse Club of America several years ago discontinued the practice of giving strain names to Arabians registered with them.

A study of the pedigrees with this article illustrates the fallacy of blindly following and giving breeding value to the strain name of the dam. Champion Raffles, for example, has been referred to as Kehilan for four generations back. Had the custom been followed of giving the strain name of the sire to the foal it will be readily seen that Raffles would be a Seglawi Jedran, from his illustrious male line — Skowronek, Ibrahim, Heijer, Mahruss, Wazir and Zobeyni.

Champion Raffles, owned by Roger Selby, Portsmouth, Ohio, bred by Lady Wentworth in England. As son and grandson of Skowronek, he is an example of successful in-breeding and line-breeding from the Zobeyni line.

Aaraf, foaled in 1943, sired by *Raffles, out of Aarah. Note resemblance to Mesaoud, who appears nine times in pedigree.

To the student of pedigrees and breeding it will be apparent that there is vastly more involved than a custom in this instance. These pedigrees aptly illustrate the vastly greater importance and influence of the male line in most pedigrees. Raffles goes back to Zobeyni not once but twelve times, out of thirty-two ancestors in the sixth generation. Rose of Sharon, the great grand-dam of Raffles in the sixth generation, whose strain or family name of Kehilan has been arbitrarily given by those who still follow this custom, appears in his pedigree but once. We leave it to the reader to decide whether the male Zobeyni (Seglawi) line or the female Rose of Sharon (Kehilan) blood and influence is the stronger.

The questionable value placed on strain and family names of the dam is shown in the pedigree of Raffles in that there are seven different strain names out of thirty-two names in the sixth generation and nine names of unknown strain names.

Abu Zeyd, son of Mesaoud, was foaled in England, imported to United States in 1904 by Homer Davenport.

The pedigree of the Arabian mare, Aarah, pictured with this article, shows that she is bred along the same lines as Raffles, in fact, they are very much in line. Aarah, like Raffles, would be Kehilan from her dam’s side, but take time to count — 18 of her 32 ancestors in the sixth generation are sons and daughters of grandsons and daughters of the famous Zobeyni, a Seglawi. Mesaoud, illustrious great grandson of Zobeyni, and also a Seglawi through his dam, appears eight times in the pedigree of Aarah. Is there reason then for similarity of appearance of Aarah and Mesaoud?

Aaraf and Aarafa, out of Aarah and by Raffles, follow to a marked degree the type and markings of Mesaoud. The pedigree of Raffles shows Mesaoud twice which added to that of Aarah makes Mesaoud appear ten times in the pedigrees of Aaraf and Aarafa and numerical superiority is the answer. We must not assume that success in breeding is a mathematical problem of addition and multiplication. Breeders have universally found it safe to follow the rule of eliminating from the pedigree the undesirable and animals of doubtful value and to multiply as often as possible the highly desirable animals. The blood of Zobeyni, for example, appears in 12 out of 16 ancestors of Aarah in the fifth generation and Zobeyni is a common ancestor in eight out of eight ancestors of Aarah in the fifth generation and Zobeyni is a common ancestor in eight out of eight ancestors in the fourth generation, yet without direct, closeup in-breeding.

What is in-breeding? The commonly accepted definition is that of mating dam to son, as in the case of Rifala, daughter of Skowronek, back to Skowronek, or sire bred to daughter, the two most commonly practiced. There may be several other close variations of in-breeding, brother and sister, half-brother and sister, dam to grandson, sire to granddaughter.

In-breeding has been found to be most successful where there has been a previous successful outcross. Ibrahim, sire of Skowronek, it will be noted, is an example of the closest kind of line-breeding in that in the fourth generation Wazir, sired by Zobeyni, appears three times and his full sister Horra, once, mated to a grandson of Zobeyni. Eleven of 14 of Ibrahim’s ancestors in the first four generations are close up in the blood of Zobeyni. Ibrahim, taken to Poland from Egypt, and out-crossed on the Polish Arabian mare, Yaskoulka, not directly related, produced Skowronek, whose blood is found in Arabians around the world today. The blood of Skowronek was intensified in his get, Raffles, when he was bred to his daughter, Rifala, thus giving Raffles three-fourths of the blood of Skowronek, combined with the blood of Mesaoud of the same line of breeding.

The predominate blood of a female line is harder to find among pedigrees of horses of live stock, not because there are not highly desirable females but in the case of horses, because of the limit placed on reproduction in the mare as compared to the stallion.

*Raffles No 952

Grey Arabian Stallion —

Wazir * s

Mahruss*

BF Saouda w

Heijer*

Wazir

B Jamila*

Ghazieh s

Ibrahim*

Aziz * d

a Seg-Jed*

Horra * s

La Fitte*

Wazir *

Makbula*

M Kebira k

SIRE

Skowronek*

Cercle

Kortez

Gonta

Rymnik

Kohejlan

Hama

Caramba

Yaskoulka

—–

Derwisz

—–

Epopeja

O Maciuk

Lira

Kreolka k

Mahruss * w

Heijer *

B Jamila s

Ibrahim

a Seg-Jed

La Fitte*

Makbula * k

Skowronek*

Kortez

Rymnik

Gonta

Yaskoulka

Derwisz

Epopea

Lira

DAM

Rifala*

Mesaoud * s

Seyal*

Sobha * h

Berk*

Ahmar a

Bukra

Bozra s

Rissla*

Aziz * d

Mesaoud*

Yemameh s

Risala

Merzuk * k

Ridaa*

R Sharon k

* Asterisk after the name denotes those with the ancient, tap-root, desert-bred stallion, Zobeyni, as an ancestor, founder of the male line that has been most successful in England and the U.S. the past century.

The small lettes after the names in the sixth generation denote the family strain names, k — Kehilan; s — Seglawi; a — Abeyan; b — Sh. Sba; d–D. Shahwan; h — Hamdani; w — W. Hursan.

The capital letters before certain names are, R — Rose; M — Makbula; O — Obejan; B — Bint; F — Faras. ……

AARAH No. 1184 Chestnut Arabian Mare —

Mesaoud * s

Seyal*

Sobha * h

Berk*

Ahmar

Bukra

Bozra

Ribal*

I Mahruss * s

Rijm*

R Sharon k

Rijma*

Mesaoud * s

Risala*

Ridaa * k

SIRE

Ghadaf*

Mesaoud * s

Harb*

B Helwa * s

Rodan*

Hadban h

R Sharon

Rodania k

Gulnare*

Sottam n

I Sherara

Sheara k

Ghazala*

Aziz * d

B Helwa*

Helwa * s

Ibn Nura * d

Feysul*

El Argaa k

I Yashmak*

Shahwan * d

Yashmak*

Yemama k

Rizvan*

I Mahruss * s

Rijm*

R Sharon k

Rijma*

Mesaoud * s

Risala*

Ridaa * k

DAM

Nadirat*

Aziz * d

Mesaoud*

Yemameh s

Abu Zeyd*

Azrek s

R Diamond

R Jericho k

Nusara*

I Mahruss * s

Rijm*

R Sharon k

Noam*

Rejeb * k

Narda II *

Narghileh * k

The small letters after the names in the sixth generation denote the family strain names: k — Kehilan; s — Seglawi; d — D Shahwan; h — Hamdani; a — Abeyan; n — D Nejib; h — H Enzeki.

Capital letters before names denote R – Rose; I — Ibn; B — Bint.

The Arabian mare Rodania, celebrated mare of the desert, captured by the Gomussa tribe, sold to the Blunts, and taken to their Crabbet stud, England, in 1881, is the most striking example of the female influence. Note her daughters in these pedigrees and the number of times they appear — Rose of Sharon, Rose of Jericho, and her granddaughters Rose Diamond and Ridaa, and grandsons, Rijm, Rodan and Rejeb. The pedigrees of Raffles and Aarah in connection with this articles illustrate the concentration of blood of a male and female line of successful line-breeding and the more controversial in-breeding. You may apply the practical application of these results in breeding to your own horses, no matter what breed or type.

(1) Today Ibrahim is accepted as a desert-bred stallion. For more information see:

Lady Wentworth’s THE AUTHENTIC ARABIAN HORSE

Schile, Erika THE ARAB HORSE IN EUROPE

Potocki, Count Joseph (son of Skowronek’s breeder) “Skowronek’s Pedigree and the Antoniny Stud” The Arabian Horse News, Feb. ’58.

Blunt, Lady Anne JOURNALS AND CORRESPONDENCE 1878-1917

Guttmann, Ursula: THE LINEAGE OF THE POLISH ARABIAN HORSES

Dickenson, J.M. A CATALOG OF TRAVELERS REST ARABIAN HORSES

Carlton Cummings and his Skyline Trust Arabians

Rick Synowski Copyright 1995
Used by permission of Rick Synowski
from Arabian Visions Mar/Apr 1995

Carleton Cummings holding the weanlings Antezeyn Skowronek and Abu Farwa’s Rawia, both by Abu Farwa. Rawia, called by Cummings “the Queen of Diamonds” for her three diamond star, strip and snip, carried two generations of children to show ring victories, the last at age 17 when she was named champion mare of the Pacific National Exposition in Vancouver, B.C., shown by an eight-year-old boy.

Like many kids looking for their first Arabian horse in the 1950’s and early 1960’s — kids perhaps from less than affluent families and looking to make their dreams of owning an Arabian horse come true — I first heard of Carleton Cummings after reading about his Skyline Trust Arabians. An article by H. H. Reese stated that Cummings had “developed his Arabian horse breeding program with the purpose of assisting boys and girls who like horses to secure good specimens of the breed on a partnership basis.” Reese’s article described Cummings’s “lend lease” program whereby youngsters could lease a mare, breed her and then, after the birth of the foal, return either the mare or the foal. To an imaginative 11-year-old, this sounded like just the ticket. I wrote a letter to Cummings. Having read H. H. Reese’s Kellogg Arabians a hundred times, I had pictured in my mind’s eye the Arabian horse I wanted to own. I described this horse to Cummings in the first letter. Cummings replied with a post card. He stated he had about 2500 letters on his desk from youngsters across the country. If I was still interested, I was to write him again. I wrote Cummings that very day and so began a correspondence of some two years which culminated in buying half interest in a weanling colt, Skowronek’s Antez, with my own savings in 1962. Cummings wrote the following spring that “few breeders ever get colts of this quality and even fewer ever offer them for sale.” Nevertheless, he was giving me the opportunity to buy out his interest in the now yearling colt. I took Cummings up on his offer. It was a purchase I was never to regret. Within a few weeks Cummings died of a heart attack.

Skowronek’s Antez (Antzeyn Skowronek x Raseynette).
The author’s first Arabian and a wonderful companion for 28 years.
He also proved a fine sire.

Cummings’s background outside the sphere of Arabian horses was in music. He had been an operatic tenor of some notoriety in the east. He later turned to teaching as professor of music at Wake Forest College and later as the head of the music department at the University of Idaho. Cummings’s wife, Theresa, had been a drama major in college where they met. After their marriage and graduation, they traveled to Army posts doing music and drama presentations during World War I.

Cummings’s background in music and theatre suited a personality that tended toward the theatrical, and a soul that was flamed by the same qualities in Arabian horses. His love for the dramatic carried over to the horses he purchased and bred and the ways he talked about them. However, his flowery descriptions were no means an exaggeration of the splendid group of horses he assembled.

His initial purchase in 1945 was the four-year-old Kellogg-bred Direyn (*Raseyn x Ferdirah). Cummings rode in a boxcar with Direyn the entire trip from Pomona, California to Moscow, Idaho. Cummings was to become part of “the Reese circle of breeders.” Reese, having left the Kellogg Ranch as manager by then, and with a ranch of his own, continued in an influential role in the early Arabian horse community. Cummings’s later purchases were from Reese himself, from that circle of cooperative breeders like the McKenna brothers, and from the Kellogg Ranch. Cummings’s notable purchase outside this circle was Rifala’s Lami (Geym x Maatiga, by Image) from Roger Selby in 1954. She was to become one of his most influential foundation mares.

Rifala’s Lami (Geym x Maatiga, by Image).
Roger Selby wrote Cummings that she was as good a filly as he had ever bred.

In 1949, Cummings purchased the weanling Abu Farwa son Antezeyn Skowronek (x Sharifa, by Antez out of Ferdith, by Ferseyn). He became Cummings’s head sire. His progeny earned him a reputation as the third ranking son of Abu Farwa in the list of leading sires of show champions — with many fewer foals on the ground than the first two ranking Abu Farwa sons. Antezeyn Skowronek ranked first of the Abu Farwa sons on another of Gladys Brown Edwards’s lists: Abu Farwa sons whose own sons had sired show champions. Cummings himself claimed that for a three year period Antezeyn Skowronek had sired more ribbon winners than any sire of any breed. This was entirely possible since his progeny were in the hands of an army of horse-crazy, show-happy kids who would take their Skyline charges to every local show, weekend after weekend, entering dozens of classes in every division from halter to three-gaited to gymkhana events — and winning. These Antezeyn Skowronek offspring were notable not just for their quality and sheer beauty. And their successes were not limited to the competition of local shows. In 1958, the Pauley girls took their young Antezeyn Skowronek daughter, Khatum Tamarette, on the road, first to Estes Park, Colorado, to take 1959 U.S.Top Ten Mare; then to Yakima, Washington, to win Pacific Northwest Champion mare; and finally to Calgary to win a Top Ten at halter. These victories, which Cummings later described as no small feat of endurance for a young mare, earned her the Legion of Merit, one of the first mares to earn this award.

Antezeyn Skowronek, Skyline Trust head sire.

Cummings’s band of foundation mares numbered at 16. He selected these mares to complement Antezeyn Skowronek, but each was chosen on her own merits. Four of his mares were daughters of Ferseyn, taking Reese’s lead to cross Ferseyn daughters with Abu Farwa, and Abu Farwa daughters with Ferseyn, an idea which echoed Lady Wentworth’s earlier cross of Skowronek and Blunt lines. Cummings purchased the Farnasa daughter Anazeh’s Nijm from the Kellogg Ranch, in partnership with one of his protegées, Mary Hall. Anazeh’s Nijm was bred to Ferseyn prior to shipping her home. The resulting foal was the chestnut colt Ferseyn’s Rasim, whom Cummings traded Mary for full interest for his interest in the mare. Ferseyn’s Rasim became Cummings’s junior sire and proved himself an excellent cross on Antezeyn Skowronek daughters as well as on Skyline foundation mares. Two of Cummings’s foundation mares were daughters of the Antez son Gezan, a popular southern California sire of the early 1950’s. Antezeyn Skowronek himself was a grandson of Antez, a Kellogg sire of 100% Davenport breeding who ended an international career as a successful sire himself at the Reese ranch. The Davenport influence was an important presence in the Cummings breeding program.

Cummings was a somewhat controversial figure and outside his band of young, loyal protegées, he was not always well liked. He did not seem to care, and used to say “It doesn’t matter what people say as long as they keep talking about you.” This advice must have harkened back to the days when he performed on stage. Cummings was outspoken and did not mind stating his opinions while sitting in the stands at a horse show. If sitting on the same side of the arena as Cummings, everyone got to hear his opinions, which sometimes referred to the horses in the ring, whether they wanted to hear them or not. It was a little embarrassing for the youngster such as I who was sitting at his side. Cummings also made enemies of a few breeders who had horses for sale at fancy prices. Cummings’s kids sometimes beat these breeders in the show ring with horses leased from Cummings or sold by Cummings at bargain basement prices. And the parents of competing kids must have sitting in the stands bored stiff watching the Skyline horses entering, and often winning, class after class.

Wafa El Shammar (Cavalier x Shama, by Abu Farwa). When Cummings died everyone wanted this mare. Seven people lay claim to her. Wafa El Shammar produced a half-dozen champions. Five of her offspring produced national champions or top ten winners in halter and performance.

Abu’s Rissletta (Abu Farwa x Alleyna, by Alla Amarward), bred by and purchased from H.H.Reese. The rider is a young Bruce Clark, later well known as co-owner of Bru-Mar-Ba Stud. An important mare at that stud was Skyline-bred Rasim’s Ghazayat. Abu’s Rissletta was later purchased and shown by another youngster, Joyce Stockdale, who now with husband Ron Paelek owns Vantage Point Farm. When not carrying youngsters in the show ring, Abu’s Rissletta was having foals, including the important Risseyn for Berry’s Skyline Arabians in Iowa. Risseyn was trained and shown by daughter Lyn, now Lyn Freel of Crystal Castle Arabians.

Nadir (Gezan x Bint Sedjur). Maternal half-sister to Bint Sahara. Nadir produced Canadian Top Ten stallion Raseyn Gezan by Antezeyn Skowronek. Raseyn Gezan was leading sire of champions in Canada for years.

Cummings was not in the habit of getting things down on paper and sometimes made agreements or promises he did not remember. After his death, his daughter inherited his estate, which included the horses. I told her Cummings had promised Wafa El Shammar to me to breed to my colt. His daughter told me six other people had written to tell her Cummings had promised this mare to them. (I did get Wafa El Shammar, who became my foundation mare.)

Despite these discrepancies, Cummings was a real horseman and a genius as a breeder. The horses he selected and bred from were outstanding for their “tangible as well as intangible qualities.” Most of his horses were mounts and companions for youngsters. Few of the horses were ever trained or shown by professionals, but were remarkably successful nevertheless. As breeding horses, they were notable for their ability to consistently produce first rate stock. Cummings’s advertising slogan “Home of beautiful heads and great performance horses” was an accurate description of the Skyline Arabians, as was another of his slogans, “bred for and born with spectacular action.” Cummings admired the Crabbet-bred Naseem for his exceptional beauty above all other ancestor horses, and the Crabbet-bred *Berk for his spectacular action. He used to brag about the number of crosses his horses had to those icons of Arabian horse breeding. Cummings also admired *Raffles. He used to say he liked a “touch of *Raffles for beauty” in his horses. His statement no doubt reflected his delight with the foals of Rifala’s Lami, especially the Antezeyn Skowronek son Rifala’s Naseem. Cummings described Rifala’s Naseem as a “peacock of horses” and “well worth traveling 10,000 miles to see him.” From his pedigrees-in-a-name (another of Cummings’s idiosyncrasies) his pride in these particular ancestors of Rifala’s Naseem is obvious.

Perhaps most important of all, Cummings provided an opportunity for kids to have their dreams come true — not just to own an Arabian horse, but to own a good one. Cummings stressed hard work and responsibility to these youngsters, but his often heard advice was “to dream big.”

The Double Registered Arabians

by R.J. Cadranell
from The CMK Record Summer 1989 VIII/I
copyright 1989

In 1791, during the century which saw the writing of great compendiums of knowledge, including Dr. Johnson’s dictionary, James Weatherby published in England what was to become the preliminary volume of The General Stud Book, Containing Pedigrees of Race Horses, &c. &c. From the earliest Accounts… In 1808, after several revisions, appeared the version which has become standard. This documented the pedigrees of a breed of horse which later adopted the name of Thoroughbred. Mr. Weatherby’s stud book demonstrates the Thoroughbred’s descent from numerous Oriental sires and dams. The pedigree of the Thoroughbred stallion ECLIPSE (1764) lists the names of the DARLEY ARABIAN, the LEEDES ARABIAN, the OGLETHORPE ARABIAN, the LISTER TURK, the DARCY YELLOW TURK, the BYERLEY TURK, the GODOLPHIN ARABIAN or Barb, HUTTON’S GREY BARB, and the MOROCCO BARB as ancestors.

The American Stud Book, a.k.a. the Jockey Club Stud Book, first appeared in 1873. Its original complier was S.D. Bruce, and The American Stud Book (ASB) is still the registration authority for Thoroughbreds in this country. Volume I included a chapter for “Imported Arab, Barb and Spanish Horses and Mares.”

Weatherbys issued Volume XIII of the General Stud Book (GSB) in 1877. This volume included a new section, roughly one page in length, for Arabian stock recently imported to the U.K. It was the beginning of modern Arabian horse breeding in the English speaking world. In this volume are Arabians which Capt. Roger D. Upton and H.B.M. Consul at Aleppo, Mr. James H. Skene, were involved in importing for Messrs. Sandeman (including YATAGHAN and HAIDEE, the sire and dam of *Naomi) and Chaplin (including the mare KESIA). GSB Volume XIV (1881) registered the earliest of Mr. Wilfrid and Lady Anne Blunt’s importations for their Crabbet Arabian Stud. Skene had provided crucial assistance to the Blunts, too; Wilfrid Blunt later credited Skene with giving him and his wife the idea for the Crabbet Stud (see Archer et.al., The Crabbet Arabian Stud. p. 34). Skene is perhaps the founding father of Arabian horse breeding in the English speaking world. The preface to GSB Volume XIV expressed the hope that the newly imported Arabian stock might, in time, provide the Thoroughbred with a valuable cross back to the original blood from which it had come. This idea had also been behind the thinking of Upton and Skene.

The Blunts subscribed to this view too. The British racing authorities agreed to hold an Arab race at Newmarket in 1884; the outcome was inconclusive, but Blunt wrote that

“the ultimate result, however, was not I think, as far as Arab breeding in England was affected by it, wholly a misfortune. It convinced me that I was on wrong lines in breeding Arabs for speed, and not for those more valuable qualities in which their true excellence lies. Had I continued with my original purpose, I should have lost time and money, and probably have also spoiled my breed, producing stock taller perhaps and speedier, but with the same defects found in the English Thoroughbred.”(see Blunt, Gordon at Khartoum, 2nd ed., London 1912, p. 265)

Although the Blunts gave up the idea of rejuvenating the Thoroughbred with a fresh cross to Arab blood, they continued to register their horses in the Arab section of the GSB, as it was the sole registration authority for Arabian breeding stock in the U.K. GSB registration conferred on the Crabbet horses the advantages of prestige and the eligibility to enter many countries of the world duty free.

Volume IV of The American Stud Book (1884) continued to list Arabian horses imported to America. This volume included the 1879 import *Leopard, the first Arabian brought to America to leave Arabian descent here. The Arabian section in ASB VI (1894) included the imported horses (all from the GSB) of the early breeders Huntington and Ramsdell.

The mare *Nejdme was the first horse recorded in the Arabian Horse Registry of America Studbook. Foaled in Syria, she is pictured here in 1893 at the Chicago World’s Fair.

ASB VII (1898) listed in the Arab section Huntington and Ramsdell horses, with the addition of Ramsdell’s *SHAHWAN, newly imported from the Crabbet Stud, and his mare *NEJDME (spelled “Nedjme” in ASB) from the Hamidie Society’s exhibit at the Chicago World’s Fair. Also included were a stallion from the deserts of Northern Arabia and two stallions imported from Russia for the Chicago World’s Fair. The pedigree information printed with one of the latter, a horse named BEKBOOLAT, states that his second dam was by an imported English Thoroughbred. His pedigree also includes an Orloff saddle mare. BEKBOOLAT’s inclusion in the Arabian section of the ASB demonstrates that at the time the Jockey Club had a rather loose working definition of the term “Arabian.”

ASB Volumes VIII (1902) and IX (1906) list in the Arabian section no newly imported horses other than those which were bred in England, either at Crabbet or by Miss Dillon or Lord Arthur Cecil, and which therefore arrived in this country with GSB certificates. All GSB registered Arabians were automatically eligible for the ASB.

In October of 1906 the S.S. Italia arrived in America carrying 27 Arabians which Homer Davenport had imported directly from the Anazah tribes in Arabia. The only registration authority for Arabian horses in America was the stud book of the American Jockey Club. Not all the Arab horses in America were listed in the Arab section of the ASB. Huntington appears to have ceased registering with the Jockey Club after 1895. The Crabbet bred *IBN MAHRUSS and his dam *BUSHRA appear not to have had ASB registration. Davenport applied for the registration of his new arrivals.

Details of the ensuing embroilment are exceedingly complex, and the full story has yet to come to light. According to testimony published in “That Arab Horse Tangle” (The Rider and Driver, Vol. XXXVIII, No. 11, June 5, 1909 and No. 12, June 12, 1909), the Jockey Club began by sending to Weatherbys for verification the Arabic certificates which had accompanied the Davenport horses. By 1899, “to counter the overt forgery of pedigrees by dealers… the General Stud Book now accepted only Consular Certificates issued in the port where a horse was exported“(James Fleming, writing in Lady Anne Blunt, Journals and Correspondence, p. 407). After a favorable review from Weatherbys, the papers returned to Alexandretta and Aleppo for consular verification, which they obtained. It seemed as though the Jockey Club was ready to register the Davenport horses when negotiations broke down, and the Jockey Club denied the application. Davenport, whose vocation was the drawing of political cartoons, claimed his unflattering portrayal of Jockey Club chairman August Belmont was the cause of bias.

Davenport reminded people that the Jockey Club already had registered several imported Arabians from the Middle East on the basis of documentation ranging from the flimsy to the non-existent. One such mare, belonging to Peter Bradley, was apparently either *ABBYA or *ZARIFFEY, both described as “Kehilan, sub-strain unknown” in the auction catalog from the Hamidie dispersal. Davenport pointed out that their description was useless for establishing purity of blood, and neither mare appears among the eventual registrations of the Arabian Horse Club. Davenport also publicized the Jockey Club’s acceptance of *BEAMING STAR, an unpedigreed animal which Davenport’s traveling companion Jack Thompson had bought on the dock in Beirut and shipped to America on a boat separate from the Davenport importation.

Though registered by the Jockey Club, none of the above animals appears in the Arabian section of the printed ASB volumes. Also conspicuously absent is one of W.R.Brown’s 1918 imports from Crabbet, *RAMLA. This is perhaps because the registrations of foals, and hence to a certain extent their parents, were based on the annual return of breeding records of mares, as were the registrations in the GSB. Since most Americans will not be acquainted with this format, a typical GSB entry is quoted from Volume XXII(1913), p.l 957:

MABRUKA (Bay), foaled in 1891, by Azrek, out of imp. Meshura, continued from Vol. XXI, p. 896.
1909 b.f. Munira, by Daoud	Crabbet Stud
1910 b.c. by Rijm (died in 1912)
1911 b.f. Marhaba, by Daoud
1912 barren to Ibn Yashmak
1913 not covered in 1912

MARHABA is familiar to American breeders as the dam of the Selby import *MIRZAM (by Rafeef).

Since the Jockey Club refused to cooperate, Davenport joined with other interested Arab horse enthusiasts and formed the Arabian Horse Club (AHC) in 1908. The next year the Arabian Horse Club issued its first stud book, and after certification by the Department of Agriculture, it became the official registration authority for Arabian horses in America. The original 1909 stud book registered 71 Arabians, of which twelve had also appeared in the Arab sections of the ASB volumes published to that date. These horses were therefore “double registered” Arabians.

One Arabian breeder was unimpressed. Though invited to register his horses, Spencer Borden felt no need to do so. His stock imported from England was in the GSB and ASB, the foals he had bred were also in the ASB, and he “did not care to enter them in any other place” (see The Rider and Driver, Vol. XXXVIII, No. 9, May 22, 1909, p. 4). At that point in time, Borden was almost the only one breeding ASB registered Arabians. The registration on the Huntington animals had lapsed, and many of the breeders working with Huntington bloodlines entered their horses in the new AHC stud book. Ramsdell produced an occasional ASB registered foal from one of his *NEJDME mares, but his period of greatest activity as an Arabian breeder had passed. Borden had an effective monopoly on the production of Jockey Club registered Arabians.

Borden’s ultimate goal as a breeder of Arabian horses was to convince the United States Army to use his horses as the basis for an American cavalry stud, producing part-Arab animals for military use. In 1909 he was the only person breeding a significant number of Arabians eligible to the same stud books as Thoroughbreds, and he no doubt saw this as a great advantage.

In 1917, apparently at the insistence of W. R. Brown, Borden relented and “double registered” his horses by entering them in the AHC stud book. Shortly after this, Brown bought out the Borden program, becoming the new monopolizer of double registered stock. In 1918 Brown made a substantial importation from the Crabbet Stud. At the time, Brown’s chief American rival as a breeder was Peter Bradley, whose Hingham Stock Farm had continued to breed the Davenport Arabians after the latter’s death in 1912, as well as horses of Hamidie and one or two other lines. However, Bradley did not breed double registered stock, and the last Arabian foal crop born in Hingham ownership came in 1921.

Brown’s Maynesboro Stud was to enjoy a number of years as the largest Arabian nursery on the continent. He had bought Crabbet bred horses imported by Ames, Borden, and Davenport. He had made his own large importation from that source, followed by a second and much smaller importation from England. He had bought the rest of the Borden herd, which included animals of Dillon, Ramsdell, and Huntington lines. Among the latter was the mare NAZLET, whom Borden had had to register with the Jockey Club himself. Brown also developed a network to keep himself informed of Arabian horses which became available for purchase. After the closeout of the Borden operation and before the 1926 Kellogg importation from Crabbet, Brown was almost the only breeder of double registered stock.

Among the horses Brown’s brother had acquired from the Davenport estate was the 1910 bay stallion JERRED, by the Davenport import *EUPHRATES and out of *NEJDME. Several writers have advanced the theory that JERREDE was not out of *NEDJME, but rather her granddaughter NEJDME III, claiming that Davenport never owned *NEJDME and that the AHC made a mistake in attributing the colt to her. Both Volume 1 (1913) of the AHC stud books and Volume XII of the ASB attribute *NEJDME’s ownership to Davenport, and state unequivocally that JERREDE was her son. Furthermore, as of 1909 NEJDME II (whose sire *OBEYRAN was single registered) was in the ownership of Eleanor Gates in California. Brown was using JERREDE at stud in a limited way, and by 1915 he had begun an effort to accomplish the Jockey Club registration of the Davenport imports *URFAH and her son *EUPHRATES, thus making JERREDE and his get eligible, too. Brown traced a copy of the Arabic document pertaining to *URFAH and *EUPHRATES, secured consular verification of it, and finally had Lady Anne Blunt vouch for its authenticity. The Jockey Club notified Brown of the completion of the registration in 1919. *URFAH and *EUPHRATES appear in ASB XII (1920), on p. 662. Since the credentials of the other Davenport imports were really no different from those of *URFAH and *EUPHRATES, the possibility of double registering them arose. Brown did not want to watch the rest of the Davenport horses ride into the ASB on the coat tails of *URFAH and *EUPHRATES. He insisted that should the Hingham management wish to pursue the matter, the Jockey Club ought to consider the Davenport imports on a case by case basis (see Charles C. Craver III, “At the Beginning,” Arabian Horse News, May, 1974, pp. 97-112). The management at Hingham evidently did not, and the other Davenport animals remained single registered, duly entered in The Arabian Stud Book, but not the Jockey Club Stud Book.

The JERREDE influence endured at Maynesboro only through his daughter DJEMELI (out of Nazlet), dam of MATIH. Other single registered lines from Maynesboro’s early days did not endure, producing their last foals for Brown in 1921. In 1921 and 1922 Brown imported Arabians registered in the French Stud Book, making the last additions to the double-registered gene pool which did not come from the GSB. Brown’s limitation of his breeding stock to double registered animals amounted to a self imposed restriction of his options. Looking from the broadest perspective, that of the development of the breed as a whole in America, Brown’s attitude meant that the separate breeding traditions which Davenport and Borden had established by and large remained separate for another generation. Brown’s horses amounted to a breed within a breed. Since double registration gave his animals an added selling point, Brown and others to follow had a not insignificant economic stake in the matter as well.

Brown made two further importations of Arabian stock to this country: the better known of these is his 1932 importation from Egypt, which included *NASR, *ZARIFE, *RODA, *AZIZA, *H. H. MOHAMED ALI’S HAMIDA, and *H.H.MOHAMED ALI’S HAMAMA. The latter two received their lengthy appellations to distinguish them from Brown’s 1923 import *HAMIDA (Daoud x Hilmyeh) and the mare HAMAMA (Harara x Freda) of Davenport and Hamidie lines. There is evidence to suggest that Carl Raswan helped to steer Brown in the direction of the Egyptian horses. None of the Brown’s 1932 imports appears in the Arab section of the ASB, apparently closed to new non-Thoroughbred registered stock by that time (see below), and since Brown began dispersing his herd shortly after their arrival, it is unclear what use he would have made of them. Brown bred single registered 1934 *NASR foals out of RAAB and BAZRAH. *AZIZA produced the 1935 colt AZKAR, by RAHAS.

Brown also made his own small importation from the desert in 1929. These horses were never registered with either the ASB or AHC. Some believe they never reached this country.

W. K. Kellogg’s importation from the Crabbet Stud in 1926 greatly expanded the base of double registered breeding stock, in terms of numbers and also bloodlines. By that time, the GSB had been closed to newly imported Arabians. The passage of the Jersey Act in 1913 had closed the GSB to Thoroughbreds from other countries, unless they could trace their pedigrees in all lines to animals entered in previous volumes. The 1921 decision did the same thing for Arabians, though one wonders if the death of Lady Anne Blunt in 1917 and the advanced age of her husband, leaving no equal authority, had been an additional factor, making Weatherbys leery of becoming involved in future controversies similar to the one which had surrounded the Davenport horses. Their principal business was the registration of Thoroughbreds, not the verification of the pedigrees of imported Arabians. GSB XXIV (entries through 1920) registered imp. Skowronek, and GSB XXV (through 1924) included imp. DWARKA, the last Arabian added to the GSB gene pool. DWARKA blood had reached America in 1924 in his daughter *ANA. Skowronek blood arrived in the Kellogg shipment of 1926. At about this time the ASB followed suit and ceased to consider imported Arabians not already in the GSB or another Thoroughbred stud book. This established the ASB Arabian gene pool as overlapping that of the GSB with the addition of *EUPHRATES, *NEJDME, and Brown’s French imports. The double registration of the line from *Leopard had not been maintained.

With the advent of manager Herbert Reese in 1927 and the influence of W. R. Brown’s opinions, the management at Kellogg’s came to believe in the importance of double registered stock. Letters in the Kellogg files between Reese and Kellogg indicate that the double registration factor had a major bearing on most aspects of management policy: planning matings, starting young stallions at stud, and the buying and selling of breeding stock. For instance, Reese admired the young sires *FERDIN and FARANA for their conformation, and reminded Kellogg that they had the added advantage of being double registered. Reese made the decision to buy LEILA (El Jafil x Narkeesa) in spite of her status as a single registered mare.

Looking at the Kellogg record from Reese’s arrival in 1927 through 1933, one sees that despite the higher priority attached to double registered stock, the first seven mares Reese purchased and then bred registered foals from had Davenport blood, and that Reese bred more than fifteen foals from double registered mares and single registered stallions. The reason for this is perhaps contained in correspondence between Reese and Kellogg among the Kellogg Ranch Papers. They mention the possibility of registering the ranch’s Davenport stock with the Jockey Club for $50 per head. This writer was unable to locate correspondence to and from the Jockey Club, or any letters explaining why the plan did not come to fruition. Whether Reese and Kellogg, or the Jockey Club, did not follow is not known, but by the summer of 1934 Reese was writing to Kellogg that “…we have eliminated a large percent of the single registered stock” (H.H. Reese to W.K. Kellogg, August 25, 1934). Reese’s last three single registered Kellogg foals out of double registered mares were the 1933 HANAD fillies out of *FERDISIA, *RIFDA, and RAAD. Thereafter, he put Jockey Club mares to Jockey Club stallions only. The fortunes of Davenport blood at the Kellogg Ranch declined as many, but by no means all, Davenport and part Davenport horses were sold. Well known double registered Arabians bred at the Kellogg Ranch include ABU FARWA, FERSEYN, SIKIN, RIFNAS, NATAF, RONEK, SUREYN, and ROSEYNA. Later writers had an unfair tendency to bolster the reputation of these horses at the expense of the ranch’s single registered stock.

As Maynesboro began to break up in the early 1930s, the greatest concentrations of Maynesboro stock accumulated at Kellogg’s, J. M. Dickinson’s, and W. R. Hearst’s. All three breeders continued to double register their horses. Together with the Selby Stud, which had acquired the bulk of its foundation stock from Crabbet, these studs were the principal breeders of double registered Arabians in the 1930’s, and among the largest breeders of Arabian horses in general.

The other major player was Albert Harris, who had bought his first Arabians from Davenport. His foundation sire NEJDRAN JR. and mares SAAIDA and RUHA were all single registered. Harris later added the Davenport import *EL BULAD, a stallion he had tried for years to buy from Bradley before he at last convinced him to sell, according to a letter from Harris among the Kellogg Ranch Papers. Other single registered Harris foundation mares included the Hingham bred MORFDA, MERSHID, and MEDINA. Most of the Harris Arabians were single registered, but he also bred from *ANA, a double registered mare he had imported from England, and a number of double registered mares from Maynesboro: OPHIR, NANDA, *SIMAWA, NIHT, NIYAF, BAZVAN, and MATIH. Harris imported the double registered stallion *NURI PASHA from England in 1924, and had his first ASB registered foals born the next year. With an occasional lapse, Harris proved amazingly conscientious about breeding his few double registered mares to double registered stallions. From 1925 through 1941, Harris bred 38 double registered foals, and only 5 foals from Jockey Club mares and single registered stallions. His Jockey Club mares almost always went to KATAR (Gulastra x *Simawa), *NURI PASHA, KEMAH (*Nuri Pasha x Nanda), KAABA, or KHALIL (both *Nuri Pasha x Ophir) rather than Harris’s single registered sires like NEJDRAN JR., ALCAZAR (Nejdran Jr. x Rhua), and *SUNSHINE. From 1925 through 1931, Harris distinguished his double registered foals by giving them names beginning with the letter “K,” among them the stallions named above. He later abandoned the system: three single registered foals of 1932 and 1934 also got “K” names, and beginning in 1935 virtually all Harris bred horses got names beginning with the letter “K.” In 1942 and 1943 (the last two years in which the Jockey Club registered Arabians as Thoroughbred horses), Harris-owned double registered mares produced five more foals, all by Jockey Club stallions. For some reason, these appear only in the AHC stud book, and not the ASB.

General Dickinson’s farm, Traveler’s Rest, also appears to have used double registration as a guide for making decisions. Most of Dickinson’s double registered horses had come from Brown. Dickinson bred 65 double registered foals born from 1931 through 1942. (Two additional foals, ISLAM and BINNI, were from double registered parents but do not appear in the Arab section of the ASB.) Only 17 Traveler’s Rest foals from the same period were by single registered stallions and out of Jockey Club mares. This seems to indicate that the consideration of double registration had a major effect on breeding decisions at Traveler’s Rest. Jockey Club registered mares were more likely to go to GULASTRA, RONEK, JEDRAN, KOLASTRA, or BAZLEYD than *NASR, *ZARIFE, or *CZUBUTHAN. The matter was of sufficient importance to Dickinson that his catalogs indicate which of his horses carried ASB registration. The consideration may have had a bearing on Dickinson’s decision to sell the Davenport stallion ANTEZ to Poland. Famous double registered Arabians bred by J. M. Dickinson include ROSE OF LUZON, NAHARIN, GINNYYA, CHEPE NOYON, HAWIJA, BRIDE ROSE, GYM-FARAS, and ALYF.

At Selby’s, aside from ten foals out of the single registered mares MURKA, SLIPPER, CHRALLAH, and ARSA, the exception was *MIRAGE. Lady Wentworth, daughter of the Blunts, had taken charge of Crabbet in 1920, and bought this desert bred stallion at Tattersalls in 1923. The 1924 Crabbet Catalog relates that Lady Wentworth was waiting for the completion of additional paperwork regarding his provenance before incorporating *MIRAGE into the Crabbet herd. The writer does not know the outcome of the paperwork, but in 1921 the GSB had closed to imported Arabians, as noted above. Weatherbys registration was of the utmost importance to Lady Wentworth, and unable to induce the GSB to reopen for *MIRAGE, she sold the horse to Roger Selby in 1930.

Britain’s Arab Horse Society (AHS) had formed in 1918 and issued its first stud book the following year; it stood ready to register imported Arabians after the closing of the GSB. However, Lady Wentworth had had a disagreement with the Arab Horse Society, and had ceased to register her horses in its stud book after the 1922 foals. Somewhat like Borden before her, she felt that GSB registration was all her horses needed. It was not until after the War that she rejoined the Society, so *MIRAGE does not appear among AHS registrations.

Selby’s showed little reluctance to breed *MIRAGE and his son IMAGE to double registered mares. The *MIRAGE daughters RAGEYMA and GEYAMA went into the Selby mare band. Of the 64 AHC registered Selby foals born to double registered mares from 1932 to 1943, 28 were by *MIRAGE or IMAGE. However, the management at Selby’s took double registration seriously enough that all eligible Selby foals appear in the Arabian section of the ASB, with the inexplicable exceptions of FRANZA (*Mirzam x *Rose of France) and RASMIAN (*Selmian x *Rasmina). Apparently ineligible was NISIM. NISIM was originally registered as the 1940 grey foal of two chestnuts, namely IMAGE and NISA. After the coat color incompatibility became apparent, the AHC changed the sire to *Raffles. The 1940 entry under NISA in the ASB reads, “covered previous year by an unregistered,” which was standard ASB notation for single registered Arabian stallions used on double registered mares. Famous double registered Arabians bred by Roger Selby include RASRAFF, RAFMIRZ, INDRAFF, SELFRA, and MIRZAIA.

The only Arabian sire getting registered Arabian foals in the first two crops of W. R. Hearst’s stud was the 75% Davenport stallion JOON. By 1935, when the third crop was on the ground, the program had expanded to include the Davenport stallion KASAR and the Crabbet import *FERDIN. The Hearst program was growing rapidly with purchases from the Kellogg Ranch and the disbanding Maynesboro Stud. All of the Maynesboro horses were double registered, but some of the Kellogg purchases were horses with Davenport pedigrees. The Hearst Sunical Land and Packing Corp. began producing double registered Arabian foals in 1936. From that year through 1943, it bred 56 double registered foals, and only five foals from Jockey Club mares and single registered stallions. The key Jockey Club sires at Hearst’s were RAHAS, GULASTRA, GHAZI, and REHAL, all bred at Maynesboro, and the homebred ROABRAH (Rahas x Roaba). Hearst’s also owned and used the Davenport stallions KASAR and his son ANSARLAH, but restricted them in large part to their single registered mares: ANLAH, SCHILAN, LADY ANNE (daughters of Antez), RAADAH (by Hanad), ALILATT (Saraband x Leila), RASOULMA (*Raseyn x *Malouma), and FERSABA (out of the Davenport mare Saba). The other single registered sire at Hearst’s was JOON, but after the management decided to use double registration as a criterion for planning the breeding schedule, apparently the only mare he ever saw was ANTAFA (Antez x *Rasafa). The Davenport influence at Hearst’s, as at Kellogg’s and Harris’s, would likely have been far greater had double registration not been an issue.

Other breeders double registering Arabian foals during the years 1934-1943 included Fred Vanderhoof (from *Ferda and *Bint), E. W. Hassan (from Ghazil), L. P. Sperry (from *Kola and Larkspur), Donald Jones (from Nejmat), C. A. West (from Bazvan), Ira Goheen (from Hurzab and Kokab), L. S. Van Vleet (from *Rishafieh, Raffieh, Selfra, Gutne, and Ishmia), and R. T. Wilson (from Matih). Their combined total of double registered foals was minor compared to the five farms discussed above, but it demonstrates that the concern with double registration and its effect on management policy were not confined to a select group of breeders. At Van Vleet’s, for instance, the Jockey Club mares were more likely to go to KABAR (Kaaba x *Raida) than *ZARIFE.

Until fairly recently, the Arabian Horse Club was inconsistent in assigning the breedership of foals to the owner of the dam at time of covering. Sometimes the breedership of a foal was attributed to the owner at time of foaling. The latter seems to have been the Jockey Club definition of “breeder,” and as a result the breeders of several familiar Arabians differ from ASB to AHC. RABIYAS, e.g., was bred by W. R. Brown according to The Arabian Stud Book and by the W. K. Kellogg Institute according to the ASB.

Some Arabians are in the ASB under a different name. Many of these amount to minor spelling variations, as in the case of HAWIJA (spelled “Hasijah” in ASB). Some take the form of the addition or subtraction of a prefix or suffix. DANAS is “Danas Maneghi” in the ASB, while *CRABBET SURA is “Sura.” Sometimes a numeral was added or subtracted. *Raffles is in the ASB as “*Raffles 2nd,” as there was apparently a Thoroughbred by that name. The mare *NARDA II is in the GSB and the 1906 Crabbet catalog as “Narda,” the numeral apparently added to distinguish her from an American Thoroughbred of the same name. In her case it carried over to her Arabian stud book registration. A few have entirely different names, e.g. RIFDA who is “Copper Cloud” in the Jockey Club Stud Book.

The last Arabians which the Jockey Club registered as Thoroughbred horses were 1943 foals. By the late 1950s, most newer breeders were not even aware that at one time there had been two categories of registered Arabians in America. Very few living Arabians in America show straight Jockey Club pedigrees; this writer estimates fewer than 1%. Among them one would have to include those horses bred from GSB registered Crabbet and Hanstead lines imported from the U.K. in recent decades. The GSB continued to register Arabians through the foals of 1964 and this function helped to a certain extent to hold the older English Arabian lines together as a breeding unit.

The issue of double registration had a controlling influence over the development of the Arabian breed in America. Until the early 1940s, all new breeders had to decide if Jockey Club Arabians were important to them, and if so, to what extent. The double registration factor goes a long way toward explaining why Davenport mare lines were more frequently top-crossed to Crabbet stallions than ASB mare lines were top-crossed to Davenport stallions. The double registration idea continued to influence after 1943, but one cannot know exactly how many breeders based decisions on the possibility of the Jockey Club reopening the ASB to Arabians. Readers are encouraged to examine the pedigrees of their own horses to find breedings selected possibly with double registration in mind.

[A final note regarding Jockey Club registered Arabians pertains to the use of the asterisk(*) to denote an Arabian horse imported to this country. Its first use as such in a printed stud book was in ASB Volume X (1910). The Jockey Club also used the symbol to denote imported Thoroughbreds. It was not until Volume IV (1939) that the Arabian registry adopted its use, though it has recently abandoned it. Arabians imported after June 1, 1983 no longer receive an asterisk as part of their registered names in this country. However, the symbol continues to delight advertisers and pedigree writers; there are no restrictions on its use in these contexts.]

The San Simeon Stallions, 1937: from left JOON, RAHAS, SABAB, GULASTRA, KASAR and GHAZI. Is it a coincidence that they were posed so that the single-registered horses alternated with double-registered ones?
Photo courtesy Harriet Hallonquist.

The Descent of Anazeh (Part 2)

This entry is part 5 of 6 in the series Leopard and Linden Tree

by Michael Bowling
Copyright 1979 by MICHAEL BOWLING used by permission of Michael Bowling published in Arabian Horse World July 1979
Photos from the Carol Mulder collection (unless otherwise noted)

Rafissa 1695 (*Raffles x Ydrissa), Gina Manion up, 1950’s.

Arthur Ball, president of Ball Jar Company (home canners in the audience will nod wisely at the name), bought the George horses around 1935, and OURIDA and YDRISSA were in the group. Ball sold this pair of chestnuts to the Manions for $1500 (“We have our canceled check!”) and Manion Canyon came into being.

The Manions first sent their mares to IMAGE and *Raffles; the resulting fillies in 1939 were IMAGIDA 1694 (Image x Ourida) and RAFISSA 1695 (*Raffles x Ydrissa), the latter being only the fourth foal registered to her soon-tremendously-influential sire. RAFISSA was YDRISSA’s only Manion-bred foal, as the mare was sold to New York where she produced three more fillies, all of which have bred on in turn. At Manion Canyon RAFISSA produced 13 foals, of which RIFRAFF, by her sire *Raffles, was much the most influential. OUIDA’s daughter RAYGEENA was probably her most influential for the Manions, but another first foal success, the elegant IMAGIDA, represents her most wide-ranging contribution to the world.

I remember this mare’s *Raffles daughters GIDA 4353 and RAFGIDA 4981 as most elegant and impressive, and of course their brothers IMARAFF 3476 and RAFFI 3781 have been influential, in a great many respected programs.

Mrs. Manion quotes Dr. Munson as saying there must be 5,000 modern descendants of OURIDA. Asked how the Manions came to part with IMAGIDA, source of the OURIDA cross in most of those, she outline “one of those stories” which she said always had been a sore spot with her. William States Jacobs of Texas phoned “every day at 7:00 a.m. for two weeks trying to buy either IMAGIDA or RAFISSA.” IMAGIDA was being most determinedly “green” at the time (well–not to put too fine a point on it–“IMAGIDA had run away with me in the sleigh and kicked it to pieces. I rode the runner and held on to the reins until she headed for a fence, then I bailed out. Another time she lay down on the road with me, saddle and all, and wouldn’t get up“) and Jacobs apparently hit the psychological moment–at any rate he got IMAGIDA for $1000 (“I cringe to think of it!”). According to Mrs. Manion the check to pay for the mare was signed by Roger Selby, and IMAGIDA never left the Selby Stud even though the Studbook lists Jacobs, not Selby, as breeder of IMARAFF, RAFFI, GIDA and RAFGIDA.

ANAZEH’s daughter NAZLINA 6 produced KHALETTA 9 in 1903, and ARAB PRINCE 72 in 1904, both sired by Khaled and bred by Huntington. These four, along with NARKEESA 7 (Anazeh x *Naomi) and several others, went through what appear to have been the final dispersal sale of Huntington’s horses in 1907. This was the auction in which old *NAZLI was sold from her stall as being in too poor condition to lead out, so it appears that hard times had set upon the program with a vengeance. The largest buyer at this sale was the Hartman Stock Farm in Columbus, Ohio, and NAZLINA, KHALETTA and NARKEESA were among the ones they took home.

A new change on Huntington’s “linebred Maneghi” idea was rung in Ohio: KHALETTA and NARKEESA were both bred to Homer Davenport’s desertbred Maneghi Sbeyli stallion *HALEB 25, “the pride of the desert,” in 1907, a year after the Davenport group arrived in this country. It seems quite likely that the Hartman mares were sent straight to *HALEB’s court from the auction, since New Jersey would be on the way home from New York to Ohio. One hopes, at any rate, that Huntington was in on the decision to try the cross, as he would have enjoyed planning this return to a new source of the strain he had tried to preserve.

In any event the idea can’t be called a blazing success. Only these two foals were bred by the Hartman Stock Farm: NARKEESA produced a bay colt, LEUCOSIA 50, and KHALETTA a bay filly, METOECIA 51. It would seem that the nucleus of horses passed to one Meldrum Gray, also of Columbus, for in 1910 he bred KHALETTA to the two-year-old LEUCOSIA, getting for his pains the chestnut colt NARKHALEB 114, another of those “absolutely Maneghi” pedigrees that this group of horses turned out now and then. Again, I will not try to describe this inbreeding–please see NARKHALEB’s pedigree in TABLE III.

NARKHALEB 114 Chestnut stallion 1911	Leucosia 50	*Haleb 25	DB	DB
				DB
			DB	DB
				DB
		Narkeesa 7	Anazeh 235	*Leopard 233
				*Naomi 230
			*Naomi 230	Yataghan GSB DB
				Haidee GSB DB
	Khaletta 9	Khaled 5	*Nimr 232	*Kismet 253
				*Nazli 231
			*Naomi 230	Yataghan GSB DB
				Haidee GSB DB
		Nazlina 6	Anazeh 235	*Leopard 233
				*Naomi 230
			*Nazli 231	Maidan GSB DB
				*Naomi 230

DB: Desertbred GSB: General Stud Book, England

NARKHALEB’s descendants are all through his outcrossed daughter from KILLAH 103, she by *GOMUSSA 31 DB x *HADBA 43 DB.

NARLAH 916

KHALETTA and METOECIA were among the first Arabians purchased by W.R. Brown when he founded his not-then-famous Maynesboro Stud in 1914. He bred three foals from KHALETTA and five from METOECIA but nothing has come of any of them; Brown came to own KHALETTA’s sire and quite possibly decided he liked his *Naomi breeding less inbred than KHALETTA represented it, and since it was his ambition to have an entirely “double registered” (Jockey Club as well as Arabian Horse Club) herd, METOECIA did not fit his plans too well. The Davenport horses were not registered with the Jockey Club, and so of course neither were their get.

The NAZLINA branch from ANAZEH thus reduces to the single stallion NARKHALEB. He too went to New England, to Hingham Stock Farm, where he sired MIZUEL 388 from SANKIRAH 149; this horse, foaled in 1919, came to be owned by W. K. Kellogg and to sire three foals, all colts, none of which left descent. D. Gordon Hunter bred HAYABEL 791, NARKHALEB’s 1930 daughter, another who dropped out. In 1931 W. K. Kellogg bred NARKHALEB to the unrelated mare KILLAH 103, resulting in the brown 1931 filly NARLAH 916 who managed to propagate this slenderest surviving branch of the ANAZEH family tree.

NARLANI 6261 (Aulani x Narlah) at age 20 (courtesy Susan Brandol).

TEENA 11586 (Yatez x Narzah by Narzigh x Narlah).

This branch spread on quite well after its difficult start; NARLAH produced nine foals of which six have registered offspring, though the foals of her first daughter ARAKI 1677 did not breed on to future generations. Most of NARLAH’s foals were bred by E. E. Hurlbutt, and two fillies of his breeding (NARSEYNA 3347 and NARZAH 4198) produced 11 and 14 foals respectively. NARLAH’s son NARLANI 6261 sired 17 foals (only four of them colts!) though he was not used to get registered purebreds until he was 15 years old. NARSEYNA was dam of the popular sire SUROBED 6675. NARLAH’s last foal COALANI 8419, full sister to NARLANI, had a son (Rabalain 20302) and grandson (Ben Rabba 29921) exported to England, so this *Leopard branch too is international in scope.

The double *Naomi mare NARKEESA did not accompany her relatives to New England; her travels were in the opposite direction, and she ended up in San Francisco, CA, where she produce five outcrossed foals by EL JAFIL 74 for two different owners. Three of these dropped out, but the youngest two more than made up for the disappearing act of their siblings.

The first of these was EL SABOK 276, foaled in 1916. He became a Remount sire and achieved a distinguished record in endurance tests, which brought him to the attention of that proponent of usefulness and hardihood, Albert W. Harris. EL SABOK was used for three seasons at Harris’s Kemah Stud, and sired some of the most influential animals to come out of (or take part in) that program. Of EL SABOK’s 15 registered get–making him far and away the most prolific *Leopard descendant within the first four generations, as is obvious from Table 1–only five left no registered descent, and most of the others have bred on quite extensively.

EL SABOK 276, July 26, 1920, age 4. From the collection of Mrs. N.W. Harris, courtesy of Mrs. Douglas Wernick.

EL SABOK 276 on an endurance ride, N.W. Harris up. Only stallion to finish, age 9.

OMAN 570 (El Sabok x *Ana by Dwarka), Miss Helen Caudle up.

STAMBUL 575 (El Sabok x Morfda by *Hamrah)

STAMBUL 575, photo by Cecil Edwards (copyright Lois M. Berry)

EL SABOK’s grey son STAMBUL 575 was his most prolific offspring; we are told he sired over 1,000 foals–mostly Remount half-Arabs, of course, and most of them not registered–but he got 20 registered purebreds and had he only sired ALLA AMARWARD 1140 he would have been an influential breeding horse, as Carol Mulder’s article on that prolific sire in this issue makes clear. The *Leopard line has been spread to other countries through this branch as well; I know ALLA AMARWARD’s descendant WITEZAN 8552 went to Australia and left offspring there before his death.

EL SABOK’s daughters SABIGAT 672 and HIRA 571 both produced at Traveler’s Rest in their later year; General Dickinson was a great believer in outcrossing and in combining Arabians from as many sources as possible in his program, and thus introduced a number of Harris horses over the years. Of course, he also admired their proven ability as demonstrated in endurance tests and other performance fields.

The SAERA 670 branch from EL SABOK is a lesser-known but very prolific one, with several long-lived producers to its credit on the female side. The good mare ROKHAL by EL SABOK produced in California, with a string of HANAD foals and another series by A’ZAM, along with some “singles” by other sires. ROKHAL descendants also were exported, this time to Nicaragua, but did not breed on in recorded stock. NAHA 671 also went to California and hers is another *Leopard branch that passed through the hands of E.E. Hurlbutt. Her most influential offspring probably has been NAHADEYN 3114, though she also bears the distinction of having produced NABOR–not the Russianbred NABOR, registered here a *NABORR, but the 1941 foal who bore that name originally and was responsible for the “furriner’s” having to add a letter when he arrived here. The first NABOR has no descent, which is probably just as well from the point of view of future students of pedigrees.

BESRA 572 was exported to Hawaii; doubtless her descendants still exist in the Island, but their registration was not maintained. The very good EL SABOK mare EMINEH 576 bred on successfully in a number of lines, as did GIRTHA 630 though with lesser opportunity (fewer foals). An interesting story must revolve around AGA 668; he was used at stud at three by Harris, and he and both his resulting sons were promptly gelded. Be that as it may, his daughter TERNA 934 produced four foals and two of these bred on, so AGA still has descent.

OMAN 570 sired 12 foals spread over 20 years, and a number of these were used for breeding — indeed, his daughters SURA 781 and especially KAHAWI 782 would have to be accounted among the distinguished matriarchs of their generation.

I hope it is clear from the above that EL SABOK’s is much the most widepread and influential of the ANAZEH branches; only that of IMAGIDA even dreams of rivalling it. The very strength of numbers makes it impossible to go into the detailed accounting of breeder and locations making use of his stock, done for the founders of the other lines. (In fact El Sabok did not do much traveling that we know of–he somehow got from California to Wisconsin, but beyond that–he stood at the Kemah stud and was used by Albert W. Harris, and there is no more to say.)

Leila 575

EL SABOK’s sister LEILA 275 was foaled in 1917. Her only producing daughter was ALILATT 632 who bred on in five separate line, doing rather better than her dam, in the way of daughters at least. ALILATT was a producer for the W. Randolph Hearst interests and thus met a number of different breeding sources in the sires of her offspring. Two of ALILATT’s daughters, KASILA 1266 and ALIDIN 1411, produced ten foals apiece.

KASILA’s included the *RASEYN son KARONEK who sired 40 foals, so spread that *Leopard branch rather widely; another of KASILA’s was ROKILA, by ROKHAL’s son ROKHALAD and so a great- granddaughter of both EL SABOK and LEILA, and a strong source of the *Leopard influence, comparatively speaking. Interestingly, the doubling to *Leopard here was done with the horses (of his sources) least inbred to *Naomi and thus most likely to have given him something to say in the matter.

ALIDIN was a Van Vleet matron and numbered some familiar names in her branch, and several extremely prolific matrons–two of her daughters produced 15 and 18 foals. ESPERANZO is a familiar name picked from this lot, and ALIDIN’s first foal, the mare ALIHAH, had several highly-regarded daughters to represent her. A mystery that someone, somewhere, can probably clarify, has to do with ALILATT’s 1940 production: she had two chestnut fillies listed to her credit for that year, with two different breeders and foaling dates, but the same sire. One of these, RIFLATT, had her registration canceled, and the other, GUEMERA 1807, had no descent, so the matter is largely academic–but it would be interesting to know just what went on here.

EL KUNUT 1856 (El Kumait x Leila)

LEILA’s son LEIDAAN 1679 carried on the tradition of prolific daughters–he did not have many, but several of them produced foals in numbers like 14 and 18. To be fair, several of his get (including the daughter with 18 foals) were crossed back to LEILA through ALIDIN, so this tendency was probably coming from both sides. The last LEILA foal was the very handsome halter champion EL KUNUT 1856, a popular sire in his day (17 foals, two out of an Alla Amarward mare and three more out of El Kunut’s own daughter, so doubled back to Narkeesa), whose descendants are still breeding on.

“The descent of ANAZEH” is a vast subject and one which tends to get out of hand, both physically in trying to keep track of the masses of notes and charts of descent involved, and mentally in trying to picture just how many horses are actually involved here, and what we know of them. It would be scientifically unsound, and I would be called out for it from now until 1990, to try to guess the genetic influence today of a horse foaled in 1890. We do have samples of ANAZEH’s genes around today; the problem is that we don’t have the information on all the intermediate links, that would enable us to tell which of today’s circulating genes originated with him.

I will go so far out on a limb as to share my impression (garnered from a study with no controls, shame to admit) that there are so many ANAZEH descendants, because ANAZEH-bred females in the early generations were prolific above the average of the breed. I haven’t approached this systematically, but I would be very much surprised if a random sample of the breed included as many dams of 14, 16, 19 foals, as are listed in my data sheets on the ANAZEH group. This trend does not continue right back to ANAZEH’s daughters, but we have the difficulty of not knowing how many purebred foals went unregistered in those first generations. Certainly some proportion did, and very likely in the crash of the Huntington program many females of this breeding went into production of other type of horses–there was very little call for pure Arab breeding in those days.

*LEOPARD descendant in costume class forty years ago. Photo shows the first Arabian costume class in the state of Indiana–1939. The sixth horse from the left is YDRISSA 927 (Antez x Bint Nimnaraah), with five crosses to *NAOMI, dam of ANAZEH. Sam Miller up. Writes Gina Manion, who sent photo: “Compared to the fanfare today, this is quite a switch. Costumes consisted of bedspreads, bathrobes and turkish towels with head-bands. Quite authentic looking, actually!”

[Photos from the Gina Manion collection appearing with this article included: Ourida and Ydrissa, Rafissa, and the “*Leopard descendant in costume class.”]

Arab Families (1950)

by GRACE DASHIELL

(Western Horseman June, 1950)

There are definite and noticeable variations in the conformation of Arabian horses. Most of these can be traced to the influence of the three main family strains. The Muniqui strain seems to be responsible for the tendency of many modern individuals to fall short of the standard of perfection we like to see in the Arab. This strain has been mixed for the last half century to such an extent that the true classic Arab is difficult to find in any large number today.

Today there is more concern about families than any other phase of Arab ownership. Slowly and surely, there is a concentrated movement to save the remaining classic Arabian horses and, from this priceless nucleus, to reproduce enough of the right kind to save the type for posterity. There is a world-wide return to classic strain breeding. Methods which were practiced for centuries by the purists among the desert tribes and by the master breeders of Arabia and Egypt are again being followed with most gratifying results. Classic stallions are being leased in new territory, and mares are being taken long distances to others. Arabs which are bred within either the Kehilan or the Seglawi, the two distinctive classic strains, or a combination of the two, are being produced. In these are found a well balanced blending of strength and beauty, proving beyond any doubt that this method of Arab breeding is more than just a theory.

Attempts are made to justify mixing the families and to disprove pure-in-the-strain breeding by reference to the unbelievable and amusing tale about the families being founded with the Prophet’s five thirsty mares, which stopped their mad dash for water when Mohammed’s bugler sounded the call to halt. Also, they call attention to the fact that an Arab takes its family name from that of the lower line of the dam only. This was done by the Bedouins in recognition of the most important line. However, these critics fail to go on to explain that it is customary to place the family strain under the name of each Arab on a pedigree for generations back, especially through the great grandparents, and usually six or more generations. When this is done, a clear pattern of the conformation and breeding of the individual under study unfolds.

Advanced pedigree students and serious breeders make out pedigrees on unborn foals when studying sire selection, all complete with families, as an important phase of Arab production. Knowing the characteristics of the various families, they are able, with surprising accuracy, to predict the conformation of the future foal. A basic knowledge of the science of genetics is most helpful. It is customary to study any faults in the mare and aim to correct them in the foal through the sire. Here again, definite knowledge of the family influence is of first concern. Knowing that the genes do not always take the same pattern (except in identical offspring such as some twins, triplets, etc.), any horse being a product of his ancestors and the gamble involved in genetics, the wise breeder looks to the purity of bloodlines for greater surety of success, this cutting down the percentage of chance.

The most important book in the library of the classic breeder is a copy of the early Arabian stud book, which lists the descriptions and family strain of each Arab, the latter in accordance with the practice which was followed by the Bedouins for centuries. The Arabian Horse Club of America discontinued the strain name in the last two editions, Volumes V and VI. As a result, the early copies are in great demand and priced many times their original cost. Many feel that the families should be in the stud book for those who desire this information. The rest could ignore them.

Breeders and buyers are securing copies of the reprints of the books of Brown, Davenport and Borden in their search for information. Some are fortunate enough to have a copy of Lady Anne Blunt’s book, Bedouin Tribes of the Euphrates, which was published in 1879 and gives much information on families, including a large chart of the family strains. Still others have copies of the Selby brochure (published 1937), the Dickinson catalogs, the 1908 catalog of Davenport, and the 1925 catalog of the Maynesboro Arabian stud, all of which give detailed information on families. Some seekers of knowledge have borrowed copies of the original stud books and have written the strains in the last two volumes. Issues of THE WESTERN HORSEMAN which contain articles and pictures by Carl Raswan are highly valued and used as constant reference. Only Raswan himself knows how many marked pedigrees he has filled out in answer to requests, but they must number many hundreds. Others beat a path to his door where he cheerfully gives more information, taking precious time from his writing.

KEHILAN

Historians agree that the original Arabian horse was of the Kehilan type. His body was rounded, muscular, masculine and short coupled. His throat was wide to accommodate a large windpipe which carried oxygen to good sized lungs which were housed within a deep, broad chest. He had an excellent middle with a deep girth and well sprung ribs.

Dharebah AHC 3848, a classic type Arab mare, 1/2 Kehilan and 1/2 Seglawi. She traces entirely to Davenport importations. Photo by the author.

The bone of his legs was fine, but dense, and the tendons were large and well defined. His shoulders were sturdy with a remarkable slope to strongly muscled withers. His short back was joined to his quarters with a short, heavily muscled loin, thus making him a good weight carrier. His joints were large, strong and clean of meatiness. He had long, well muscled forearms, short cannon bone, powerful gaskins and deep, broad quarters, all of which gave him a powerful, extended stride. He was and is the horse of endurance. His jaws were deep and clean. His wedge shaped head tapered to a small muzzle having large, expressive, thin nostrils. It was distinguished by pronounced “tear bones” and was chiseled and full of detail about the lips an nostrils. Summing it up, he was a good horse by any standard. Admittedly, any breeding methods which destroy these good characteristics of the Arabian horse to any noticeable degree are wrong and should be discarded.

Today, the Arab which is bred chiefly within the Kehilan strains for more than four generations is an exact replica of his distant, classic ancestors, proving beyond any doubt that the Arab’s conformation is definitely influenced by pure in the strain breeding. The Kehilan matures slowly and increases steadily in beauty until eight and usually up to 12 years. One of their most noticeable characteristics is a lower head carriage, which makes them ideal sires in the production of cutting horses and Stock Horses. Stockmen who do not like Arabs with the higher head carriage, lighter bone and longer lines would do well to secure Arab stallions of predominately Kehilan bloodlines.

An excellent example of the pure Kehilan type is the chestnut stallion Rasraff. His parents, *Raffles and *Rasmina, his four grandparents are Kehilan. And many others that are predominately Kehilan are being produced each season. These excellent breeding stallions are able to stamp their get. The Kehilan add more bone, shorten back and loins and give more muscle over the back and, in general, more muscle throughout, plus more depth and width to foals of mares which might lack either. Breeding within the two classic strains is being practiced by leading breeders in the United States and other countries, and these Arabs are consistently commanding the highest prices on the market.

Ibn Hanad AHC 4165, sire Hanad AHC 489, dam Gamil AHC 1427, the classic type Arabian. Both sire and dam were of the Seglawi strain. Photo by the author.

SEGLAWI

Occasionally highly refined horses appeared among the early Arabians. Through selection and by crossing the finer with the finer, by inbreeding and line breeding, a distinct type which had finer, longer (but still rounded) lines evolved from the primary Kehilan type. His action was more animated, he was more spirited, his tail was like a gay plume, and he carried his head noticeably higher.

His head was slightly longer and not as broad, but it had more bulge and dish, although, like the Kehilan, he had a clean, chiseled face with prominent tear bones and much detail about the lips and nostrils. He became the showy picture horse which the Bedouins admired as they gathered before their tents in the desert. He was often represented on canvas as the ideal beauty type. The present day Arab, which is bred chiefly within the classic Seglawi strains of several generations, is also a picture in duplicate of his original Seglawi ancestors.

Breeding back to the classic type is one of the features of breeding the Arabian horse which makes it so rewarding and so fascinating. The breeder has a sacred responsibility to preserve this species of horsedom and to mold this plastic clay in the image of his beautiful classic ancestors. To do otherwise, thus destroying the reputation of the Arab for endurance, beauty and purity of bloodlines, is a sin against his trust.

An outstanding example of the ideal Seglawi type is young Ibn Hanad, said by many to be the most beautiful Arabian horse which they have ever seen and acclaimed by that noted authority, Carl Raswan, to be “the most beautiful Arabian stallion which has been produced in the past 40 years.” His parents, Hanad and Gamil, are Seglawi; also his four grandparents and all but two of his great grandparents, which were Kehilan. Stallions such as Ibn Hanad add grace and beauty to foals whose dams are heavy boned or on the plain side. They give finer, slightly longer, rounded lines. They beautify the head and animate the action. Their gaily arched tails wave like a royal banner. Truly they are the peacocks of the Arabian horse world. They are the showy, parade type. To have one of these proud, lovely creatures as a riding companion is to enjoy one of life’s most enjoyable experiences. More Seglawi type foals, which are bred almost wholly Seglawi for four or more generations, are arriving each season as this breeding program gains momentum.

MUNIQUI

According to historical accounts, in the first half of the 6th century, during the reign of Mohammed, some of the Prophet’s warriors returned from war riding foreign stallions in place of their Arab mares which they had lost in battle. Some of the Bedouins crossed these stallions with Arab mares to produce a larger, racy Arab which would be most useful in warfare because of its additional size and speed. Here again, through selection, inbreeding and line breeding, a definite type was produced which was larger, more angular, but plain. They sacrificed beauty for speed in this Arab, which became known as the Muniqui Hedruj. The early purists, then as now, did not believe in mixing this blood with the Kehilan and the Seglawi. It’s as simple as that.

Today, there is not one pure Muniqui Hedruj in the United States. However, being intensely inbred in passing, he has stamped his characteristics in many of the present day Arabs, thus causing their conformation to fall short of the standard of perfection set up for the breed. In fairness, most of the novice breeders did not realize what the effects of the Muniqui blood would be. They did not know how to produce the classic Arab, but they are learning.

Matih AHC 469, dam of Muniq. Photo by Raswan.

Muniq, sire Nasim AHC 541, dam Matih AHC 469, the oblong, angular race type. Both his sire and dam were of the Muniqui Hedruj strain.

Produced by a Muniqui Hedruj sire and dam, the bay stallion, Muniq, is a striking example of this type, his breeding being planned with that object and to prove that the Arab can be bred back to type, in this instance the Muniqui such as the Bedouins originally produced. Muniq is strong in type because he traces on both sides through his sire, Nasin, and his dam, Matih, both registered Muniqui Hedruj, to many of the same Muniqui Hedruj Arabs. Both great grand dams are Nazlet. Both grandsires trace to Kismet and Nazli, Nazli also being the dam of Nazlet. Out of 16 great great grandparents, seven are Muniqui Hedruj, the seven being *Nimr, *Namoi (Naomi), Khaled, *Nazli, *Nimr, Khaled, *Nazli; six others out of the 16 are Kehilan, which should give Muniq great endurance. He attracted much attention at the 1948 Pomona all Arab show, since he was the most extreme Muniqui Hedruj type present.

Image of Khaled by George Ford Morris

The true Muniqui Hedruj is a splendid type. This type should also be bred pure, since it is especially useful in crossing with the Thoroughbred to produce the Anglo-Arab, which meets with much favor among riders who like the higher, thinner withers and the larger size.

Two other principal strains among the Muniqui are the Jilfan and the Sbaili. The Jilfan are tall and leggy, having a long back and a croup which is often higher than the withers. The Sbaili (being a Seglawi cross) are handsome and are often mistaken for the Seglawi, but they have smaller eyes and are narrow between the jowls, sometimes only one finger wide. Their hock action and tail carriage are exaggerated, leading some to consider addition of this blood to correct a sloping croup and a low tail set. But, unfortunately, the narrow throat, small eyes, longer loin and smaller middle are oft times a costly accompaniment.

The eyes of the Muniqui, which sometimes do not match, are smaller and set higher. The bulge may be too low and the face too smooth, lacking distinct tear bones and other detail. The Bedouins always look to the head for signs of good breeding. In judging a good Arab, they measure the throat and space the head, check the chest and place three fingers between the ribs and the point of hip, the length of the loin governing this space.

The aforementioned Muniqui characteristics, and others which produce some Arabs which are not put together right, will be found in varying degrees in the Arabs of mixed families, depending on the number of generations they are removed from Muniqui. Alert observers are able to spot Muniqui blood, especially in the first three generations. Then they check the pedigree for verification.

HAMDANI

The Hamdani, which is a Kehilan strain, have a wide throat and large, intelligent eyes, but their profile is somewhat straight and their muzzle slightly heavier. Although a splendid type, known for strength and endurance, those interested in finer heads and smaller muzzles do not breed this line. Also, the Hamdani do not generally cross well with the Hedruj since they have a larger, longer, plainer head. From characteristics such as these a breeder should know how to avoid disappointment in foals, some of which are pretty as youngsters but get progressively plainer with maturity.

There are some Arabian mares and stallions in the United States which have been bred wrong during most of their careers. It is these Arabs of pure strains which the purists are happy to secure (even in their old age) to prove their ability to produce beautiful classic Arabs when bred right.

Many Arabian horses of mixed families approach the classic type, as a large per cent of them are only 1/8, 1/16 or 1/32 Muniqui. It is among these that we find good sized Arabs which please the rider who likes a large Arab of the Thoroughbred and Morgan types. Many of these mares are capable of producing a classic type foal through proper sire selection, recognizing that we make improvement through the sire. Mistakes in sire selection may result in a foal which will be plainer than either the sire or the dam. A mare which is 1/8 Muniqui can produce a foal four generations from Muniqui. This filly (1/16) can produce a foal of classic type. When all of the blood is good with the exception of 1/16 or 1/32 or less, then the influence of the unwelcome strain is tapering off. However, classically bred stallions are priceless in this program. The fact that more breeders understand this feature of breeding makes the future of the Arabian horse most encouraging. Now many are aware that the present day Arab can be used in a program to breed back to the beauty of the original classic Arab. It is here that the early stud book with the families is of such great value.

Due to lack of knowledge, many buyers shy away from the mere mention of Muniqui. It is here that an educational program would be of definite value to the breeders who are mixing the families. As it is, visitors measure throats, study heads and check conformation in general. The novice buyer is more selective and more educated than formerly. He has studied differences and judged conformation wherever the Arab appears. Some breeders are producing Arabs which meet the standards of the ideal Arab. The observer is quick to notice these horses. There is no weight in any statements to the contrary once he has seen them for himself. A study of pedigrees later merely verifies his find. Buyers are indicating a preference for Arabs with pretty heads and well balanced bodies. More breeders will swing to meet this challenge. In the long run, it will be the best thing that ever happened for the good of the Arabian horse. And whatever benefits the breed will eventually benefit the breeder.

The Arab Horse in Legend and History

This entry is part 2 of 3 in the series Amin Zaher

by Dr. Amin Zaher
Photos from the Zaher collection (Western Horseman Mar/Apr’48)

Nigma at 5 yrs. with her first colt in Egypt. Picture taken in front of Prince Mohammed Ali’s palace.

Amir Abdelkader Algazairy, a nineteenth century Morroccan nobleman, tells us that some Arabs of the Azed tribe went to Jerusalem to congratulate Solomon on his marriage to the Queen of Sheba. Having completed their mission, they asked him to give them food to take on their long journey. He gave them a stallion descended from the Ismail stock and said to them:

“When you are hungry, place your best rider on this horse and arm him with a stout lance; by the time you have collected your wood and kindled a flame you will see him returning with the fruit of a successful chase.”

The Azed did this and never failed to obtain a gazelle or an ostrich. Therefore they called this horse “Zad Elrakeb,” meaning “provision for the rider.” Unfortunately Amir Abdelkader did not give any description of the stallion. Later when bred he produced some mighty sons and daughters.

The first Egyptian records of the horse are very ancient. A wall painting shows an Egyptian hunter, and it was drawn about 1400 B.C. The horse has a good many of the original, desirable characteristics of the Arabian such as the dished face, the large eye, the sensitive muzzle, the long swan neck, the well rounded rump, and the cocked tail, all of which are still highly esteemed in the Arabian horse. Whether this kind of horse existed in Egypt at that time, or whether the horse originated in the mind of the artist, nobody can tell, but the latter seems improbable.

Before the rise of Mohammedanism the famous Arabian poets, Imro-olkais, Amr Ibn Abi Rabeah, and Antara wrote their masterpieces of Arabic verse. In these they described many of the characteristics, colors, and habits of the Arabian horse. From their description one can tell that they were talking of the horse of the desert.

Shahloul by Ibn Rabdan, Royal Agriculture Society stallion, Egypt.

The Bedouins of Arabia had the Arabian horse, loved it, and in their life it played an extremely important role. The sayings of the prophet Mohammed reveal the significance of the Arabian to them. The following are good examples:

1. Bounty and happiness are ever on horseback; horses are gold that one may hold.

2. Every Moslem must have as many horses as he can afford.

3. The best of all is the bay, chestnut, or black with star and three stockings.

4. Abu Horairah recalled the prophet saying: “when a man races his mare with another horse unknown to him and the winner is a matter of chance, it is not gambling; but if he knows his mare will win, that is gambling.”

Gambling was forbidden. The prophet took gambling to be a form of cheating, such as betting on a sure thing.

5. The prophet said that nothing made a man happier than the following: (a) playing with his wife, (b) training his mare, (c) hunting with his bow and arrow.

6. When Arabian horses gather and run together, the chestnut will be the leader.

7. The best is the attentive, black, five-year-old; the next best is the five-year-old with three stockings and no white on the off forefoot. If it is not black, dark brown will do.

8. Every man who loves a horse is as good a man as he who is generous to the poor.

Nigma at 32 yrs. Much of the produce of this mare came to America.

The Arabian horse has been a source of pleasure to men not only during the time of the prophet but at all other times. Al Asmai, the great Arabian poet who lived about 750 A.D., tells how Haroun al Rasheed rode out to see a race. He says,

“I was among those who came with the Califf Al Rasheed. The horses all belonged to Haroun Al Rasheed, his sons, and Soliman Ibn Gafar El Mansoor. A black mare named Zibd, which had been bred by Haroun Al Rasheed, won the race. The Califf was so delighted that he sent for me. He told me to write a poem about this mare Zibd, describing her from head to foot.”

The Bedouins certainly must have been masters in the science of breeding. In the development of their famous Arabian they used many modern breeding techniques. When they breed they never forgot the importance of color, endurance, thirst and hunger.

One trick they used was to measure their horses with a string, passing it just behind the animal’s ears and joining the two ends at the upper lip. The measurement thus gained served as a guide for the proper distance from hoof to withers. H. H. Mohammed Ali says “Find a well bred Arabian horse and it will surprise you to see what a true test this is.”

Color preference was, and still is, good material for argument among Arabian horse breeders, as it is with most other horsemen. Even the Arabs had a diversity of opinion with regard to color. In general they preferred the black first, then the dark bay with a star on the forehead, and then the dark chestnut. Dark colors were always favorites. The light chestnut and grey were last on the list.

Very light colors, such as palominos, were not popular. In fact, they used to call such a light colored animal “Ghagari,” which means “gypsy.” There was no reason for their disliking light colored horses; I believe it was just a matter of individual taste. Among the thousands of real Arabians that I have known and seen I have yet to find a single one that resembled the American Palomino. It is recorded, however, that such a color did exist among the Arabs, although it was very rare.

The Arabs were very superstitious about markings. White well up on the legs was considered unlucky. Two white socks on diagonal or lateral feet were also disliked. If the two fore or two hind feet were white, however, the horse was acceptable.

Modern scientific breeders question the belief that strains and families exist among the Arabian horses. An interesting story, however, is offered by Amir Abdelkader about the early foundation of the Arab.

At the beginning of the Christian era, about two thousand years ago, the Arem flood covered the Arabian lands, as is mentioned in the Koran, the holy book of Islam. All horses were turned loose for some little time and it became difficult to recapture them. After the flood subsided, five Bedouins were hunting in the desert. Here they saw five mares by a well. After several days they succeeded in capturing them. On their way back home they were unable to find anything to eat so they at last decided to kill one of the captured mares. Which one became a matter of heated discussion. It was finally decided to race them, the loser to be killed. This indicates that they had in mind the principle of selection. While the race was in progress, they killed a deer so that it was not necessary to kill one of the mares. These five mares were destined to become the ancestors of a new line of horses. They named one Saqlawieh, because she had glossy hair; another Om Arkoob, because she had a defective hock. Arkoob is the Arabian word for hock. Another they called Showaima, because she had many cow-licks; another Ibayyah, because the dress of her rider slipped down and she carried it all the way back on her tail; and lastly Kahilah, because she had dark eyes.

According to another story, which is believed by many authorities, the mares were originally named after their owners. When a man tied a mare in his stable, this was a sign that he owned it and the horse took his name. If the mare foaled, her offspring might be sold to another breeder, and then its name would be composed of two names, its dam’s name and the name of her dam’s owner, and so on.

The name, “Seglawi Jedran Ibn Sudan,” is found on some Arabian pedigrees. According to the above theory the female ancestors on the dam’s side were owned by three different men, Seglawi, Jedran, and Ibn Sudan. In a similar way, as time goes on, you may have separate families in this country. It has happened in every kind of livestock. Dickinson, Draper, Selby, Babson, Ben Hur, all may develop strains if they continue to breed Arabians, especially if they do not make many outcrosses. Then their names may have a meaning similar to Seglawi, Koheilan, Dahman, and so on.

The ability some claim to separate Arabians into certain types according to conformation, to relate those types to certain strains, and to know their family from their conformation is incredible to me. There is only one type that should be in the mind of Arabian horse breeders, “the typical Arabian,” even though individuals may vary.

The Mistress of Crabbet

Used by permission of RJ Cadranell

Judith Blunt was five years old when the first Arabians arrived at Crabbet Park in 1878. By the time she died in 1957, she had spent 79 years with the breed, and the Crabbet Stud had owned or bred more than a thousand horses. Her position was unique. Modern Arabian horse breeding in the English-speaking world dates from 1874. Lady Wentworth was a part of it, originally as an observer and later as a dominant force, almost from the beginning. Many Americans became involved with the Arabian horse during the 1940s and 1950s, when the breed was moving out of the realm of rare breeds and into the equestrian mainstream. These people owned and bred their horses in Lady Wentworth’s shadow. This titled aristocrat had been involved with the breeding of Arabian horses longer than most of them had been alive. She had bred some of the most cherished ancestors in the pedigrees of their horses: *Raffles, *Raseyn, and *Rissletta (dam of Abu Farwa). She lived on a fabled estate almost none of them had ever seen. Her death brought with it the awe and dismay which accompanies the demise of hallowed institutions expected to last forever.

Lady Wentworth kept her distance, secluding herself at Crabbet. Her many books loudly praise Crabbet horses and inadvertently give us glimpses of her eccentric personality, but it is impossible to look at her or her breeding program through them alone. Other sources aid our understanding of this key figure.

Lady Anne Blunt’s published Journals and Correspondence indicate that Judith’s interest in the stud was never desultory. Nonetheless, Lady Anne Blunt often expressed disappointment at her daughter’s apparent lack of interest in continuing the stud when she herself would be gone. After Lady Anne Blunt died and Judith inherited from her the title of Lady Wentworth, there was no doubt about her desire to control the Crabbet Stud

Lady Anne Blunt died at the end of 1917. Beginning in 1918, Wilfrid Blunt had been removing horses by night from the Crabbet stables and stockpiling them at his estate at Newbuildings. Lady Wentworth learned to lock her paddock gates. During the ensuing lawsuit, perhaps in anticipation of the court coming down on her father’s side, Lady Wentworth began gathering scattered Crabbet animals. She repurchased the stallion Nadir from George Ruxton. She also repurchased the mares Jask, Amida, and Kibla. Her son-in-law lent her Rish. She and her children forcibly removed the mare Riyala, a special favorite of Lady Wentworth’s, from her father’s stables. With these she had the makings of her own Crabbet program to rival her father’s at Newbuildings.

Lady Wentworth was 47 years old when the courts settled the lawsuit in her favor on March 5, 1920. The first Arabians returned from Newbuildings on April 16. In the interim, Lady Wentworth had acquired a grey stallion named Skowronek. Skowronek was one of very few Arabians with no Crabbet ancestors which Lady Wentworth used for breeding, and the only one to become a part of her long-term program. He had been bred in Poland at Count Potocki’s Antoniny Stud. The Blunts had admired many of the Potocki mares during their visits to Antoniny, but their writings indicate they did not consider Antoniny a viable source of Crabbet foundation stock. The disputed Riyala was one of the first mares Lady Wentworth bred to Skowronek. She named the foal Revenge, and proceeded to weave Skowronek into the Crabbet tapestry.

When the horses returned to Crabbet, Lady Wentworth found herself the owner of between 80 and 90 Arabians. Many of these were excess colts and breeding stallions. She was able to reduce the herd by selling nearly 20 to Egypt’s Royal Agricultural Society. During the lawsuit, she had complained about her father turning horses into cash. Now that she was able to choose which horses would go and which stay home, sales were known as reducing the herd to a manageable size.

The period from 1920 to 1930 was a time of great experimentation at Crabbet. The genetic base was broad, and Lady Wentworth broadened it further with Skowronek blood and by continuing to reacquire Crabbet horses her parents had sold into other hands. The mare band was in full production, with nearly every mare covered every year. Lady Wentworth bred mares to a variety of sires, giving them a chance to show what they could produce by each. Lady Wentworth conducted a number of experiments in inbreeding. Rasim, *Nureddin II, and Skowronek all had the chance to sire foals out of their own daughters. Rasim was also bred to his dam, Risala. The most famous result of these consanguineous matings was *Raffles, a favorite of many American breeders from the late 1930s to the present. Among the horses Lady Wentworth returned to Crabbet during the 1920s were *Nureddin II, *Battla, Astola, Jawi-Jawi, Fejr, Nessima, Riz, and Rythma. She also bought the all Crabbet Savile-bred mare Julnar. In doing this, she was able to revive lines which had died out at Crabbet itself, in particular the Basilisk and Johara families. Halima briefly returned the Bint Helwa line. With Fejr to represent the Ferida family, Lady Wentworth was able to let the bay *Ferda go to the Kellogg Ranch in 1920.

Many of the horses Lady Wentworth bred during the 1920s travelled the globe and ended up changing the course of world Arabian breeding, whether in Australia, the United States, Poland, Brazil, Egypt, Russia, or Spain. Of those which stayed home for a time, among the most important to Crabbet’s future turned out to be Shareer, Naseem, Razina, Silver Fire, Rissam, Raseem, Ferhan, and Astrella.

Crabbet’s breeding peak under Lady Wentworth was in 1929, when nearly 30 broodmares were covered for 1930 foals. By 1931, the Depression had caught up with Crabbet. Lady Wentworth cut production by a third. The 1932 foal crop of eight was the smallest Wentworth crop yet. In 1933 only two foals were born. Although foal production expanded slightly in 1934 and 1935, Crabbet was overstocked and in financial trouble. A discouraged Lady Wentworth contemplated giving up the Crabbet Stud.

In 1936, however, a major reduction took place. Lady Wentworth sold 25 horses to Russia’s Tersk Stud, three to America’s Kellogg Ranch, and other horses went singly in 1936 or ’37 to new owners in Australia, Portugal, Brazil, Holland, and England. With numbers reduced and the genetic base narrowed, foal production at Crabbet continued on a limited basis as the Depression era abruptly ended and the war years began.

During the war Lady Wentworth’s aunt, Mary Lovelace, died and left her a large fortune. It marked the end of the financial problems which had hampered Lady Wentworth’s management of the Crabbet Stud from the beginning. In 1926 Lady Wentworth’s son, Anthony Lytton Milbanke, later the fourth Earl of Lytton, visited W.K. Kellogg. Kellogg had, earlier that year, bought a number of horses from Lady Wentworth. In a memo dated July 27, 1926, Kellogg recorded that “Mr. Milbanke stated that the propagating of horses by his mother had not proven profitable; he mentioned that this year had been an exception, and was the most profitable year that they had ever had.” This apparently refers to the more than $80,000 Kellogg had paid Lady Wentworth for his horses.

When the war ended, Lady Wentworth had been learning about Arabian breeding for 68 years. Despite the smaller numbers born during the Depression and war years, the breeding program had continued to advance. Of the horses born at Crabbet during the Depression, the most important to its future were Sharima, Indian Gold, Indian Crown, and Sharfina. If Lady Wentworth had spent the 1920s finding the way she wanted to go, then the 1930s saw the birth of the horses she needed to get there. During the war these elements began to come together in horses like Grey Royal, Silver Gilt, Indian Magic, Silfina, and *Serafina. By the spring of 1946, nothing stood in the way. Lady Wentworth was free to apply her knowledge to the production of horses which matched her ideals. Although foal production had increased toward the end of the war, the 1947 crop was the first to evidence the expanding breeding program. Ten foals was a large crop during the years between 1936 and 1946. After the war, Lady Wentworth’s foal crops again reached toward the mark of 20.

Post-war breeding at Crabbet produced its own distinctive stamp of Crabbet Arabian. Since 1920 Lady Wentworth had been culling the herd and selecting for the characteristics she most admired. The breeding she did in her later years stressed a few key animals, namely Raktha, Oran, Sharima, Silver Fire, Indian Gold, and Nisreen. Raktha and Oran were bred at Lady Yule’s Hanstead Stud from straight Crabbet bloodlines; Lady Wentworth bought them as youngsters. It is difficult to imagine post-war Crabbet without these two stallions. Writers often comment on Lady Wentworth’s knack for recognizing the potential of immature stock. Part of this was no doubt because she had spent her entire life watching animals of Crabbet breeding go from birth to old age. No one else was similarly qualified to predict how a young Crabbet Arabian would look at maturity. After the war, Lady Wentworth also added to her mare band from English studs using Crabbet lines. Included were Indian Flower and *Silver Crystal.

The movie footage of Lady Wentworth’s parades (what we in America might think of as “open houses”) of 1952 and 1953 document what she had achieved. With a remarkable degree of consistency, the films show us tall Arabians with upright carriage and lofty bearing. They are regal, magnetic animals with tremendous presence and arched necks. They seem to move well. Faults showing up in the herd with some frequency are long backs and a tendency to stand high behind. When Lady Wentworth died in August of 1957, she owned about 75 of these “Modern Crabbet” Arabians. To American breeders, the best known examples of Modern Crabbet horses are probably *Serafix, *Silver Vanity, and *Silver Drift. As impressive as these horses were, they replaced the wider variety of Arabian types which had graced Crabbet in earlier days.

With a few exceptions, Lady Wentworth stayed within the parameters of the Crabbet herd as her parents had defined it. The first and most lasting exception was Skowronek. By the time Lady Wentworth died, very few of her horses had pedigrees without Skowronek in them. In 1928 Lady Wentworth began using the stallion Jeruan, whose pedigree traced to the non-Crabbet desert-bred horses El Emir and Maidan. Lady Wentworth used none of his foals for breeding, but Roger Selby imported Jeruan’s daughter *Rishafieh to America, where she had a successful breeding career. In 1930 Lady Wentworth bred a number of mares to the Thoroughbred stallion Mighty Power, an experiment in Anglo-Arab breeding which apparently did not last at Crabbet. In 1946 Lady Wentworth purchased a remarkable yearling colt named Dargee. A sensationally successful show horse, Dargee traced to several non-Crabbet imported lines, namely those of Dwarka, Mootrub, El Emir, Ishtar, and Kesia II. Dargee was a successful cross on the Crabbet mares and Lady Wentworth did use his offspring Royal Crystal, Sirella, and Indian Peril for breeding, but that is the furthest extent to which she had incorporated him at the time of her death.

Many breeders of Arabian horses have suspected that certain coat colors are usually found in conjunction with recognizable types. Since there is no way to quantify a horse’s “look” in the scientific sense, the science of genetics is not yet able to tell whether this is so. Coat color was important to Lady Wentworth’s breeding program. She exhibited a preference for grey horses all her life. Her first recorded favorite in her mother’s Journals was the grey mare Basilisk, apparently the first Arabian she ever rode. Judith Blunt was six at the time.

The Blunts seem to have selected against grey to a certain extent. Greys were harder to sell to military remounts and government studs, a significant portion of the Blunts’ customer base. This was due to greys being easier targets on the battlefield, as well as grey hair being more obvious on dark uniforms. For the most part, it is only generals who are depicted on white horses. The last of the three grey sires the Blunts used was Seyal, sold to India in 1904. With the exception of a non-productive breeding to Rosemary, the GSB records that the Blunts restricted Seyal to grey mares. Mrs. Archer states that Judith was anxious for her mother to find another grey stallion for the stud, but that she was unsuccessful in her search (History and Influence, page 146.) During the lawsuit, Lady Wentworth claimed that her mother had intended for her to have every grey mare in the stud.

Reconstructed lists of the Crabbet herd at the time immediately after the settling of the lawsuit indicate that slightly more than half of the horses were bay or brown, a third were chestnut, and the remaining 15% were grey. The figures concur with Lady Anne Lytton’s recollection of the period, recorded in her article “Memories of the Crabbet Stud,” from the August, 1963 Arabian Horse Journal: “…bays were more common than chestnuts…[but] when Lady Wentworth took over the Stud I think she found that the quality among the chestnuts was much higher, with a few notable exceptions. At the time of her death there was not a bay left at Crabbet. She was not very fond of bays…” *Nizzam was one of the last bays foaled at Crabbet.

To speak today of an Arabian of “Crabbet Type” is a misleading oversimplification. Among Lady Wentworth’s horses, *Raffles and Grand Royal come to mind as two vastly different extremes. The Blunts owned animals as different from one another as Rijm and Sobha. Today, finding an Arabian of pure Crabbet pedigree is as difficult as finding one with no Crabbet blood at all. In a 1% sampling of 80 pedigrees from vol. XL (1982) of our stud book, the writer found that every one had Crabbet ancestry, including those in the pure Polish and straight Spanish categories. In spite of the present dilution of Crabbet blood, and in spite of the variety of horses Crabbet owned, certain ancestors reappear again and again in their descendants. Once familiar with them, it is possible to recognize the influences of Rodania, Mesaoud, Skowronek, Sharima, Feluka, and the rest of the pantheon of Crabbet luminaries.

Index to English-Bred Arabians Named Above
Amida	1913 cm Ibn Yashmak/Ajramieh	Crabbet
Astola	1910 bm Rijm/Asfura	Crabbet
Astrella	1929 cm Raseem/Amida	Crabbet
*Battla	1915 gm Razaz/Bukra	Crabbet
Dargee	1945 cs Manasseh/Myola	G. H. Ruxton
Feluka	1899 cm Mesaoud/Ferida	Crabbet
*Ferda	1913 bm Rustem/Feluka	Crabbet
Ferhan	1925 cs *Raswan/Fejr	Crabbet
Fejr	1911 cm Rijm/Feluka	Crabbet
Grand Royal	1947 cs Oran/Sharima	Crabbet
Grey Royal	1942 gm Raktha/Sharima	Crabbet
Halima	1916 bm Razaz/Hamasa	A.D.Fenton
Indian Crown	1935 cm Raseem/Nisreen	Crabbet
Indian Flower	1939 cm Irex/Nisreen	Miss I. Bell
Indian Gold	1934 cs Ferhan/Nisreen	Crabbet
Indian Magic	1945 gs Raktha/Indian Crown	Crabbet
Indian Peril	1952 cm Dargee/Indian Pearl	Crabbet
Jask	1910 gm *Berk/Jellabieh	Crabbet
Jawi-Jawi	1912 cm Rijm/Jiwa	C.W.Laird
Jeruan	1920 cs Nureddin II/Rose of Persia	A.J.Powdrill
Julnar	1911 cm *Abu Zeyd/Kabila	G.Savile
Kibla	1900 gm Mesaoud/Makbula	Crabbet
Nadir	1901 bs Mesaoud/Nefisa	Crabbet
Naseem	1922 gs Skowronek/Nasra	Crabbet
Nessima	1909 bm Rijm/Narghileh	Crabbet
Nisreen	1919 bm *Nureddin II/Nasra	Crabbet
*Nizzam	1943 bs Rissam/Nezma	Crabbet
*Nureddin II	1911 cs Rijm/Narghileh	Crabbet
Oran	1940 cs Riffal/Astrella	Hanstead
*Raffles	1926 gs Skowronek/*Rifala	Crabbet
Raktha	1934 gs Naseem/Razina	Hanstead
Raseem	1922 cs Rasim/Riyala	Crabbet
*Raseyn	1923 gs Skowronek/Rayya	Crabbet
Rasim	1906 cs Feysul/Risala	Crabbet
Razina	1922 cm Rasim/Riyala	Crabbet
Revenge	1921 gs Skowronek/Riyala	Crabbet
Rijm	1901 cs Mahruss/*Rose of Sharon	Crabbet
Risala	1900 cm Mesaoud/Ridaa	Crabbet
Rish	1903 bm Nejran/Rabla	Crabbet
*Rishafieh	1930 cm Jeruan/Rishafa	Crabbet
Rissam	1928 cs Naseem/Rim	Crabbet
*Rissletta	1930 cm Naseem/Risslina	Crabbet
Riyala	1905 cm *Astraled/Ridaa	Crabbet
Riz	1916 bm Razaz/*Rijma	Crabbet
Rosemary	1886 bm Jeroboam/Rodania	Crabbet
Royal Crystal	1952 gs Dargee/Grey Royal	Crabbet
Rythma	1914 bm *Berk/Risala	Crabbet
*Serafina	1945 cm Indian Gold/Sharfina	Crabbet
*Serafix	1949 cs Raktha/*Serafina	Crabbet
Seyal	1897 gs Mesaoud/Sobha	Crabbet
Shareer	1923 bs *Nureddin II/Selima	Crabbet
Sharfina	1937 cm Rytham/Sharima	Crabbet
Sharima	1932 cm Shareer/Nashisha	Crabbet
Silfina	1944 cm Indian Gold/Sharfina	Crabbet
*Silver Crystal	1937 gm Rangoon/Somara	W. Hay
*Silver Drift	1951 gs Raktha/*Serafina	Crabbet
Silver Fire	1926 gm Naseem/Somra	Crabbet
Silver Gilt	1943 gm Indian Gold/Silver Fire	Crabbet
*Silver Vanity	1950 gs Oran/Silver Gilt	Crabbet
Sirella	1953 cm Dargee/Shalina	Crabbet

Bibliography

Arab Horse Society, The. The Arab Horse Stud Book 7 vols. England, 1919-52.

Archer, Rosemary, Colin Pearson, and Cecil Covey. The Crabbet Arabian Stud. Gloucestershire, 1978.

Archer, Rosemary, and James Fleming, editors. Lady Anne Blunt, Journals and Correspondence. Gloucestershire, 1986.

Blunt, Wilfrid S. My diaries. 2 vols. New York, 1922.

Kellogg Ranch Papers, The. Collection held by California State Polytechnic University, Pomona, California.

London Times, February 20 & 21, 1920.

Parkinson, Mary Jane, The Kellogg Arabian Ranch. 1977.

Weatherby & Sons. The General Stud Book, vols. 13-35, London, 1877-1965.

Wentworth, Lady. The Authentic Arabian Horse. 3rd., 1979.

The GSB Arabians

Look at the bottom of most pre-printed Arabian horse pedigree forms and you will likely find explanations of some standard abbreviations. For example, DB stands for Desert Bred, while PASB stands for Polish Arabian Stud Book, and GSB stands for the General Stud Book. What on earth is a General Stud Book?

Until about 30 years ago, the General Stud Book was a registration authority for Arabian horses in England. It was the stud book cited for the parents of virtually all horses imported from England’s Crabbet Arabian Stud, as well as many horses imported from other studs in England. But why was it called the General Stud Book rather than, for example, the British Stud Book?

The General Stud Book was the world’s first published stud book for any breed of livestock. Before the advent of the GSB, stud books were records kept by individual breeders and were specific to animals in a breeder’s own herd. The new compilation was known as a “general” stud book because it was general to the whole country. The preliminary edition of the GSB appeared in 1791. It was an example of the eighteenth century obsession with assembling enormous compendiums of knowledge, which included Dr. Johnson’s dictionary and the original encyclopædia. The GSB documents “Pedigrees of Race Horses” stretching “From the earliest Accounts” up to the closing date of each successive volume. Its compiler was James Weatherby, whose family continued to issue the GSB after him. Thus it is also known as “Weatherby’s stud book.”

The breed of horse that the GSB defined was the English Thoroughbred. The GSB demonstrates the Thoroughbred’s descent from Oriental sires and dams such as the Darley Arabian, the Leedes Arabian, and the Darcy Yellow Turk.

GSB Arabians in England: Volume XIII of the GSB appeared in 1877. This volume included a new Arabian section to register several horses recently imported to Britain from the desert near Aleppo. The first group, imported by Mr. Sandeman, had arrived in 1874. It included Yataghan and Haidee, sire and dam of *Naomi. The second importation, made by Mr. Chaplin, arrived in 1875. This group included the mare Kesia, carrying an in-utero foal named Kesia II. These early registrations were the beginning of current Arabian horse breeding in the English speaking world. The Arabian section was included in the GSB with the hope that the new imports would, in time, “give a valuable new line of blood from the original source of the English Thoroughbred.”[1]

Volume XIV of the GSB was published in 1881. The Arabian section was expanded several pages by the first importations of Mr. Wilfrid and Lady Anne Blunt, who founded their Crabbet Arabian Stud with desert bred Arabian horses they imported to England in 1878. The Crabbet Stud was to endure so long and to achieve such fame that today “Crabbet” is far better known than the stud book which registered its bloodstock. Crabbet has taken a place alongside Egyptian, Polish, and Spanish as one of the Arabian breed’s major bloodline categories.

The Crabbet horses overshadowed the other animals in the Arabian section of the GSB, even though Crabbet horses were not the first and were never the only ones registered there. There are several reasons for this. First, Crabbet was the single largest importer of GSB registered Arabians: approximately 51 animals from 1878 to 1910, two-thirds of which are still in Arabian pedigrees. Second, the Crabbet horses were imported especially to become breeding stock at the Crabbet Stud – not brought to England as retired officers’ mounts or as curiosities. Third, the Crabbet Stud owned and bred more than a thousand Arabians during a period of over 90 years – so long that it even outlasted the Arabian section of the GSB. Fourth, nearly all the non-Crabbet GSB imports with lines still breeding today come down to us only in combination with Crabbet blood.

The Arabian section of the GSB contained many imported Arabian and other Eastern horses (including a Barb mare named Safed) which either had no registered offspring or whose lines quickly disappeared from the stud book. Other than the Blunt horses, only about a dozen imported GSB foundation animals found their way into modern Arabian pedigrees.

Most of the non-Crabbet GSB foundation animals were owned by, or otherwise connected to, the stud of the Hon. Miss Etheldred Dillon. She began her program with the 1880 importation of El Emir, and later acquired some horses from Crabbet. Also among Miss Dillon’s foundation stock were the mares Ishtar, Kesia II, and *Shabaka (Mameluke x Kesia II), as well as the stallion Maidan. Miss Dillon had Rev. Vidal’s mare *Naomi on her farm – and Vidal’s use of *Kismet as a sire introduced that horse to modern pedigrees.

At the turn of the century Miss Dillon’s program was winding down; other breeders introduced the last four horses. Mootrub is in pedigrees through two foals: a colt out of a mare of Dillon+Crabbet breeding, and a filly out of Shakra. Dwarka stood at stud for the Prince of Wales (later Duke of Windsor), who bred him to the Crabbet mares Amida and Rangha. And Skowronek, imported last, is perhaps the most famous of all the GSB founders. After Lady Anne Blunt died in 1917, her husband and her daughter, Judith Blunt-Lytton (Lady Wentworth), disputed the ownership of the Crabbet Stud. The dispute went to court, and in 1920 Lady Wentworth emerged as the stud’s sole owner. Also in early 1920 she purchased the white stallion Skowronek, imported several years earlier from Poland. Skowronek quickly became one of Crabbet’s chief sires.

Skowronek was hardly the last Arabian imported to England, but he was the latest import to gain access to the GSB. In 1913 the Jersey act had closed the GSB to imported Thoroughbreds unless their pedigrees traced in all lines to horses entered in previous volumes. A 1921 decision did the same thing for the Arabian section. Thus a “GSB Arabian” became an Arabian from a clearly defined, closed pedigree group. Britain’s Arab Horse Society (AHS) was founded in 1918, and published its first stud book in 1919. This was likely a factor in the decision of Weatherbys not to enter any more new Arabian imports – the GSB’s Arabian gene pool was sufficiently large to continue indefinitely. Why not let the new stud book of the Arab Horse Society register future imported Arabians?

Thus for the next 45 years, England had two stud book authorities registering Arabian horses. Weatherbys continued to register those Arabian bloodlines “eligible for GSB” – and there was strong incentive for British breeders to maintain GSB registration. For one, the export market was crucial to them. Often countries overseas might not have an Arabian stud book, but probably did have a stud book for Thoroughbreds. An Arabian with a GSB certificate could be entered in virtually any Thoroughbred stud book in the world.

From the first, the stud book of the Arab Horse Society allowed entry of new desert imports. As a registration authority for Arabian horses, it also entered imports from Poland, the United States, the U.S.S.R., and elsewhere. Most of the GSB Arabian foals carried “dual registration,” entered in both GSB and AHS. If a GSB foal did not appear in AHS, it was often because it had been exported young or died young.

The GSB continued to register Arabian foals until Weatherbys announced that as of January 1, 1965, the Arabian section would be discontinued. Rosemary Archer, owner and breeder of GSB Arabians since the late 1940s, described the response to this.

“…a strong representation was made by The Arab Horse Society asking [Weatherbys] to retain the Arabian section. . . . [Weatherbys] intimated that if the Arab horses registered in the G.S.B. had been used for crossing with Thoroughbreds to produce racehorses, they might have been interested in retaining the Arabian Section but there was no question of a reservoir of pure Arab blood being kept for possible future use…. ‘it is sad,’ Weatherby’s spokesman conceded, ‘after so many years, but there it is.’ “[2]

Thus the stud book of the Arab Horse Society was left as the Arabian breed’s official registration authority in Great Britain, and GSB Arabian foals born 1965 and later did not carry Weatherbys registration. Nonetheless several breeders in Britain continued to breed GSB Arabians, whether “straight Crabbet” or carrying crosses to the non-Crabbet GSB founders. Beginning in the mid 1970s, imports of Arabians from around the world flowed to Britain in increasing numbers. While breeders in England today have a much wider selection of bloodlines, this has also meant that the older English bloodlines, including the “straight Crabbet” and GSB horses, are in danger of being crossed out of existence. As a means of fostering the breeding of these horses, A Catalogue of Arabians in Great Britain Descending from G.S.B. Registered Horses appeared in the early 1990s.

GSB Arabians in America have been present almost from the first. The earliest imported mare with descent in registered Arabian pedigrees was *Naomi. In the years before World War II when American breeders were laying in their foundation stock, GSB imports outnumbered those from any other source, including Poland, Egypt, and the desert itself. Into the 1930s, foals theoretically “eligible for GSB” if sent back to England made up fully one third of all U.S. registrations. Of the remaining two-thirds, most carried substantial Crabbet or other GSB ancestry.

The list of the GSB imports brought to America prior to World War II is a familiar litany. It is impossible to imagine traditional American Arabian breeding without these horses. The Roger Selby imports included *Raffles, *Indaia, *Rose of France, *Kareyma, and *Rifala. The W.K. Kellogg imports included *Raseyn, *Ferda, *Nasik, *Rifla, *Rossana, *Ferdin, *Rissletta, and *Crabbet Sura. W.R. Brown’s group contained *Berk, *Rijma, *Ramim, *Rokhsa, and *Simawa, among others. F.L. Ames brought in *Astraled, *Narda II, and *Noam, while Homer Davenport imported *Abu Zeyd. Spencer Borden brought us *Rose of Sharon, *Ghazala, *Shabaka, and *Rodan. Counting in-utero foals, there were 111 pre-World War II GSB imports in all, of which some 77 are still in pedigrees.

Our stud book shows another 28 GSB horses brought in between 1947 and 1956. These include *Ranix, *Silver Crystal, *Rithan, *Shamadan, *Sun Royal, *Serafix, and *Electric Storm.

In 1957 Lady Wentworth died, and so did her rival breeder Miss Gladys Yule of the Hanstead Stud. The heirs of both women were forced to reduce the herds. This enabled Bazy Tankersley of Al-Marah Arabians to assemble the largest single importation of Arabians to America up to that time. Among the horses were *Salinas, *Silwara, *Thorayya, *Little Owl, *Royal Diamond, and *Silwa. The stallion *Count Dorsaz joined them a year later. From 1957 to 1959 about 61 GSB horses, including the Al-Marah shipment, were imported by various parties.

Importations of GSB horses continued through the next several years, then tapered off toward the end of the 1960s, for a total of some 53 imports for that decade. The early 1960s brought *Nizzam, *Silver Vanity, *Oran van Crabbet, and *Silver Drift. The Lewisfield imports of the same era included *Fire Opal, *Touch of Magic, and *Lewisfield Magic. In 1966 came Bazy Tankersley’s *Royal Dominion.

Only 13 GSB horses were imported in the 1970s, of which one was *RAS Indian Silver. However the 1980s saw a renewal of interest in GSB horses, with 43 more imports. These included *Silvern Magic, *Sa’ika, *Achim NSB, *Odessa NSB, *Seffer, *Rimmon, and *Seyad.

Importations of all Arabians have slowed in the 1990s. To this writer’s knowledge, thus far the only registered import of GSB pedigree is *Star Reflection, imported in 1995.

Counting *Star Reflection, the Arabian Horse Registry of America has registered 311 imported horses of GSB pedigree. But another approximately 2,000 registrations are of GSB horses bred in the United States. Sixty years ago “GSB eligible” Arabians were about a third of all registrations. Now, they constitute less than half of one percent. This does not mean they have vanished from the gene pool, because most Arabians in America have some GSB blood somewhere in their pedigrees – and many are 50% or more GSB-derived. But “straight GSB” Arabians have become rare.

For years GSB stallions and their sons dominated the lists of top sires of American show winners. These GSB stallions included *Serafix, Ferseyn, Abu Farwa, Indraff, *Raffles, *Silver Drift, Aarief, *Count Dorsaz, Sureyn, Al-Marah Radames, Rapture, Aaraf, Gulastra, *Silver Vanity, and Al-Marah El Hezzez. But prominent sire lines in a breed can change rapidly. In the last 25 years other sire lines have taken a substantial market share away from the lines of Mesaoud, Mahruss, and Skowronek.

In the 70s and 80s marketing emphasis was placed on horses of “pure” or “straight” national origin. One might think this would have boosted the numbers of GSB and straight Crabbet Arabians. Paradoxically, it worked to their disadvantage. Many GSB mares were outcrossed to stallions of Polish and Egyptian lines. The outcrosses no doubt produced lovely horses, as such crosses did in past decades, but registrations of GSB foals in America skidded to new lows in the mid-1970s.

In the 1990s, with more Arabian horses and semen flying around the world than ever before, the traditional 20th century distinctions between national breeding groups are breaking down. In the interest of the Arabian breed’s genetic diversity, it makes sense to identify and conserve those living horses from distinctive breeding traditions. Among these are the GSB Arabians and their various subsets. These subsets include, for example, horses tracing entirely to Blunt imports, and horses of Blunt+Skowronek pedigree.

Arabian Visions offers a catalog of the GSB Arabians registered in the United States. It includes a complete pedigree index tracing GSB Arabians imported to America back to the original foundation horses imported to England, and quotes the entries for these horses from the GSB.

Notes:
1. Quoted from GSB Volume XIV.
2. Quoted from the introduction to A Catalogue of Arabians in Great Britain Descending
from G.S.B. Registered Horses.

The Founding of the Crabbet Tradition (Part II)

This entry is part 2 of 3 in the series The Founding of the Crabbet Tradition

Full Steam Ahead: 1899-1906

The 1898 Crabbet foal crop, which had jumped by 10 over that of 1897, marked a new peak in numbers and initiated an era of sustained production. The smallest foal crops at Crabbet would now hover around the pre-1898 record high of 14. In this period the new Ali Pasha Sherif mares were active, and the Mesaoud fillies came into serious production. The Rodania family was clearly established as the most numerous at Crabbet, achieving distinction in the 1906 season as the first to be represented by five breeding mares, even though Rose of Jericho, *Rose of Sharon and Rose Diamond had been sold; Dajania, Basilisk and Meshura were roughly tied for second. On the sire side activity was dominated almost entirely by Mesaoud and his sons although Ahmar and Nejran closed out the Azrek era, Mahruss GSB got one very significant foal and the newly-arrived Feysul sired his most important offspring in his first Crabbet crop. No one sire dominated the stallion battery in any year and the average foals per sire fell slightly to 11.5. The shape Crabbet breeding would take in the future was largely defined in this period, when Daoud, Rabla, *Astraled, Risala, Ajramieh, Rijm, *Berk, Riada, Riyala and Rasim were foaled. The number of Crabbet foals which would influence future breeding rose sharply, perhaps largely because stronger international demand was developing for stock to found stable new programs. The Crabbet foals reported dead in GSB fell to 10% of this era’s 149, and 33 made it into modern pedigrees.

The Blunts worked at maintaining tail-male descent from Azrek; when Ahmar was exported to Java they bought back Nefisa’s Azrek son Nejran and used him for three seasons, but he was to breed on through just one daughter. *Rose of Sharon had also produced a top-class Azrek colt in 1890; this was Rafyk, the foundation sire of Australian Arabian breeding and whose name is extensively repeated at the back of most traditional Australian mare lines. According to the 1924 Crabbet Stud Catalogue Lady Wentworth in her turn meant to reintroduce the Azrek sire line through the double Rafyk grandson Minaret, but if that horse actually reached England nothing came of the venture.

The remaining Ali Pasha Sherif mares proved uncertain producers at Crabbet; in no more than three seasons did as many as five or six of the 10 produce, although a few straggled out to 1910. Astonishingly, the crippled Bint Helwa overcame her broken leg to be the most reliable broodmare of the lot; she shares honors with Rodania as the only Blunt imported mare to leave family branches through three different daughters–hers Hilmyeh, Hamasa and *Ghazala, with the last-named bred by Ali Pasha Sherif but used at Sheykh Obeyd. Ironically this family did not persist at Crabbet though the Sheykh Obeyd and American daughters of *Ghazala, plus *Hazna, *Hamida and *Hilwe, all founded highly influential lines. When *Rose of Sharon went to Spencer Borden in 1905 she was in foal to Bint Helwa’s son Harb and produced *Rodan. That horse was to be the only link to Harb in modern pedigrees but he proved a strong one, siring such mares as Gulnare, Bazrah, Niht, Fath and Fenzileh and leaving a male line through Ghazi.

Makbula GSB left a branch through her daughter Kibla; this became an essentially American family when Kibla’s granddaughter *Namilla and great granddaughters *Kiyama and *Kareyma transplanted the line wholesale to the Selby Stud. Bint Helwa’s elder sister Johara left a small international family. Indirect lines breed on from Makbula’s imported daughter Kasida, Lady Anne Blunt’s favorite riding mare, in the important Egyptian mare sire Kasmeyn; from Fulana in her very handsome son Faraoun, another far back in Austalian mare lines; and from the magnificent Bint Nura GSB who had no fillies to live but produced the imported stallions Abu Khasheb and Mahruss GSB and the Crabbet colt Daoud. Daoud gave his dam indirect mare lines in spades; one Daoud son, Redif, survives in pedigrees through his own influential daughter Bint Ranya.

Mesaoud established his male line more firmly before his 1903 sale to Russian Poland, though not via Daoud; *Astraled, Nejef, Harb and Nadir joined Seyal among the future sire branch founders. *Astraled, half-brother to Ahmar and Asfura, was the last foal of Queen of Sheba, who had become the most highly regarded of the Blunt desert mares. She lived to 25 and produced 10 foals but had only two daughters of record. Queen of Egypt died as a yearling; Asfura’s daughter Ajramieh did establish the family as a respected one that has always been small in numbers. Queen of Sheba has strong indirect influence; besides the Ahmar daughters already named, *Astraled and his sons Rustem, Razaz, Sotamm and Gulastra all were top sires of broodmares. Queen of Sheba’s name is another to be repeated in pedigrees with remarkable frequency, and the most international Mesaoud sire branch, that of *Astraled via Sotamm to Riffal and Oran, was notable for its Queen of Sheba reinforcement. Mesaoud had one major son outside Crabbet; the beautiful Azrek mare Rose Diamond was sold to the Hon. George Savile in 1903 and duly presented him the next year with Lal I Abdar (*Abu Zeyd), another from whom the male line persists.

Two new Ali Pasha Sherif sire lines were established at Crabbet in this phase. Mahruss GSB, chiefly a riding stallion, bred just four Arab mares in England; he sent *Ibn Mahruss to America en utero and got one Crabbet foal: *Rose of Sharon’s mighty son Rijm. That massive chestnut was admired for his scope, presence, freedom of stride and excellence of shoulder, back and loin. Before his sale to Spain Rijm contributed to the Crabbet tradition as sire of the breeding stallions *Nasik, Fakreddin and *Nureddin II; of the widely influential daughters Nessima, Fejr, *Noam, Belka and *Rijma; and of the great early endurance gelding *Crabbet. *Noam and Belka also distinguished themselves under saddle. Feysul came from Sheykh Obeyd with his son Ibn Yashmak late in 1904 and promptly sired the impressively smooth 1906 chestnut Rasim. Rasim served as a riding stallion for his first 11 years and narrowly missed going off as a charger with Neville Lytton in the First World War. His two eldest daughters were key figures of the Kellogg importation and Rasim became extremely influential in the Wentworth years.

The important mares foaled in this era included Ahmar’s Hilmyeh and Namusa, Rish by Nejran, and good daughters of the Mesaoud sons Rejeb, Seyal and Narkise, but if this was the dawn of a new day the sunlight radiated from superb daughters of Mesaoud and *Astraled. Feluka, dam of the Rijm siblings Fejr (to produce *Felestin; *Sulejman’s and Rasim Pierwszy’s dam Fasila; Faris, sire of Rissalix; Ferhan, sire of Indian Gold; and Fayal) and the Australian sire Fakreddin; of the greatest Kellogg foundation mare, *Ferda; and after her sale to H. V. Musgrave Clark of Fasiha, established the Ferida line with a vengeance. If Narghileh was not the greatest Mesaoud daughter then that honor must go to Ridaa’s 1900 filly Risala, dam of Rasim, *Rijma, Rissla, Razieh (Bint Rissala), Risfan (South America) and Rafina, a line foundress in Australia; few sires have ever had the equivalent of an *Astraled and a Risala in the same crop, as Mesaoud did in 1900. Rosemary produced two full sisters, the bay Rabla and brown Riada; the former founded an exuberant family still noted for action horses and the latter died of twisted gut, leaving just one breeding offspring, but that was Rayya, dam of *Raseyn. The records of the handsome grey Kibla, Ajramieh and Hamasa look pale in this company but each founded a major line in the breed.

A case could be made that Daoud and *Astraled, with fewer daughters, were better mare sires than Mesaoud. It must be remembered that all three were extensively used on mares of, by this time, highly selected Crabbet families; and above all that their daughters profited from a coherent, established context in which to operate. Riyala, the most important *Astraled mare of this period, produced Ranya, dam of Bint Ranya and the persistent Spanish influence Razada; Rafeef, sire of Nezma, *Rasafa and the superlative Risslina; the prolific Risama (Bint Riyala); the Hanstead matron Razina, the broodmare of her generation in England, granddam of Indian Magic, *Serafix, *Silver Drift, *Iorana, Bright Shadow, Namilla, Oran, Sala and *Count Dorsaz just to start the list; Ramayana, sold to Poland with Fasila and represented by Polish and Russian families today; Ruellia, who sent a son Riyalan to Australia and then went to Tersk; and Raftan, sire of Naseel, Ariffa and Doonyah. Rokhama by *Astraled bred on through just one daughter but that was *Rokhsa, who founded one of the greatest Maynesboro and Kellogg families.

Partition and The War Years: 1907 – 1918

The first foal crop for the partitioned Crabbet and Newbuildings mares arrived in 1907. Wilfrid Blunt’s chief sires in the Newbuildings half were to be *Astraled, Rijm, Harb, Ibn Yashmak and Rustem; Lady Anne at Crabbet had Feysul, Daoud, *Berk, Razaz, Sotamm and *Nasik (not all these were active as early as 1907). Blunt breeding presents a considerably more complicated picture from this point. Under the terms of partition, Crabbet and Newbuildings mares could be sent to sires standing in the alternate half, and no breeding animal (current or potential) could be sold without approval of the other side. In practice it developed that when Blunt needed money, Newbuildings horses which Lady Anne would be unwilling to see sold appeared on his sales list; and when Lady Anne wished to use a Newbuildings sire she bought or traded for him or one of his sons.

The foals reported dead in GSB for this period fell to just over 8% (14 out of 167) and 54 of the remaining 167 are in modern pedigrees–some of them very prominently indeed. Rodania now reigned supreme; Dajania’s family was a distant second while the Seglawi Meshura and Basilisk lines were fading as Sobha picked up speed. Average number of foals per sire at this period was still about 13. With substantial numbers of mares in production and some of the great sires of its history at their peak of activity, and with the individual geniuses of the two Blunts operating independently from a base of nearly 30 years’ observation of Crabbet breeding trends, it would be surprising if this period did not turn out some of Crabbet’s greatest products. Do not expect to be surprised.

One major sire exported in this period was *Astraled, who went to Lothrop Ames in Massachusetts in 1909; American Arabian breeding was not ready for a sire of this caliber and *Astraled landed in Oregon as a Remount sire, leaving just a handful of foals in New England. *Astraled became a legendary sire of crossbred using horses in his new home only to be called back to the place that had been prepared for him by W.R. Brown in 1923, in time to sire the great Gulastra in his last crop. Note that for the Blunts *Astraled got Riyala, Rustem, Rim and *Ramla from *Rose of Sharon’s daughter Ridaa; the only breeding *Astraled offspring from his early New England years was Kheyra, out of Ridaa’s half-sister Rosa Rugosa; and at Maynesboro Gulastra came from a daughter of Ridaa’s half-brother *Rodan.

It was during the years of partition that *Astraled got his important Crabbet sons, Razaz, Rustem and Sotamm. Rustem remained at Newbuildings where he got Rustnar, *Ferda, Arusa, Rayya and *Simawa. Rayya produced *Raseyn and *Ferda is in a class by herself among the Kellogg matrons, while *Simawa proved one of the best mares of the Maynesboro importation. Lady Anne used Razaz and Sotamm; the former sired important mares while the latter got the Australian mare sire Rief and Kasmeyn, a mare sire in his own right in Egypt (maternal grandsire of *Bint Bint Sabbah and Nazeer just for two), and Naufal who sired other foals beyond Riffal though that was his great success. Riffal left the important sire Oran in England along with the good mares Samsie, Nariffa, Quaker Girl (herself exported to Australia), Rubiana and *Mihrima (Canada); his sons The Chief and *Victory Day II bred on in the Netherlands and Canada respectively while the Riffal influence through his Australian get is incalculable.

*Astraled could have sired no colts and done very well for himself through daughters; his post-partition Newbuildings fillies included Rim and Selima, two of the breed’s dynastic matrons. Rim produced the likes of *Ramim, dam of Rehal and Ramghaza; *Rifla, dam of *Rifda, Rifnas and Shemseh; the ill-fated *Raswan, sire at Crabbet of Ferhan, *Rose of France and Star of the Hills (his only get), “World’s Champion” Raseem, one of the great mare sires of British history, though at Tersk he was surpassed by his daughter Rixalina; Naharin’s dam *Rimini; the Selby import *Rahal; *Rimal, a colt of remarkable beauty, gelded after his Kellogg importation; Rix, sire of *Ashan, *Crown of India, Radiolex and Shimrix; and *Nizzam’s and Niseyra’s sire Rissam. Selima’s noted foals do not match Rim’s for numbers but their influence spread extravagantly; all her breeding offspring were exported but her British influence remained substantial. Shareer, another “World’s Champion,” left Rythal, Rytham, Rythama and Sharima behind when he went to Russia accompanied by his great daughter Rissalma (in fact Rythal already was in Holland and Rytham went along on the Tersk trip but left the tremendously influential Sharfina, his only British foal, at Crabbet en utero). Shareer’s sister Sardhana produced *Crabbet Sura in England and founded a mare line in Poland when she accompanied Rasim, Fasila and Ramayana to Baron Bicker’s stud. Star of the Hills left Starilla to represent her in England (which she did ably through her son Saladin II) when Star traveled to Russia, where she founded one of the most important Tersk families. The Selby colt *Selmian was not used in England – he was sold at age three – but he got Selfra, Selmiana and Ibn Selmian among others.

(Appendix: Minor Pedigree Lines from Imported Blunt Mares)

CMK Arabian Horses

The Arabians of written record

Tag Archives: Selby

CMK Mare Families

The original Crabbet/Maynesboro/Kellogg mare families: Foundation of a unique North American gene pool one hundred years in the making

Line-Breeding And In-Breeding

Carlton Cummings and his Skyline Trust Arabians

The Double Registered Arabians

The Descent of Anazeh (Part 2)

Arab Families (1950)

The Arab Horse in Legend and History

The Mistress of Crabbet

Bibliography

The GSB Arabians

The GSB Arabians

The Founding of the Crabbet Tradition (Part II)

Full Steam Ahead: 1899-1906

Partition and The War Years: 1907 – 1918