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Janow Podlaski Between The Wars, A Road Map for Beginners

Copyright 1990 by R.J.CADRANELL from Arabian Visions Feb ’90
Used by permission of RJCadranell

Although the Polish state stud, Janow Podlaski, dates its history back to 1817, the Arabian breeding program for which it is famous began more than a century later. From the arrival of the first broodmares in 1919 until the day in September of 1939 when the Russian army walked away with most of Janow’s horses, the state stud bred some of Poland’s most important Arabians. They are the core of modern Polish breeding.

After World War I, Poland found itself an independent state, no longer part of the Russian Empire. The new government sought to refound the state stud for the breeding of horses at Janow Podlaski, where the stables had been empty since the removal of horses to Russia in 1915. One of the categories of stock was to be a herd of Arabians. Finding Arabian horses after the devastation and disruption of World War I was not easy, but the animals collected were worth the efforts expended to acquire them.

Janow gave all foals born in the same year names beginning with the same letter. The “A” year was 1919, “B” followed in 1920, “C” in 1921, and so on. Knowing this, one can determine the year of birth of all Janow Podlaski foals in the charts below. (Skip Q, U, V, X, and Y to end with W in 1938 and Z in 1939).

After twenty years, the Arabian breeding program at Janow Podlaski was flourishing when the Nazis invaded Poland in September of 1939. The decision was made to begin moving the horses east toward Rumania. After several days, losing animals to exhaustion and injury and leaving some behind as they traveled, word came that Russian troops were coming toward them from the east. The party returned to Janow. The Russians soon appeared there, and when they departed they look with them hundreds of horses, including nearly all the Arabians. They left behind Najada after she injured one of their soldiers, and her son Ali Said was born in 1940. The Janow Arabians greatly broadened the genetic base of Russia’s Tersk stud, and many of the bloodlines have returned to Poland in recent decades through horses sent from Tersk.

Following are charts listing most of the more important Arabians bred or owned at Janow Podlaski between the wars, arranged according to foundation mare. Two 1939 fillies have names deviating from the alphabetical system. The Russians named Mammona. Ofirka was lost as a foal during the evacuation of Janow Podlaski and found two years later on a farm in Volyhnia. Apparently the recovery of an Ofir daughter was more important than that she had been born during the “Z” year. (Note that Ali Said in 1940 started another cycle with “A,” continuing through G in 1946.)

Janow’s first Arabian mares were bred at the Austrian state stud of Radautz and arrived in 1919:

282 SIGLAVY BAGDADY 1908 (Siglavy Bagdady OA x 15 Malta). Her sire was part of Babolna’s 1902 importation from the desert. Her dam, Malta, was bred in Poland at Chrestowka and traced to the Slawuta taproot mare Milordka. In the tradition of the Austrian military studs, broodmares bred at Radautz bore the names of their sires and were distinguished from their sisters by a prefixed broodmare number. Polish pedigrees often omit the Radautz broodmare numbers.

  • Bajka (Amurath III 1910)
    • Jaga II (Koheilan I)
      • Saga (Hardy)
      • Wyrwidab (Ofir) named “Wind” in Germany
    • Oda (Kuhailan Haifi)
  • Fetysz (Bakszysz)
  • Haszysz (Ganges I)

ANIELKA 1919 (Amurath 1881 x 346 Belgja). Belgja was another mare bred at Chrestowka from the Milordka family.

  • Arabja (Koheilan IV)
  • Ceclja (Bakszysz)
    • Lirnik (Farys II)

HEDBA 1913 (Hermit OA x Amurath). Hebda’s dam was bred at Radautz, a daughter of Amurath (1881) out of 96 Odysseja, bred at Chrestowka from the Milordka family.

  • Kaszmir (Farys II)
  • Malaga (Mazepa II)

KOALICJA 1918 (Koheilan IV x 238 Amurath) Her dam, bred at Radautz, was out of 15 Malta. Her sire was bred at Babolna.

  • Enwer Bey (Abu Mlech)
  • Federacja (Burgas)
    • Narada (Hardy)
      • Walna (Lowelas)
    • *Witez II (Ofir)
  • Konfederacja (Farys II)
  • Miecznik (Fetysz)
  • Niezgoda (Fetysz)

An even more solid foundation for Janow Podlaski were mares bred at Count Dzieduszycki’s Jezupol stud, acquired via another stud in 1920. These mares, together with the stallions Farys II and Abu Mlech, represented the breeding of the Dzieduszycki family, founded on the desert bred mares Gazella, Mlecha, and Sahara, all imported to Poland from Arabia in 1845.

POMPONIA 1902 (Zagloba x Kadisza). Pomponia’s fifth dam was Sahara.

  • Bona (Mazepa I)
  • Dora (Bakszysz)
    • Krucica (Farys II)
      • Wojski (Lowelas)
      • Mammona 1939 (Ofir)
  • *Nora (Hardy)
  • Omar II (Hardy)

ZULEJMA 1914 (Kohejlan OA x Pomponia). Count Dzieduszycki imported her sire from India in 1910, along with the stallion Hermit, later sold to Radautz.

  • Dziwa (Abu Mlech)
    • Limba (Bakszysz)
      • *Tarnina (Lowelas)
    • Mokka (Flisak)
    • Ofir (Kuhailan Haifi OA)
    • Taki Pan (Kaszmir)
    • Wrozba (Lowelas)
  • Ferja (Bakszysz)
    • Kasyda (Farys II)
    • Magja (Koheilan I)
    • Norma (Hardy)
  • Kahira (Farys II)
    • Trypolis (Enwer Bey)
  • *Lassa (Koheilan I)

GAZELLA II 1914 (Kohejlan OA x Abra). Through Witraz and Wielki Szlem alone this mare’s family has been a major force in shaping the breeding of Polish Arabians. But more of Poland’s key sires came from this line: Wilga is the second dam of Comet, and Taraszcza produced Negatiw in Russia. Gazella II herself, at age 25, was one of the horses marched to Russia.

  • Czapla (Bakszysz)
  • Elegantka (Bakszysz)
    • Jaszmak (Koheilan I)
    • Kamea (Farys II)
      • Rozeta (Almanzor)
      • *Wierna (Ofir)
    • Lowelas (Koheilan I)
    • Mulatka (Koheilan I)
    • Opal (Koheilan I)
    • Wielki Szlem (Ofir)
  • Fryga II (Bakszysz)
    • Maskota (Koheilan I)
      • Zalotna (Ofir)
    • Ofirka 1939 (Ofir)
  • Hardy (Ganges I)
  • Jaskolka II (Koheilan I)
    • *Przepiorka (Almanzor)
    • *Rybitwa (Almanzor)
    • Wilga (Ofir)
  • Makata (Fetysz)
    • Witraz (Ofir)
  • Najada (Fetysz)
    • Ali Said (Kuhailan Said)
  • Taraszcza (Enwer Bey)

Two other mares acquired in 1920 had been bred at the Antoniny stud. Their sire, Ibrahim, also got Skowronek. Their dam, Lezginka, bred at Antoniny, was a daughter of the stallion Euclid (also known as Obejan Szarak), a horse Count Potocki had imported from India in 1890. Lezginka was out of Zalotna, a mare of the Szwejkowska family.

KALINA, 1909 (Ibrahim OA x Lezginka)

  • Dziewanna (Bakszysz)
    • *Kostrzewa (Koheilan I)
    • Piolun (Koheilan I)
    • Rozmaryn (Almanzor)
    • Skrzyp (Lowelas)
  • Floks (Bakszysz)
  • Halina (Abu Mlech)
    • Paproc (Koheilan I)
    • Sokora (Hardy)
  • Jagoda (Koheilan I)

ELSTERA 1913 (Ibrahim OA x Lezginka). This is the family of *Naborr, as Obra produced his dam, Lagodna.

  • Drweca (Bakszysz)
  • Flisak (Bakszysz)
  • Ikwa (Koheilan I)
    • Obra (Hardy)

In 1921 the state purchased from Prince Roman Sanguszko’s Gumniska stud:

BIALOGRADKA 1910 (Orjent x Pojata). Her daughter, *Kasztelanka, is the dam of Fadjur’s sire, Fadheilan. Halef is the grandsire of *Sanacht, a Plum Grove Farm foundation mare.

  • Gaweda (Burgas OA)
    • Plotka (Koheilan I)
  • *Kasztelanka (Koheilan I)
    • Towarzysz Pancerny (Enwer Bey) [named “Halef” in Germany]

KEWA 1923 (Siglavy Bagdady-11 x Kalga) was a later addition, bred in Yugoslavia at the Inocenzdvor stud and imported to Poland. Her sire was bred at Babolna from desert bred parents. Her dam, Kalga (Amurath Dukatan x Hadrja), was also bred at Poland’s Uzin stud. Kewa and daughters went to Russia in 1939, but the line became important again in Poland when Wlodarka’s Tersk-bred daughters, Prowierka and Piewica, returned it. *Prowizja (U.S. National Champion Park Horse) and *Penicylina (1987 U.S. National Champion Mare) are from this family.

  • Oaza (Kuhailan Haifi OA)
  • Troska (Enwer Bey)
  • Wlodarka (Ofir)

The Stallions

The other half of the story of Janow Podlaski between the wars is its foundation sires:

BAKSZYSZ 1901 (Ilderim OA x Parada). Bred at Slawuta, and purchased in 1920. His sons Flisak (out of Elstera) and Fetysz (out of 282 Siglavy Bagdady) were also sires at Janow. In 1936, Fetysz was sold to Trakehnen in Germany, where he was head sire until 1944. Fetysz disappeared before the end of the war, but is still found in Trakehner pedigrees.

GANGES I 1901 (Hindostan II x Lezginka). Bred at Antoniny. His son Hardy (out of Gazella II) was also a sire at Janow.

ABU MLECH 1902 (Mlech I x Lania). Bred by Count Dzieduszycki at Jezupol, and purchased in 1920. His son Enwer Bey (out of Koalicja) succeeded him at Janow.

FARYS II 1905 (Mlech I x Sahara IV). Bred at Jablanow. His son Kaszmir (out of Hebda) sired Taki Pan.

ALMANZOR 1909 (Athos x Mlecha III). Bred by Prince Czartoryski at Pelkinie. Almanzor’s sire, bred at Antoniny, carried two lines to Pharaoh, a desert bred stallion the Blunts used at Crabbet before selling to Poland.

MAZEPA II 1910 (Mazepa x Hajduszka).

BURGAS OA 1907 (an Abeyan Sherrak x a Seglawieh Jedranieh). Imported to France in 1914. The French government sent this desert bred stallion to Poland as a present in 1923.

KUHAILAN HAIFI OA 1923 (a Kuhailan Kharas x a Kuhaila Haifi). Bred by the Ruala tribe. Bogdan Zietarski and Carl Raswan imported this horse to Poland in 1931 for Prince Roman Sanguszko’s Gumniska stud. Kuhailan Haifi covered several of the Janow mares, getting among others the important sire Ofir.

KOHEILAN I 1922 (Koheilan IV x 10 Gazal). Bred at Babolna in Hungary. Imported in 1924, and returned to Babolna in 1937 in exchange for two sons of Kuhaylan Zaid OA. One of them, Kuhailan Said, was a 1934 colt known at Babolna as Kuhaylan Zaid-7. His dam was 204 Kemir, a mare of Weil and Babolna lines. Koheilan I’s son Lowelas (out of Elegantka) was also a Janow sire.

Among the Arabians that went to Russia in 1939 were the stallions Kuhailan Said, Enwer Bey, Hardy, Ofir, Piolun, Skrzyp, and Taki Pan. The mares included Gazella II, Kewa, Bajka, Dziwa, Elegantka, Fryga II, Hanina, Ikwa, Kahira, Kamea, Konfederacja, Krucica, Limba, Mulatka, Narada. Niezgoda, Oaza, Plotka, Taraszcza, Wlodarka, Wrozba, Walna, and Mammona.

Breeding at Janow Podlaski did not stop in 1939. Janow was able to gather horses from private studs and track down a few lost during the evacuation. A limited program continued under the management of the occupying Nazi forces. However, it was never quite the same, and the war forced another evacuation in 1944. When peace returned and the Poles started over with three state studs, Janow was not one of them, due to the damage the place had sustained toward the end of the war. Janow Podlaski’s history begins again in 1960, when it was restocked with horses from state stud Nowy Dwor. Horses from state stud Albigowa followed in 1961, and the breeding program continues uninterrupted to the present.

Featured photo of Janow Podlaski by dzikusiak

Hanstead Horses

This entry is part 1 of 2 in the series Hanstead Horses

Copyright 1997 by R.J. CADRANELL
from Arabian Visions Mar/Apr 1997
Used by permission of RJ Cadranell

Next to Crabbet, no English stud has been as important as Hanstead. Hanstead’s worldwide influence is particularly remarkable in light of the relatively short time it was in operation—not even 35 years of breeding—and the relatively small number of foals produced. There were barely 125, while Crabbet had more than a thousand spread over 93 years.

The Hanstead Stud owed its origin to Lady Yule, wife of merchant prince Sir David Yule. He and his brother Andrew amassed a fortune in India, estimated at up to 20 million pounds. David and Annie Henrietta Yule were married in 1900. Sir David Yule and his wife had just one child, a daughter named Gladys, born at Hanstead House in 1903. The Hanstead estate was in Hertfordshire, and there Lady Yule and her daughter Gladys took to breeding Thoroughbreds and Suffolk Punch horses, along with cattle and other livestock. Sir David Yule died in 1928 and is not known to figure directly in the story of the Hanstead Stud.

Lady Yule “first became interested in Arabs on seeing the gallant carriage and action of a pair of Arabs regularly driven to York, from his home, by Major Wailes-Fairburn.”[1]

Razina (

Razina (Rasim x Riyala).

Lady Yule wanted to try her hand at Anglo-Arab breeding, thus on July 11, 1925, she and her daughter Gladys visited Lady Wentworth’s Arabian stud at Crabbet Park. That year at Hanstead the Thoroughbred mare Tarantella produced a filly by the Crabbet stallion *Nasik; this may have been the cause of Lady Yule’s visit to Crabbet. But before the day was out, Lady Yule had purchased a young Arab mare named Razina. Razina had been sold to Ireland but recently repurchased by Crabbet in foal to the Thoroughbred stallion Mighty Power. It is not clear whether Lady Yule liked Razina’s looks or was simply interested in her anticipated Anglo-Arab foal. Nonetheless Arabian breeders around the world can be glad Lady Yule chose the mare she did.

Razina later won five gold medals, establishing Hanstead as a power in the show ring. Razina’s broodmare career, however, established her place in history. After producing the Anglo-Arab filly Razzia in 1926, Razina was never mated to another Thoroughbred.

Razina was not covered in 1926 because of a railway strike, but in 1927 Lady Yule sent her to the Arabian stallion Almulid (Skowronek x Alfarouse), bred and owned by the Hon. Mrs. R. E. L. Vaughan Williams. The resulting filly, Rasana, soon joined her mother as a Hanstead broodmare, bringing the Arabian mare band to a total of two. Rasana turned out to be a poor mother whose foals had to be raised by hand; she was put down in 1937, and her two fillies not retained.

Raktha (Naseem X Razina)

Lady Wentworth was unhappy when she learned Lady Yule was using Razina for purebred breeding. For the next several years, Lady Yule sent her mares to outside stallions, but did not have access to those at Crabbet. Instead she used horses of entirely or largely Crabbet blood. These horses included C.W. Hough’s Nuri Sherif (*Nureddin II x Sheeba) and Akal (Shelook x Almas), and Capt. the Hon. George Savile’s Joseph (Nadir x Maisuna). Of the six foals produced in these early years, only Nurschida (Nuri Sherif x Razina) had influence on the later Hanstead program. Through her sire, Nurschida carried one line to Miss Dillon’s imported stallion Maidan, thus was not quite “pure Crabbet,” although like all Hanstead Arabians, Nurschida was registered in the Arabian section of Weatherby’s General Stud Book (GSB).

In 1932 the Hanstead mare band expanded. Mr. and Mrs. Kent, known to the pony breeding fraternity, visited Crabbet and purchased two young mares. In less than a week the mares turned up at Hanstead. They were chestnut Astrella (Raseem x Amida) and grey Naxina (Skowronek x Nessima). Lady Wentworth had used a similar ploy to acquire Skowronek in 1920. The ice between Lady Wentworth and Lady Yule broke not long after this episode, and in 1933 Lady Yule sent all five of her Arabian mares to Crabbet for breeding.

The 1934 foal crop included Hanstead’s first sire prospects, the greys Raktha and Grey Owl. Of the two colts produced prior to 1934, Halil Sherif was gelded “as he had not got a perfect Arab head or eyes.”[2] He was hunted with the Heythrop Hunt in 1933-34, jumping anything asked, and later took up dressage, giving a performance at the International Horse Show, Olympia. Kehelan was sold to Scotland for crossing on Highland mares. He proved infertile, and later found a home with the Bertram Mills Circus. After that he became the first Arabian owned by Mrs. Linney, later a well known breeder in England, and owner of another Yule-bred horse: Mikeno, purchased in 1952.

It could be debated endlessly whether the Yules had a knack for choosing sires, or whether they simply had in Razina the beginning of a mare family with which it was scarcely possible to go wrong. Probably both were factors. According to Miss Yule’s companion and stud manager, Miss Patricia Wold, Gladys Yule believed in using only the best sires and wanted the Arab Horse Society to inspect the conformation and type of all stallions before approving them for breeding.[3]

To return to Raktha, he swept the show ring in 1937, and that year it was noted that “much interest and amusement has been caused by the various opinions as to which is the best, Grey Owl or Raktha.”[3] Although Grey Owl did leave several lines, 60 years of breeding have proven Raktha the more influential of the two. Lady Wentworth bought Raktha in 1939, and from 1940 until his sale to South Africa in 1951 he was one of Crabbet’s chief sires.

During the 1930s the Hanstead mares continued to visit outside stallions. Lady Yule patronized Crabbet’s Naseem, Raseem, Faris, Naufal, and Naziri. Lady Yule is the only outside breeder recorded in the stud books as sending a mare to Naseem. Rosemary Archer explains this was because no other breeders in England could afford the high stud fees Lady Wentworth charged at that time for her best stallions.

In 1936 two more sire prospects were born at Hanstead: Riffal (of whom more later) and Naseel. Naseel was a classic 14.1 hand grey, sold as a yearling to Mrs. Nicholson in Ireland. Describing Naseel as a riding horse, she wrote in the Spring, 1960, Arab Horse Society News,

“I was thrilled. I had never ridden an Arab horse before, let alone a stallion, and I just couldn’t believe the joy that he gave me.”

Naseel became a successful sire of children’s show ponies as well as purebreds. Naseel’s sire was Raftan (Naseem x Riyala), bred at Crabbet but owned elsewhere. Naseel was invited to make a special appearance at the Arab Horse Society’s 1956 Summer Show, where he and his progeny paraded in front of the Queen.

Another outside horse Hanstead used in the 1930s was George Ruxton’s Algol (Dwarka x Amida), who sired Namilla for Lady Yule. The last time an outside stallion was used was 1939, when Razina and Nurschida went to Shihab (Algol x Almas).

In 1938 or 1939 Lady Yule acquired the last of her foundation mares by trading Ghezala to Lady Wentworth for the Rissam daughter Niseyra. Through her son Blue Domino, Niseyra was to be just as important as the earlier acquisitions.

Lady Yule seems to have brought home no more than three stallions in her entire career as a breeder. One was Radi, the foal Razina had had in 1925. He was acquired from Crabbet during the early part of the war years and was used at Hanstead before returning to Crabbet. Lady Yule seems to have made a special effort to work Rissam into the herd. In 1940, five out of the six Yule mares were bred to Rissam. No other Hanstead sire ever dominated a single foal crop to this extent. Only Rissam’s daughter Niseyra had a 1941 foal by a different horse, although Lady Yule would try her with Rissam the following year—the only close inbreeding at Hanstead recorded in the stud books.

Although Radi and Rissam each sired a few important foals at Hanstead, the most brilliant acquisition was Rissalix (Faris x Rissla), purchased from Crabbet in 1940. Known for his quality and brilliant action, a better cross for the Hanstead mares could scarcely have been found. Yet another example of Hanstead’s worldwide success despite tiny numbers, Rissalix sired fewer than 20 Yule-bred foals of record, but they include such as *Count Dorsaz, Blue Domino, Mikeno, and Pale Shadow (dam of Bright Shadow). Rissalix was one of the few horses Lady Wentworth later regretted selling, but owing to labor shortages after the start of the war it was necessary to reduce the number of stallions at Crabbet.

The decade of cooperation between Crabbet and Hanstead came to a close toward the end of the war. Lady Yule tried to buy from Crabbet a colt named Indian Grey, full brother to Indian Magic, but Lady Wentworth refused to sell. In 1943, shortly after, Lady Wentworth made an offer on Oran, but Lady Yule retaliated and turned it down. Instead, she sold Oran to Mr. C. McConnell in 1944, who sold him to the British Bloodstock Agency, which sold him to Lady Wentworth later the same year. When Lady Yule learned that Oran was at Crabbet, relations were broken off. Oran did leave his daughter Umatella at Hanstead, but it was at Crabbet, where his blood was frequently combined with Raktha’s, that he achieved his fame as a sire.

Crabbet and Hanstead emerged from the war years as rivals, both in the show ring and the marketplace. The stud was now under the direction of Miss Gladys Yule, as Lady Yule gave the horses to her daughter in 1946. Lady Yule died on July 14, 1950.

In the post-war years Hanstead was a mature stud, with a band of 10 to 15 mares and a battery of homebred stallions standing alongside and later succeeding Rissalix and Radi. In addition to Grey Owl, these included:

Colorados (Radi x Astrella) was a three-quarter brother to Crabbet’s famous sire Oran.

Riffal, a brown horse foaled 1936, and already a show winner as a yearling. He matured to 16 hands and a quarter inch. Because most of his Hanstead career took place during the war years, his opportunity at stud was limited, but true to the Hanstead pattern, he achieved much with his few foals, which included Oran. In 1947 Mrs. Maclean bought him and the young mare Carlina for her stud in Australia. Riffal became a major influence there.

Salinas (Grey Owl x Shamnar)

Suvorov (Rissalix x Razina), as a son of Hanstead’s most influential foundation mare and stallion, might have proven an important sire, but he was not fertile.

Sala (Grey Owl x Hama) was grey, sold to the New South Wales Department of Agriculture and exported to Australia in 1949. There he sired more than 100 foals, and has perpetuated the rare male line of Crabbet foundation sire Feysul.

*Count Dorsaz (Rissalix x Shamnar)

*Count Dorsaz (Rissalix x Shamnar) was one of the many Hanstead horses exhibited under saddle. At the Royal International Horse Show he was twice awarded the Winston Churchill Cup for the supreme riding horse. He inherited and passed on a full measure of the Rissalix action. By 1956 he had also won nine first prizes in hand.

General Grant (Raktha x Samsie) carried two crosses to Razina and was typical of what may be thought of as Hanstead type: a deep-bodied horse of quality, good balance and substance, and obvious Arabian character. General Grant was later owned by the Hedleys. He sired many British champions.

Blue Domino (Rissalix x Niseyra) ranks among the most famous horses bred at Hanstead. Although not tracing to Razina, he seems to have had much the same proportions as, for example, General Grant. This stamp of horse is also apparent in Rissam, Blue Domino’s grandsire. A dark chestnut color, Blue Domino won acclaim in the show ring as a young horse and sired a long list of internationally influential horses. A 1956 Hanstead ad noted that his “stock are very promising, good movers with good heads.”

*Count Orlando (*Count Dorsaz x Umatella) was the Arab Horse Society’s Junior Male Champion in 1954, and was awarded the Winston Churchill Cup in 1956. He was sold to the United States in 1960.

Count Manilla (*Count Dorsaz x Namilla) represented several generations of Hanstead breeding on both sides of his pedigree. He won first prize stallion under saddle at Roehampton in 1956. Count Manilla was sold to Australia in 1957, where he sired about 80 foals.

Rifaria (Rifari x Meccana, by Riffal) was another horse who stood at Hanstead in the 1950s. He was one of the few outcrosses Gladys Yule introduced.

Iridos (Irex x Rafeena) was a son of one of the two new mares Gladys Yule added to the stud. In 1950 Rafeena arrived with her Irex filly, *Reenexa. She was in foal to Irex again, and produced the grey colt Iridos in 1951.

*Minta was Gladys Yule’s other addition to the stud. A granddaughter of Rissam and Irex, she was less an outcross than an added source of lines already tried in the stud.

Lady Wentworth never had much room for visiting mares, so smaller breeders in England were grateful to Miss Gladys Yule for making available stallions like Rissalix, General Grant, *Count Dorsaz, and Blue Domino to the public.

During the 1930s, 40s, and 50s, Hanstead joined Crabbet and Courthouse in dominating the British show ring. A look at Deirdre Hyde’s 40 Years of British Arab Horse Champions shows nine of the first 40 titles going to horses bred by the Yules. An additional 17 winners had a parent bred at Hanstead. Only four horses (Dargee, Bahram, Sirella, and Celina) were without any Yule-bred ancestors. Many of Crabbet’s winners were sired by Oran or Raktha. And just as Hanstead had sent these two important sires to Crabbet, Hanstead also sent one to Courthouse. This was Champurrado, the first foal Niseyra produced for Lady Yule.

Gladys Yule served as president of the Arab Horse Society in 1949. She was also chairman of the Ponies of Britain Club, helping to preserve Britain’s native pony breeds. She strongly believed in Anglo-Arabs as superior horses for hunting, dressage, or eventing, and continued to breed these alongside her Arabians and Thoroughbreds. She also bred Jersey and Aberdeen Angus cattle.

Early in 1957 an article in the Arab Horse Society News noted that 20 Hanstead Arabs had been sold overseas: four to Australia, 11 to South Africa, three to Holland, and two to Canada. Nor was there any shortage of promising young stock in 1957. The young stallions coming on included the show winners Blue Grotto and Samson, as well as *Little Owl: “Miss Yule has been longing to have a colt foal by Grey Owl, who has produced a long list of fillies through the years, so let us hope Little Owl will develop the presence and character of his magnificent sire.”

Among the young mares and fillies, the late Queen Zenobia’s daughters *Zulima, Zena, and *Princess Zia were admired, of which *Princess Zia was probably the most decorated in the show ring.

When Lady Wentworth died in August of 1957, Gladys Yule remarked “now we can go back to Crabbet.” But it was not to be. Within a few weeks she had also died. The estate taxes owed were reported in the Daily Mail to be in excess of 3 million pounds under headline “Last of a vanishing 20,000,000 pound fortune may go in taxes.” It was necessary to reduce the stud. The single largest group sold, consisting of about 14 head, went to Bazy Tankersley’s Al-Marah Arabians in the United States before the year was out. At the same time, Mrs. Tankersley purchased a similarly large group from Lady Wentworth’s executors, making it the single largest importation to arrive in America up to that time.

Miss Wolf sent a letter published in the Arab Horse Society News for autumn, 1958, explaining the situation with the remaining horses:

“I was left options on some Thoroughbreds, Arabs and Anglo-Arabs and therefore I retained in a small way some of the best of each. Since then foals have increased in number and it will not be long before there are more foals on the way and so I have felt that I must sell some more horses… These are to be sold by auction on November 27th here at Hanstead when all the saddlery, stable and stud equipment are sold…. I shall be moving to Aylesbury…. All the horses and the stud I retain are the property of the Exors. of the late Miss G.M. Yule and so for the time being I shall be the Manager.”

Many breeders in England established or added to their studs at the 1958 Hanstead auction. *Count Dorsaz was leased that year to Mrs. Tankersley, who bought him later. He proved an important sire for Al-Marah, and was later joined by *Ranix (a son of Rissalix and out of the Hanstead mare *Iorana).

By 1959 Gladys Yule’s band of 15 broodmares had been reduced to three. Of these Rafeena died the next year at age 20, and Umatella and Azella each produced one Blue Domino filly for Miss Wolf before moving on to new homes.

Finally just Blue Domino was left. He lived out his days surrounded by Miss Wolf’s Thoroughbreds and Anglo-Arabs, succumbing to intestinal cancer in October of 1966. But by then Hanstead breeding was firmly established in Arabian studbooks around the world.

Sources:

Rosemary Archer, Colin Pearson, and Cecil Covey, The Crabbet Arabian Stud, Its History and Influence

Deirde Hyde, 40 Years of British Arab Horse Champions

Erika Schiele, The Arab Horse in Europe, section on Hanstead.

Rosemary Archer, “The Hanstead Stud,” Arabians, September 1984, p. 128.

Michael Bowling, “Razina at the Hanstead Stud” in CMK Record, spring 1991.

The Arab Horse Society News, issues from 1956 to 1960.

Undated clipping from the Daily Mail.

The General Stud Book; stud books of the Arabian Horse Registry of America and Arab Horse Society.

  1. [1]Jack Gannon, “Hanstead Stud,” Arab Horse Society News, spring 1957, p. 10.
  2. [2]The Journal of the Arab Horse Society, article on Hanstead Stud.
  3. [3]Spring 1960 Arab Horse Society News, p. 15.

The GSB Arabians

The GSB Arabians

© 1996 by Robert J. Cadranell
Reprinted from the March-April 1996 issue of Arabian Visions

Look at the bottom of most pre-printed Arabian horse pedigree forms and you will likely find explanations of some standard abbreviations. For example, DB stands for Desert Bred, while PASB stands for Polish Arabian Stud Book, and GSB stands for the General Stud Book. What on earth is a General Stud Book?

Until about 30 years ago, the General Stud Book was a registration authority for Arabian horses in England. It was the stud book cited for the parents of virtually all horses imported from England’s Crabbet Arabian Stud, as well as many horses imported from other studs in England. But why was it called the General Stud Book rather than, for example, the British Stud Book?

The General Stud Book was the world’s first published stud book for any breed of livestock. Before the advent of the GSB, stud books were records kept by individual breeders and were specific to animals in a breeder’s own herd. The new compilation was known as a “general” stud book because it was general to the whole country. The preliminary edition of the GSB appeared in 1791. It was an example of the eighteenth century obsession with assembling enormous compendiums of knowledge, which included Dr. Johnson’s dictionary and the original encyclopædia. The GSB documents “Pedigrees of Race Horses” stretching “From the earliest Accounts” up to the closing date of each successive volume. Its compiler was James Weatherby, whose family continued to issue the GSB after him. Thus it is also known as “Weatherby’s stud book.”

The breed of horse that the GSB defined was the English Thoroughbred. The GSB demonstrates the Thoroughbred’s descent from Oriental sires and dams such as the Darley Arabian, the Leedes Arabian, and the Darcy Yellow Turk.

GSB Arabians in England: Volume XIII of the GSB appeared in 1877. This volume included a new Arabian section to register several horses recently imported to Britain from the desert near Aleppo. The first group, imported by Mr. Sandeman, had arrived in 1874. It included Yataghan and Haidee, sire and dam of *Naomi. The second importation, made by Mr. Chaplin, arrived in 1875. This group included the mare Kesia, carrying an in-utero foal named Kesia II. These early registrations were the beginning of current Arabian horse breeding in the English speaking world. The Arabian section was included in the GSB with the hope that the new imports would, in time, “give a valuable new line of blood from the original source of the English Thoroughbred.”[1]

Volume XIV of the GSB was published in 1881. The Arabian section was expanded several pages by the first importations of Mr. Wilfrid and Lady Anne Blunt, who founded their Crabbet Arabian Stud with desert bred Arabian horses they imported to England in 1878. The Crabbet Stud was to endure so long and to achieve such fame that today “Crabbet” is far better known than the stud book which registered its bloodstock. Crabbet has taken a place alongside Egyptian, Polish, and Spanish as one of the Arabian breed’s major bloodline categories.

The Crabbet horses overshadowed the other animals in the Arabian section of the GSB, even though Crabbet horses were not the first and were never the only ones registered there. There are several reasons for this. First, Crabbet was the single largest importer of GSB registered Arabians: approximately 51 animals from 1878 to 1910, two-thirds of which are still in Arabian pedigrees. Second, the Crabbet horses were imported especially to become breeding stock at the Crabbet Stud – not brought to England as retired officers’ mounts or as curiosities. Third, the Crabbet Stud owned and bred more than a thousand Arabians during a period of over 90 years – so long that it even outlasted the Arabian section of the GSB. Fourth, nearly all the non-Crabbet GSB imports with lines still breeding today come down to us only in combination with Crabbet blood.

The Arabian section of the GSB contained many imported Arabian and other Eastern horses (including a Barb mare named Safed) which either had no registered offspring or whose lines quickly disappeared from the stud book. Other than the Blunt horses, only about a dozen imported GSB foundation animals found their way into modern Arabian pedigrees.

Most of the non-Crabbet GSB foundation animals were owned by, or otherwise connected to, the stud of the Hon. Miss Etheldred Dillon. She began her program with the 1880 importation of El Emir, and later acquired some horses from Crabbet. Also among Miss Dillon’s foundation stock were the mares Ishtar, Kesia II, and *Shabaka (Mameluke x Kesia II), as well as the stallion Maidan. Miss Dillon had Rev. Vidal’s mare *Naomi on her farm – and Vidal’s use of *Kismet as a sire introduced that horse to modern pedigrees.

At the turn of the century Miss Dillon’s program was winding down; other breeders introduced the last four horses. Mootrub is in pedigrees through two foals: a colt out of a mare of Dillon+Crabbet breeding, and a filly out of Shakra. Dwarka stood at stud for the Prince of Wales (later Duke of Windsor), who bred him to the Crabbet mares Amida and Rangha. And Skowronek, imported last, is perhaps the most famous of all the GSB founders. After Lady Anne Blunt died in 1917, her husband and her daughter, Judith Blunt-Lytton (Lady Wentworth), disputed the ownership of the Crabbet Stud. The dispute went to court, and in 1920 Lady Wentworth emerged as the stud’s sole owner. Also in early 1920 she purchased the white stallion Skowronek, imported several years earlier from Poland. Skowronek quickly became one of Crabbet’s chief sires.

Skowronek was hardly the last Arabian imported to England, but he was the latest import to gain access to the GSB. In 1913 the Jersey act had closed the GSB to imported Thoroughbreds unless their pedigrees traced in all lines to horses entered in previous volumes. A 1921 decision did the same thing for the Arabian section. Thus a “GSB Arabian” became an Arabian from a clearly defined, closed pedigree group. Britain’s Arab Horse Society (AHS) was founded in 1918, and published its first stud book in 1919. This was likely a factor in the decision of Weatherbys not to enter any more new Arabian imports – the GSB’s Arabian gene pool was sufficiently large to continue indefinitely. Why not let the new stud book of the Arab Horse Society register future imported Arabians?

Thus for the next 45 years, England had two stud book authorities registering Arabian horses. Weatherbys continued to register those Arabian bloodlines “eligible for GSB” – and there was strong incentive for British breeders to maintain GSB registration. For one, the export market was crucial to them. Often countries overseas might not have an Arabian stud book, but probably did have a stud book for Thoroughbreds. An Arabian with a GSB certificate could be entered in virtually any Thoroughbred stud book in the world.

From the first, the stud book of the Arab Horse Society allowed entry of new desert imports. As a registration authority for Arabian horses, it also entered imports from Poland, the United States, the U.S.S.R., and elsewhere. Most of the GSB Arabian foals carried “dual registration,” entered in both GSB and AHS. If a GSB foal did not appear in AHS, it was often because it had been exported young or died young.

The GSB continued to register Arabian foals until Weatherbys announced that as of January 1, 1965, the Arabian section would be discontinued. Rosemary Archer, owner and breeder of GSB Arabians since the late 1940s, described the response to this.

“…a strong representation was made by The Arab Horse Society asking [Weatherbys] to retain the Arabian section. . . . [Weatherbys] intimated that if the Arab horses registered in the G.S.B. had been used for crossing with Thoroughbreds to produce racehorses, they might have been interested in retaining the Arabian Section but there was no question of a reservoir of pure Arab blood being kept for possible future use…. ‘it is sad,’ Weatherby’s spokesman conceded, ‘after so many years, but there it is.’ “[2]

Thus the stud book of the Arab Horse Society was left as the Arabian breed’s official registration authority in Great Britain, and GSB Arabian foals born 1965 and later did not carry Weatherbys registration. Nonetheless several breeders in Britain continued to breed GSB Arabians, whether “straight Crabbet” or carrying crosses to the non-Crabbet GSB founders. Beginning in the mid 1970s, imports of Arabians from around the world flowed to Britain in increasing numbers. While breeders in England today have a much wider selection of bloodlines, this has also meant that the older English bloodlines, including the “straight Crabbet” and GSB horses, are in danger of being crossed out of existence. As a means of fostering the breeding of these horses, A Catalogue of Arabians in Great Britain Descending from G.S.B. Registered Horses appeared in the early 1990s.

GSB Arabians in America have been present almost from the first. The earliest imported mare with descent in registered Arabian pedigrees was *Naomi. In the years before World War II when American breeders were laying in their foundation stock, GSB imports outnumbered those from any other source, including Poland, Egypt, and the desert itself. Into the 1930s, foals theoretically “eligible for GSB” if sent back to England made up fully one third of all U.S. registrations. Of the remaining two-thirds, most carried substantial Crabbet or other GSB ancestry.

The list of the GSB imports brought to America prior to World War II is a familiar litany. It is impossible to imagine traditional American Arabian breeding without these horses. The Roger Selby imports included *Raffles, *Indaia, *Rose of France, *Kareyma, and *Rifala. The W.K. Kellogg imports included *Raseyn, *Ferda, *Nasik, *Rifla, *Rossana, *Ferdin, *Rissletta, and *Crabbet Sura. W.R. Brown’s group contained *Berk, *Rijma, *Ramim, *Rokhsa, and *Simawa, among others. F.L. Ames brought in *Astraled, *Narda II, and *Noam, while Homer Davenport imported *Abu Zeyd. Spencer Borden brought us *Rose of Sharon, *Ghazala, *Shabaka, and *Rodan. Counting in-utero foals, there were 111 pre-World War II GSB imports in all, of which some 77 are still in pedigrees.

Our stud book shows another 28 GSB horses brought in between 1947 and 1956. These include *Ranix, *Silver Crystal, *Rithan, *Shamadan, *Sun Royal, *Serafix, and *Electric Storm.

In 1957 Lady Wentworth died, and so did her rival breeder Miss Gladys Yule of the Hanstead Stud. The heirs of both women were forced to reduce the herds. This enabled Bazy Tankersley of Al-Marah Arabians to assemble the largest single importation of Arabians to America up to that time. Among the horses were *Salinas, *Silwara, *Thorayya, *Little Owl, *Royal Diamond, and *Silwa. The stallion *Count Dorsaz joined them a year later. From 1957 to 1959 about 61 GSB horses, including the Al-Marah shipment, were imported by various parties.

Importations of GSB horses continued through the next several years, then tapered off toward the end of the 1960s, for a total of some 53 imports for that decade. The early 1960s brought *Nizzam, *Silver Vanity, *Oran van Crabbet, and *Silver Drift. The Lewisfield imports of the same era included *Fire Opal, *Touch of Magic, and *Lewisfield Magic. In 1966 came Bazy Tankersley’s *Royal Dominion.

Only 13 GSB horses were imported in the 1970s, of which one was *RAS Indian Silver. However the 1980s saw a renewal of interest in GSB horses, with 43 more imports. These included *Silvern Magic, *Sa’ika, *Achim NSB, *Odessa NSB, *Seffer, *Rimmon, and *Seyad.

Importations of all Arabians have slowed in the 1990s. To this writer’s knowledge, thus far the only registered import of GSB pedigree is *Star Reflection, imported in 1995.

Counting *Star Reflection, the Arabian Horse Registry of America has registered 311 imported horses of GSB pedigree. But another approximately 2,000 registrations are of GSB horses bred in the United States. Sixty years ago “GSB eligible” Arabians were about a third of all registrations. Now, they constitute less than half of one percent. This does not mean they have vanished from the gene pool, because most Arabians in America have some GSB blood somewhere in their pedigrees – and many are 50% or more GSB-derived. But “straight GSB” Arabians have become rare.

For years GSB stallions and their sons dominated the lists of top sires of American show winners. These GSB stallions included *Serafix, Ferseyn, Abu Farwa, Indraff, *Raffles, *Silver Drift, Aarief, *Count Dorsaz, Sureyn, Al-Marah Radames, Rapture, Aaraf, Gulastra, *Silver Vanity, and Al-Marah El Hezzez. But prominent sire lines in a breed can change rapidly. In the last 25 years other sire lines have taken a substantial market share away from the lines of Mesaoud, Mahruss, and Skowronek.

In the 70s and 80s marketing emphasis was placed on horses of “pure” or “straight” national origin. One might think this would have boosted the numbers of GSB and straight Crabbet Arabians. Paradoxically, it worked to their disadvantage. Many GSB mares were outcrossed to stallions of Polish and Egyptian lines. The outcrosses no doubt produced lovely horses, as such crosses did in past decades, but registrations of GSB foals in America skidded to new lows in the mid-1970s.

In the 1990s, with more Arabian horses and semen flying around the world than ever before, the traditional 20th century distinctions between national breeding groups are breaking down. In the interest of the Arabian breed’s genetic diversity, it makes sense to identify and conserve those living horses from distinctive breeding traditions. Among these are the GSB Arabians and their various subsets. These subsets include, for example, horses tracing entirely to Blunt imports, and horses of Blunt+Skowronek pedigree.

Arabian Visions offers a catalog of the GSB Arabians registered in the United States. It includes a complete pedigree index tracing GSB Arabians imported to America back to the original foundation horses imported to England, and quotes the entries for these horses from the GSB.

Notes:
1. Quoted from GSB Volume XIV.
2. Quoted from the introduction to A Catalogue of Arabians in Great Britain Descending
from G.S.B. Registered Horses.

Gray Polish Arabian stallion Fetysz, born 1924.

Early Polish Pedigrees Simplified: The Three Main Categories

Copyright 1992 by R.J.CADRANELL
from Arabian Visions February 1992
Used by permission of RJ Cadranell

Polish pedigrees from the 19th century are not as labyrinthian as they seem on first examination. To make them easier to understand, they can be separated into three main categories: Sanguszko, Branicki, and Dzieduszycki.

In the 19th century, there were three noble families responsible for the bulk of the modern root stock scattered in World War I and carefully collected after the war. Of these, the Sanguszko family is possibly the best known. Their 19th century studs included Slawuta, Chrestowka, Satanow, Antoniny, and Gumniska (the Potocki family of Antoniny was related by marriage and the stock at Antoniny was Slawuta descended). Polish pedigrees dating back beyond the middle of the 19th century, with named dam lines, are generally of the horses of the Sanguszko. Another way to tell the Slawuta and Chrestowka lines is the names of the horses. Prior to 1861, they follow no pattern as to first initial. Beginning in 1861, foals born in the same year were given names beginning with the same letter. Thus Republika, Rymnik, Reduta, and Rewanza were born in 1876; Siersa, Sybilla, and Slawuta were born in 1877.

The Branicki family also had pedigrees dating back to approximately 1800. Lines from their stud were not as abundant as Slawuta lines in the stock that survived World War I. Their studs were Bialocerkiew, Janiszowka, Szamrajowka, and Uzin. Often, Branicki horses will have names beginning with the same letter as the sire’s name. For example, Hadrja is by Hamdani I by Hussar. Not as many Branicki stud records appear to have survived for the preparation of the Polish Arabian Stud Book in the 1920s, so Branicki horses are more likely to lack foaling dates and occasionally named dams.

The last of the three families to enter Arab horse breeding was the Dzieduszycki. Their studs, Jarczowce, Jezupol, and Jablanow, began in 1840 with the purchase of the stallion Bagdad from a Levantine dealer and horse importer named Glioccho. In 1845, Count Juliusz Dzieduszycki returned from what may have been Poland’s single most important horse buying expedition to Arabia. He brought with him a number of stallions and the legendary mares Gazella, Mlecha, and Sahara.

The bloodlines these three families used have little or no overlap with the pre-World War I foundation lines of other Arabian horse breeding countries. Some overlap does occur with the stud of the Kings of Wurttemberg at Weil, and the Austro-Hungarian state studs of Babolna and Radautz. Weil, near Stuttgart, was founded in 1817 and is Germany’s most historically important breeding stud. During the 19th century, Weil maintained its own distinct and identifiable group of bloodlines, although there was some interchange of stock with Babolna. Babolna, in Hungary, was a military horse breeding establishment akin to the noble and royal horse breeding efforts going on in other parts of central and eastern Europe. Babolna exchanged horses on a limited basis with Weil, and sent a limited number of horses to some of the Polish nobility, but for the most part maintained a herd distinct from that at Weil or those of the Polish nobles. Weil and Babolna continued to influence breeding in Poland, and breeding in Poland also influenced Weil and Babolna, into the 20th century.

All of these studs continued to add new horses from the desert from time to time, with the last such importation arriving in 1932. This group included Kuhailan Haifi, Kuhailan Zaid, and Kuhailan Afas. Erika Schiele described this 1930s expedition as the first of its kind since World War I, and probably the last in our century and for all time.

These were the basic pedigree components of most Arabian horses in Poland at the time the Polish Arab Horse Breeding Society was founded in 1926. In the sample pedigree of *Bask, a well known Polish import, we can see how these elements came together. Witraz, Ofir, Makata, Dziwa, and Fetysz were all bred between the wars at the state stud of Janow Podlaski, and were from the breeding program reestablished there in 1919. Both of Dziwa’s parents, Abu Mlech and Zulejma, were bred at the Dzieduszycki stud of Jezupol, and had pedigrees composed of the Dzieduszycki desert imports as well as a few Babolna lines. One could consider Dziwa “straight Dzieduszycki.” Gazella II was also bred at Jezupol, and was a further representative for Janow of the Dzieduszycki breeding. Her pedigree also contained some of the old Weil lines of Germany through her grandsire Anvil, bred at Weil. Fetysz carried a substantially different pedigree. His sire Bakszysz had come from Slawuta, and brought to Janow lines to the old Sanguszko stock. The dam of Fetysz, 282 Siglavi Bagdady, was bred at the Austro-Hungarian state stud of Radautz. Her sire was one of the desert breds imported by Austria-Hungary. Her dam, 15 Malta, was bred at Chrestowka from a mare of the old Sanguszko lines. Malta’s sire, Handzar, brings in just a drop of Branicki blood to the pedigree of Witraz.

*Bask 1956 Albigowa Witraz 1938 Janow Ofir 1933 Janow Kuhailan Haifi OA Desert Bred  
 
Desert Bred  
 
Dziwa 1922 Janow Abu Mlech 1902 Jezupol  
 
Zulejma 1914 Jezupol  
 
Makata 1931 Janow Fetysz 1924 Janow Bakszysz 1901 Slawuta  
 
282 Siglavi Bagdady 1908 Radautz Siglavi Bagdady OA
15 Malta 1892 Chrestowka
Gazella II 1914 Jezupol    
 
   
 
Balalajka 1941 Krasnica Amurath Sahib 1932 Brenlow 35 Amurath II 1907 Radautz Amurath 1881 Weil  
 
Fatme OA  
 
Sahiba 1924 Breniow Nana Sahib 1907 Weil  
 
Donka 1910 Babolna  
 
*Iwonka III 1936 Krasnica Ibn Mahomet 1925 Gumniska    
 
   
 
Lysa 1915 Prusy Hassizi 1898 Janiszowka  
 
Dzami I 1896 Regow Dardzal 1879 Szamrajowka
Eminach 1888

Balalajka, *Bask’s dam, represents Polish breeding between the wars carried on outside of the state stud of Janow. Her sire, Amurath Sahib, has no lines to Branicki or Sanguszko bred animals. His sire, 35 Amurath II, was bred at Radautz from a desert bred mare and Weil’s Amurath 1881, used at Radautz at the end of his life and one of the most famous products of Weil breeding. Sahiba, like her son Amurath Sahib, was bred in Poland between the wars at the small private stud of Breniow. Her sire was bred at Weil and her dam at Babolna. In spite of this, she does have a distant line to Dzieduszycki breeding. As a horse of Weil and Babolna lines, Amurath Sahib was more or less an outcross to the Branicki, Sanguszko, and Dzieduszycki stock.

*Iwonka III combined the lines of the three Polish families. She was a daughter of Ibn Mahomet, a stallion with a Slawuta/Gumniska pedigree. Lysa was by Hassizi, a horse bred at Janiszowka from Branicki lines. Dzami I’s sire Dardzal also carried a Branicki pedigree. Eminach’s sire Bagdad was a Dzieduszycki horse from Jarczowce. Eminach’s dam, Indostanka, was also bred at Jarczowce, but her sire Hindostan I came from Satanow and had a Sanguszko pedigree. Indostanka’s dam, and thus the rest of the tail female, is Dzieduszycki breeding.

For anyone tackling Polish pedigrees, these distinctions offer a way to sort through the names and bring some order out of initial confusion.

The Blunts and Crabbet Stud

An Abbreviated History And Description of the Breeding Program

by Robert J. Cadranell II
revised and copyrighted 1998 by RJ Cadranell II
used by permission of RJ Cadranell II

Countless times writers have referred to the Crabbet Arabian Stud as the most influential privately owned Arabian stud in the world, and rightly so. The story of the Crabbet Stud and its visionary though eccentric founders, Mr. Wilfrid and Lady Anne Blunt, is the subject of many articles and books written over the years. However, few have made any attempt to analyze the breeding program in the era of the Blunts, choosing to focus instead on the more dramatic stories of the acquisition of the foundation animals, the Partition of the stud in 1906, and the famous lawsuit fought after Lady Anne’s death between her husband and daughter. The present article is an attempt to describe the breeding program of the Blunts and the changes it underwent as time passed and their knowledge of the breed increased. Crabbet under their daughter, Judith Blunt-Lytton (Lady Wentworth), deserves an article unto itself.

The Blunts had travelled in Spain, then in 1873 through Turkey and Algeria. Next, they went in 1875 to Egypt and Damascus. They longed to go further east. In November of 1877 they set out for Syria to travel in the Syrian deserts and Mesopotamia, with one further end in mind. If possible, they wanted to purchase a horse of the same strain as the famous Thoroughbred foundation sire the Darley Arabian. On board a ship bound for Alexandretta, they met a gentleman who recommended they first go to Aleppo to confer with Mr. James Skene, the British Consul. This they did. Snowstorms detained them in Aleppo, but the extended stay with Skene gave birth to another idea. Lady Anne noted in her journal on the 14th of December, 1877 that

“We have made a plan … of importing some of the best Anazeh blood to England and breeding it pure there … it would be an interesting and useful thing to do and I should like much to try it.” [1]

Mr. Blunt later wrote that they owed the idea to Skene.[2]

When the storms cleared the Blunts set out on the journey recorded in The Bedouin Tribes of the Euphrates. They bought horses themselves, and Skene bought some as well. These first horses they imported to England from 1878-9, and they are listed in Table A.[3]

TABLE A: Desert-bred imports to Crabbet Stud, 1878-9
Name Strain
Those with Al Khamsa descent:
BASILISK Saqlawiyah
DAJANIA Kuhaylah
JERBOA Mu’niqiyah, on both sides of pedigree
KARS Saqlawi
PHARAOH Saqlawi
QUEEN OF SHEBA Abayyah, sire a Mu’niqi
Those which did not breed on within Al Khamsa:
BURNING BUSH Kuhaylah
DAMASK ROSE Saqlawiyah
DARLEY Kuhaylan-Ras-al-Fidawi
FRANCOLIN Sa’adah
HAGAR Kuhaylah
PURPLE STOCK Kuhaylah
SHERIFA Hamdaniyah
TAMARISK Sa’adah
WILD THYME same as Darley, above

Some of these first horses were similar to Thoroughbreds in type, and since one of Blunt’s early aims was to reintroduce Arabian blood into the English Thoroughbred, these were a logical selection. One Jockey Club member pronounced the early Crabbet stock “thoroughbreds in miniature,” much to the delight of Mr. Blunt.[4] Skene erroneously informed the Blunts that the Darley Arabian had been a Kuhaylan-Ras-al-Fidawi, so they had imported two animals of this strain. In actuality, he was a Mu’niki.[5]

The Blunts made further travels in Arabia. The next importation consisted of six mares, in 1881 (Table B). In 1884 four new stallions followed, enumerated in Table C. The first three listed of these stallions had been owned in India for racing following their export from Arabia. The animals in Tables A-C constitute the breeding stock of what amounts to the first phase of the Crabbet breeding program, 1879-1884.

This program the Blunts aimed at producing horses that might one day compete with Thoroughbreds on the English turf. As Wilfrid Blunt outlined it,

“the assumption on which the whole experiment has been based has been of course that stock foaled in this country would, by the action of the English climate, combined with good feeding, increase in size, and probably also in speed. …”[6]

To determine if such were the case, Wilfrid Blunt persuaded the Jockey Club to hold an Arab race at Newmarket in 1884. The results were inconclusive, but the Blunts came to abandon the idea of rejuvenating the Thoroughbred. Many years later Blunt summarized his conversion, writing

“I was on wrong lines in breeding Arabs for speed, and not for those more valuable qualities in which their true excellence lies. Had I continued with my original purpose, I should have lost time and money, and probably have also spoiled my breed, producing stock taller perhaps and speedier, but with the same defects found in the English thoroughbred.”[7]

In another place we find,

“The Crabbet Park Stud… is carried on on strict Arabian principles, and as there is no attempt at increasing the height of the stock, the Kehailan type has been well preserved.”[8]

Additional comments of Mr Blunt on the purpose of the Crabbet Stud run,

“It was the conviction that this wonderful breed of horse was threatened with extinction in its native home that led me… to make the attempt you now see carried out at Crabbet of rescuing at least a fraction of the race and preserving it in all its purity in England. This was my first and most important object—not to improve the breed—for it really needs no improvement—but to keep it pure; pure not only in blood, but in type also, to preserve it carefully from deterioration in shape, in temper, in hardihood, and from departure from those special characteristics of beauty which are peculiar to the ancient race.”[9]

It is unfortunate that the two major reference works that the Blunts authored, The Bedouin Tribes of the Euphrates (1879) and A Pilgrimage to Nejd (1881), were written while they themselves had just begun to familiarize themselves with the Arabian horse. While both are valuable books filled with solid material, they could not possibly contain the experience and insights that the Blunts later gained through forty years of breeding and studying the Arabian. Lady Anne did, however, finish an authoritative work on the Arabian horse near the end of her life. This “Book of Fragments,” as she referred to it, she willed to her daughter Judith, who also inherited the barony of Wentworth at her mother’s death. Portions of this “Book of Fragments” supposedly appear in Lady Wentworth’s Authentic Arabian Horse, but it is difficult to distinguish Lady Anne’s voice from her daughter’s.

TABLE B: Desert bred imports to Crabbet Stud, 1881
Name Strain
Those with Al Khamsa descent:
RODANIA Kuhaylah
Those which did not breed on within Al Khamsa:
CANORA Kuhaylah
DAHMA Dahmah
JEDRANIA Saqlawiyah
MESHURA Saqlawiyah; sire a Mu’niqi
ZEFIFIA Kubayshah

TABLE C: Desert bred imports of 1884.

Those with Al Khamsa descent:

HADBAN PROXIMO   Hadban Kuhalan, sire a Mu’niqi   Those which did not breed on within Al Khamsa:   RATAPLAN ABEYAN Dahman Abayyan TABLE D: Last desert bred imports, 1888-91.

Those with Al Khamsa descent:

AZREK FERIDA Saqlawi Mu’niqiyah   Those which did not breed on within Al Khamsa:   ASHGAR JILFA Saqlawi Jilfah TABLE E: Horses bred in Egypt and imported to Crabbet:   1891 KHATILA MERZUK MESAOUD SAFRA SOBHA   1892 SHAHWAN   1897 BADIA BINT HELWA BINT NURA FULANA JOHARA MAHRUSS 1898 ABU KHASHEB JELLABIEH KASIDA MAKBULA   1904 FEYSUL IBN YASHMAK

The final desert bred horses to join the Crabbet program are listed in Table D. The foal crops of 1880-1891 were produced almost entirely from breeding imported desert bred mares, their daughters, and granddaughters to imported stallions. The only exceptions are about eight foals that the Crabbet bred stallions Roala (Kars/Rodania) and Jeroboam (Pharaoh/Jerboa) sired.

In the first decade of breeding at Crabbet, the Blunts culled many of the original mare lines they had imported. By 1891, no lines remained from Burning Bush, Damask Rose, Purple Stock, Francolin, Tamarisk, Canora, or Zefifia. The Wild Thyme, Dahma, Jedrania, Jilfa and Hagar families left Crabbet soon after. The Blunts tended to think in terms of mare lines, reflected in their system of naming a foal according to the first letter of its dam’s name. This is also a reflection of the Bedouin practice of handing down the strain names from the dam. Certain of the imported mares did not meet the Blunts’ standards. The Blunts were unable to verify the purity of some to their satisfaction, so these were sold along with any progeny. Other mares were barren. Others did not produce the quality that the Blunts desired. In 1904 Wilfrid Blunt stated,

“the produce of certain imported mares, however good individually these were, will become eliminated from the stud and it will be idle out of sentiment to retain them. It is better such strains should be lost when after three generations they have failed to produce a sire of the first class.”

In this way the Sherifa line eventually died out as well. Nineteen years after her importation, her descent had still “not yet produced a first class colt.”[10] Similarly, the 1917 Crabbet catalogue records that the Meshura family had dwindled to one mare. The Blunts never used a stallion of the Meshura family. Although the Ferida family was well represented numerically in the 1917 catalog, it too gave no sires to the stud in the time of the Blunts. The desert mares still represented at Crabbet at the end of Lady Anne’s life were Basilisk, Jerboa, Dajania, Queen of Sheba, Meshura, Rodania, and Ferida. However, the Jerboa line had died out in tail-female.

The Blunts also eliminated many of the original stallion lines. Although Darley, Abeyan, Rataplan, and Ashgar all sired foals at Crabbet, their lines did not breed into the 20th century at that stud. Neither did Proximo’s, apparently. Kars, Pharaoh, Hadban, and Azrek were still represented at the end of the Blunt period of breeding.

1891 was the last year in which the Blunts’ foals were exclusively descended from their own desert imports. The year 1892 marked a transition. his foal crop included the last foals that Azrek (the last desert bred stallion used at Crabbet) sired for them, and the first foals from stallions and mares they had brought from Ali Pasha Sherif in Egypt.

The Ali Pasha horses had certain intangible qualities that led to another reorganization of the breeding program at Crabbet. “I don’t know what it is, or rather I don’t know how to put into words that indescribable air of distinction which marks the horses and mares of Ali Pasha Sherif’s…”[11] Lady Anne commented. Table E summarizes the Ali Pasha horses imported to Crabbet from Egypt.

Merzuk and Mesaoud had shared the 1892 foal crop with Azrek, but 1893 to 1901 saw the imported Ali Pasha horses dominate the breeding program. The only stallion used in this period not bred by Ali Pasha was Ahmar (Azrek/Queen of Sheba), who got roughly 19 foals. This is in sharp contrast with the total sired by the Ali Pasha stallions Mesaoud, Shahwan, and Mahruss in those years, which was something in excess of 90.

This Ali Pasha blood quickly permeated the Crabbet stock. The 1901 Crabbet Stud catalogue lists 81 horses. The average level of Ali Pasha blood in the herd at that time was 53%, indicating that in just ten years the Blunts had placed the Ali Pasha horses on an equal footing with their own desert imports.

In 1897 the Blunts decided they would add no further new blood to Crabbet.[12] This decision manifested itself in their bringing two Mesaoud sons into the stallion battery in 1901, Seyal and Rejeb. In over 20 years of breeding at Crabbet, only three home bred stallions had preceded them. The foal crop of 1902, therefore, marks the beginning of the final phase of the Blunt breeding program at Crabbet.

In the 1902 foal crop, Mesaoud presented his usual high quality foals, but the Blunts exported Rejeb to Japan in 1901, before any of his foals were on the ground. Seyal remained at Crabbet for several more years. Lady Anne seems to have preferred him to Rejeb; she wrote of Seyal “we could not do better except for colour and must risk some greys I suppose.”

Seyal was the last grey stallion the Blunts used at Crabbet to any extent. The only others had been Azrek and Shahwan (the imported grey colt Faris, out of Francolin, was also used sparingly). Of Shahwan Lady Anne wrote, “we can’t get his like again and would not part at all with him were he not grey.”[13]

This aspect may have also been a factor in the sale of Azrek to South Africa. Wilfrid Blunt considered Azrek the best imported sire up to that time, and only Mesaoud later surpassed him.[14] Lady Anne deeply regretted the sale of Azrek, but the ownership of his get consoled her to an extent. The difficulty with greys was that they did not sell as easily as bays and chestnuts. The Blunts constantly guarded against becoming overstocked, relying heavily on the export market as well as sales in England.

Seyal had just four seasons at Crabbet, during which the Blunts bred him, with one exception, only to grey mares. He got around 17 foals. In 1903 one of these grey mares, Bukra, produced a bay Seyal colt. This was Berk, whom Lady Anne ecstatically described as a yearling: “the sight of all was Berk lunged, as his action is magnificent—he was a perfect picture in motion…”[15] With a bay son to replace him, the Blunts sold Seyal that same year to India.

The stallions the Blunts used in their final phase (foal crops of 1902-20) were again imported horses of Ali Pasha stock, and home bred horses combining their own desert breeding with that of Ali Pasha. The one exception was Nejran (Azrek/Nefisa). The Blunts had sold Nejran as a two-year-old in 1893, repurchasing him in 1901. He stood for three seasons, getting about twelve foals before his sale to Australia in 1904. Nejran was the last stallion used at Crabbet who traced exclusively to their own desert stock, following the export of Ahmar to Java in 1901.

The choice of stallions of the lines listed above raised the level of Ali Pasha blood in the herd. The 1917 Crabbet catalogue lists 81 horses. At this point the average level of Ali Pasha blood was 57%. The increase over the 1901 percentage is not as much as one might expect, yet the figure demonstrates that the Ali Pasha blood did come to edge out the “Blunt” blood slightly. However, one must guard against taking the extreme view that the Blunts no longer valued their own desert selections. The level of representation of this blood was still 43%.

Of the Ali Pasha mares, the 1917 catalog details that no descendants remained from the families of Khatila, Badia, Safra, Fulana, Johara, or Jellabieh. However, the blood of the families of Sobha, Bint Helwa, Bint Nura, Makbula and her daughter Kasida, ran strong in the herd, with all but the latter having provided sires to the stud.

Of the imported Ali Pasha stallions, all but Abu Khasheb had progeny in the 1917 catalogue. Shahwan’s line, however, descended only through his grandson Ibn Yashmak, a son of his Egyptian born daughter Yashmak. His English born daughters Shohba (/Shelfa) and Reshmeh (/Rose of Sharon) were in the Crabbet broodmare band for a time, but the lines did not continue.

The imported stallions the Blunts used from 1901 to 1919, their final breeding years, were Mesaoud, Feysul, and Ibn Yashmak, getting between them in this period roughly 54 foals. The Crabbet bred stallions were first Rejeb, Seyal, and Nejran, as described above, then:

Name Sire/Dam Stood No. Get
Daoud Mesaoud/Bint Nura 1902-16 30
Narkise Mesaoud/Nefisa 1904 4
Astraled Mesaoud/Queen of Sheba 1904-09 24
Harb Mesaoud/Bint Helwa 1905-06 8
Rijm Mahruss/ Rose of Sharon 1906-13 26
Berk Seyal/Bukra 1907-16 27
Rustem Astraled/Ridaa 1911-18 12
Razaz Astraled/Rose of Hind 1913-15 6
Nasik Rijm/Narghileh 1914-17 11
Sotamm Astraled/Selma 1914-18 12

Following Lady Anne’s death at the end of 1917, Blunt bred a few foals from two additional stallions, and Lady Wentworth, who had repurchased Nadir (Mesaoud/Nefisa) from George Ruxton, bred him to a couple of the mares she had at Crabbet.

These Nadir foals were born in 1920, the year that the courts settled the lawsuit in Lady Wentworth’s favor. Wilfrid retained a few geldings as well as his favorite stallion Rustem and his 21-year-old riding mare Abla (Mesaoud/Asfura).

Lady Wentworth took charge of the rest of the stud. By the end of the year the stock had altered considerably since her mother’s death. Debts had forced Wilfrid to sell a large number of animals, and Lady Wentworth sold another large draft to the Royal Agricultural Society in Egypt, which included the stallions Razaz and Sotamm, as well as Ibn Yashmak. Of the stallions in the above table, the only one still at Crabbet at the end of 1920 was Nasik.

One odd aspect of the management at Crabbet was that the Blunts sold many of their best foundation stallions just as they were making important contributions to the herd. They regretted the sales of Azrek, Pharaoh, Hadban, Merzuk, and Mahruss at the time of sale and especially later, as their stock matured.

The influence of the Crabbet horses on current Al Khamsa stock is significant. Twenty-three Crabbet horses imported to America have bred on in Al Khamsa lines. An additional six are represented through animals imported from Egypt, a result of Lady Wentworth’s sale in 1920.

Al Khamsa bloodlines also contain descent from another desert bred stallion that Lady Anne owned. He was not, however, a part of the Crabbet breeding program. This was Saadun, a horse she brought from Arabia to her stud in Egypt in 1911. This breeding concern, the Sheykh Obeyd Stud, was located on the property of the same name outside of Cairo in Egypt. The Blunts had bought this land in 1882, later adding to the original 50 acre holding through the purchase of adjoining tracts. Some years later it became their annual winter home, following numerous improvements. The number of Arabians they kept here never approached that at Crabbet, and it served as temporary stabling for a few desert horses and all of their purcheses in Egypt awaiting shipment to England.

However, a number of horses never went to England, remaining as foundation stock for the Sheykh Obeyd Stud. There are grounds to support the argument that Sheykh Obeyd was a Stud in its own right, sharing some bloodlines with Crabbet, but a separate entity. The foundation stock descended mainly rom Ali Pasha Sherif and Abbas Pasha bloodlines, but also included a Bahraini mare that had been a gift to the Khedive of Egypt, from whom Lady Anne had purchased her, and several animals she had imported herself directly from Arabia in 1911 and 1913.

After Lady Anne died, Blunt gave the Public Trustee permission to sell the Sheykh Obeyd horses. Lady Wentworth records that most of them went to Captain Trouncer, acting on behalf of the Egyptian Horsebreeding Commisssion, while the rest went to a Greek by the name of Casdugli. A number of Sheykh Obeyd horses found their way into pedigrees influencing current Al Khamsa stock.

The horses of the Blunts at Crabbet and Sheykh Obeyd, through importation directly to America from England or through Egypt, provided an important “building block” for Al Khamsa.

  1. [1]Lady Anne Blunt, quoted in Archer, Pearson, Covey, The Crabbet Arabian Stud, Its History and Influence, (Gloucestershire: Heriot, 1978), pps. 32-33.
  2. [2]Archer, p. 34.
  3. [3]Also consulted: Weatherby’s General Stud Book.
  4. [4]Wilfrid S. Blunt, “The Forthcoming Arab Race at Newmarket,” in the Nineteenth Century, 1884. Reprinted in George H. Conn, The Arabian Horse in Fact, Fantasy, and Fiction, 4th ed. (New York: Arco, 1973), p. 371.
  5. [5]Archer, p. 35.
  6. [6]W. S. Blunt, reprinted in Conn, p. 373.
  7. [7]W. S. Blunt, Gordon at Kharoum, (London, 1912), pps. 263-5, quoted in Carl Raswan, The Raswan Index, (Mexico, 1957), I, p. 53, entry No. 847.
  8. [8] W.S.Blunt, “The Arabian,” Encyclopaedia of Sport, (Lawrence & Buller, 1900), reprinted in Margaret Greely, Arabian Exodus, 2nd ed. (London: Allen, 1976), p. 218.
  9. [9]W. S. Blunt, speech made 5 July, 1902, quoted in R.S.Summerhays, The Arabian Horse, 1976 ed. (California), p. 55.
  10. [10]W. S. Blunt, quoted in Archer, pps. 226-7.
  11. [11]Lady Anne Blunt, 1891, quoted in Judith Forbis, The Classic Arabian Horse, (New York: Liveright, 1976), p. 187.
  12. [12]Archer. p. 94.
  13. [13]Lady Anne Blunt, quoted in Archer, pps. 70-1.
  14. [14]W. S. Blunt, quoted in Archer, p. 227.
  15. [15]Lady Anne Blunt, quoted in Archer, p. 126.

The Eternal Fascinators: Ali Pasha Sherif, Lady Anne Blunt, and Sheykh Obeyd Garden

Revised January 1998
Copyright by R.J.Cadranell
Used by permission of RJ Cadranell

Digging For Gold In The Raswan Index

Most Arabian horses descend to greater or lesser extent from the Arabian horse collection of Ali Pasha Sherif (d. 1897) of Egypt. Writers treat this collection of horses with awe and respect. The best of the horses still stand as examples of classic Arabians.

Crabbet Stud co-founder Lady Anne Blunt (1837-1917) seems to have made the greatest effort to acquire representatives of Ali Pasha breeding as his collection began to disperse in the last decade of the nineteenth century. On March 26, 1897 she and her 24 year old daughter Judith (later Lady Wentworth) attended the collection’s second and final auction sale. Also with Lady Anne was her sais, Mutlak, a former employee of Ali Pasha’s. Her published Journals describe the event:

“With Judith 7. 50 train, and Mutlak to sale of remnant of A.P.S. stud at the Serai. Did not begin till long after 9, the hour on bills, Aziz brought out first only Lb bid taken back. Then 2 year filly B.B. Azz grey fetched LBE 29. Ibn Johara 32, Ibn Zarifa Saghir 27, do Kebir 26, Ibn Bint Nura Saghir 56, do Kebir 43, Ibn B. Jellabieh Feysul 55, Ibn Bint Nura es Shakra 44, Ibn Makbula 63, Ibn Aziz Saghir 60). Johara B. Helwa (Seglawieh) 80, B. Horra and foal 125, B. Nura es Shakra 106. B. Makbula 255. Of these I bid for the grey 3 yr. Ibn Johara 31 – splendid colt but has been ill, severe cold (regret I did not go to 35). I bought B. Horra and foal and B. Nura es Shakra (regret I did not buy for 55 the ch. Ibn B. Jell. Feysul 4 years very beautiful—feared to add to number of stallions as we have enough). Sent Mutlak home with the 2 mares and foal, am delighted with them…”

Many of these horses were lost to Arabian horse breeding. Egypt’s first published stud book did not appear for more than fifty years after this sale, so details of these lost horses are available to us through scattered notes in Lady Anne Blunt’s Journals and stud books and also The Raswan Index. While the Index material on the Ali Pasha pedigrees is often difficult to follow and seems to come from secondary and tertiary sources, the Index is in general surprisingly clear about the horses going through this sale. Raswan’s information includes colors, foaling dates, and parents of the sale horses.

Internal evidence suggests that Raswan saw one of the bills which Lady Anne Blunt mentions as having been issued prior to the sale. He might have seen one during the time he spent with Lady Wentworth in 1926. He might have found one in Egypt, perhaps as part of the library of Prince Mohammed Ali to which Raswan also had access. The Index contains a number of alternative spellings of the names of the horses going through the sale. These transliterations use a system entirely different from those Raswan and Lady Anne Blunt used. They are consistent with themselves, suggesting that Raswan drew them from a single source. Certain spellings suggest that the original writer spoke French. For example, the name “Helwa” (“sweet” in Arabic) is rendered “Heloua,” the use of “oua” for “w” being typically French. “Shakra” (Arabic for “chestnut”) appears as “Chakra,” also a French spelling.

Raswan’s information about the horses going through the sale is in general agreement with Lady Anne Blunt’s. Using the two sources, it is possible to reconstruct a sale catalog:

  • 1. Aziz was a chestnut Dahman Shahwan stallion Lady Anne Blunt first saw as a four-year-old in November of 1880, making Aziz about 21 at the time of the sale. He was a principal sire for Ali Pasha, and Lady Anne Blunt came to own many of his get: Mesaoud GSB, Antar, Jamil, Johara GSB, Bint Helwa GSB, Bint Nura GSB, Bint Bint Jamila el Kebira, Bint Fereya, Badia GSB, Bint Horra, Kerima, Aziza (1900), and Khatila GSB. (1) Aziz died in 1889. (Blunt quoted in Pearson/Mol p. 137).
  • 2. Bint Bint Azz eventually found her way to Lady Anne Blunt’s stables at Sheykh Obeyd Garden near Cairo. She was entered as No. 23 in the Sheykh Obeyd Stud Book, renamed “Azz,” and described there as a white Dahmah Shahwaniyah mare foaled in 1895 or 96, by Ibn Nura and out of Bint Azz. Index entries 1415 and 1067 give variant spelling of her name “Bent Bent Ezz.” Entered in GSB as “Azz.”
  • 3. Ibn Johara is described in Index entry 3998 as an 1894 grey stallion out of Johara (q.v.) and by “Ibn Mahroussa I.” Entry 4005 explains that “Ibn Mahroussa I” is the grey stallion more often known as Mahruss. The variant name and numerical designation appear to be Raswan’s own. Lady Anne’s Journal entry for January 22, 1902 mentions “the grey horse (now 7 years old) by Mahruss out of Johara” then owned by Ahmed Fathi and his son Mohammed Fathi. This is apparently Ibn Johara.
  • 4. and 5. Ibn Zarifa Saghir and Ibn Zarifa Kebir appear to be the sons of a mare named Zarifa (“the graceful”), as their names imply (“the younger son of the graceful mare” and “the elder son of the graceful mare” respectively). Index entries 4040 and 4041, as well as 11242 and 11243, interpret the names to mean “the son of the younger Zarifa” and “the son of the elder Zarifa,” which is an unlikely interpretation since the words kebir and saghir take the masculine form and therefore seem to apply to the sons. Raswan says the sons were foaled in 1887 and 1888, were both grey, and both by Aziz.
  • 6. and 7. Ibn Bint Nura Saghir and Ibn Bint Nura Kebir Raswan describes as chestnut stallions foaled 1892 and 1889, by Aziz and out of Bint Nura (index 3964, 3962). Entry 3964 gives variant spelling “Ebn Bent Noura El-Saghir.” Raswan’s attempt to determine which Bint Nura produced these stallions is similar to his treatment of the two Zarifa sons. These two sons of “Bint Nura” were probably out of the same mare. Ali Pasha owned numerous mares known as “Bint Nura” (see below for another). These two easily could have been full brothers to Bint Nura GSB.
  • 8. Ibn Bint Jellabieh Feysul is in the Index ( 3957) as an 1893 chestnut son of Ibn Nura out of Bint Jellabieh Feysul. Date, name, and color agree with the Journal entry describing the auction. Raswan seems to have been unaware that this horse was Feysul GSB. Lady Anne Blunt acquired him “from Seyyid Mohammed Fathi December 7 1898. Mohammed Fathi had bought him from Saleh Bey Sherif, his purchaser at the 2nd Auction held in March 1897 (Lady Anne Blunt quoted in A,P & C, p. 97). The facsimile page of the Sheykh Obeyd stud book reproduced in Upton shows that Lady Anne Blunt originally entered Feysul as the son of “Bint Jellabiet Feysul,” noting that Feysul’s dam was also known as “the lame” (El Argaa) from having broken a front leg. She later changed El Argaa’s other name to read “Bint Bint Jellabiet Feysul,” implying that one of the “Bints” had been left out originally.
  • 9. Ibn Nura es Shakra is in the Index ( 3963) as an 1890 grey stallion by Ibn Sherara (also spelled “Charara”) and out of Bint Nura es Shakra (Bint Nura GSB; see below). Sheykh Obeyd records state that Ibn Bint Nura es Shakra was bred to Johara in 1897. At that time Lady Anne Blunt described him as “Ibn Bint Nura es Shakra (white about 7 years) by Ibn Sherara…” (Pearson/Mol p. 139). In later years a grey stallion named Kaukab from the Ali Pasha collection was active in Egypt. He was the sire of Sahab, the grandsire of the Babson import *Bint Serra. *Bint Serra’s original pedigree, issued in Egypt, describes “Kawkab” as a white son of Ibn Sherara and “Bint Nura.” Lady Anne Blunt owned Sahab and knew his sire. In December of 1907 she referred to Kaukab as “a beautiful white horse about 15 years old” belonging to Ali Pasha’s son Yusef Bey (J&C p. 325). On February 19, 1914 she had a visit from Ibrahim Bey Sherif, another of Ali Pasha’s sons: “he says he has ‘taken’ Kaukab (sire of Sahab) from his brother (Yusef) and will bring that beautiful old horse to show me tomorrow.” The next day “Ibrahim Bey Sherif conducted by Ali the syce appeared on Kaukab, true to promise. That horse is indeed beautiful, light of bone as they say and pasterns rather too long, but what style, the quarter splendid (I wish Sahab had inherited that)…” Kaukab was apparently out of Lady Anne’s own Bint Nura GSB (shot in 1912). One might suspect that Kaukab and Ibn Bint Nura es Shakra were the same horse. However, notes of Lady Anne’s quoted in A, P&C ( p. 113) in connection with Sahab state that Yusef Bey Sherif had Kaukab “given to him by his father before the ‘interdict.’ ” This makes it unlikely Kaukab would have been one of the horses in the auction. If Ibn Bint Nura es Shakra and Kaukab are not the same horse, then it seems they were full brothers of roughly the same age.
  • 10. Ibn Makbula is in the Index (4009) as an 1892 grey stallion. Variant spelling “Ebn Makboula.” Beyond this, his Index entry is particularly garbled. He is listed as being by a sire also named “Ibn Makbula” and out of a mare named “Nasrat.” There is no other “Ibn Makbula” in the Index, and the only “Nasrat” in the Index was a bay Ali Pasha stallion by Aziz and out of Bint Azz. Ali Pasha Sherif owned at least two mares named Makbula, and Ibn Makbula’s name implies he was the son of one of them. Index correction 888 changes the sire to Nasrat and the dam to Makbula. Like Raswan, Lady Anne Blunt says that Ali Pasha Sherif bred a bay stallion named Nasr or Nasrat, by Aziz and out of Bint Azz. She further records that “Nasr died of ‘the eye’ i.e. fell dead one day when being ridden out – this happened on a bridge. His only descendants were Kasida, Manokta and a colt ex Mukbula” ( quoted in Upton, p. 116)

    Kasida ( 1891) and Manokta ( 1894) were foundation mares for Lady Anne Blunt, full sisters by Nasr and out of Makbula GSB. It seems that Ibn Makbula was their brother and the third Nasr foal.

    Ibn Makbula appears in the Journals again, entry of November 20, 1909: “To the house of Mahmud Moharrem Rustem purchaser of … the colt by Nasrat out of Makbula … a handsome wreck, eyes sunk in and looks older than his age (16 to 17 years), is very like Kasida is grey, great bone, strange to say not yet white at that age.”

  • 11. Ibn Azz Saghir is not in the Index, but there is an entry for Ibn Bint Azz As-Saghir ( 3954), with the telltale variant spelling “Ebn Bent Ezz El-Saghir.” The Index lists him as an 1893 grey stallion by Ibn Helwa (or “Ebn Heloua”) out of Bint Azz (“Bent Ezz”). It seems unlikely that Azz herself was producing as late as the 1890’s, but a Bint Azz daughter also went through the sale, so this might be another case of a dropped “Bint.” Index entry 3992 implies that Ibn Helwa was full brother to Bint Helwa GSB and Johara GSB.
  • 12. Johara Bint Helwa has variant spelling “Goharra Bent Heloua” in Index entries 3081 and 4550. She is in GSB as Johara, and Crabbet records state she was also known as “Bint Helwa es Shakra” (the chestnut daughter of the sweet mare). Crabbet records further state that Lady Anne Blunt “[p]urchased [her] from Ibrahim Bey Sherif on April 19, 1897 for Lb 120. Ibrahim Bey had bought her at the Auction on March 26, for LbE 80 (quoted in Upton, p. 100). Johara was the daughter of Aziz and Helwa, and was foaled about 1880, making her one of the first Aziz foals.
  • 13. Bint Horra also has a variant spelling in the Index ( 1456): “Bent Horra.” She was one of the three horses Lady Anne bought at the auction. Bint Horra is No. 9 in the Sheykh Obeyd herd book, and is described there as an 1889 grey mare bred by Ali Pasha, got by Aziz, her dam Horra. Bint Horra died at Sheykh Obeyd in September, 1897.
  • 14. Fortunately, Lady Anne had also bought Bint Horra’s foal, a bay filly by Ibn Nura just 22 days old at the time of the auction. She was known as Bint Bint Horra, and Lady Anne Blunt named her Ghazieh. She is No. 15 in the Sheykh Obeyd herd book, and was the dam of ten foals for Lady Anne.
  • 15. Bint Nura es Shakra was the third horse Lady Anne bought at the auction. She is in GSB as Bint Nura. Index entry 1477 has the somewhat predictable variant spelling “Bent Nour [sic] El Chakra.” She was a chestnut mare foaled in 1885, by Aziz, her dam Bint Nura. Lady Anne, with typical fastidiousness, notes that Bint Nura GSB’s name “should be Bint Bint Nura” ( see Upton, p. 108).
  • 16. Bint Makbula brought the most money of any horse in the sale. She is better known as Kasida GSB. A Frenchman bought her at the auction and imported her to France in April, 1897. He brought her back to Egypt that winter, and Lady Anne Blunt was able to buy her from him in March of 1898 (Upton, p. 116). Kasida was originally named Bint Makbula el Shakra. She was an 1891 chestnut full sister to the grey Manokta (Bint Makbula el Saghira), by Nasr and out of Makbula GSB. Index entry 1467 for “Bint Makbula,” an 1891 chestnut Jallabiyah by Nasrat, appears to refer to Kasida GSB.

Lady Anne Blunt eventually owned seven of the horses sold through this auction. They and her other Ali Pasha horses were combined with bloodlines she and her husband Mr. Wilfrid Blunt had selected in Syria, India, and Arabia. This blending produced the famous Crabbet and Sheykh Obeyd Arabians of the Blunts.

Lady Anne Blunt: Preservation Breeder

Among the traditional questions Arabian horse writers debate is, To what extent did the best qualities of the horses the Blunts bred in later years stem from the Ali Pasha collection as opposed to the original “Blunt” desert stock with which Crabbet started?

Lady Anne Blunt herself repeatedly attributed an “indescribable air of distinction” and “style” ( J&C p. 214) to the “unmistakable Ali Pasha Sherif stamp of horse” ( J&C p. 236). Yet the Blunts did not discard the original Crabbet lines and breed only from Ali Pasha blood. Following the importation of Mesaoud, Merzuk, Khatila, Sobha, and Safra to Crabbet in 1891, most foals represented a combination of Blunt desert lines with Ali Pasha blood. Nejran (Azrek x Nefisa), sold to Australia in 1904, was the last “straight Blunt” (meaning, in this article, a horse tracing only to the Blunt acquisitions bred in the desert) stallion to stand at Crabbet, but the GSB does not record that he covered any straight Blunt mares. Crabbet’s last straight Blunt foal listed in GSB was Bozra’s 1901 effort by Ahmar. This foal died young.

Although Crabbet ceased to produce straight Blunt horses, it did maintain a small pool of unmixed Ali Pasha stock. The 1917 Crabbet catalog (prepared about a year before Lady Anne Blunt’s death) lists three remaining mares (Kantara, *Kerbela, and Hamasa) and three stallions (Feysul, Ibn Yashmak, and Zeydan). In 1916 *Kerbela was bred to Zeydan, Hamasa to Feysul, and Kantara to Ibn Yashmak. The latter was the only productive mating, responsible for the 1917 filly Kesratain. She was Crabbet’s last foal of unmixed Ali Pasha blood and the first since her full sister *Kerbela in 1911. Feysul was destroyed in 1917 and Hamasa (Mesaoud x Bint Helwa) was sold at about the same time. Clearly the production of straight Ali Pasha horses was neither a primary project at Crabbet nor one with the prospect of continuing much longer. Wilfrid Blunt sold *Kerbela to America in 1918, but Lady Wentworth was able to repurchase Kibla (Mesaoud x Makbula GSB). Though scarcely a saint, Lady Wentworth does not deserve the chiding she has received for Crabbet’s not preserving the Ali Pasha Sherif bloodlines in any straight form. ( 2)

At the time the 1916 Crabbet catalog was prepared the situation of the Ali Pasha stock at Sheykh Obeyd was not much better. There, Lady Anne Blunt had two pure Ali Pasha stallions, five broodmares, and three fillies. They are listed in the accompanying box. Journal entry for July 12th, 1916:

Stud notice. Jemla to Sahab. Zarifa to Jamil. N.B. If this fails it will be best to take Saadun for both of them. I try with Sahab & Jamil because the authorities here are so very keen about unmixed Abbas Pasha descent, as to which I know from experience that results are uneven. (J&C p. 377)

The sudden outbreak of straight Ali Pasha breedings in England during the 1916 season is likely not coincidental. The last phrase of the entry is perhaps the best indication of why Lady Anne Blunt did not pursue straight Ali Pasha breeding more vigorously. Despite the qualities which the best of the Ali Pasha horses exhibited, Lady Anne Blunt found the bloodline easier to manage as a breeding influence when outcrossed. In this way the Ali Pasha horses and the Blunt desert lines were able to improve one another.

UNMIXED ALI PASHA HORSES AT SHEYKH OBEYD, END OF 1916

All of these horses were bred at Sheykh Obeyd with the exception of the three oldest. Jamil was bred by Ali Pasha Sherif. Sahab was bred by a son of Ali Pasha’s. Kerima was bred by Ali Pasha and purchased in-utero by Lady Anne Blunt. Of the above mares, Kerima had been barren for the past eight years and Lady Anne Blunt sold her in 1917. She also sold Faiza in 1917. Lady Anne presented Ghadia, Jamil, and Jemla to the RAS in 1917. Ghadia had been barren for five years, although Lady Anne believed her to be in foal to Jamil at the time she left Sheykh Obeyd (J&C p. 382). The other five were still at Sheykh Obeyd when Lady Anne died at the end of 1917. Feyda produced in 1917 a filly (dead) by Sahab, and Zarifa produced a 1917 colt by Jamil. Zarifa was rebred to Jamil, though Feyda went to Lady Anne’s desert bred stallion Krush.

Stallions:
Jamil Ch 20 Aziz x Bint Jamila
Sahab gr 13 Kaukab x Azz GSB
Mares:
Kerima ch 19 Aziz x Makbula GSB
Ghadia gr 12 Feysul GSB x*Ghazala
Jemla gr 10 Jamil x *Ghazala
Feyda bay 6 Jamil x Ghazieh
Zarifa gr 5 Sahab x Ghadia
Fillies:
Serra gr yearling Sahab x Jemla
Faiza bay yearling Sahab x Feyda
Falha gr 1916 foal Sahab x Feyda

FOOTNOTES

(1) The abbreviation “GSB” stands for the General Stud Book, in which the Blunt horses imported to or bred in England were registered. When it follows the name of a horse, it indicates the animal was registered in the GSB under that name. This I have tried to do in places where it might be necessary to distinguish it from horses having the same or similar name but not registered in GSB.

(2) Zeydan (Mesaoud x Kasida) was full brother to Kantara. His photo does not indicate he was one of Crabbet’s better efforts, and the “preservation” breeding to *Kerbela is the only record in GSB of his use at stud. Lady Wentworth sold Zeydan to the Egyptian government in 1920.

REFERENCES

A,P&C is Archer, Pearson, and Covey’s The Crabbet Arabian Stud, Its History and Influence, Heriot, Cheltenham, 1978.

J&C is Lady Anne Blunt, Journals and Correspondence 1878-1917, ed. Archer & Fleming, Heriot, Cheltenham, 1986.

Pearson/Mol is notes of Lady Anne Blunt’s published in Pearson and Mol’s The Arabian Horse Families of Egypt, Heriot, Cheltenham, 1988.

Upton is notes of Lady Anne Blunt’s published in Peter Upton’s Desert Heritage, Skilton & Shaw, London, 1980.

Photos originally from the Newbuildings Collection of the late Lady Anne Lytton, provided by Michael Bowling.

Arabians at the Big Apple Circus

Why Young Stallions Run Away to Join the circus

Arabians at the Big Apple Circus

Copyright 1993 by R.J.CADRANELL from Arabian Visions Sept/Oct 1993 Used by permission of RJCadranell  

        Katja Schumann cannot imagine a circus without four essentials: clowns, acrobats, elephants, and horses.

            ”Horses do anything you can ask them. They are like an empty canvas. Each has its own talents to develop to the fullest. Some will be great, others good.”

Katja Schumann, a fifth generation circus equestrienne, came to America from Europe more than ten years ago. She performs with the Big Apple Circus. Because of transportation, insurance, and labor costs, permanent circuses do not keep many horses. Katja has 12, including Saddlebreds, Arabians, a Palomino, and a Shetland pony. She says her horses need to be versatile and work hard.

        The Big Apple Circus performs in the northeastern corner of the United States: shows take place in New England, New York, Ohio, and Washington D.C. [and Chicago Ill. in 1997 and ’98]. The circus performs in one ring under one tent, accommodating an audience of 2,000 in summer and 1,500 in winter. It takes four to five hours to raise the tent, four hours to create the footing in the ring, a day and a half to prepare for a show, and eight hours to take everything down. There are horses and elephants, aerialists, clowns, jugglers, and acrobats. The program changes every year, and there are two shows a day.           The basic training of the horses Katja does on an individual basis. Each horse has a name and must respond to it. She uses the horse’s name to ask it to come to her, or to get its attention.

            ”And if they know their names, later you can get an individual’s attention when they are in a group,” Katja explains. “They must come when called, and respond to the long whip, which is an extension of your hand and arm.”

        Circus horses performing at liberty, however, do not rely on voice commands.

            ”The music is so loud the horses must respond to whip and body movements,” Katja says. “When the whip is behind, it means go forward. When in front, it means stop. But cues must be applied differently because all horses are individuals, and when communicating with one you cannot disturb the others. If I show the inside of my wrist one horse knows to speed up. There are other commands for a turn in place or a change of direction. To turn five to eight horses at once, they must all be on track. Later they learn to rear. That’s the basics.”

        Work is done with a longe line and halter,

    not jerking on the mouth,” Katja says. “Sometimes the horses are ridden after they learn the basics, and sometimes before.”

        Katja has a few geldings, but she prefers stallions for circus work because they show themselves better. She comments,

            ”The inexperienced grooms and people who don’t know what they’re doing get along better with geldings. The horses live outside my window so I can watch. The inexperienced grooms want to learn, but they make mistakes.”

        Katja prefers Arabians for circus performance, explaining that circuses have used Arabian and part-Arabian horses for centuries because of their looks, durability, and trainability.

            ”Arabians will do anything as long as they understand what you are asking,” Katja says. “That sounds simple, but from one day to the next the same aids may not work. Sometimes you need to ask one way, sometimes another. The Arab will respond to what he thinks you’re asking. Understand that principle. If you get on someone else’s horse, the key might be to raise your hands a little. Books don’t tell you that, but the horse responds.”

          Katja finds her horses though the grapevine, following hunches, and reading magazines. Her needs are specific as to color and age. Currently she is assembling a liberty act of eight grey stallions.

        When Katja came to America she had to leave her horses in Europe. She knew she wanted Arabians, but the prices in America were prohibitive in the early 80s.

            ”Some of those high-priced horses should have been donated to circuses.” Katja comments. “They were just not as good as the price might make you think.”

A friend suggested she consider Saddlebreds, but Katja had never seen any. She went to Kentucky and then bought some. She now has three Saddlebreds and likes them.

            ”They have been bred as show horses, and the slightest noise makes them jump. But you can use that to your advantage.”

        New horses cannot be younger than age three. For her team of eight, Katja needed white Arabian stallions with minimal handling:

            ”That way I can be sure no one has messed them up.”

The horses also had to be accustomed to living with other stallions. She found a source of such stallions at Craver Farms in Hillview, Illinois. The young Davenport stallions Angevin CF, Thespian CF, and Bohemian CF have all joined the circus, where they are known by their stage names Abiyad, Yussef, and Pasha. Two more Davenport stallions may follow shortly.

        The horses go back in all lines to the 1906 Davenport importation of Arabian horses from the Anazeh and Shammar tribes. Davenport blood is present in an estimated 90% of American Arabians. The Davenport horses have also been bred as a closed herd since 1906.

        Yugoslavia used to be a primary source of large groups of horses for the circuses of Europe. Purebred Arabians were available and also horses “of Arabian breed,” meaning Shagyas and warmbloods. The Bertram Mills circus in England used horses with Crabbet lines, known in the circus trade as “English Arabs.” They were known for being bigger, often more beautiful, and more pampered. Polish Arabians are popular today in European circuses because they are plentiful and tough.

            ”Many of the Polish Arabians performing in circuses wouldn’t make show horses, but they are very good circus horses

Katja says of them.           Katja sees herself carrying on her family tradition and trying to keep alive her inheritance. Her ancestors were circus proprietors who rode and trained and put together shows.

            ”One day the circus might be looked on like the Spanish Riding School or the American Ballet Theater. It’s something people need: to sit two feet from circus horses roaring past.”

        Commenting on the durability of the Arabian horse Katja says.

            ”If you spend five to ten years training a horse, you want to keep him around. A circus horse is not a product for resale.

Her horses are in many ways like the members of a dance troupe.

            ”They are our colleagues, not our pets. We and the horses depend on one another. I think the bedouins and cowboys did the same.”

     


The Big Apple Circus is a nonprofit performing arts organization.

Northwest CMK/Al Khamsa 1999 Symposium

It has been said that folks who are ignorant of history are doomed to repeat it. Preservation breeders love to make a study of history and then have great fun getting together to repeat it.

1905 Lewis & Clark Exposition, Portland,OR. *Nejdran is the horse in the photo. Homer Davenport is standing on the porch.

1994 Northwest CMK Symposium. Aly Binis is the horse being admired by Charles Craver and RJ Cadranell among others who were unable to attend the ’05 exposition. They do plan to be back in ’99 for the

NORTHWEST CMK/AL KHAMSA 1999 SYMPOSIUM August 20-22, 1999 McMinnville, Oregon (45 min. SW of Portland)


For information contact

Ardi Allnoch 12560 Moores Valley Rd Yamhill, OR 97148-8013   or Rick Synowski at: rsynowski@iname.com

Strained Relations

Copyright by Michael Bowling used by permission

“Strain” is defined courtesy of Messrs. Funk & Wagnalls as follows:

“1. Line of descent or the individuals collectively in that line; race; stock; also, a variety, especially when artificial and but slightly differentiated.

“2. Inborn or hereditary disposition; natural tendency; trace; an element or admixture; as, to have an heroic strain in one’s character.

“3. A special line of individuals belonging to a certain race or species and maintained at a high standard of perfection by selection; said of animals or plants.”

There are further definitions which do not relate to our animal breeding context.

The standard text, Genetics and Animal Breeding (Johanssen and Rendel, Stockholm 1963; English translation 1968) has this to say: “Very often a breed can be divided into different strains which from a breeding point of view are more or less isolated from each other due to geographic conditions or when in some respects the aim of breeding is different.”

An amazing amount of confusion has been generated on the Arabian scene by the fact that Bedouin breeding has been described in terms of “family strains” when no two speakers seem to have defined “strain” in quite the same sense. For that matter, “Bedouin” seems to have been used in a number of senses and it is not surprising that contradictions have arisen. “The horse breeding tribes” are not and as far as we can tell have never been a monolithic entity with entirely uniform horses or ideas on horse breeding. Since different travelers spoke with different tribes, different ideas as to the importance of the “family strain” concept and totally different ideas as to what the “strains” were like and which were more important or desirable have come down to us.

The only real certainty out of it all seems to be the fact that the Arabian horse was bred in the desert with attention to tail-female descent (this is all “family strain” in the Arabian breeding sense is; it  is the eastern equivalent of the Western idea of placing emphasis in breeding on the tail-male line).

When the Bedouin Said “Strain”, What Did the Europeans Hear?

Before considering what the implications of emphasis on matrilineal (just another word for tail-female) descent might be, it could be instructive to consider the background from which the early European travelers were coming when they encountered the Bedouin. In some ways our experience is as foreign to theirs as theirs was to that of the desert raiders, so we can learn by trying to understand the differences.

The history of Europe is the story of small countries—often of individual tribes—warring among themselves for control of circumscribed areas which they felt to be especially valuable. The great empires which unified the scene were by comparison short-lived and even during their heydays they did not unify the people in the sense of producing a homogenized culture throughout their areas. This is the background from which the many local varieties—isolated from intercrossing by wars and war’s aftermath, suspicion and rivalry—developed into “nations” of humans and “breeds” of livestock, each closed among themselves.

Travelers coming from this history were not prepared to understand that the Bedouin “tribes” were nomads who wandered over vast areas in the course of a year, their paths crossing and sometimes running together. Even when individual tribes held themselves aloof from their neighbours they were not physically isolated like the citizens of little European countries barricaded behind their rivers and mountain ranges. Each tribe doubtless held that its warriors were the fiercest, its women the loveliest, its horses the swiftest and most enduring—they were nomadic, not inhuman—but they were saying and believing these things in a different context from the European experience.

When the Europeans heard the Bedouin describing the different lines of horses which they maintained, it did not occur to them to ask whether they could be, or ever were, inter-crossed. Such things were foreign to their ideas of stock breeding which could not conceive of a single breed spread over the Arab countries. Indeed, we are lucky that the terminology did not become set at the earliest stage for it would have us referring to Kehilan, Seglawi, Maneghi etc, as different breeds; even the Blunts made this error at first though they learned better soon enough.

There may be some significance to the fact that the American, Homer Davenport, when he journeyed with the Arabs buying horses for his 1906 importation, did not come home with the idea of strain separation or of “good” or “bad” strains. He recorded the strains of his horses and the information he was given on them but when reading his accounts one does not get the feeling he thought of this as anything but a source of knowledge of their background. Certain strains are spoken of as being prized in certain areas or by certain tribes but it is not with the feeling of metaphysical superiority. Rather, these became celebrated through the fame of celebrated individuals which happened to belong to them.

In summary, the Bedouin seem to have used a word which may be translated “strain” in the first sense of the dictionary definition at the beginning of this article. Perhaps it would have been better in a number of ways to have called these entities just “families” rather than “family strains” as we have come to do. European travelers who encountered this idea interpreted it more along the lines of definition 3 and of the animal breeding sense of Johanssen and Rendel. By questioning the Bedouin and sometimes by their own observation of such horses as they saw, the Europeans developed their own concept of “strain” or even “breed” and took it home with them because the Bedouin sense of “female family line” did not make sense to them. Only a few long-term observers carried their ideas beyond this preliminary level.

Because the casual observers outnumbered the careful ones and because even the careful ones could be misled by thinking one tribe had examples of strains that were like those of all tribes, the descriptions of “the breeds of Arabians” became current in Europe. In fact, what they were describing was not “the Seglawi breed” but “the Seglawis of this tribe” and interpreting this in light of their own experience (in which a breed name would not be used by two different groups for their stock unless the stock were indeed the same in type and by descent).

Implications of the Matrilineal System

Emphasizing tail-female inheritance is foreign to our Western way of doing things but indications are that it used to be rather general among the human family. It is the more primitive system and is based of course upon the fact that even members of groups which have not quite worked out yet how offspring are fathered are pretty clear on the fact that they have mothers (the women are anyway). At a slightly later period of cultural development, it still remains possible to wonder about paternity while maternity, until the era of embryo transplants, was a fixed and certain quantity defined by the legal phrase, “born from the body of”.

In our horse breeding example, it clearly must have appeared to the hard-headed Bedouin that the thing to do was to place emphasis on what you knew for certain. It may be going farther than the evidence warrants to suggest that at an early point in their tradition sires were not known or at least not recorded. Even had this been the case at some time, of course they were too sophisticated not to have come to the realization eventually that emphasis on sires was important in horse breeding. After all, aside from any traditions of maintaining “the right Arabian breed,” their success in raiding and at times their lives depended on the horses they bred. There is surely no question of ignoring sires in historical times—strains of both parents are almost always given on desertbreds that have come into our knowledge through being sold to Westerners.

It seems that as far back as we have any record, the Arabs used and emphasized the mares; stallions were a noisy but necessary encumbrance and the great majority of colts was sold. This implies that, with few stallions in each tribe, most of the young stock of any generation would be shared out among relatively few male parents. And it follows necessarily that much of the visible variation among the youngsters would be attributable to their dams. This would tend to reinforce the matrilineal emphasis.

We are told in the records of the Abbas Pasha purchases that certain strains (in particular one Seglawi family) were uniform when the mares were bred to stallions of the same strain but varied more in shape when the sires were of other strains. This is often quoted to show that the Bedouin crossed strains and as often used to show that they bred them within themselves to fix type. I think a much more interesting implication emerges if you consider the scarcity of stallions maintained for breeding in the desert along with this description of strain behavior when outcrossed or not. If much of the breeding of a tribe’s mares was done within the tribe, then a small choice of sires was available. If out of this small number a Seglawi was to be picked for the Seglawi mares, it was highly likely that all the Seglawi mares would be bred to one and the same horse. Naturally, if the mares were related by female line and they were bred to the same sire, the offspring should have been uniform. Since, further, the Seglawi stallion(s) of a tribe must have come from that tribe’s Seglawi mares, it suggests that mares were bred to their own near relations in female line if they were bred within strain within the tribe.

I sometimes get the feeling that modern Arab breeders think of “strain” almost in the sense of definition 2 of this article, as a mystical or metaphysical quality. I think it is important to keep in mind that if a strain type were fixed in any given situation, it was done so by the straightforward and comprehensible action of inbreeding and selection.

Maternal Inheritance

We have considered mammalian sex determination any number of times. Recall that sex is determined by chromosomal constitution. Normally XX individuals are female and XY individuals are male (where X and Y refer to the sex determining chromosomes). Recall too that chromosomal segregation is random. Genes from the other chromosomes of the individual do not travel with any particular sex chromosome. It is also completely a matter of chance whether a fertilized egg is XX and will be a female or XY and will be a male.

Figure 1 shows the consequences of this mode of sex determination on the sex chromosome make-up of sons and daughters of sires and dams. Only the sex chromosome are indicated as the others all assort at random compared with this pair. Note that the Y chromosome follows a patrilineal mode of inheritance; the Y chromosome of any male came from his sire, his sire’s sire, and right on back.

FIGURE I. Chromosomal Consequences of XY Sex Determination Mechanism in Mammals

Note that a male offspring always receives his sire’s Y chromosome and never receives the sire’s X chromosome. The female, of course, must receive one X from each parent. This means that the Y chromosome, because it is male-determining, always follows the “tail male” line. There is no such necessary pattern with the X chromosome; a female must receive an X from her own dam, but she need not receive one from her maternal granddam. (The numerical subscripts serve to distinguish one chromosome of the same type from another—they are not meant to have genetic significance.)

There is no comparable matrilineal pattern. Since each individual has at least one X chromosome, it is possible in as few as two generations to lose both X chromosomes of the original female founder. (NB: mitochondrial DNA is not mentioned because this was written about 20 years ago.)

In other words, any tail-male Skowronek stallion has Skowronek’s Y chromosome. A tail-female Bint Helwa mare is no more likely to have Bint Helwa’s X chromosome than she is any other chromosomes.

Two points here: firstly, there is little crossing over between X and Y and thus we can speak of the Y as being handed on as a unit unlike other chromosomes; secondly, the Y has little or no known function beyond sex determination. Having Skowronek’s Y chromosome implies only that his descendant will resemble him in being male, not necessarily in any other traits.

Something can be said for maternal inheritance in the sense that the egg is a much larger cell than the sperm and thus contributes much more mass to the earliest developmental stages. This becomes a case of splitting hairs in defining “inheritance” for it is just as true to say that the maternal parent has more environmental influence on the offspring than the sire. This begins from the moment of fertilization and continues at least until weaning. It might be best to formulate this as “the dam being the single most important influence in the offspring’s environment up to the time of weaning” rather than trying to define “maternal inheritance”. Chromosomally of course the two parents make exactly equal contributions to the offspring’s genotype.

“Family Strains” in Modern Breeding

Every modern Arabian has a strain except for a few whose strains were lost because early-day records were not kept as we might have liked before the founding of the various Studbooks. Of course those, the knowledge of whose strains is lost, still have them; we just don’t know what they are beyond the generic “Kehilan Ajuz” or “Old Thoroughbred”. It is interesting to speculate about the significance of strain names today, especially when there are relatively few sources of a particular strain name (as the Kehilan Dajani which seems to trace back in all cases to just two 19th century foundation mares, Dajania in England and Mlecha in Poland). As we understand the family strain system, this must mean that a Kehilan Dajani of one country is related to an individual of the same strain in another country. The question of course is, “How closely related?” and the answer is, “Probably not very.”

“Strain breeding” in a more specialized sense is practiced by those who attempt, by working within a limited group, to reconstitute separate strains by close breeding among the descendants of each foundation mare, or small group of mares of the same strain. This certainly is “strain breeding” according to the sense of Johanssen and Rendel—”the aim of breeding is different,” in this case in meaning to separate the strains—and it also agrees with all senses of the dictionary definition 1. We would like to hope that definition 3 would also be applicable here but of course the key is that the “high standard” is “maintained… by selection,” and that differs with the individual breeders involved.

Whether or to what extent modern “strain bred” Arabians resemble the original Bedouin versions of their named strains is a trickier question. We have seen that it is at least open to discussion whether the strains ever were uniform and bred to a certain general type in the desert. It is certainly difficult to accept that all the characteristics of the members of a given strain, as they existed 200 years ago in the desert, can be recaptured by inbreeding one family deriving the strain name from one or two mares and containing contributions from many other strains along the way. To risk being repetitious, this absolutely is “breeding a strain” or “strain breeding.” The questions are whether the Bedouin practiced “strain breeding” in this sense—and if they did how closely modern horses bred within a named strain resemble their desert progenitors.

What Strain Breeding Means to Me

I’m for it, every time, in the 3rd dictionary sense. If you aren’t trying to develop “a special line of individuals … maintained at a high standard of perfection by selection” then I don’t want you breeding Arabian horses. If thinking in terms of strains helps you to reach this goal, then go to it. On the other hand, of course, if confusion over “family strains” gets in the way of emphasis on the “selection” aspect, then give up family strains by all means.

The Bedouin seem to have done just fine without them until at least the 14th century when the Arab type was already numbering its age in the thousands of years.

The Founding of the Crabbet Tradition: Appendix: Minor Pedigree Lines from Imported Blunt Mares

This entry is part 3 of 3 in the series The Founding of the Crabbet Tradition

Copyright 1990 by Michael Bowling, used by permission
Originally published in Arabian Visions March/April 1990

Minor Pedigree Lines From Imported Blunt Mares

Hagar, a dark bay without markings and with a “strange, wild head,” distinguished herself as a riding mare on the Blunts’ first desert journey: she was not considered a first-class mare at Crabbet but came to have first-class descent. Her great-granddaughter Howa was the foundation mare for Miss May Lyon’s Harwood Stud, still maintained today by Miss Lyon’s heirs, the Calvert family. Hagar was among the mares sold by the Blunts to the Hon. Miss Ethelred Dillon and she produced at Miss Dillon’s Pudlicote Stud *Hauran, sire of *Nessa and for Spencer Borden of Bazrah’s dam Bathsheba; *Hail, sire of Riad; and Zem Zem, whose daughter Zimrud is widespread including a tail female branch in the important modern British family of Bint Yasimet. The Zimrud line later returned to Crabbet in the person of *Nurreddin II’s show-jumper son Jeruan, sire of *Rishafieh and *Jerama before his sale to Tersk. Another Zem Zem branch descends from Hilal, sire of *Ibn Hilal.

Jerboa, bright bay with three white feet and a star, was the first of several mares to attempt to found a “J” family at Crabbet, where initial J did not prove a lucky letter. Jerboa is in modern pedigrees through her son and daughter Jeroboam and Jerud, full siblings by Pharoah. Jeroboam got Rodania’s daughter Rosemary and so is a widespread influence. Jerud produced at Crabbet and for Miss Dillon and from the latter connection is responsible for Jamrood by Maidan, sire of Hagar’s son *Hail and of Zem Zem’s daughter Zimrud.

Wild Thyme, bay with a star, was purchased because it was thought her strain, Kehilan Ras el-Fedawi, was also that of the Thoroughbred founder the Darley Arabian; the Blunts also imported a Ras el-Fedawi colt, called Darley. They later found that the original Darley had been a Maneghi; the Blunt Darley was a washout at stud and Wild Thyme was not much more highly regarded. She produced for the Blunts and for other owners, and her daughter Raschida (originally Wild Honey) was another to produce for Miss Dillon. Raschida produced Riad and has a substantial family in this country through her daughters *Nessa and *Mahal, imported by Borden before the Darley connection was disproved.

Sherifa, a white mare, was the senior individual of the first importation and probably the most highly esteemed, for the beauty of her head and for her character. She lived to an estimated age of 30 and left an active family at Crabbet, but the line trailed out around 1907 and she is represented in modern pedigrees only through her daughter Shemse by Pharaoh. Shemse had been sold from Crabbet in foal to Azrek and produced a grey colt, Ben Azrek, who got two registered daughters; Ruth Kesia from the non-Crabbet Borak [(Boanerges x Kesia II) and so blood sister to Borden’s import *Imamzada]; and Sheeba, whose dam Riad was 87.5% Blunt breeding. Ruth Kesia is widely influential through Shahzada by Mootrub and *Nuri Pasha by *Nureddin II; the latter’s sister Krim left a family in England. Sheeba breeds on through the mare sire Nuri Sherif, also by Nureddin II.

Dahma, a dark bay with star, snip, some white on all four feet, though not a familiar name in England or America, cannot be dismissed as a minor influence internationally for her daughter Dahna’s is one of the most extensively branched families in Australian breeding.

Jedrania, a bay, was the second J mare; she and her daughter Jebel Druz produced for the Blunts but she breeds on only through her Dillon son Jezail by *Imamzada, the sire of Hagar’s son *Hauran.

Meshura, a bright bay with four white feet and a blaze, was a distinguished individual and half-sister to the Blunt sire Pharaoh; their half-sister was dam of Azrek and Basilisk was from the same immediate family. Meshura founded a female line which reached several generations at Crabbet and outside, but is present today only through indirect lines. Her daughter Mansura (only offspring of Ashgar in pedigrees) produced Mareb by Mesaoud and he left descent through one daughter, Mareesa. Mabruka by Azrek produced Marhaba, dam of the Selby mare sire *Mirzam. Maisuna by Mesaoud was responsible for the male-line founder Joseph, sire of Rosh and Manasseh and of good mares.

Jilfa, again a bay with a star, was the third of the J mares. Her influence persists only through Jamusa, sold to the Hon. R.E.L. Vaughan Williams along with Mareb. That pair had a string of offspring in GSB but the line was founded by the filly Mareesa, who visited *Berk and Rasim at Crabbet to produce the glamorous Alfarouse and the less noticeable but more productive Yaquta respectively. Alfarouse breeds on through her sons Almulid, Ajeeb and Azym; there is a thin modern female line from Jilfa via Yaquta (thanks to Nyla Eshelman for pinning this line down).

Fulana, a dark brown with off hind sock and near fore coronet, was another who seemed for a time to be founding a Crabbet family. Her English branches all failed, and Fulana’s only descent today is through her very handsome Mesaoud son Faraoun with two important daughters in Australian pedigrees.

Johara, chestnut elder sister of the “broken legged” Bint Helwa, was marked with blaze, near hind sock and a small mark outside off hind. Two daughters produced at Crabbet but the thin lines from Johara today all descend from her great-granddaughter Jawi-Jawi.