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*Mirage 790: Lady Wentworth’s Loss Was Roger Selby’s Gain

from The CMK Record VIII/3 1989

*MIRAGE at Crabbet in 1923 or ’24. Photo courtesy Rosemary Archer.

From the 1924 Crabbet Stud Catalogue:

“Mirage. Lady Wentworth has also at Crabbet a very fine white stallion imported by King Faisal of Irak from the Denednasha tribe, to whom he paid £500 for the horse through General Haddad Pasha, who identified the horse and his history in 1922. He is a Kehilan Ajuz of the Denednasha nejd strain, but will not be incorporated in the Crabbet Stud until King Faisal’s signature has been obtained.”

From The Crabbet Arabian Stud: its history and influence by Archer, Pearson and Covey: p. 108

“Mirage. A Seglawi Jedran Dalia. White stallion bred by the Anazeh tribe. Exact date of birth unknown….The Crabbet records indicate it was about 1916. Brought by King Faisal of Irak to France and presented to the Italian Ambassador Signor de Martino and brought by him to England. Bought at Tattersalls 1923. Sire: a Seglawi Jedran. Dam: a Seglawieh Dalia. Sold to the USA 1930.”

p. 182 “[Roger Selby’s] main purchase in 1930 was Mirage, an imported grey stallion of the Seglawi Jedran Dalia strain. Lady Wentworth described him as ‘a very showy good horse. Excellent legs, splendid quarters and fine front. Very good in saddle but too bouncing for English taste as he gets English riders off.’ But this was not the reason Mirage was sold. Weatherbys had by now closed their Stud Book to new imports and although Lady Wentworth tried to persuade them to accept Mirage, she was unsuccessful and therefore had no option but to sell him.”

p. 220 “Another stallion I [Cecil Covey] remember was Mirage, a very quiet horse to handle but as soon as you mounted him he became a different animal, full of fire and verve. When we were visited by King Fuad of Egypt, I was detailed to meet his convoy of cars at the gate of Crabbet Park and to escort them down the drive mounted on Mirage. We must have put on a spectacular display as Mirage hated combustion engines and gave me a most awkward ride. When ridden he carried his head and tail high and had a very short gait which took a while to get used to. But once mastered he was exhilarating.”

From Al Khamsa Arabians: p. 76

“Mirage. 1919 grey stallion, sire a Kuhaylan-Ajuz of the Anazah, dam a Saklawiyah-Jidraniyah of the Dal’al family, bred by the Saba, imported in 1921 to Iraq for King Faisal.” “*Mirage’s date of birth is given as 1909 in Vol IV of the Arabian Horse Registry stud books, but this is corrected in Vol V. … The Arabic document in *Mirage’s case is from the Royal Stables at Bagdad, sealed by El Mahasshami, Director. It confirms his strain, the strain of his sire, and his breeder.”

*MIRAGE could scarcely have been more highly esteemed in his day, and he played a central role in Selby breeding, perhaps the most influential single program in the breed’s post-World War II development in North America. *MIRAGE and his sons achieved the very highest regard as sires of mares for the all-conquering *Raffles horses. When styles changed and the Selby stock came to appear more often in the female lines of outcross pedigrees, *MIRAGE was increasingly diluted, although his name still appears with surprising frequency as an ancestor, whether of CMK Arabians or those of mixed sources. In recent years the *MIRAGE influence has entered a new phase and become increasingly prominent in tail male; his must now be the most internationally successful of all the pre-1960 North American sire lines–and one of very few of that vintage not only to hold its own against more recent imports but rapidly to increase its standing. Few sire lines in the breed can ever have equalled the explosive expansion experienced by that of *MIRAGE since 1980.

The beautifully produced 1936 Catalogue of the Selby Stud described *MIRAGE as a pure white 14:2-hand, 1000 pound “Seglawi Jedran of Dalia, the most prized of the Seglawi strains,” foaled in 1909, and indicated he was “three gaited, sound, most gentle and lovable.” According to this source *MIRAGE was champion at the 1926 Richmond Royal Show in England, and also champion at the 1934 National Arabian Show at Nashville, Tennessee. The Selby management clearly believed the 1909 foaling date to be correct, for much was made of the vigor of *MIRAGE, that “he shows none of the characteristics of advanced age” and that his 1934 championship “at the age of 25, [was] a most unique honor for a horse of such remarkable age.” Similar comments on *MIRAGE’s vigor for his age were made by Margaret Lindsley Warden in The Horse, Sept-Oct 1934, and reprinted in The Journal of the Arab Horse Society for 1935. Warden also called *MIRAGE “wonderful” and said he was

“now rated by many experts as the most perfect specimen of the ancient êlite or classic type in America…He stands a scant 14:2, a sturdy model with the characteristic refinements of the best of his breed. His head is a glory and his great eyes express high but gentle spirit and gracious personality.”

General Dickenson of Traveler’s Rest, contributing a review of US Arab horse activities to the 1936 number of the same British annual, wrote that

“Selby Stud has continued to breed very intensely from the imported foundation stock, using MIRAGE as a sire the past season, not only because of his fine type, but because he is past twenty-five years of age and at best they cannot hope to have him many more years.”

The Selby catalogue records that *MIRAGE was chosen from his desert breeder as “a young colt” for King Faisal of Iraq by a General Haddad, and that Chefik Bey Haddad, son of the General, visited the Stud to spend

“many hours in the corral with the Stallion, and Mirage seemed to recognize him, even though some time had elapsed since he had last seen him. The Bey stated that he had frequently visited the horse while in England, after he passed out of King Faisal’s possession.”

This seemingly direct connection with *MIRAGE’s early years make it somewhat difficult to understand how an error of ten years in the horse’s foaling date could have persisted. On the other hand, one could picture that while comment might be made to Chefik Bey Haddad that *MIRAGE “looks well for his age,” the question of precisely what that age was might not come up in so many words.

*MIRAGE was not registered in England; the General Stud Book was closed to new imports and Lady Wentworth at that period refused to recognize the authority of the Arab Horse Society. The Iraqi certificate of *MIRAGE’s origin, reproduced in the Selby catalogue, is dated 1927. It is interesting to note that at the time he won his 1926 Richmond Royal championship *MIRAGE apparently was not only unregistered but quite undocumented.

Either Chefik Bey Haddad or Carl Raswan might have provided that “most prized” designation for the unfamiliar Seglawi substrain of Dalia. It is well to remember that particular strains and substrains passed in and out of fashion according to the exploits of individual war mares, and that a “most prized” substrain in one tribe or region might be of no special note, or nonexistent, in another. Lady Wentworth, in that monumental tome Thoroughbred Racing Stock and its Ancestors, provides another reference to Seglawi Dalia. She records that

“Lady Anne Blunt made careful enquiries over a number of years [as to the origins of the Darley Arabian and that] Sheykh Mijuel … said mares had gone from Central Arabia at one time, and others later, and stallions from his own tribe. He had heard talk of a Managhieh mare and some colts of that strain, a grey and a bay, purchased by an Englishman at Aleppo. One colt, which was left apparently some time after purchase with the tribe, went by the name of the Managhi Daali (Darley’s Managhi)…before leaving the tribe the colt sired a well-known filly which was known as the ‘Daalieh’ or ‘Daralieh.’ Possibly the modern strain Dalia, still existing, may have some connection with this. There is a strain of Seglawi Dalia with the the Anazeh which may be descended from the Seglawieh mare with ‘Darley’ attached, according to custom.”

Since we are not told that the “Daalieh” was not a Seglawieh, it seems at least plausible that she herself may have founded the Dalia substrain of Seglawi Jedran; it is therefore within the realm of speculation that the Darley Arabian, renowned as a Thoroughbred foundation sire, might still have Arabian descent through *MIRAGE. Had Lady Wentworth been able to register the horse in GSB or chosen to use him at Crabbet as a single-registered sire she might herself have made more of this possibility, but at the time of this writing *MIRAGE was already in Ohio.

There is no record of British foals by *MIRAGE though it seems strange that he should have been seven years at Crabbet, presumably with the idea of providing a potential outcross to the existing lines of the Stud, without so much as being tried on a pony mare. [Note added in 2005: it is now clear that the breedings credited in GSB to “Miraze” actually reflect the use of *Mirage]. In the early years of the Selby Stud crossbred matings appear for some reason to have been done more often with the Arab mares than with the sires; at any rate despite those recorded efforts to make full use of *MIRAGE while he still was available, he got just 26 registered Arab foals from 1932 through 1940. He leaves descent through all but four of them, a remarkably high success rate for any sire, again indicating the regard in which he was held by breeders of his day. Three of the four nonstarters died young; according to Arlene Magid’s *MIRAGE feature in The Crabbet Influence (Nov-Dec ’89), one of them drowned and two were struck by lightning. The only *MIRAGE gelding was his 1935 son BATU and ever since learning that the original of that name was an heir of the rampageous Mongol leader Genghis Khan I’ve wondered what the young BATU’s disposition might have been like.

The 1932 *MIRAGE crop consisted of one grey filly PERAGA, out of the “old American” mare SLIPPER (Yima x Sabot) and bred by Selby. PERAGA produced in Tennessee, California and Missouri and has descent through six of her ten foals; her daughters TABITHA, KATINKA and MARAGA all founded substantial branches of the BASILISK family. PERAGA’s sister of 1933, PERA, produced 6 foals and has descent through 4 of them.

The other 1933 *MIRAGE foal of record proved the most important of them all, for he was the dynamic little dark chestnut IMAGE out of *RIFALA (Skowronek x Rissla), destined to succeed his sire at the head of the Selby Stud. IMAGE had his first foals in 1939 while he was still competing for mares with *MIRAGE; he might have stopped with those and still have left an important legacy, for they grew to be the elegant and dynastic chestnut matrons IMAGIDA, dam of RAFFI and IMARAFF and foundress of a superior mare line; and DEVA, the most influential mare at Never Die Farm in Maryland. In fact IMAGE was credited with 70 more foals over 20 seasons and 54 of them left descent. The word “credited” is used advisedly, because there were four grey foals registered to the chestnut IMAGE from non-grey mares. One of these, the 1940 colt NISIM, is not counted among the 72 for his sire of record was changed to *Raffles, but the other three remain recorded impossibly as grey products of matings without a grey parent. (One is certainly grey in her photos; both the others sired grey foals from chestnut mares.)

ARABI KABIR 2379 (Image x *Kareyma) photo courtesy Linda Paich

PENNE, KHYMAE, IMNA, TALEH, NABIMA, MAATIGA, NIMA, SEBBA, IMCHA, SANGE, PAMELA, EL HACENE, ALIMA, and IMABIMA are perhaps the most noted of the younger IMAGE daughters in pedigrees; the IMAGE influence through mares has been incalculable. As show horses and sires PHANTOM, SARAB AL SAHRA, SELMAGE, DEVACHON, ARABI KABIR, RAFLAGE, MIRAZ, DESMOIN, IMAGIN, SHARRAK, EL MOTELA, IMAGINATION, RAMINAGE, GEYIMAGE, GAGE and ZELIMAGE were among the IMAGE stallions to achieve note. *RIFALA’s inbred son PHANTOM was a sire of distinctive style whose elegant curve of neck still can be recognized in his descendants but there is no question that the most prominent branch of the direct *MIRAGE male line today springs from ARABI KABIR. That showy chestnut son of the China doll *KAREYMA (Naseem x Julnar by *Abu Zeyd) got 52 foals, stationed first in California but gaining renown in the Northwest when promoted to head sire of the Silva program. ARABI KABIR’s sons ERRABI and RABAAR sired the national champion stallion and mare BAY-ABI and RAHBANA, and his daughters including notably INEZ, ZABIRA, IRAYIS, ABARAYIS, WANDA and LADIRAH were champion producers or founded important families. BAY-ABI became the leading sire of the *MIRAGE line; the record of BAY-EL-BEY has latterly far surpassed that of the other BAY-ABI sons and he himself has been replaced in turn by his sons, most prominently BEY SHAH, BARBARY, and HUCKLEBERRY BAY (triple *MIRAGE and double *KAREYMA).

1934 brought *MIRAGE two lesser but worthy sons and a prominent daughter in the persons of NAMIR, INDRAGE and RAGALA, all out of imported Crabbet mares. Dr. Septimus Thompson took to Ontario the Selby imports *JERAMA and *NAMILLA, both of the rare MAKBULA family in which the Selby Stud had achieved a near-monopoly by importing the KIBLA descendants *NAMILLA (*Nureddin II x Nejmia), *KAREYMA, *KIYAMA (Rafeef x Julnar) and the latter mare’s filly *JERAMA by JERUAN. *NAMILLA went to Canada with her grey son NAMIR at side; NAMIR got 18 foals and bred on through half of them. The only Canadian descent from NAMIR was via his son NARAMA, from *JERAMA, sire of five foals. Later in Nebraska NAMIR did better for himself, getting the familiar matrons MIRZALNA, KOMIR (that beautiful chestnut *SULEJMAN stallion KOMSUL heads up her line), MIREEBAH and CYNKIR and the lightly-used sires NAJA and NARAH among his 15 foals from 1950-54.

INDRAGE 1088 (*Mirage x Indaia) photo courtesy Craver Farms

The RASEEM/NISREEN mare *INDAIA’s handsome bay son INDRAGE was to get 55 foals, mostly during his tenure as head sire for C.A.West in Pennsylvania. INDRAGE was another noted sire of mares, with the likes of WASEIDA, WAZVAND, WAFADI, KOREEN, WANDRA, REISINDE, MIRABA, RASEEMA, and KATAWBA (his last foaled when he was 21, though he lived to be 34) on his list. One INDRAGE son does not much stand out from another in terms of influence but WARAJE, the improbably named EL PASHA OF HIGHVIEW and KENTHELMARG’S SHEIK, RAHAGE, IFRIT ABYAD, and the reserve East Coast Champion MIRLINDRAFF are among those seen in pedigrees. INDRAGE get, including many of those above plus such as INDKERAGE and SKOWROMIR, made notable riding horses.

The first of the great *MIRAGE mares was IMAGE’s grey 1934 sister RAGALA, dam of 16 foals with descent through 11 of them. Hers was predominantly a mare-line influence; three of her sons were used for breeding but only one of those sources persisted. The 10 RAGALA daughters produced up to 18 foals apiece, averaging 11.4 even though one of them managed only three. *RIFALA’s only daughter amply furnished her branch of the RISSLA family. RAGALA was much the most important foundation mare for the famed Bear Claw Ranch program of Mrs. Jeannette Cox Morill in Wyoming; those RAGALA daughters, without extending the lines further, included such noted matrons as RAZIKA, MISTY MOON, BOIS DU ROSE, ARIANA, ADASTRA, NEFERTITI, BINT RAGALA, LAKSHMI and LALLA KADIJA.

SLIPPER’s gelding son BATU was the best *MIRAGE could do in 1935 but the ’36 crop brought five foals, again all from Crabbet mares; besides RAGIN, the ill-fated brother to INDRAGE, there were ROMIRA, RIFAGE, AGWE and RAGEYMA. The *ROSE OF FRANCE (*Raswan x Jalila) daughter ROMIRA produced four fillies, all “straight Selby” by pedigree though none were bred there, and all represented in pedigrees today. The *Raffles daughter RAFFIRA with 8 foals was the most prolific; her sister MIRAFF produced only one but that was the classy show horse NARZAD who also got a few foals, with successful individuals among them.

RIFAGE 1286 (*Mirage x *Rifala) photo courtesy Nyla Eshelman

The third of the *MIRAGE/*RIFALA siblings, the grey RIFAGE, went to Colorado as a youngster and lived into his 30s as the head sire of the Van Vleet program. RIFAGE left 102 registered foals including a wealth of daughters headed by the national champion mare ROMINNA and a particularly lovely early top ten winner SHIHADA. The most prominent RIFAGE son in pedigrees must be the Gainey sire GAYSAR who got the mare sire GALIMAR and the versatile show horses SKORAGE, double-*MIRAGE full brothers out of RAGEYMA. AGWE, the *MIRAGE son from the scopey arched-necked bay *HILWE (Najib x Hafra), sired just seven registered foals in his South Carolina career through age 16; five of the seven were from the Brown Egyptian import *RODA, and four of those still represent AGWE in pedigrees. The handsome eldest brother APOLLO got 36 foals and the imposing junior partner JASPRE sired 64, while their sister WEDA numbered such good mares as AZEDA by AZRAFF and RAFFWE by RAFFEY among her eight offspring. The success of these family members is only prologue to the story of RODETTA who was exported to Cuba but not before she had produced the Field and Al-Marah foundation mares CASSANDRA and ROSE MARIE, two of the most renowned and impressive of the *Raffles daughters.

The first *MIRAGE chestnut and the second of his great daughters was foaled by *KAREYMA: RAGEYMA, dam of 11 foals with descent through 10. She began with the grey colt GEYM; as the only *Raffles son out of a *MIRAGE daughter to reach maturity, GEYM was inevitably a head sire at the Selby Stud and then in the successor program of Friendship Farms in Illinois. GEYM lived into his 30s and sired 138 foals. At Selby’s as the IMAGE daughters came to maturity they went to the court of GEYM, and while IMAGE lived his grandaughers from this generation were crossed back to him. At Friendship GEYM encountered a somewhat wider set of mares and his daughters made the acquaintance of *NIZZAM. GEYM’s sister GAJALA was a key foundress in the Gainey program; their half-brothers GALIMAR and SKORAGE have been mentioned, and those two had a prolific full sister in GAGEYMA. FA-EL-GEMAR by *FADL, GARAK by AZRAK, GALLANT by PHANTOM, GAYFERRA by FERZON and VIA by GARAFF rounded out the RAGEYMA breeding roster.

RIFALA’S LAMI 8391 (Geym x Maatiga by Image) photo from the Cummings collection

RASAGE, RAGIA, GEYAMA and (in Canada) MIRILLA were the 1937 *MIRAGE offspring, once again all from Selby Crabbet mares. The chestnut RASAGE from *RASMINA (Shareer x Jalila) was another sold first to California but even more than ARABI KABIR found his niche in the Northwest, where he left such daughters as NIRAGE, AMORET, FILLAREE, RONDI, RASYL, RASAGE’S QUEEN OF SHEBA and RASAGE’S GARDEN OF EDEN. RASAGE was back in California to leave a last crop in 1961. His son DALLAL ABU RASAGE had a colorful career; shipped to Hawaii en utero he made an all-around performance horse, and DALLAL too returned to California to sire a few foals as an older stallion. RAGIA, the grey sister to INDRAGE, was one of the mares Roger Selby donated to the US Remount; she produced two fillies by KATAR and both have bred on, with her granddaughter AL-MARAH BINT AIGRETTE perhaps the most successful for the line. GEYAMA, a three-quarters sister to RAGEYMA out of *KIYAMA (Rafeef x Julnar), produced eight foals, most of them for Comar Arabians in Iowa. She bred on through her daughters AMULET, MIRAGETTE, MIRAGEY, all by IBN MIRAGE, and AL-MARAH GENNA by INDRAFF. AMULET and MIRAGEY produced by AL-MARAH IBN INDRAFF the blood-sisters ROSE OF MIRAGE and VEISHEA, dams by AZRAFF of the blood-brother show horses and sires COMAR BAY BEAU and CAMIRAFF.

Dr. Thompson’s (and *NAMILLA’s) second *MIRAGE foal, the filly MIRILLA, was to produce eight foals in Canada and Washington. One of her sons by the Maynesboro stallion GHASIK had two breeding daughters while her three daughters by ROYAL FEZ and one by ABU BAHA gave her 20 grandchildren. The least prolific of the ROYAL FEZ sisters, bred to ABU BAHA in her turn, produced FEZABBI to whose family belongs the glamourous show horse and sire SHABAOUD.

*KAREYMA and *KIYAMA produced again to *MIRAGE in 1938. *KAREYMA’s filly was one of those struck by lightning, but the *KIYAMA colt YAMAGE went to Florida where he sired five foals through 1949 and bred on through three of them. *MIRAGE had his biggest crop of seven foals in 1939, five of them from outside mares. W.C.Shuey sent the double *BERK granddaughter CURFA (Ribal x Nardina) and RIHANI (*Saoud x *Muha) from North Carolina to produce the grey colt ADONIS and bay filly JOHARAH. ADONIS was sold to Montana where he got 24 foals including such producing mares as NEJD BANOU, UR ARABAH, ABA-EL-RIEL, UM EL SURAB, BINT SABA, NEJD KAMIL, UR OKAI, NEJD KUSOF, NEJD BENAYA and NAMIRADA, and RAKKA who sired the important mare KHAMMA of Hillcrest Stud. ADONIS mares were producers for the early Kale and Lasma programs.

A very young JOHARAH (*Mirage x Rihani)

JOHARAH produced 11 foals, all but two of them for the Shueys at Sunny Acres, and is in pedigrees through six. JOHARAH’s first three were all by *Raffles; the colt SHUEYMAN died young and his sister MY GYPSY ROSE left no descent though she had three registered foals. This nick still is accounted one of the most successful in history, for the eldest sister was the elegant if oddly-named chestnut MY BONNIE NYLON, already mentioned under the IBN HANAD heading in the HANAD story (Record VII/4) and one of the key mares in the success of the Sunny Acres program. JOHARAH never produced another MY BONNIE NYLON (few mares manage one in that class) but she had good breeding offspring by GEYM, TUT ANKH AMEN and IBN HANAD at Sunny Acres, and also has descent through her last foal MALIK EL HAWA from her days in the less equable clime of Massachusetts.

The sires of CURFA and RIHANI each had an Ohio-owned daughter producing by *MIRAGE in 1939. ADONIS’s three-quarters sister was the grey KAE out of KETURAH (Ribal x Aatika), bred by L.N.Brutus; KAE produced first for R.J.Geimer of California and Texas and then became an early Al-Marah matron, giving six INDRAFF foals beginning with the great cutting mare AL-MARAH ZAIBAQ, dam of 11 foals including OVERLOOK FARWA by Abu Farwa. The next sister FAE died foaling in 1960, leaving six registered foals, but these included IBN JULEP, FAESAN and LA FAESANA. AL-MARAH KETIR also produced 11 foals including the lovely if hiccup-like about the name HHIK. SHIRIK was a noted show horse who rather surprisingly got only 30 foals but numbers good producing mares among them; AL-MARAH KAIDAR was less lucky as he sired two foals but neither of them bred. The youngest sister TRAKILA produced 10 foals. KAE ended her career in South Carolina and left two breeding double-*MIRAGE offspring by AGWE’s son APOLLO.

RASMIR 3071 (*Mirage x Rasasah) in old age photo courtesy Linda Paich

RASMIR was a grey three-quarters brother to JOHARAH, out of L.P.Bailey’s RASASAH (*Saoud x Aatika) who was to cross so successfully with *Raffles. RASMIR was not registered until he was five years old; he became a working stock horse in Texas, owned at the end of his life by the Kuhlmans of Rancho Llano Grande. RASMIR sired three colts; his first son, the bay KARAGE, made a great using gelding after he sired two fillies from the beautiful ANTEZ granddaughter TEZEYNA. One of the KARAGE daughters produced 15 foals and carried on the RASMIR influence. Her name was KAREYN and she numbered among her produce some of the top show horses of the ’70s including MINDY KAR by IZKAR and a string of notables by KIMFA. The KAREYN family includes halter show horses, top performers and breeding animals but unquestionably is headed by the sheerly beautiful KIMFA daughter KIMEYN, a great show mare of her day and now an international pedigree influence. The fifth outside mare to produce by *MIRAGE in 1939 was C.J.Brukner’s Davenport plus Domow chestnut CHARMAIN (Abu-Selim x Aatika) who produced the grey filly KYMIR, dam of one foal. This was the bay double *MIRAGE grandson MERJAN by IMAGE, sire of 14 Arab foals but probably more noted as a sire of partbreds. (Another AATIKA daughter played a major role in developing the *MIRAGE legacy: AL-MAATIKA by *AL-MASHOOR produced the important IMAGE mares MAATIGA and ALIMA.)

Two Selby Crabbet mares produced grey *MIRAGE colts in 1939. IDOL out of *SELMNAB got 40 foals through 1965, of which the striking chestnut action champion LIDOL must be the most noted. IDOL’s sons FAYZ and SHAHZADOL also are encountered in pedigrees. IBN MIRAGE, full brother to RAGEYMA, replaced RAGIN at Comar Arabians in Iowa and got 54 foals, playing a central role in linebreeding *MIRAGE and the JULNAR influence and then providing mares to cross with AZRAFF. IBN MIRAGE and his double *KAREYMA son MIRFEY are still recognizable sources of the KAREYMA stamp in modern Arabians, and an earlier son HIMALAYA is a widespread influence.

*MIRAGE died in 1939, leaving *KAREYMA in foal once again for 1940. She produced the grey filly KARAGA who with her older sister KAREYGA was struck by lightning and killed in 1941. Given the success of their full siblings RAGEYMA and IBN MIRAGE, that lightning bolt might have halved this story.

Descent table *MIRAGE 790: registered offspring
name	reg#	color	sex	year foaled	(dam)	breeder	state	(number of foals/number with offspring) [“//” – no offspring]
Peraga	910	gr	f	32	(Slipper 442)	Selby	OH	(10/6)
Pera	1107	gr	f	33	(Slipper)	same		(6/4)
Image	1008	ch	c	33	(*Rifala 815)	same		(72/54)
Namir	1056	gr	c	34	(*Namilla 855)	same		(18/9)
Indrage	1088	b	c	34	(*Indaia 813)	same		(55)
Ragala	1091	gr	f	34	(*Rifala)	same		(16/11)
Batu	1116	b/gr	g	35	(Slipper)	same		//
Ragin	1284	gr	c	36	(*Indaia)	same		//
Romira	1285	gr	f	36	(*Rose of France 857)	same		(4/4)
Rifage	1286	gr	c	36	(*Rifala)	same		(102)
Agwe	1287	ch/gr	c	36	(*Hilwe 810)	same		(7/4)
Rageyma	1289	ch	f	36	(*Kareyma 811)	same		(11/10)
Rasage	1374	ch	c	37	(*Rasmina 856)	same		(40/26)
Ragia	1375	gr	f	37	(*Indaia)	same		(2/2)
Geyama	1376	ch	f	37	(*Kiyama 809)	same		(8/4)
Mirilla	1437	gr	f	37	(*Namilla)	Thompson	Ontario	(8/5)
Kareyga	1579	gr	f	38	(*Kareyma)	Selby	OH	//
Yamage	1581	gr	c	38	(*Kiyama)	same		(5/3)
Adonis	1619	ch/gr	c	39	(Curfa 1019)	Shuey	NC	(24)
Joharah	1620	b/gr	f	39	(Rihani 1015)	Shuey	NC	(11/6)
Kae	1748	gr/rn	f	39	(Keturah 945)	Brutus	OH	(10/7)
Idol	1762	gr	c	39	(*Selmnab 812)	Selby	OH	(40)
Ibn Mirage	1763	gr	c	39	(*Kareyma)	same		(54)
Kymir	2455	gr	f	39	(Charmain 860)	Brukner	OH	(1/1)
Rasmir	3071	gr	c	39	(Rasasah 1141)	Bailey	OH	(3/1)
Karaga	1943	gr/w	f	40	(*Kareyma)	Selby	OH	//

Hanad’s Legacy Lives On in Davenport Breeding

by Robert J. Cadranell II
Used by Permission of RJ Cadranell II
all rights reserved

Among the most widely known of all Davenport stallions was Hanad, AHC #489. One of the highlights of the famous Sunday shows at the Kellogg Ranch, Hanad also appeared in motion pictures, merited awards in horse shows, and established himself as one of the more important early American sires.

Hanad, like so many other early Davenports, was bred at the renowned Hingham Stock Farm of Peter B. Bradley in Hingham, Mass. Bradley, owner of a profitable fertilizer firm, was able to afford whatever he wanted in horses.

His facilities were vast and housed trotters, polo ponies, Thoroughbreds, and mustangs, in addition to his Arabian collection.

Hanad’s sire, *Deyr, was Bradley‘s favorite from among the imported Davenport Arabians and enjoyed the heaviest use at Hingham of any Arabian stallion save *Hamrah, also represented in Hanad’s pedigree. Hanad traced in tail-female to *Wadduda, favorite war mare of the supreme Sheikh of the ‘Anazah tribes, Hakim Bey Ibn Mhayd.

This eminent Bedouin no doubt had many mares from which to choose, and his selection of *Wadduda is a testament to the mare’s agility, endurance, intelligence, soundness, and tractability. This latter quality helped to make Hanad famous, and it may well be that he inherited part of it from *Wadduda, along with some of her beauty.

*Wadduda is the victim of several unfortunate photographs, making her appear somewhat plain. Cameras more often than not distort their subjects, and modern breeders would do well to recall the number of attempts required to obtain even one representive photograph of their own horses. They also ought to recall how many photographs of themselves they either throw out or refuse to show.

Archie Geer, first cousin to Homer Davenport and a guest at the Davenport farm, knew *Wadduda and rode her there. He always spoke of her to his family as the most beautiful of all Davenport’s horses.

Modern writers who rave about the beauty of the Davenport mares *Urfah and *Abeyah while ignoring *Wadduda ought to take Geer’s statement into account. Stallions as stunningly magnificent as Antez, Hamwad, and Hanad do not stem from plain mares.

Although the Hingham Stock Farm bred Hanad, he was foaled elsewhere. His dam Sankirah went with a large consignment of Hingham Arabians to John G. Winant of Concord, N.H., in 1921.

This gentleman was U.S. ambassador to Great Britain during World War II, following a stint as the governor of New Hampshire. Mrs Winant retained a few of the Arabians for a number of years, but the bulk of the horses went in 1922 to Morton S. Hawkins of Portland, Ind., and it was in that state that Hanad was foaled.

Unfortunately for the horses, Hawkins soon went to federal prison. The animals were neglected and scattered, sold to those willing to pay their outstanding feed bills.

That winter Dr. Charles D. Pettigrew of Muncie bought Sankirah and her foal Hanad, debilitated to the point where he could not stand. He was strapped to a drag and pulled from the pasture.

Pedigrew owned Hanad for four years. Under his ownership Hanad had his start as a breeding stallion. Herbert V. Tormohlen of the respected Ben Hur farm brought him his first mares, and Pettigrew also used him at home.

Pettigrew sold Hanad in 1927 to Charles W. Jewett, a mayor of Indianapolis. At Jewett’s Arlington Farm, Hanad was ridden some and continued his career at stud, siring foals for Jewett, Tormohlen, and the early Midwestern breeder John A. George.

Hanad was not to remain long with Jewett, however. Arlington Farm was becoming surrounded with newly built houses, and Jewett decided to sell his Arabians in 1929. In July of that year W.K. Kellogg and his manager Herbert H. Reese inspected the Jewett Arabians.

They obviously liked what they saw, for Kellogg bought the entire lot of 11 head, four of which were 100 percent Davenport in pedigree. The balance were of mainly Davenport breeding.

Hanad arrived in Pomona on Aug. 19, having been shipped by rail. It was at the Kellogg Ranch that Hanad made his fame.

Manager Reese was quite complimentry, writing of him years later that

“his best points were a good shoulder and exceptionally beautiful, high carriage of tail, and his disposition was all that was ever claimed for the breed by its most enthusiastic admirers… Hanad proved to be adaptable to any sort of training of an unusual sort, such as “jumping rope” under saddle, doing the Spanish walk, standing on a pedestal, and so on.
“His calm disposition was never flustered by noise, crowds or strange surroundings, yet he was always spirited and full of “go,” making him ideal as an exhibition horse.
“He took part in practically all the shows, parades and motion picture work away from the ranch as well as doing his specialties in the Sunday exhibitions… Hanad played a noteworthy part in acquainting the public with the virtues of the Arabian breed, and he also contributed as a sire.”

Hanad also was trained as a five-gaited horse and for driving.

Hanad was judged champion stallion at the Los Angeles County Fair in 1929, 1930 and 1932. In 1930 his daughter Valencia received the champion mare award.

Hanad also appeared in numerous fairs as part of a traveling Kellogg show. These animals did not compete in the regular classes, but delighted audiences with their specialty acts. Hanad and the Kellogg string journeyed as far from their home base in Pomona as Tennessee and Washington state.

Hanad posed in publicity photographs with the 1930 Rose Queen and actress Laura LaPlante. In 1931 actress Marguerite Churchill presented him in a Sunday show. She later reminisced:

“I wanted to show horses and, eventually, I managed to get to the class where Kellogg Ranch invited me to ride Hanad. It was probably the greatest joy of my life (even now) to be mounted on that lovely stallion… He, unlike many Arabians, had been trained to the five gaits, and I was also able to do that.
“I went many times to the stables, training with a fine man, I believe called Smith, to show me the fine points of Hanad. It was not a small triumph to make the show on two Sundays showing Hanad. I hope well, and myself as well as I could… I recall the terrible heat there when coming out for my lessons, but, of course, when the “show” was on, I thought of how I was doing, well or poorly, and wanting so much to let everyone see that I was able to show Hanad at his best.
“I believe at that time he was valued at $25,000, and not just for that, but because he was so beautiful, I tried to be worthy of him.”

Actor John Davis Lodge appeared in The Scarlet Empress with Marlene Dietrich and Hanad. He also left notes attesting to Hanad’s qualities.

“It was my good fortune to ride Hanad in several of the scenes of the picture. It was my first experience riding an Arabian stallion.
“Having ridden a good deal and loving horses, I was greatly impressed by the beauty, strength, and agility of this stallion. He was well-trained and handled easily. I have never encountered a horse with his beautiful, restrained gallop.
“One day, when we were filming the scene in which I escort Marlene Dietrich to Moscow, the ground was heavily covered with cornflakes, simulating snow. The scene called for a fast gallop around the bend of the castle.
“It was wet and slippery underfoot. Hanad’s legs skidded right from under him and he landed on one side, pinning my legs to the ground; yet he sprang up so quickly that we were off again—in full gallop. I do believe that, with most horses, it might have been a dangerous accident.”

Hanad sired 23 Arabian foals during his time at Kelloggs, though one of these, Sanad, came from Arlington Farm in-utero. An article in the Journal of the Arab Horse Society, apparently written during his years as a sire at Kelloggs, stated that “Hanad is siring well-proportioned colts with a maximum of quality and natural style.”

The widely known author and artist Gladys Brown Edwards first became involved with Arabians through Hanad. In 1932 she bred her part-Thoroughbred mare to Hanad, and kept the foal at the Kellogg Ranch after it was born.

That she chose Hanad over the famous stallions *Raseyn, *Ferdin and *Nasik is a testament to Hanad’s type, quality, and the brillant beauty that he possessed.

She described him as “a stylish horse, and very trainable” while crediting him with 73 champions descending in the tail-male line.

Late in 1935 Kelloggs was requested to provide two horses to lead the procession into the Rose Bowl game on New Year’s Day. The ranch sent Hanad and *King John.

One of the spectators, W. C. Stroube, saw Hanad there and felt he must own him. Stoube, a Texas oil man, appeared at Kelloggs the next day, insistent on the purchase of Hanad. After some deliberation, Kelloggs decided that they had enough of his get and could train a young horse to replace him as a performer.

One wonders what Stroube paid to wrest Hanad from the Kellogg Ranch. A week after his visit he owned the stallion.

Stroube kept Hanad for seven years, during which time he got only four foals, all from mares that Stroube had purchased as yearlings from Kelloggs with Hanad. In 1943 William States Jacobs bought Hanad, retaining him until 1946. Hanad sired no foals under the ownership of Jacobs.

In 1946 Hanad, at the age of 24, found his last owner. John and Alice Payne drove to Texas to buy Hanad and bring him to their ranch in Whittier, Calif. They found that he had sustained a broken front leg at some point during his Texas sojourn. To buy him Alice Payne had to exercise her full powers of persuasion, but in the end she was successful.

Hanad was quite old by this time, having very few stud seasons left to him. Despite the handicap of age, he managed to sire as many foals during his second stay in California as he had during his first.

Hanad and *Nuri Pasha are the oldest animals with progeny in Volume VII of the studbook, yet *Nuri Pasha has only one foal to Hanad’s 13.

Hanad was not immune to time, but he still managed to impress those who saw him. Following is Mrs. Milton V. Thompson’s account of Hanad in old age:

“We traveled 5,000 miles to see old Hanad, *Raseyn and *Aziza at Payne’s…It was worth it.
“Hanad is a terrific, bombastic horse, 27 years old, who snorts fire and brimstone with every breath out of those beautiful “picture” nostrils of his. When Alice Payne brought this proud beauty out of the barn he was prancing high, wide and handsome, with that broken right front leg going just as high as the good legs. He is 14.2 – a rich, dark chestnut.
“One morning I got up at the crack of dawn to see Hanad. I looked at him for two-and-a-half hours straight, made some sketches of that wonderful head of his. He rolled over nine times.
“Where he broke his leg nobody seems to know. He was once one of the famous trick horses at Kelloggs, as the picture in the studbook shows him jumping rope.
“He was once sold for $10,000, years ago, and his history has been vague since. Right now Hanad is enjoying a wave of popularity in the West, rivaling anything he knew at his peak as a dressage horse. And no wonder.
“He is a very prepotent old guy—I picked out unknown colts as Hanad colts when they were his grandchildren. The Hanad colts are at a premium.
“In fact, we saw none for sale. Everyone wants one, including Milton and Virginia T., and his colts are spoken for when the mare is bred. People just seem to be waking up to what a great horse he is.”

Hanad died on Nov. 6, 1949, at the Payne Ranch. He was 27. He got a lifetime total of 57 foals, a respectable figure in a time when Arabians were something of a rarity.

Many of the Hanad sons became honored sires in their own right. Ameer Ali stood with Dr. Glass in Oklahoma.

Mahomet grew into a key sire for his breeder, J.A. George, while Aabab filled the same position for the Tormohlens. Sanad headed the small but influential program of Mr. and Mrs J.N. Clapp.

Cliff and Mollie Latimer of British Columbia, Canada, adored their Adounad, writing that it was “interesting to correspond with owners of other sons of Hanad and to find they were as pleased with their results as we have been.”

Hasab stood for years with Mrs. Beverly Young. Ibn Hanad created a veritable dynasty of champions for Margaret Shuey’s Sunny Acres program., and Hanrah’s son Ibn Hanrah did the same for Gerald Donoghue’s program. Tripoli headed the Craver breeding project until his death at 29, and all but a handful of the living 100 percent Davenport horses trace to him, and thus to Hanad.

The Hanad daughters were notable good producers. Show winnings are only one of many methods used to evaluate Arabian horses, yet they seem to be the method of choice for a great portion of today’s breeders.

For some years running, the Arabian Horse World has printed lists of mares who have produced four or more champions. Our current Class “A” show system is a relatively recent creation, and Hanad was rather an early sire to be expected to have daughters on this list.

His last three foal crops contained a combined total of but 10 fillies, yet two of them (20 percent) appear on this list of top-producing mares. Three Hanad granddaughters appear, again from Hanad progeny produced during his later years after he left the Kellogg Ranch.

To name a few individual daughters, Valencia, Rokhalda, Nadda, and Rifnada were all Kellogg broodmares. Raadah went to the W.R. Hearst stables.

John A. George had Dowhana and Chrallah, with Chrallah later going to Roger Selby. The Tormhhlens retained Aabann. Schiba became a significant foundation mare for Dr. Krausnick, while Charles Craver was able to secure Dhanad and Hantarah for his Davenport program after they had spent many years producing at the Sullivan Ranch in California.

The 75 percent Davenport Ganada, Hanad’s last foal, was a show horse and broodmare for John Rogers. Her full sister Hanida did the same for the Mekeels.

She was the first Reserve Pacific Coast Champion mare. Hanida produced five champions, while Ganada had six.

From the above, it will be seen that Hanad was most admired for his beauty, his ability under saddle, his amenable disposition, and the quality of his get, both as individuals and as breeding stock. This is especially noteworthy since Hanad was extremely close to desert horses in terms of generations of removal.

One often reads, and more often hears, that strictly desert-bred stock does not appeal to American tastes, and is not as attractive as the “big, bold, and beautiful” Arabian show horse of today. Hanad’s record, and the records of many other animals close to their Bedouin-bred origins, make such claims appear uninformed, if not ludicrous.

The Donoghue Arabians

Originally published in Arabian Visions Jul/Aug 1997, used by permission

The Donoghue Arabian Farm has been a mainstay of Arabian horse breeding in and out of Texas. Though not the first Arabian horse nursery in Texas, it was a relatively early establishment. And while Gerald and Louise Donoghue’s herd was probably not the largest ever assembled in Texas, it was plenty big enough to supply mounts and breeding stock to a wide variety of customers. As Louise Donoghue wrote in the introduction to the 1993 Donoghue Arabian Directory,

“Jerry’s ambition was to raise and sell horses which could be treated as family pets but could also win ribbons in the show ring. He urged that these horses be trained in different types of riding to exhibit their versatility and athletic ability. His Generations of Champions are widely noted for their friendly dispositions and classic Arabian looks. Nothing delighted him more than to receive a letter from the owner of one of his horses telling him how wonderful they were….”

The detailed story of the early years is best told in Gerald Donoghue’s own book, My Friend, The Arabian Horse. Following is a short synopsis of the story, often drawing on his own words, but kept brief to save room for photos and the reminiscences of friends.

We begin when Gerald Donoghue was working as a reporter and assistant editor for the Houston Chronicle. In 1943 the city editor sent him to do a story on the Arabian horses of R. J. Geimer. Donoghue had never seen Arabians before, but came away impressed by the disposition of Geimer’s stallion *Latif (Antez x *Lassa). After Mr. Geimer saw the story, he offered that Donoghue could breed his Palomino mare to *Latif. At about this time the Donoghues left Houston and moved to a ranch in Goliad, and there in 1944 their first Half-Arabian was born, a filly named Taffy. As she grew and came under saddle, Donoghue admired her so much he decided to get more Arabian blood.

The first purebred was purchased in 1949, a two-year-old grandson of *Latif named Watez. He came out of the J.E. Mowinckle herd, stabled at Alamo Downs in San Antonio. In 1950 Donoghue brought a filly named Yaquta (*Czubuthan x *Lassa). In 1951 Yaquta was bred to Watez. Also that year three females were purchased from the Lodwick farm in Ohio. These included Rafisca (by Rafisco) and her dam, the pregnant Freiha. Jerry and Louise Donoghue now had a small herd. In looking back he commented,

“I liked the group and I was fascinated by their pedigrees. Still, something was missing….I still had not found the type of Arabian I was looking for.”

In 1952 Jerry Donoghue discovered some of the Mowinckle mares were for sale in San Angelo. He found them in poor condition, but even so one bay mare and her bay colt had a “look that set [them] above” the others: “My search had ended.”

The mare was Ronara (Roayas x Narlet) with her son Ibn Hanrah. Ronara was back in foal to Hanrah (Hanad x Rahzawi), and would produce Rohanna in two months. Donoghue bought the whole package, later writing,

“Most of the Arabians I have owned since that time have been descendants of this one great mare.”

From her photos and Donoghue’s descriptions, Ronara seems to have been a mare of great quality. She, probably more than any other horse, appears to have set the type that distinguishes a Donoghue horse.

As for Rohanna,

“she was a complete beauty. No one ever passed Rohanna without taking a second look.”

Her foals included Carol Chapman’s dynamic chestnut stallion Pulque (by Skorage), multi-champion and Legion of Merit winner. Rohanna was also dam of Tondelayo (by Al-Marah Erka). Tondelayo was another successful show horse for the Donoghues, with a Legion of Merit and top tens in park, western and English pleasure.

Much space in My Friend is devoted to stories of criss-crossing the country on the way to show in the 1950’s, often with children Bill, Clare, and Timothy alone. Ibn Hanrah, Ronara, Rohanna, and the other horses represented the Donoghue Arabian Farm well in those early shows. My Friend offers as much chronicle of those days as it does wry commentary on how Arabian shows had changed by the time of the book’s publication in the 1980’s.

The Donoghues finally met Mr. Mowinckle, who told them about Walter (“Chappy”) and Carol Chapman. They caught up with the Chapmans later at a show. The Chapmans agreed to take some Donoghue horses for training. Jerry Donoghue later wrote,

“For the past thirty years, Chappy has trained generations of our horses and three generations of our family.”

Donoghue felt a larger mare band would be necessary to make a profit on the farm; his next addition came in 1953 from the Babson Farm in Illinois. She was Fay Ufa (Fay-el-Dine x *Maaroufa), bred from Mr. Babson’s 1932 Egyptian importation.

In 1954 Jerry Donoghue made his first visit to Al-Marah Arabians, then located in Washington, D.C. He met the farm’s owner, Bazy Tankersley, and her foundation sire, Indraff (*Raffles x *Indaia). Indraff was

“a beautiful gray stallion, almost pure white, who immediately noticed us and came charging up the hill, his neck arched and his tail almost curled over his back. It was a beautiful sight.”

It occurred to Donoghue that Ronara could be bred to Indraff, but he did not want to send her that far from home. Instead, it seemed more practical to bring Indraff daughters to Texas and breed them to Ibn Hanrah.

“Ronara’s Crabbet ancestry would be right in line with the Crabbet-Skowronek breeding of Indraff and Ibn Hanrah would bring the Davenport cross into the combination which should pep things up.” He continued, “Horses with a strong percentage of Davenport blood seem to have an extra spark that some other Arabian horses lack.”

Ronara had a Davenport line through Sherlet; through his sire, Ibn Hanrah was a grandson of the Davenport stallion Hanad, thus Ibn Hanrah had 31.25% Davenport blood.

In 1956 Jerry Donoghue traveled to the first Al-Marah production sale looking for something from the Skowronek line. Studying the catalog, he kept coming back to Egypt, by Ibn Hanad (Hanad x Gamil) and out of Star of Egypt (*Raffles x *Roda). Egypt came with a stud colt by the Indraff son Al-Marah El Hezzez, named Al-Marah Erka. When Donoghue saw Egypt, he admired her head, quality, and quiet disposition. Later, he was the successful bidder.

Egypt had been bred by Margaret Shuey of Sunny Acres in North Carolina. Donoghue wrote,

“Egypt [did] so well that, every time I had a chance, I had bought a Shuey-bred mare when it had the combination of Ibn Hanad, *Raffles and *Roda.”

In 1960 came Sunny Acres Serranita,

“not only an all-around show mare, but was chosen as one of the top ten halter champions at the Canadian Nationals. Her career as a brood mare was even more distinguished.”

Serranita was by Ibn Hanad and out of Joye (*Raffles x *Roda).

Another Star of Egypt daughter to come to Goliad was Sunny Acres Easter Star, in 1964. She was by Shalimar Teke, a son of Flaia. Flaia was a full sister to Indraff, and considered by several connoisseurs to be among the best of the many successful *Raffles x *Indaia foals. Shalimar Teke was a grandson of Ibn Hanad. Easter Star’s most notable son was probably Beau Ibn Hanrah, successful in park, western, English, halter and most classic. Pamela Long remembers him as “magnificent. To this day one of the most beautiful horses I’ve ever seen.” Another 1964 acquisition was Sunny Acres Geneviewe, a granddaughter of Ibn Hanad, *Aeniza, *Raffles, and *Roda.

Indraff daughters had also arrived in Goliad. Tasliya (x Temag, by Fay-el-Dine) came in 1959. She became Louise Donoghue’s personal riding horse, and won Reserve National Champion Mare in 1958. Her career also included the Legion of Merit and the King Saud Cup. In 1960 came Al-Marah Indraffa (x Roumana, by *Sulejman). there as also Indianna (Indraff x Ananda), bred by Louis G. Foye.

Another Indraff daughter to come to Goliad was Al-Marah Gazelle, out of the old R.B.Field broodmare Gisela (Akil x Shemseh), bringing in more Crabbet and Davenport blood. Al-Marah Gazelle was acquired in 1965, and became dam of Don Amistad (by Ibn Hanrah), a Legion of Merit winner. Pamela Long remembers,

“Al-Marah Gazelle, a chestnut mare, had an aversion to wearing a halter. So, Jerry respected her wishes and led her with a rope around her neck.”

Fersheba (Ferseyn x Rasheba, by Rasraff) also ranks among the important Donoghue foundation mares. Fersheba brought in a different line to *Raffles, and through her sire reinforced the more distant crosses to *Raseyn and *Ferda in Ronara’s pedigree. Fersheba was bred in California, and later owned at Al-Marah. Perhaps Fersheba’s biggest contribution was her son Don Fersheba (by Ibn Hanrah). He excelled in English, western, halter, and most classic classes, earned his Legion of Merit, and became a Donoghue sire.

Donoghue described the four Shuey mares, four Indraff daughters, five Ronara daughters, and Fersheba as the background of his breeding program, although other mares were occasionally brought in from outside through the 60s and 70s. The four younger sisters of Rohanna were her full sister La Bahia, Bint Ronara (by Al-Marah Erka), Rose of Ronara (by Al-Marah Erka), and Ronava. The latter was Al-Marah Cassanova’s first foal. Jerry Donoghue judged her

“a sensation. [She] became one of the sights to see on our farm. Her head was outstanding.”

Jerry Donoghue had decided an outcross sire was needed. At a horse management course at Al-Marah he noticed a

“colt was being used for amateurs to trot up and down. The colt seemed happy in his work and, the more I looked at him, the more I liked him.”

This was Al-Marah Cassanova (Rapture x Cassandra), then two. He had three close crosses to *Raffles and a female line to *Roda. A deal was struck, which included returning Erka to Al-Marah, and Cassanova was on his way to Texas. He left a good number of sons and daughters, and also won his Legion of Merit and a national top ten halter before he died young at age 12.

Donoghue-bred Cass Ole, the star of the motion picture The Black Stallion.

La Bahia was another national top ten and Legion of Merit winner. Bred to La Bahia, Al-Marah Cassanova sired Cass Ole, the star of the motion picture The Black Stallion. This pleased Jerry Donoghue:

“Because I’ve often wondered if I’ve ever done anything constructive in my life, 40 years of it spent with Arabian horses, it gives me great pleasure and satisfaction to know that, at least, I bred a horse that has brought entertainment and beauty to millions of people.”

Ibn Hanrah died from a twisted intestine in 1965, a huge loss. His wins in English and western pleasure, park, and halter (including 1959 U.S.Reserve National Champion Stallion and Canadian National Champion Stallion) and helped establish the reputation of the Donoghue horses. Since his first foals in 1955 he had proven an equally important sire. His sons Don Fersheba and Beau Ibn Hanrah succeeded him.

In 1980 the Donoghues decided it was time to cut down the size of the herd, and many horses were sold. Jerry Donoghue gave this summary of his breeding program in 1984:

“The old farm was sold in 1980 and we live in a remodeled stone house on the ranch. I limit myself to six brood mares, all being bred to Beau Ibn Hanrah, with an occasional outcross.”

By 1991 the Donoghues had bred over 250 foals and were standing Don Beau Max (Beau Ibn Hanrah x Donna Indraffa) and Don Boolad (Don Fersheba x Donna Ferona). In an interview with Sandy Rolland, Gerald Donoghue said he wanted to be remembered for his horses, and breeding a natural, ungimmicked Arabian. He died on August 5, 1992.

In reading My Friend, several aspects of Jerry Donoghue’s character emerge. His constant concern for the well-being of his charges runs all through the story. When he pulled a trailer, he drove so slowly that his son joked there was time to read the historical markers they passed. No one who made horses head-shy was allowed to handle the herd. Pamela Long recalls,

“As I walked around the farm with Jerry, I noticed he touched every horse—usually with the back of his hand. He told me he was freeze branded before he freeze branded any of the horses, ‘to make sure it didn’t hurt.’ He was extremely proud of them, loved them with a passion, and worried about them incessantly.”

Jerry and Louise seem to have complemented each other in evaluating their horses. He wrote,

“Louise and I look at horses differently. I want to know what they can produce; she wants to know how it feels to ride them.”

Speaking of the breed as a whole, he said,

“The basic appeal of the Arabian horse has been as a family horse and show horse combined.”

We end with Jerry Donoghue’s words about the right Arabian horse for him:

“to interest me, a horse had to look like an Arabian, regardless of his pedigree. He had to have a good head and good tail carriage with overall good balance. I always look at the head and into his eyes. To me, the personality of the horse is more important than his size or color. Size is away down on my list of desirable characteristics of the Arabian….
“When an Arabian horse has a good head, it is hard for me to take my eyes away from the head to look at anything else. I assume the horse has four legs.
“I do not belittle the importance of a horse having good, straight, sound legs. However, if all I wanted in a horse was straight legs and powerful muscles I would not go to the expense of raising purebred Arabian horses, straight legs and big muscles can be found in many cross-bred grade horses.”

Testimonials

Dr. James P. Entrekin, Grey Eagle Arabian Farm, Algoa/Alvin TX: Fayhan (x Fay Ufa), from the first foal crop of Ibn Hanrah, was the first Donoghue horse I met. Most of my horses stem from Fayhan and his offspring. My personal mare Faylene is pure Donoghue and perhaps a perfect example of the delightful Donoghue disposition and personality. She is best when ridden without bridle or bit. She goes through a repertoire that includes kneeling, lying down, rolling over, sitting up, shaking hands, side pass, two track, et al., all at liberty. Donoghue Arabians perhaps best personify those three criteria that one must never compromise and they are 1. Disposition, 2. Disposition, and 3. Disposition. Donoghue Arabians are living examples of back to the basics desert bred type, conformation, disposition, and predictability.

Pamela J. Long, Mai-Zel Dragonwicke Arabians, Dragoon AZ: My college graduation present from my parents was a trip to Goliad to the Donoghue production sale in April 1969. I bought the grey yearling Don Zel (Don Fersheba x Al-Marah Gazelle). I realized after I won the bid that I didn’t have any money or transportation. Mr. Donoghue allowed me to make payments for a year. Fifteen of the 16 horses I now own carry Donoghue breeding. All 15 are Don Zel’s descendants. The Donoghue horses have fine typey heads — not extreme, but immediately recognizable — large, intelligent, inquiring, and frienddly eyes, and always smiles. They are short coupled, with good — not extreme — toplines. With very rare exceptions, Donoghue legs are as perfect as they come. They move freely, with balance and poise, always proud. Their strength and balance is incredible. Don Zel could rear and raise and lower himself again and again, never touching the ground. They turn on a dime — co-ordinated and athletic. Donoghue horses are people horses, gentle and kind, very intelligent, learn quickly. I ride them everywhere, over mountains, through streams, down hills. They are sure footed and never hesitate.

Shar Smith, Conroe TX: Butch and I purchased Donna Egypt (Don Fersheba x Bint Egypt, by Al-Marah Cassanova) from Jamil Ferreira of Richmond, Texas, in June of 1993. We had no idea who Jerry and Louise Donoghue were, and knew nothing of the great Donoghue tradition. Donna Egypt was 18, and we knew only that she was beautiful and a dream to ride. On a whim, I took her to a fine local trainer, Jim Maddox. He stoked our imaginations with stories of Walter and Carol Chapman, and how Gerald and Louise represented the best. He referred me to Gerald’s book, which I tried to locate, without success. The following March, Butch and I made the trip to Goliad. We were fascinated by Louise. she totally charmed us. She autographed a copy of Gerald’s book for me, which I proudly took home. We have four offspring of Donna Egypt. Each one is brilliant of intelligence, brilliant of beauty and motion. Perhaps the most notable characteristic is their intense desire to interact with people.

Martha Craig, Fredericksburg Tx: I have many marvelous memories of Louise and Jerry — their excitement and delight in each horse, the way he could give a complete history of every one of the horses for generations — what a joy just to be around those two! My Don Beauzel (Beau Ibn Hanrah x Donna Gazelle, by Don Fersheba) is 16. I have enjoyed him since he was just under three. My Beau was shown as a three year old — did well in western pleasure — then I began using him on our ranch in Colorado. He loved moving cattle and the long rides. We moved to Fredericksburg in 1989 and trail ride in the hills now with friends and he is super for that. He is calm, willing, loves people. His head is gorgeous, wide between the eyes, large soft eyes, nice dish, small ears.

Lynn Weber, Friendswood TX: I didn’t know Jerry Donoghue and I have never met Louise, but I can tell you they have given us a true gift in his line of Arabians. I own four horses, which includes my favorite, a 13 year old black gelding, Don Grito (Don Beau Pronto x Bint Donna Sheba). He is one of the best things that has ever happened to me. He learns tricks eagerly, but his most admirable trait is his kindness. He’s gentle with everything and everyone.

Sally L. Quick, Spring Creek Arabian Farm, Lufkin TX: In the early 1970’s I moved from southern California to south Texas. My first goal was to visit the Donoghues as I had seen their ads for years. Our first visit was a trip to paradise. Over the years we visited the farm many times, and in 1976 moved to Goliad. I was happy to be close to so many great horses. I would simply call Mr. D. and tell him I’d like to walk through the pastures; he would always agree. My children loved to visit and Mrs. D. would have cookies for them. The Donoghue horses possessed a look that was easily recognizable: the beautiful heads with large eyes and bodies with substance are much admired. All Donoghue horses have great personalities and can be real clowns. Through the generosity and special consideration of Mr. D., I bought my first purebred colt from the farm in 1976. Don Ibn Gazelle (Cass Grito x Al-Marah Gazelle) was delivered to us as a weanling, and our dream of owning an Arabian horse became a reality. He won many halter ribbons and was Reserve Grand Champion Stallion at the State Fair Show. Mr. and Mrs Donoghue were the most gracious hosts ever. Each year they had a spring open barn and barbecue. It was the social event for all Arabian people in the area. Recently I was in the market for a younger horse. Of course I was looking for Donoghue breeding. I purchased a Half-Arabian by a Quarter Horse out of Donna Talhanna. He is typical Donoghue, with a great personality, easy going nature, and sound good conformation. The joy these horses have brought to my life is a gift. Mr. and Mrs. Donoghue were gracious and kind to all who knew them.

Dana Kirk, Kenda Arabian Ranch, Cleburne TX: Of our own horses, Don Halawi and Donna Halawi (both Don Fergen x Bint Halawi) have the biggest part of my heart. Donna is elegant and feminine with the largest eyes and one of the most beautiful, refined heads I have ever seen. Her willingness to please and her love of people are her first qualities. Don is best known for his love affair with our daughter, Loren. At the CMK showcase in Glen Rose, Texas, Loren rode Don bareback with nothing but a satin ribbon for a bridle. They were both loving every minute of it. Don was so good at so many disciplines. Whatever Loren asked of him he lovingly gave his all. Donna Halawi, age 24 and crippled now by laminitis, never hesitates to jump into a trailer onto sore front feet. I’m getting teary-eyed over this. I know she won’t be with us much longer and I can’t bear to say good-bye.

Jack & Val Nevilles, Ja-Val Arabians, Pittsburg TX: I purchased a part-Arab gelding, Sabra, in 1977 from Lynn Edge in Tivoli, Texas. His sire was Don Almas, and his dam was a Half-Arabian mare by Fayhan. Sabra was my dream horse. He was shown some in the late 70s and never out of the ribbons either as a performance or a halter horse. Having a Donoghue horse was in a way a dream come true. I first saw Donoghue horses in the show ring at the Nationals in 1962. I had read about them and was impressed by their beauty and conformation. My husband and I had the pleasure of visiting the Donoghues on two or three occasions. What a lovely couple they were — never too busy to talk about their horses, or share some iced tea. The thing I remember most was the substance and willing attitude of each horse.

Carolyn Crowley, East Greenwich NY: My mare was purchased as a youngster by a Navy woman and brought up the coast to Newport, Rhode Island. I met her there, and showed her for her owner until I was able to purchase her for my own. Her name was Donnaliya (Don Fersheba x Tasliya). After living with and loving Donnaliya for 18 years, I can certainly identify with Louise’s affection from Tasilya. In my eyes and in my heart Donnaliya was the most beautiful mare of my life. It was her huge heart — game for anything with the kindness of a saint. Correct conformation — she was a knockout in a halter class, blue after blue after blue. Classic head. Her eye, a form of communication. She was shown halter, hunt seat, and western pleasure. We did trail riding, pace events, and later in life she was broken to harness. Babies toddled beneath her as I groomed and tacked her up. She was careful and safe with my 11 year old son when he started showing her. She tirelessly gave “pony rides” to school children on field trips to the farm. My “Liya-love” is now deceased, buried in a nook of the woods adjacent to the ring. I’ll always love her so.

Linda M. Gremore, D&L Arabians, Boyd TX: The memories I have of Donoghue Arabian horses go back about 45 years. When I was eight years old I began writing to the “Ibn Hanrah Fan Club.” I dreamed of breeding my mare to Ibn Hanrah. Later, I lived in Austin, Texas, and was able to see Cass Ole at a horse show in San Antonio when he was two. My dream of owning a Donoghue Arabian horses did not materialize until 1978. My husband, Virgil, and I purchased two mares (not Donoghue) and after much discussion decided to take one to breed to Beau Ibn Hanrah. Before we even stopped the trailer, my husband spotted a beautiful grey stallion whose hair shimmered in the sun like fish scales. Before I knew what had happened to Virgil, he was in the lot with Don Fersheba. We brought the other mare back to breed to Don Fersheba. Beau Ibn Hanrah had the presence to stand out in a crowd of horses no mater how beautiful the others. Virgil and I made several trips to Goliad and were always given the grand tour. Mr. Donoghue had a stall area with each stall opening onto a grassy courtyard. He would bring each mare and foal out and recite their pedigrees. He had a tremendous program we are trying to continue. Mr. and Mrs. Donoghue were always gracious. In 1980 Mr. Donoghue told us he was cutting down his herd and had several stallion in which we might be interested. I did not believe we could afford a stallion, but my husband insisted we take the trailer. We chose Don Beau Pronto (Beau Ibn Hanrah x Cassa Arriba). We prayed Mr. Donoghue would have the right figures the next morning so we would be able to purchase Pronto. He did! He also let us take Sunny Acres Genevieve home. Everyone always stopped to look at her. Pronto has won numerous blue ribbons in halter and many championships in western pleasure both pro and amateur. In 1984 Pronto was Region 9 Reserve Western Pleasure Stallion. We will always be grateful to Walter Chapman and Brad Bunio for Pronto’s training and showing. Virgil and I have taken dressage lessons on two of our Don Fersheba daughters. To the best of our knowledge, we have the largest herd of pure Donoghue horses.

Ana Carolina Gomez-Simmons, Temple TX: Gran Cicque Kalim is beautiful, graceful, intelligent, loyal, loving. He is my dream come true and it would take me more than all the words in the world to describe him. I love him with all my heart and soul.

Delightful as Companion and to Ride

from ARABIAN VISIONS Sept/Oct ’95

used by permission of Rick Synowski

“The perfect union between horse and rider” is a state of being for which the true horseperson strives, and achieves momentarily, perhaps. Exhilarating moments difficult to describe unless you have been there. In these moments, described by someone as like having a wire between your brain and that of your horse, you are aware of your mount’s keen ability to know and understand you. You are aware of his delight to function in harmony with your thoughts, your will, and your emotions.

Perhaps beyond his other attributes, this is the unique quality possessed by the Arabian horse which has been passed on in varying degrees as the progenitor of light horse breeds. This attribute was valued above all others by the Bedouins.

In his article: “The Arabian Horse as Your Friend and Companion” (Western Horseman, November-December 1942), Carl Raswan writes in his inimitable style, “The gift of an intelligent spirit was bestowed upon the mare of Ishmael and an intuitive soul to dwell within her beautiful, strong and symmetrical body. Psychic powers of her animal spirit were gifts of God, but her conscious mind developed through her intimate human association.” Though Raswan’s poetic description seems archaic to contemporary readers, he did faithfully reflect the Bedouin sentiment.

Do we believe this about the Arabian horse, or do we account it as another one of many myths which have come to us from the desert? Do we believe the “scientific articles” appearing in various horse magazines and recently in U.S. News and World Report which ascribe only rudimentary intelligence to horses beyond unconscious responses to basic, instinctive drives? What we believe is critical because it determines how we train, handle, and manage our horses, and what we experience of them. It even determines how our horses respond to us, or maybe more accurately how they do not respond.

It may be an inconvenience to perceive the Arabian horse as a complex thinking, feeling creature with a capacity to experience in some way similar to our own, because it begs the question how our horses experience the circumstances we force on them. One would define abuse in terms of how one understands this mental capacity as well.

Like other traits, the Arabian’s mental/emotional capacity exists in various degrees and with differences which are specific to families and to individuals, and this based largely on inheritance. Within the breed one finds a wide range of personalities and intelligence. One should expect that different horses respond differently to various kinds of handling, training, and management. Perhaps this is why certain bloodlines are more popular than others with professional trainers given the methods of training, managing, and showing horses which have become the norm. Horses which possess the greater mental/emotional capacities may adapt less satisfactorily to these methods.

“[D]elightful as companion and to ride” was penned in her journals by Lady Anne Blunt following a June 4, 1891 ride on Sobha. This was one of several references she made to the intelligence of the Sobha line. Riding and companionship of her horses was doubtless to provide respite for Lady Anne Blunt from her life made tumultuous by conflict with and eventual estrangement from her family. What she noted was the capacity of these horses to provide for her that which people no longer did.

It is difficult to imagine any quality more valuable than that which Lady Anne Blunt describes in the Arabian horse. In the Selby Stud Catalogue published 1937, Roger Selby quotes, “But it is his fine disposition coupled with his great intelligence that have made the Arabian ‘a horse you can chum with, a real trustworthy pal, one that adapts himself to the moods and whims of his riders.” Yet today one can thumb through any of the breed journals without finding a single reference to these qualities. You can be left only with the conclusion that at least in “the industry” these qualities are passe’.

The Davenport desert import *Wadduda, noted by Davenport as having been “the favorite war mare of Hashem Bey” (Sheik of the Bishr Anazah Bedouins) was extolled for her “almost human brains” and like Sobha she passed this trait to her descendants. Her grandson Antez was credited by W.K. Kellogg for saving his life by staying “cool in a crisis.” Kellogg later returned the favor by making sure Antez had a permanent home to live out his last years. Pep, a great-grandson of *Wadduda, was trained as a trick horse for the Kellogg Sunday Shows. Pep apparently got bored with the routine and discovered his calling as a stand-up comedian muffing his cues and exasperating his trainer, sending his audience into hysterics. It was reported that after the performances when he was taken ’round the barn to be corrected he did his routine without a hitch.

I remember the surprising cleverness of my own first Arabian, a double great-grandson of Antez, which he displayed from the first day we brought him home. He was six months old and just off his mother when my father and I brought him home in the back of our pick-up truck. About halfway home the canvas cover, which was lashed over the side-panels, tore loose and began flapping violently in the wind, collapsing over the colt. I don’t know how far we drove before we noticed, but the colt stood calmly while we stopped and pulled the canvas off him.

The next year there were more incidents. One day our hired man came to the house to tell us how the colt was helping him put up a new fence. He explained that the colt would carry nails in his mouth from a keg near the barn over to where the man was nailing up rails. That year we took him to his first show. We had arrived the evening before our class and left our now yearling colt in a stall in the race barns at the fairgrounds. It was his first night away from home since we got him. When we returned several hours later “Antez,” which we called him, was missing from his stall. Unable to find him we found friends who had been there the whole evening. They took us to where Antez was now stalled and recounted his evening of mischief and adventure. Apparently he unlocked his door and let himself out of his stall. He then proceeded to go down the barn aisle and free other horses. Surprised in the act by the night watchman, Antez ran into an empty stall, standing as if totally innocent, amidst the melee of loose horses.

Fortunately, Antez outgrew his mischievousness and matured to become a fine riding horse and wonderful companion for 28 years. Maintaining a mind of his own, he was never one to be forced to do anything. But working together as a team he was willing and eager to put himself into any task from trail horse to English pleasure, dressage, jumping, and even herding cattle. Each thing he did with eye-catching style.

One hopes we can get beyond our Arabian-as-living-art phase. His physical beauty is just one dimension to be understood and valued. It was this physical beauty which caught the eyes of Westerners perhaps, but it was the beauty beyond the physical for which he was valued by the Bedouin. His conversable personality and companionable nature may be the finest assets he brings to the horsepersons of this day and age.

Web cmkarabians.com

Antezeyn Skowronek 5321

by Michael Bowling (copyright)
originally appeared in the Oct. ’76 issue of the Arabian Horse World

Antezeyn Skowronek in May 1976 at age 27.
He is by Abu Farwa (Rabiyas x *Rissletta by Nasem) and out of SHARIFA (Antez x Ferdith by Ferseyn).

Antezeyn Skowronek was foaled 21 April 1949, bred by E. J. Boyer of Puente, California. He was sired by the quite literally unforgettable Abu Farwa 1960, a horse that can’t be done justice in short space. Briefly, Abu Farwa is one of the most strongly positive breeding influences on the Arabian horse in this country. His get and descendants excel in quality and conformation, and they continue to compile an impressive record in all fields open to the breed, both in and out of the show ring. Abu Farwa was an early product of the famed program of W. K. Kellogg; his sire was the end result of years of breeding for quality and athletic ability by Randolph Huntington and W. R. Brown in this country with basically English stock, and his dam was one of the most elegant individuals ever imported from Crabbet Park. He had the quality and ability for which he was bred, and he passed it on with great success in breeding.

SHARIFA 2798, dam of Antezeyn Skowronek, was not famous as his sire was—in fact she had a rather short breeding career and is best known for this one son. His success as a breeding horse indicates she must have possessed considerable genetic merit, for no sire, not even one of the magnitude of Abu Farwa, can get breeding horses without some cooperation from the mares he is bred to. Pictures and eye-witness accounts of SHARIFA show a very smooth compact mare with a beautiful big-eyed head. She had a fine disposition and was a good riding horse, certainly traits to value in the dam of a prospective foundation sire.

SHARIFA’s pedigree is less consistently English than Abu Farwa’s; her sire was one of the famous early “straight Davenports” and was trained for the track, setting records in speed trials. He has proven one of the most valuable outcrosses to English blood in this country, Antezeyn Skowronek being just one of many successful results of this blend. SHARIFA’s dam FERDITH was the first foal of the former top sire FERSEYN, and remains one of his best achievements; she topped an early-day California production sale and went on to produce many outstanding Arabians, including a remarkable lineup by ABU FARWA. It will be most interesting to read Carol Mulder’s article on FERDITH and her produce when she gets to her numerically, as she knew this group of good horses well. FERDITH’s dam ARDITH founded a good family in the Northwest; she was a great-granddaughter of *ABU ZEYD, called by Lady Anne Lytton the most beautiful son of MESAOUD, so crossing back to the top of the pedigree.

[Note added in 1999: Ardith’s paternal granddam Domow is registered, impossibly, as the bay daughter of two chestnut parents. The latest investigations confirm that her dam line matches that of the chestnut *Wadduda, so this *Abu Zeyd connection is no longer supported by the evidence. The sire of Domow is being sought among the bay stallions in Homer Davenport’s possession in 1912. MB]

The rest of ARDITH’s background was again the Davenport desert group—so Antezeyn Skowronek’s pedigree represents English breeding outcrossed with two highly successful American lines of closer desert derivation.

This pedigree produced a remarkable horse who offers an illustration of the fact that the most worthwhile horses do not always get an opportunity to have brilliant show careers. Antezeyn Skowronek won his class at Pomona as a yearling and as far as I know never entered a show ring again. He has spent the rest of his life as a breeding stallion, although as a mature horse he was started under saddle and proved a willing and enjoyable mount for trail and pleasure riding in his spare time.

After winning that colt class he was purchased by Carleton Cummings and taken to Idaho where he stood several seasons, his first foals arriving in 1952. He was used on Mr. Cummings’ mares and on some Kellogg mares at the University of Idaho during this period. Some time after 1955 he was moved to Spokane, Washington where it seems he remained for the remainder of his owner’s life; it was at this time, the Arabian population of Washington being a bit higher than that of Idaho, that he stood to some outside mares. At Mr. Cummings’ death the horse went into retirement for a couple of years, returning to active duty in 1965 on lease to the Synowski Ranch in Oregon. He was purchased from the Cummings estate by Lois Selby Perry, spending one season on lease at Glenwood Farm in Iowa on the way to Connecticut and the Perry establishment.

Antezeyn Skowronek was not used to sharing his world with a number of stallions and did not thrive at Perrys’; he was made available to the Illings of Twin Brook Farm in New York, first on lease and eventually by sale. In January of 1975 he made what is expected to be his last move and change of ownership; he is now “alive and well in Waldorf, Maryland” and being used lightly at stud. He observed his 27th birthday quietly and shows every sign of planning on at least a few more.

Listing the Antezeyn Skowronek get and descendants of note is simply beyond me in the time at hand—besides, I don’t have the whole October issue to fill with their stories. Rather than offend some by mentioning others I will risk offending all by limiting myself to general statements. Antezeyn Skowronek and his sons have sired many winners in halter and performance in Arabian and open shows, Antezeyn Skowronek is on the Leading Sire list (he is accounted the third leading siring son of Abu Farwa) and has founded a strong male line, with many sons and tail male descendants represented every year by Class A winners. His get and descendants include regional and Legion of Merit champions and U.S. and Canadian Top Tens at halter and performance, and National Champions in performance. He is, simply, a fine sire and an influence for good on the breed.

The story of Antezeyn Skowronek has been 27 years in the telling (leaving out the years of prologue before his birth) and this short sketch is hardly an adequate summary.

NOTE: I sincerely thank all those who participated in this tribute, and apologize to those who would have taken part had they been notified, or notified sooner.

(Ad recreated from the one appearing with 1976 Antezeyn Skowronek article)

July 1976 at age 27 (with Martha Baines)

Antezeyn Skowronek

is alive and well

and living in

Waldorf, Maryland

Visitors Welcome — Young Stock For Sale

Call weekends (AC 301) 645-5547

Michael Bowling

Box 1332

Frederick, Maryland 21701

and still siring foals like these:

May filly at 2 1/2 months ex Mostly Magic by *Touch of Magic.

March colt at 3 weeks ex Faranique by RST Kumait+ He is for sale at private treaty. Contact Intissar Arabians, 3510 Walnut St., Harrisburg, Pa. 17109

July colt at 2 days ex Ramnada by Damascus Ramnada is for sale. Contact Mrs. Richard P. Davis, Prly Hill Rd., Sanbornton, N.H.

(Ad recreated from one appearing in the Arabian Visions, Jan-Feb, 1993)

Abu Farwa 1960 (Rabiyas x *Rissletta by Naseem) working cattle at the Richardson Ranch, near Chico, CA in 1956. Photo courtesy the Wests of Green Acres Arabians.

A recurring theme at New Albion is reinforcing a valued influence through multiple pedigree samples; we do not believe that a single source of any desirable ancestor provides an adequate genetic sampling. Our connections to the great Abu Farwa illustrate this handily. Watch for our new series of ads featuring other major elements in our program.

Abu Farwa, foaled at Pomona, California in 1940, was bred by the W.K.Kellogg institute and has become one of the sires in CMK breeding (and he exemplifies the origin of CMK as a concept: bred at Kellogg’s from a Crabbet-imported mare, while his sire had come to Pomona en utero from Maynesboro). Abu Farwa found his niche in life as a sire for H. H. Reese, the former Kellogg Ranch manager around whom crystallized the Southern California Arabian breeding tradition of the 1940’s and 1950’s. Abu Farwa sired 235 registered foals and became a major force in show and performance breeding; he was selected a Living Legend and his influence still is highly prized where real using horses are valued.

At New Albion we have been fortunate in owning one of the greatest Abu Farwa sons and one of his youngest daughters, in breeding to several of his sons and in working with the Abu Farwa influence through more distant lines. New Albion history parallels that of the breed in general, as in the way we have accidentally lost sources we would rather have maintained (italicized below). We do not claim this to be the ultimate Abu Farwa sampling and it certainly is not meant to be a static thing — there are Abu Farwa sources we would like to add or reinforce. This is where our program stands right now, in terms of one particularly prized founder.

Abu Farwa sources at New Albion (dam and maternal grandsire in parentheses): Tamarlane (Rifanta by Rifnas); Faryn (Ferdith by Ferseyn); Aayisha (Nawari by Alla Amarward); Nirahbu (Nirah by *Ferdin); Shama (Shamrah by Balastra); Abu Baha (Surrab by *Latif); Antezeyn Skowronek (Sharifa by Antez); Awad (Shamrah by Balastra); Farlowa (Farlouma by Farana); Muhuli (Follyanna by Terhani); Shah-Loul(Pomona Avesta by Farana); Galan (Saadi by Rifnas); Miss Nateza (Nateza by *Witez II).

[Additional lines through ’99 include: Riehaba (Amrieh by Kasar), Ga’zi (Ghazna by Chepe Noyon), Rokkara (Sokkar by Rantez) and Lawsouma (Farlouma by Farana).]

Our stallions trace to Farowa, Muhuli, Shah-Loul and Tamarlane. We have retained breedings to the Galan line through a son (out of the youngest Antezeyn Skowronek daughter) and grandson.

Michael, Ann and Lydia Bowling

Claire Bowen Trommershausen

The New Albion Stud

Crabbet-Maynesboro-Kellogg Preservation Breeding

24920 Road 96 Davis, CA 95616

(916)756-3911*

CMK Stallions at Stud and Stock for Sale

*The above area code has been changed,

and the number is now

(530)756-3911

Son of the Nobly Bred… Ibn Tirf

Upland Farm

Holliston, Massachusetts

Back in the mid 1980’s, the proportion of Al Khamsa horses in my herd was not so high as it is today. I started horse-breeding in the early 1970’s, with Welsh Ponies, and bought my first Arabian mare in 1975 with the royalties from my first novel. She was a dandy animal with much good blood in her, despite the non-Al Khamsa elements in her pedigree; she was a Saklawi descended from Bint Helwa the Broken-legged mare, and her sire, Zumirz, was a Kuhaylan-Haifi tracing to the Davenport mare, *Reshan. I treasure her blood still.

My first pure Al Khamsa horse was the 1960 Tripoli-Dharebah Davenport stallion, Janan Abinoam, who joined my family in 1978, and runs the farm to this day. One might say he opened the floodgates, since now at Upland Farm there are 41 Al Khamsa horses. 36 of whom are Davenports. The other five owe their presence to the influence of Ibn Tirf.

It must have been back around 1984, when I was trying to place my stallion, HMR Phario, in a new home, that I first heard of Tirf. Phario was one of those lovely dark bay horses bred by Howard Marks, who combined the blood of Gulustra and Hallany Mistanny with non-Al Khamsa elements, such as Tobruk. Phario had sired some nice foals for me, but I really wanted to find an Al Khamsa horse that would have, like him, a marked Saklawi appearance and that expressive “Gulastra” look. One afternoon, a lady called me from Virginia to discuss Phario’s availability, record and price; at the end of the conversation, in a very casual way, she said, “You know, we’ve got one of those ‘Doyle’ stallions down here.”

That lady never did buy anything from me, but I owe her a debt of gratitude, because she gave me the name and telephone number of the lady in West Virginia with “that Doyle stallion”. When she told me that his name was Ibn Tirf, I was able to look him up in the 1983 Al Khamsa directory, and my interest immediately blossomed.

In the 1983 Directory of Al Khamsa Arabians, Ibn Tirf was listed as ‘whereabouts unknown’. For my purposes, he was better than a straight “Doyle”, since his sire, bred by Charles Craver, was Sultan (a cross of the noted Egypt/Blunt stallion, Subani, on the beautiful Davenport Antez daughter, Antan). His dam was one of the great straight Egypt/Blunt brood-matrons bred by Dr. Doyle, Shillala, by Gulson out of Gulnara. I immediately asked his owner for pictures and in due course, I received a few fuzzy shots of a tough-looking chestnut stallion, with cute little ears and a wary expression. He had that Gulastra neck, however, the smooth curve from wither to throatlatch was accented by the typically heavy straight fall of silky mane.

I bought Tirf sight unseen and arranged for his pick up. His owner was gracious, but if a buyer had suddenly appeared from outer space, I do not think she could have been more amazed. She did inform me that the horse had received very little handling in his 12 years, and suffered from heaves. He lived outside year-round, and mares were put in with him for breeding.

At this same time I was buying a Davenport mare in Virginia, a young Oberon daughter, so I arranged with a good friend to use my brand-new truck to collect the two new acquisitions. My trailer was a step-up aluminum 2-horse, on which the first of 48 monthly payments had just been made. It was expensive and certainly looked well made.

Tirf was picked up first, and it was soon clear that his knowledge of handling was minimal. He couldn’t, or wouldn’t be touched on his sides. Brushing against the trailer partitions made him squeal and kick. By the time we had reached Richmond, the back door on his side was bowed out enough so that one could slip a few fingers between it and the jamb. But it still held.

Katja, the filly, was somewhat alarmed by her traveling companion (as well she might be), but they settled in well for the drive home. Tirf’s emphysema had caught up with him by the time we arrived; he practically fell out of the trailer onto his knees, coughing up heavy green mucus. My vet was not impressed by his condition. In fact, she advised me that he might not survive.

It took Tirf about a year to settle in and adjust to his new hayless diet of bran mash and alfalfa cubes. His breathing became regular and he put on weight; his coat slowly achieved the gloss it has never lost, a deeply burnished dark copper with discrete dapples. As his health returned, his vitality increased, and soon he was one of the stallions on every visitor’s ‘must see’ list.

I should point out that standing in his stall he is not especially impressive, curvy, muscular and usually wearing an expression of extreme disgust. (He lives in a row with ten stallions, none of whom are the least bit taken in by his posturing. Two, in fact, are considerably older than he and flaunt their seniority by virtually ignoring his rude remarks.) Tirf has exeptionally large nostrils, and his favorite way of looking annoyed is to draw them up so they seem to reach just below his eyes. This expression, coupled with flattened ears, gives him an “heraldic dragon” sort of look. The effort is ruined, however, when one of us grabs his strong little ears, levers them forward, pushes his nostrils back into shape and tells him to be nice.

The truth, of course, is that he is nice, easy to handle and is a gentleman to breed. It’s just that he wants so desperately to be considered wild and tough. Turned out, he puts on the best show on the place, standing up absolutely vertical, then launching into a powerful springy trot with the curve of his neck and that of his tail in exact harmony with each other. He is breathtaking.

Before Ibn Tirf came to live at Upland, he had sired one registered foal and several part-breds. I was told (but have not received confirmation of the fact), that one of his West Virginia babies is a winning Endurance horse. Given his bloodlines and personal vitality, I do not find this at all unlikely. The first mare Tirf bred at Upland, was Fred Mimmack‘s lovely Saklawi Davenport, Mae West (Kamil Ibn Salan x Maefah). His 1987 filly, Daisy Mae UF, is therefore bred in the Saklawi strain more than five generations.

Ibn Tirf had two more daughters born in 1989, the Al Khamsa filly, Iolanthe UF (x CH Fairy Flight, a Kuhaylan Davenport of pronounced Saklawi characteristics), and the CMK filly, Araba Chimera, (whose dam Kataali, one of my first and most beloved mares, is a non-Al Khamsa mare bred Saklawi in the strain; her sire Aalzar tracing to Bint Helwa and her dam Tsarou to Basilisk). Iolanthe greatly resembles Daisy Mae, like her a bold, strapping chestnut; wheras Chimera is a petite and winsome bay.

While my first loyalty is to my Davenport program, Ibn Tirf has had influence on my buying as well as on my breeding. The Saqlawi al-Abd (*Wadduda) filly, Jadiba (Dib x Jabinta), was bought for his future harem; an Al Khamsa filly combining “Doyle” Egypt/Blunt, Davenport and Hamidie Society bloodlines.

Tirf’s biggest adventure recently has been learning to be a riding horse. Because of his age, heaves, and lack of handling, I had not thought it worthwhile to bother him with training; but one of the girls who works for me fell in love with Tirf and began giving him special attention. After a few weeks she threw on an old western saddle, and started riding him around in a halter with reins attached. He was absolutely delighted. Now he has learned to carry a bit too, but even with just the halter he was perfectly obedient (if a little bouncy), when ridden in company with other stallions and mares.

It is hard to say what the future holds for Ibn Tirf. Physically, he is a springy, handsome 18-year-old stallion, green broke to ride with a few lovely fillies to his credit. In strain and pedigree he is a felicitous example of the complementary blend inherent in “Doyle” Egypt/Blunt and Davenport lines, a combination suggested by Carl Raswan both in The Arab and His Horse, and in The Index. His problem is that he lives on a farm filled with Davenport horses and dedicated to their breeding. In short, there is too much competition for Ibn Tirf to be showcased in the way he deserves.

Still, at Upland we are all grateful for his presence. His beauty and nobility have won many new friends for the Al Khamsa horse, and in the years to come the “Doyle” Egypt/Blunt component in our breeding, as it slowly increases, will be Ibn Tirf’s ultimate legacy.

Despite any past or present offices held in Al Khamsa, Inc., by the authors, the views expressed in this article are the personal views of the present authors, and do not represent any offical policy of Al Khamsa, Inc..

Web cmkarabians.com

Davenport Bloodlines in CMK Breeding

by Charles Craver
All rights reserved
(Copied to this web page by permission of Charles Craver)

Letan (*Muson x *Jedah) Foaled 1909. Bred by the Davenport Desert Arabian Stud. Both sire and dam were original imports.

Hanad (*Deyr x Sankirah) Foaled 1922. Bred by the Hingham Stock Farm. The most influential Davenport at the Kellogg Ranch.

*Wadduda, a famed war mare, imported by Homer Davenport in 1906, founded one of the greatest mare lines of the twentieth century. She was indeed the Queen Mother from whom many of the best Arabians of today descend. (from the back inside cover of the CMK Heritage Catalogue 1982)

*Hamrah, a desert-bred stallion and major progenitor of the Davenport legacy.

Lysander (Sir x Dhalana), foaled 1966. Bred by Charles C Craver III. A straight Davenport Arabian stallion still gracing Craver Farms with his presence in 1997.

By long-standing usage in the United States, the term “Davenport,” as applied to Arabian horses, is used to describe the horses registered by the Arabian Horse Registry of this country as having been imported in 1906 from the Arabian desert by Homer Davenport. By extension, the term is also applied to those horses which are entirely descended from those horses. The original importation consisted of twenty-seven head, of which twenty-five were registered. When they arrived in the United States, there were few other Arabian horses here. As the years went by, crosses were made with other bloodlines as they were imported. At present, almost all Arabians having several generations of American breeding trace to the Davenports to the extent that probably 90 percent of Arabian horses in the U.S. have in the neighborhood of 10 percent Davenport ancestry.

At the same time as this dissemination of Davenport bloodlines has gone on, a few Arabians have continued to be bred exclusively within the bloodlines of the Davenport importation. These horses are almost entirely of breeding stock which passed through the Kellogg Ranch. There are presently (1982) about 325 living Arabian horses of this sort in the ownership of about 75 individuals. This group of horses is one of the oldest breeding groups of Arabians anywhere to have been maintained on a closed pedigree basis: that is, without outcrossing to other bloodlines. As a group, their major distinctive feature is the similarity in type which they bear to the pictures and descriptions which we have of their imported, desert-bred ancestors of 1906. A few of them even bear marked resemblance to specific individuals in the importation. This is particularly noticeable in some descendants of *Muson #27, but people who know these bloodlines are also able to recognize features from others of the imported horses such as *Abeyah #39, *Deyr #33, *Farha #42, and *Hamrah #28.

The horses registered as imported by Davenport were as follows: *Haleb #25, *Houran #26, *Muson #27, *Hamrah #28, *El Bulad #29, *Wadduda #30, *Gomusa #31, *Azra #32, *Deyr # 33, *Mowarda #34, *Kusof #35, *Euphrates #36, *Antar # 37, *Reshan #38, *Abeyah #39, *Urfah #40, *Werdi #41, *Farha #42, *Hadba #43, *Jedah #44, *Haffia #45, *Enzahi #46, *Moharra #47, *Masoud #64, *Abbeian #111. All of these horses, having living descendants, are represented in pedigrees from Maynesboro (*Euphrates #36) or the Kellogg Ranch. The “Davenport” Arabians were personally obtained by Davenport through direct purchase from their bedouin owners who were required to establish their purebred status by oath taken before their sheikhs and fellow tribesmen. Davenport was proud that these horses were representative of the animals which were used in daily bedouin life.

The Davenport influence came into the CMK context with the stallion Jerrede #84 who was out of the Hamidie mare *Nejdme #1 and by the Davenport stallion *Euphrates #36. W. R. Brown was interested in using this horse as a sire at Maynesboro, but initially he was disinclined to do so because the sire, *Euphrates, like the other Davenports, was not registered with the Jockey Club, although he was, of course, registered with the Arabian Horse Club of America. Brown was able to arrange acceptance of *Euphrates by the Jockey Club through statements by Lady Anne Blunt of the Crabbet Arabian Stud authenticating his pedigree. This opened the way for registration by the Jockey Club of Jerrede and for use of that horse at Maynesboro by W. R. Brown. Jerrede’s role there is minor, and it is difficult to evaluate how successful he was as a sire.

In living CMK horses, practically all Davenport influence derives from the extensive use of Davenport related breeding stock at the Kellogg Ranch, where in early years, the Davenport bloodlines were very strongly represented.

Among the Davenports which were especially known as Kellogg breeding stock were the stallions Hanad #489, Antez #448, Letan #86, Jadaan #196, and *Deyr #33. Well-known mares were Adouba #270, Babe Azab #567, Fasal #330, Hasiker #268, Poka #438, Saba #437, Sankirah #149, Sherlet #339, and Schilla #419.

The Kellogg Ranch bred a few horses which were entirely Davenport in pedigree. The more frequent utilizations of the bloodlines, however, were in combination with horses of other background. Quite a number of these crosses were of foundation quality and provided the bases from which some of the most popular current American Arabians derive. Horses such as Khemosabi, Ferzon, The Judge, Fame, Ibn Hanrah, Fadjur, Galan, Garaff, and Saki all have strong Davenport elements in their pedigrees and would not be the same if there were to be replacement by ancestors of a different background.

When their numerical representation at the Kellogg Ranch was substantial, the Davenport bloodlines appear to have been well appreciated. From pictures of public record, foals produced by them were of excellent quality and helped to establish the reputation of the ranch as an Arabian horse nursery. In presentations at the Kellogg exhibitions, the Davenports were among the noted performers, with Hanad doing a trick and dressage routine he had learned as an older horse, Pep performing as a trick horse, and Jadaan being exhibited in costume. They were used successfully in a number of movies. In competition at public horse shows, they did well against other Arabians in California, including some of the most attractive and highly publicized of the Kellogg Crabbet imports.

As time has passed, a certain amount of partisanship had developed both towards and against the Kellogg Davenport bloodlines. From a distance in time it is difficult to understand the reasons for this, but partly, they may have had origins in the fact that the Davenports sometimes represented a different tradition in Arabian breeding from some of the other Kellogg bloodlines. These traditions were and still are reflected in the horses themselves. The Davenports were close to their desert origins. *Deyr #33 was actually a desert import. Others were only one or two generations removed. Such horses represented Bedouin values in Arabian breeding. Other fine bloodlines at Kellogg’s were quite different in their origins, some of them descending from long lines of Arabian breeding in Europe, England, and Egypt: perhaps these bloodlines tended to show the influences of the countries which had served as intermediate hosts for the several generations which transited the distance from Arabia to the Kellogg Ranch.

Actually, there was no good reason why one bloodline should be valued and another ignored among the Kellogg Ranch bloodlines, of which the Davenports were one. There was sufficient good in each that a lover of horses could be grateful they had been brought into a juxtaposition of some harmony and then passed on to private breeders as a contribution to the development of the Arabian horse in America.

The question naturally comes up as to what Davenport bloodlines added to CMK breeding. The answer breaks down into two parts, the first concerning those horses which are entirely Davenport in origin. This is a group of horses which is still quite representative of the desert imports of 1906. They tend to be of moderate size, athletic inclination, fine-skinned, large of eye, and wide between the jaws. Dispositions are comparatively quiet, and they adapt well to the owner who wants to give plenty of personal attention to his horse. Out of the small number which have been shown in recent years, there have been good successes in dressage, distance riding, halter, pleasure, costume, and park exhibition. One of the interesting things about this group of horses is that certain of them preserve the identity in type and strain of two of the major bedouin strains among the horses imported by Davenport, which were the Seglawi and the Kuhaylan. In recent years, the effort has been made to intensify this aspect of their breeding.

The other aspect of the contribution of Davenport bloodlines to CMK breeding has to do with how they have blended with bloodlines other than their own. For the most part, Davenport elements in CMK pedigrees are significant but certainly not overwhelming in terms of the percentage of total ancestry represented. In many instances their main contribution is probably in the form of background influences which facilitate the expression of desirable characteristics from other, more immediate pedigree sources. Where the percentage of Davenport ancestry becomes higher, of course, the influence of specific Davenport horses becomes more recognizable, and the vitality and muscularity of Letan, the long, upright neck of Hanad, the fine coat of Hasiker and the other identifiable characteristics can sometimes be picked out. Some years ago a study was done of the pedigrees of horses competing at our national show. It turned out that the more successful horses being exhibited in performance categories tended to have higher percentages of Davenport ancestry than the average horse winning at that show in halter classes. A frequent comment of trainers is that their horses having higher percentages of Davenport blood tend to be more easily trained. Usually the overall influence of Davenport blood in a horse is towards a smoother, more harmoniously built individual. This may be traceable to *Hamrah #28 who was a great brood mare sire and whose blood was very strongly present in the Kellogg Davenports.

The CMK movement offers an opportunity for increased appreciation of some of the older values in Arabian breeding. Davenport bloodlines have contributed very strongly to the expression of these values.

Carlton Cummings and his Skyline Trust Arabians

Rick Synowski Copyright 1995
Used by permission of Rick Synowski
from Arabian Visions Mar/Apr 1995

Carleton Cummings holding the weanlings Antezeyn Skowronek and Abu Farwa’s Rawia, both by Abu Farwa. Rawia, called by Cummings “the Queen of Diamonds” for her three diamond star, strip and snip, carried two generations of children to show ring victories, the last at age 17 when she was named champion mare of the Pacific National Exposition in Vancouver, B.C., shown by an eight-year-old boy.

Like many kids looking for their first Arabian horse in the 1950’s and early 1960’s — kids perhaps from less than affluent families and looking to make their dreams of owning an Arabian horse come true — I first heard of Carleton Cummings after reading about his Skyline Trust Arabians. An article by H. H. Reese stated that Cummings had “developed his Arabian horse breeding program with the purpose of assisting boys and girls who like horses to secure good specimens of the breed on a partnership basis.” Reese’s article described Cummings’s “lend lease” program whereby youngsters could lease a mare, breed her and then, after the birth of the foal, return either the mare or the foal. To an imaginative 11-year-old, this sounded like just the ticket. I wrote a letter to Cummings. Having read H. H. Reese’s Kellogg Arabians a hundred times, I had pictured in my mind’s eye the Arabian horse I wanted to own. I described this horse to Cummings in the first letter. Cummings replied with a post card. He stated he had about 2500 letters on his desk from youngsters across the country. If I was still interested, I was to write him again. I wrote Cummings that very day and so began a correspondence of some two years which culminated in buying half interest in a weanling colt, Skowronek’s Antez, with my own savings in 1962. Cummings wrote the following spring that “few breeders ever get colts of this quality and even fewer ever offer them for sale.” Nevertheless, he was giving me the opportunity to buy out his interest in the now yearling colt. I took Cummings up on his offer. It was a purchase I was never to regret. Within a few weeks Cummings died of a heart attack.

Skowronek’s Antez (Antzeyn Skowronek x Raseynette).
The author’s first Arabian and a wonderful companion for 28 years.
He also proved a fine sire.

Cummings’s background outside the sphere of Arabian horses was in music. He had been an operatic tenor of some notoriety in the east. He later turned to teaching as professor of music at Wake Forest College and later as the head of the music department at the University of Idaho. Cummings’s wife, Theresa, had been a drama major in college where they met. After their marriage and graduation, they traveled to Army posts doing music and drama presentations during World War I.

Cummings’s background in music and theatre suited a personality that tended toward the theatrical, and a soul that was flamed by the same qualities in Arabian horses. His love for the dramatic carried over to the horses he purchased and bred and the ways he talked about them. However, his flowery descriptions were no means an exaggeration of the splendid group of horses he assembled.

His initial purchase in 1945 was the four-year-old Kellogg-bred Direyn (*Raseyn x Ferdirah). Cummings rode in a boxcar with Direyn the entire trip from Pomona, California to Moscow, Idaho. Cummings was to become part of “the Reese circle of breeders.” Reese, having left the Kellogg Ranch as manager by then, and with a ranch of his own, continued in an influential role in the early Arabian horse community. Cummings’s later purchases were from Reese himself, from that circle of cooperative breeders like the McKenna brothers, and from the Kellogg Ranch. Cummings’s notable purchase outside this circle was Rifala’s Lami (Geym x Maatiga, by Image) from Roger Selby in 1954. She was to become one of his most influential foundation mares.

Rifala’s Lami (Geym x Maatiga, by Image).
Roger Selby wrote Cummings that she was as good a filly as he had ever bred.

In 1949, Cummings purchased the weanling Abu Farwa son Antezeyn Skowronek (x Sharifa, by Antez out of Ferdith, by Ferseyn). He became Cummings’s head sire. His progeny earned him a reputation as the third ranking son of Abu Farwa in the list of leading sires of show champions — with many fewer foals on the ground than the first two ranking Abu Farwa sons. Antezeyn Skowronek ranked first of the Abu Farwa sons on another of Gladys Brown Edwards’s lists: Abu Farwa sons whose own sons had sired show champions. Cummings himself claimed that for a three year period Antezeyn Skowronek had sired more ribbon winners than any sire of any breed. This was entirely possible since his progeny were in the hands of an army of horse-crazy, show-happy kids who would take their Skyline charges to every local show, weekend after weekend, entering dozens of classes in every division from halter to three-gaited to gymkhana events — and winning. These Antezeyn Skowronek offspring were notable not just for their quality and sheer beauty. And their successes were not limited to the competition of local shows. In 1958, the Pauley girls took their young Antezeyn Skowronek daughter, Khatum Tamarette, on the road, first to Estes Park, Colorado, to take 1959 U.S.Top Ten Mare; then to Yakima, Washington, to win Pacific Northwest Champion mare; and finally to Calgary to win a Top Ten at halter. These victories, which Cummings later described as no small feat of endurance for a young mare, earned her the Legion of Merit, one of the first mares to earn this award.

Antezeyn Skowronek, Skyline Trust head sire.

Cummings’s band of foundation mares numbered at 16. He selected these mares to complement Antezeyn Skowronek, but each was chosen on her own merits. Four of his mares were daughters of Ferseyn, taking Reese’s lead to cross Ferseyn daughters with Abu Farwa, and Abu Farwa daughters with Ferseyn, an idea which echoed Lady Wentworth’s earlier cross of Skowronek and Blunt lines. Cummings purchased the Farnasa daughter Anazeh’s Nijm from the Kellogg Ranch, in partnership with one of his protegées, Mary Hall. Anazeh’s Nijm was bred to Ferseyn prior to shipping her home. The resulting foal was the chestnut colt Ferseyn’s Rasim, whom Cummings traded Mary for full interest for his interest in the mare. Ferseyn’s Rasim became Cummings’s junior sire and proved himself an excellent cross on Antezeyn Skowronek daughters as well as on Skyline foundation mares. Two of Cummings’s foundation mares were daughters of the Antez son Gezan, a popular southern California sire of the early 1950’s. Antezeyn Skowronek himself was a grandson of Antez, a Kellogg sire of 100% Davenport breeding who ended an international career as a successful sire himself at the Reese ranch. The Davenport influence was an important presence in the Cummings breeding program.

Cummings was a somewhat controversial figure and outside his band of young, loyal protegées, he was not always well liked. He did not seem to care, and used to say “It doesn’t matter what people say as long as they keep talking about you.” This advice must have harkened back to the days when he performed on stage. Cummings was outspoken and did not mind stating his opinions while sitting in the stands at a horse show. If sitting on the same side of the arena as Cummings, everyone got to hear his opinions, which sometimes referred to the horses in the ring, whether they wanted to hear them or not. It was a little embarrassing for the youngster such as I who was sitting at his side. Cummings also made enemies of a few breeders who had horses for sale at fancy prices. Cummings’s kids sometimes beat these breeders in the show ring with horses leased from Cummings or sold by Cummings at bargain basement prices. And the parents of competing kids must have sitting in the stands bored stiff watching the Skyline horses entering, and often winning, class after class.

Wafa El Shammar (Cavalier x Shama, by Abu Farwa). When Cummings died everyone wanted this mare. Seven people lay claim to her. Wafa El Shammar produced a half-dozen champions. Five of her offspring produced national champions or top ten winners in halter and performance.

Abu’s Rissletta (Abu Farwa x Alleyna, by Alla Amarward), bred by and purchased from H.H.Reese. The rider is a young Bruce Clark, later well known as co-owner of Bru-Mar-Ba Stud. An important mare at that stud was Skyline-bred Rasim’s Ghazayat. Abu’s Rissletta was later purchased and shown by another youngster, Joyce Stockdale, who now with husband Ron Paelek owns Vantage Point Farm. When not carrying youngsters in the show ring, Abu’s Rissletta was having foals, including the important Risseyn for Berry’s Skyline Arabians in Iowa. Risseyn was trained and shown by daughter Lyn, now Lyn Freel of Crystal Castle Arabians.

Nadir (Gezan x Bint Sedjur). Maternal half-sister to Bint Sahara. Nadir produced Canadian Top Ten stallion Raseyn Gezan by Antezeyn Skowronek. Raseyn Gezan was leading sire of champions in Canada for years.

Cummings was not in the habit of getting things down on paper and sometimes made agreements or promises he did not remember. After his death, his daughter inherited his estate, which included the horses. I told her Cummings had promised Wafa El Shammar to me to breed to my colt. His daughter told me six other people had written to tell her Cummings had promised this mare to them. (I did get Wafa El Shammar, who became my foundation mare.)

Despite these discrepancies, Cummings was a real horseman and a genius as a breeder. The horses he selected and bred from were outstanding for their “tangible as well as intangible qualities.” Most of his horses were mounts and companions for youngsters. Few of the horses were ever trained or shown by professionals, but were remarkably successful nevertheless. As breeding horses, they were notable for their ability to consistently produce first rate stock. Cummings’s advertising slogan “Home of beautiful heads and great performance horses” was an accurate description of the Skyline Arabians, as was another of his slogans, “bred for and born with spectacular action.” Cummings admired the Crabbet-bred Naseem for his exceptional beauty above all other ancestor horses, and the Crabbet-bred *Berk for his spectacular action. He used to brag about the number of crosses his horses had to those icons of Arabian horse breeding. Cummings also admired *Raffles. He used to say he liked a “touch of *Raffles for beauty” in his horses. His statement no doubt reflected his delight with the foals of Rifala’s Lami, especially the Antezeyn Skowronek son Rifala’s Naseem. Cummings described Rifala’s Naseem as a “peacock of horses” and “well worth traveling 10,000 miles to see him.” From his pedigrees-in-a-name (another of Cummings’s idiosyncrasies) his pride in these particular ancestors of Rifala’s Naseem is obvious.

Perhaps most important of all, Cummings provided an opportunity for kids to have their dreams come true — not just to own an Arabian horse, but to own a good one. Cummings stressed hard work and responsibility to these youngsters, but his often heard advice was “to dream big.”

The Double Registered Arabians

by R.J. Cadranell
from The CMK Record Summer 1989 VIII/I
copyright 1989

In 1791, during the century which saw the writing of great compendiums of knowledge, including Dr. Johnson’s dictionary, James Weatherby published in England what was to become the preliminary volume of The General Stud Book, Containing Pedigrees of Race Horses, &c. &c. From the earliest Accounts… In 1808, after several revisions, appeared the version which has become standard. This documented the pedigrees of a breed of horse which later adopted the name of Thoroughbred. Mr. Weatherby’s stud book demonstrates the Thoroughbred’s descent from numerous Oriental sires and dams. The pedigree of the Thoroughbred stallion ECLIPSE (1764) lists the names of the DARLEY ARABIAN, the LEEDES ARABIAN, the OGLETHORPE ARABIAN, the LISTER TURK, the DARCY YELLOW TURK, the BYERLEY TURK, the GODOLPHIN ARABIAN or Barb, HUTTON’S GREY BARB, and the MOROCCO BARB as ancestors.

The American Stud Book, a.k.a. the Jockey Club Stud Book, first appeared in 1873. Its original complier was S.D. Bruce, and The American Stud Book (ASB) is still the registration authority for Thoroughbreds in this country. Volume I included a chapter for “Imported Arab, Barb and Spanish Horses and Mares.”

Weatherbys issued Volume XIII of the General Stud Book (GSB) in 1877. This volume included a new section, roughly one page in length, for Arabian stock recently imported to the U.K. It was the beginning of modern Arabian horse breeding in the English speaking world. In this volume are Arabians which Capt. Roger D. Upton and H.B.M. Consul at Aleppo, Mr. James H. Skene, were involved in importing for Messrs. Sandeman (including YATAGHAN and HAIDEE, the sire and dam of *Naomi) and Chaplin (including the mare KESIA). GSB Volume XIV (1881) registered the earliest of Mr. Wilfrid and Lady Anne Blunt’s importations for their Crabbet Arabian Stud. Skene had provided crucial assistance to the Blunts, too; Wilfrid Blunt later credited Skene with giving him and his wife the idea for the Crabbet Stud (see Archer et.al., The Crabbet Arabian Stud. p. 34). Skene is perhaps the founding father of Arabian horse breeding in the English speaking world. The preface to GSB Volume XIV expressed the hope that the newly imported Arabian stock might, in time, provide the Thoroughbred with a valuable cross back to the original blood from which it had come. This idea had also been behind the thinking of Upton and Skene.

The Blunts subscribed to this view too. The British racing authorities agreed to hold an Arab race at Newmarket in 1884; the outcome was inconclusive, but Blunt wrote that

“the ultimate result, however, was not I think, as far as Arab breeding in England was affected by it, wholly a misfortune. It convinced me that I was on wrong lines in breeding Arabs for speed, and not for those more valuable qualities in which their true excellence lies. Had I continued with my original purpose, I should have lost time and money, and probably have also spoiled my breed, producing stock taller perhaps and speedier, but with the same defects found in the English Thoroughbred.”(see Blunt, Gordon at Khartoum, 2nd ed., London 1912, p. 265)

Although the Blunts gave up the idea of rejuvenating the Thoroughbred with a fresh cross to Arab blood, they continued to register their horses in the Arab section of the GSB, as it was the sole registration authority for Arabian breeding stock in the U.K. GSB registration conferred on the Crabbet horses the advantages of prestige and the eligibility to enter many countries of the world duty free.

Volume IV of The American Stud Book (1884) continued to list Arabian horses imported to America. This volume included the 1879 import *Leopard, the first Arabian brought to America to leave Arabian descent here. The Arabian section in ASB VI (1894) included the imported horses (all from the GSB) of the early breeders Huntington and Ramsdell.

The mare *Nejdme was the first horse recorded in the Arabian Horse Registry of America Studbook. Foaled in Syria, she is pictured here in 1893 at the Chicago World’s Fair.

ASB VII (1898) listed in the Arab section Huntington and Ramsdell horses, with the addition of Ramsdell’s *SHAHWAN, newly imported from the Crabbet Stud, and his mare *NEJDME (spelled “Nedjme” in ASB) from the Hamidie Society’s exhibit at the Chicago World’s Fair. Also included were a stallion from the deserts of Northern Arabia and two stallions imported from Russia for the Chicago World’s Fair. The pedigree information printed with one of the latter, a horse named BEKBOOLAT, states that his second dam was by an imported English Thoroughbred. His pedigree also includes an Orloff saddle mare. BEKBOOLAT’s inclusion in the Arabian section of the ASB demonstrates that at the time the Jockey Club had a rather loose working definition of the term “Arabian.”

ASB Volumes VIII (1902) and IX (1906) list in the Arabian section no newly imported horses other than those which were bred in England, either at Crabbet or by Miss Dillon or Lord Arthur Cecil, and which therefore arrived in this country with GSB certificates. All GSB registered Arabians were automatically eligible for the ASB.

In October of 1906 the S.S. Italia arrived in America carrying 27 Arabians which Homer Davenport had imported directly from the Anazah tribes in Arabia. The only registration authority for Arabian horses in America was the stud book of the American Jockey Club. Not all the Arab horses in America were listed in the Arab section of the ASB. Huntington appears to have ceased registering with the Jockey Club after 1895. The Crabbet bred *IBN MAHRUSS and his dam *BUSHRA appear not to have had ASB registration. Davenport applied for the registration of his new arrivals.

Details of the ensuing embroilment are exceedingly complex, and the full story has yet to come to light. According to testimony published in “That Arab Horse Tangle” (The Rider and Driver, Vol. XXXVIII, No. 11, June 5, 1909 and No. 12, June 12, 1909), the Jockey Club began by sending to Weatherbys for verification the Arabic certificates which had accompanied the Davenport horses. By 1899, “to counter the overt forgery of pedigrees by dealers… the General Stud Book now accepted only Consular Certificates issued in the port where a horse was exported“(James Fleming, writing in Lady Anne Blunt, Journals and Correspondence, p. 407). After a favorable review from Weatherbys, the papers returned to Alexandretta and Aleppo for consular verification, which they obtained. It seemed as though the Jockey Club was ready to register the Davenport horses when negotiations broke down, and the Jockey Club denied the application. Davenport, whose vocation was the drawing of political cartoons, claimed his unflattering portrayal of Jockey Club chairman August Belmont was the cause of bias.

Davenport reminded people that the Jockey Club already had registered several imported Arabians from the Middle East on the basis of documentation ranging from the flimsy to the non-existent. One such mare, belonging to Peter Bradley, was apparently either *ABBYA or *ZARIFFEY, both described as “Kehilan, sub-strain unknown” in the auction catalog from the Hamidie dispersal. Davenport pointed out that their description was useless for establishing purity of blood, and neither mare appears among the eventual registrations of the Arabian Horse Club. Davenport also publicized the Jockey Club’s acceptance of *BEAMING STAR, an unpedigreed animal which Davenport’s traveling companion Jack Thompson had bought on the dock in Beirut and shipped to America on a boat separate from the Davenport importation.

Though registered by the Jockey Club, none of the above animals appears in the Arabian section of the printed ASB volumes. Also conspicuously absent is one of W.R.Brown’s 1918 imports from Crabbet, *RAMLA. This is perhaps because the registrations of foals, and hence to a certain extent their parents, were based on the annual return of breeding records of mares, as were the registrations in the GSB. Since most Americans will not be acquainted with this format, a typical GSB entry is quoted from Volume XXII(1913), p.l 957:

MABRUKA (Bay), foaled in 1891, by Azrek, out of imp. Meshura, continued from Vol. XXI, p. 896.
1909 b.f. Munira, by Daoud	Crabbet Stud
1910 b.c. by Rijm (died in 1912)
1911 b.f. Marhaba, by Daoud
1912 barren to Ibn Yashmak
1913 not covered in 1912

MARHABA is familiar to American breeders as the dam of the Selby import *MIRZAM (by Rafeef).

Since the Jockey Club refused to cooperate, Davenport joined with other interested Arab horse enthusiasts and formed the Arabian Horse Club (AHC) in 1908. The next year the Arabian Horse Club issued its first stud book, and after certification by the Department of Agriculture, it became the official registration authority for Arabian horses in America. The original 1909 stud book registered 71 Arabians, of which twelve had also appeared in the Arab sections of the ASB volumes published to that date. These horses were therefore “double registered” Arabians.

One Arabian breeder was unimpressed. Though invited to register his horses, Spencer Borden felt no need to do so. His stock imported from England was in the GSB and ASB, the foals he had bred were also in the ASB, and he “did not care to enter them in any other place” (see The Rider and Driver, Vol. XXXVIII, No. 9, May 22, 1909, p. 4). At that point in time, Borden was almost the only one breeding ASB registered Arabians. The registration on the Huntington animals had lapsed, and many of the breeders working with Huntington bloodlines entered their horses in the new AHC stud book. Ramsdell produced an occasional ASB registered foal from one of his *NEJDME mares, but his period of greatest activity as an Arabian breeder had passed. Borden had an effective monopoly on the production of Jockey Club registered Arabians.

Borden’s ultimate goal as a breeder of Arabian horses was to convince the United States Army to use his horses as the basis for an American cavalry stud, producing part-Arab animals for military use. In 1909 he was the only person breeding a significant number of Arabians eligible to the same stud books as Thoroughbreds, and he no doubt saw this as a great advantage.

In 1917, apparently at the insistence of W. R. Brown, Borden relented and “double registered” his horses by entering them in the AHC stud book. Shortly after this, Brown bought out the Borden program, becoming the new monopolizer of double registered stock. In 1918 Brown made a substantial importation from the Crabbet Stud. At the time, Brown’s chief American rival as a breeder was Peter Bradley, whose Hingham Stock Farm had continued to breed the Davenport Arabians after the latter’s death in 1912, as well as horses of Hamidie and one or two other lines. However, Bradley did not breed double registered stock, and the last Arabian foal crop born in Hingham ownership came in 1921.

Brown’s Maynesboro Stud was to enjoy a number of years as the largest Arabian nursery on the continent. He had bought Crabbet bred horses imported by Ames, Borden, and Davenport. He had made his own large importation from that source, followed by a second and much smaller importation from England. He had bought the rest of the Borden herd, which included animals of Dillon, Ramsdell, and Huntington lines. Among the latter was the mare NAZLET, whom Borden had had to register with the Jockey Club himself. Brown also developed a network to keep himself informed of Arabian horses which became available for purchase. After the closeout of the Borden operation and before the 1926 Kellogg importation from Crabbet, Brown was almost the only breeder of double registered stock.

Among the horses Brown’s brother had acquired from the Davenport estate was the 1910 bay stallion JERRED, by the Davenport import *EUPHRATES and out of *NEJDME. Several writers have advanced the theory that JERREDE was not out of *NEDJME, but rather her granddaughter NEJDME III, claiming that Davenport never owned *NEJDME and that the AHC made a mistake in attributing the colt to her. Both Volume 1 (1913) of the AHC stud books and Volume XII of the ASB attribute *NEJDME’s ownership to Davenport, and state unequivocally that JERREDE was her son. Furthermore, as of 1909 NEJDME II (whose sire *OBEYRAN was single registered) was in the ownership of Eleanor Gates in California. Brown was using JERREDE at stud in a limited way, and by 1915 he had begun an effort to accomplish the Jockey Club registration of the Davenport imports *URFAH and her son *EUPHRATES, thus making JERREDE and his get eligible, too. Brown traced a copy of the Arabic document pertaining to *URFAH and *EUPHRATES, secured consular verification of it, and finally had Lady Anne Blunt vouch for its authenticity. The Jockey Club notified Brown of the completion of the registration in 1919. *URFAH and *EUPHRATES appear in ASB XII (1920), on p. 662. Since the credentials of the other Davenport imports were really no different from those of *URFAH and *EUPHRATES, the possibility of double registering them arose. Brown did not want to watch the rest of the Davenport horses ride into the ASB on the coat tails of *URFAH and *EUPHRATES. He insisted that should the Hingham management wish to pursue the matter, the Jockey Club ought to consider the Davenport imports on a case by case basis (see Charles C. Craver III, “At the Beginning,” Arabian Horse News, May, 1974, pp. 97-112). The management at Hingham evidently did not, and the other Davenport animals remained single registered, duly entered in The Arabian Stud Book, but not the Jockey Club Stud Book.

The JERREDE influence endured at Maynesboro only through his daughter DJEMELI (out of Nazlet), dam of MATIH. Other single registered lines from Maynesboro’s early days did not endure, producing their last foals for Brown in 1921. In 1921 and 1922 Brown imported Arabians registered in the French Stud Book, making the last additions to the double-registered gene pool which did not come from the GSB. Brown’s limitation of his breeding stock to double registered animals amounted to a self imposed restriction of his options. Looking from the broadest perspective, that of the development of the breed as a whole in America, Brown’s attitude meant that the separate breeding traditions which Davenport and Borden had established by and large remained separate for another generation. Brown’s horses amounted to a breed within a breed. Since double registration gave his animals an added selling point, Brown and others to follow had a not insignificant economic stake in the matter as well.

Brown made two further importations of Arabian stock to this country: the better known of these is his 1932 importation from Egypt, which included *NASR, *ZARIFE, *RODA, *AZIZA, *H. H. MOHAMED ALI’S HAMIDA, and *H.H.MOHAMED ALI’S HAMAMA. The latter two received their lengthy appellations to distinguish them from Brown’s 1923 import *HAMIDA (Daoud x Hilmyeh) and the mare HAMAMA (Harara x Freda) of Davenport and Hamidie lines. There is evidence to suggest that Carl Raswan helped to steer Brown in the direction of the Egyptian horses. None of the Brown’s 1932 imports appears in the Arab section of the ASB, apparently closed to new non-Thoroughbred registered stock by that time (see below), and since Brown began dispersing his herd shortly after their arrival, it is unclear what use he would have made of them. Brown bred single registered 1934 *NASR foals out of RAAB and BAZRAH. *AZIZA produced the 1935 colt AZKAR, by RAHAS.

Brown also made his own small importation from the desert in 1929. These horses were never registered with either the ASB or AHC. Some believe they never reached this country.

W. K. Kellogg’s importation from the Crabbet Stud in 1926 greatly expanded the base of double registered breeding stock, in terms of numbers and also bloodlines. By that time, the GSB had been closed to newly imported Arabians. The passage of the Jersey Act in 1913 had closed the GSB to Thoroughbreds from other countries, unless they could trace their pedigrees in all lines to animals entered in previous volumes. The 1921 decision did the same thing for Arabians, though one wonders if the death of Lady Anne Blunt in 1917 and the advanced age of her husband, leaving no equal authority, had been an additional factor, making Weatherbys leery of becoming involved in future controversies similar to the one which had surrounded the Davenport horses. Their principal business was the registration of Thoroughbreds, not the verification of the pedigrees of imported Arabians. GSB XXIV (entries through 1920) registered imp. Skowronek, and GSB XXV (through 1924) included imp. DWARKA, the last Arabian added to the GSB gene pool. DWARKA blood had reached America in 1924 in his daughter *ANA. Skowronek blood arrived in the Kellogg shipment of 1926. At about this time the ASB followed suit and ceased to consider imported Arabians not already in the GSB or another Thoroughbred stud book. This established the ASB Arabian gene pool as overlapping that of the GSB with the addition of *EUPHRATES, *NEJDME, and Brown’s French imports. The double registration of the line from *Leopard had not been maintained.

With the advent of manager Herbert Reese in 1927 and the influence of W. R. Brown’s opinions, the management at Kellogg’s came to believe in the importance of double registered stock. Letters in the Kellogg files between Reese and Kellogg indicate that the double registration factor had a major bearing on most aspects of management policy: planning matings, starting young stallions at stud, and the buying and selling of breeding stock. For instance, Reese admired the young sires *FERDIN and FARANA for their conformation, and reminded Kellogg that they had the added advantage of being double registered. Reese made the decision to buy LEILA (El Jafil x Narkeesa) in spite of her status as a single registered mare.

Looking at the Kellogg record from Reese’s arrival in 1927 through 1933, one sees that despite the higher priority attached to double registered stock, the first seven mares Reese purchased and then bred registered foals from had Davenport blood, and that Reese bred more than fifteen foals from double registered mares and single registered stallions. The reason for this is perhaps contained in correspondence between Reese and Kellogg among the Kellogg Ranch Papers. They mention the possibility of registering the ranch’s Davenport stock with the Jockey Club for $50 per head. This writer was unable to locate correspondence to and from the Jockey Club, or any letters explaining why the plan did not come to fruition. Whether Reese and Kellogg, or the Jockey Club, did not follow is not known, but by the summer of 1934 Reese was writing to Kellogg that “…we have eliminated a large percent of the single registered stock” (H.H. Reese to W.K. Kellogg, August 25, 1934). Reese’s last three single registered Kellogg foals out of double registered mares were the 1933 HANAD fillies out of *FERDISIA, *RIFDA, and RAAD. Thereafter, he put Jockey Club mares to Jockey Club stallions only. The fortunes of Davenport blood at the Kellogg Ranch declined as many, but by no means all, Davenport and part Davenport horses were sold. Well known double registered Arabians bred at the Kellogg Ranch include ABU FARWA, FERSEYN, SIKIN, RIFNAS, NATAF, RONEK, SUREYN, and ROSEYNA. Later writers had an unfair tendency to bolster the reputation of these horses at the expense of the ranch’s single registered stock.

As Maynesboro began to break up in the early 1930s, the greatest concentrations of Maynesboro stock accumulated at Kellogg’s, J. M. Dickinson’s, and W. R. Hearst’s. All three breeders continued to double register their horses. Together with the Selby Stud, which had acquired the bulk of its foundation stock from Crabbet, these studs were the principal breeders of double registered Arabians in the 1930’s, and among the largest breeders of Arabian horses in general.

The other major player was Albert Harris, who had bought his first Arabians from Davenport. His foundation sire NEJDRAN JR. and mares SAAIDA and RUHA were all single registered. Harris later added the Davenport import *EL BULAD, a stallion he had tried for years to buy from Bradley before he at last convinced him to sell, according to a letter from Harris among the Kellogg Ranch Papers. Other single registered Harris foundation mares included the Hingham bred MORFDA, MERSHID, and MEDINA. Most of the Harris Arabians were single registered, but he also bred from *ANA, a double registered mare he had imported from England, and a number of double registered mares from Maynesboro: OPHIR, NANDA, *SIMAWA, NIHT, NIYAF, BAZVAN, and MATIH. Harris imported the double registered stallion *NURI PASHA from England in 1924, and had his first ASB registered foals born the next year. With an occasional lapse, Harris proved amazingly conscientious about breeding his few double registered mares to double registered stallions. From 1925 through 1941, Harris bred 38 double registered foals, and only 5 foals from Jockey Club mares and single registered stallions. His Jockey Club mares almost always went to KATAR (Gulastra x *Simawa), *NURI PASHA, KEMAH (*Nuri Pasha x Nanda), KAABA, or KHALIL (both *Nuri Pasha x Ophir) rather than Harris’s single registered sires like NEJDRAN JR., ALCAZAR (Nejdran Jr. x Rhua), and *SUNSHINE. From 1925 through 1931, Harris distinguished his double registered foals by giving them names beginning with the letter “K,” among them the stallions named above. He later abandoned the system: three single registered foals of 1932 and 1934 also got “K” names, and beginning in 1935 virtually all Harris bred horses got names beginning with the letter “K.” In 1942 and 1943 (the last two years in which the Jockey Club registered Arabians as Thoroughbred horses), Harris-owned double registered mares produced five more foals, all by Jockey Club stallions. For some reason, these appear only in the AHC stud book, and not the ASB.

General Dickinson’s farm, Traveler’s Rest, also appears to have used double registration as a guide for making decisions. Most of Dickinson’s double registered horses had come from Brown. Dickinson bred 65 double registered foals born from 1931 through 1942. (Two additional foals, ISLAM and BINNI, were from double registered parents but do not appear in the Arab section of the ASB.) Only 17 Traveler’s Rest foals from the same period were by single registered stallions and out of Jockey Club mares. This seems to indicate that the consideration of double registration had a major effect on breeding decisions at Traveler’s Rest. Jockey Club registered mares were more likely to go to GULASTRA, RONEK, JEDRAN, KOLASTRA, or BAZLEYD than *NASR, *ZARIFE, or *CZUBUTHAN. The matter was of sufficient importance to Dickinson that his catalogs indicate which of his horses carried ASB registration. The consideration may have had a bearing on Dickinson’s decision to sell the Davenport stallion ANTEZ to Poland. Famous double registered Arabians bred by J. M. Dickinson include ROSE OF LUZON, NAHARIN, GINNYYA, CHEPE NOYON, HAWIJA, BRIDE ROSE, GYM-FARAS, and ALYF.

At Selby’s, aside from ten foals out of the single registered mares MURKA, SLIPPER, CHRALLAH, and ARSA, the exception was *MIRAGE. Lady Wentworth, daughter of the Blunts, had taken charge of Crabbet in 1920, and bought this desert bred stallion at Tattersalls in 1923. The 1924 Crabbet Catalog relates that Lady Wentworth was waiting for the completion of additional paperwork regarding his provenance before incorporating *MIRAGE into the Crabbet herd. The writer does not know the outcome of the paperwork, but in 1921 the GSB had closed to imported Arabians, as noted above. Weatherbys registration was of the utmost importance to Lady Wentworth, and unable to induce the GSB to reopen for *MIRAGE, she sold the horse to Roger Selby in 1930.

Britain’s Arab Horse Society (AHS) had formed in 1918 and issued its first stud book the following year; it stood ready to register imported Arabians after the closing of the GSB. However, Lady Wentworth had had a disagreement with the Arab Horse Society, and had ceased to register her horses in its stud book after the 1922 foals. Somewhat like Borden before her, she felt that GSB registration was all her horses needed. It was not until after the War that she rejoined the Society, so *MIRAGE does not appear among AHS registrations.

Selby’s showed little reluctance to breed *MIRAGE and his son IMAGE to double registered mares. The *MIRAGE daughters RAGEYMA and GEYAMA went into the Selby mare band. Of the 64 AHC registered Selby foals born to double registered mares from 1932 to 1943, 28 were by *MIRAGE or IMAGE. However, the management at Selby’s took double registration seriously enough that all eligible Selby foals appear in the Arabian section of the ASB, with the inexplicable exceptions of FRANZA (*Mirzam x *Rose of France) and RASMIAN (*Selmian x *Rasmina). Apparently ineligible was NISIM. NISIM was originally registered as the 1940 grey foal of two chestnuts, namely IMAGE and NISA. After the coat color incompatibility became apparent, the AHC changed the sire to *Raffles. The 1940 entry under NISA in the ASB reads, “covered previous year by an unregistered,” which was standard ASB notation for single registered Arabian stallions used on double registered mares. Famous double registered Arabians bred by Roger Selby include RASRAFF, RAFMIRZ, INDRAFF, SELFRA, and MIRZAIA.

The only Arabian sire getting registered Arabian foals in the first two crops of W. R. Hearst’s stud was the 75% Davenport stallion JOON. By 1935, when the third crop was on the ground, the program had expanded to include the Davenport stallion KASAR and the Crabbet import *FERDIN. The Hearst program was growing rapidly with purchases from the Kellogg Ranch and the disbanding Maynesboro Stud. All of the Maynesboro horses were double registered, but some of the Kellogg purchases were horses with Davenport pedigrees. The Hearst Sunical Land and Packing Corp. began producing double registered Arabian foals in 1936. From that year through 1943, it bred 56 double registered foals, and only five foals from Jockey Club mares and single registered stallions. The key Jockey Club sires at Hearst’s were RAHAS, GULASTRA, GHAZI, and REHAL, all bred at Maynesboro, and the homebred ROABRAH (Rahas x Roaba). Hearst’s also owned and used the Davenport stallions KASAR and his son ANSARLAH, but restricted them in large part to their single registered mares: ANLAH, SCHILAN, LADY ANNE (daughters of Antez), RAADAH (by Hanad), ALILATT (Saraband x Leila), RASOULMA (*Raseyn x *Malouma), and FERSABA (out of the Davenport mare Saba). The other single registered sire at Hearst’s was JOON, but after the management decided to use double registration as a criterion for planning the breeding schedule, apparently the only mare he ever saw was ANTAFA (Antez x *Rasafa). The Davenport influence at Hearst’s, as at Kellogg’s and Harris’s, would likely have been far greater had double registration not been an issue.

Other breeders double registering Arabian foals during the years 1934-1943 included Fred Vanderhoof (from *Ferda and *Bint), E. W. Hassan (from Ghazil), L. P. Sperry (from *Kola and Larkspur), Donald Jones (from Nejmat), C. A. West (from Bazvan), Ira Goheen (from Hurzab and Kokab), L. S. Van Vleet (from *Rishafieh, Raffieh, Selfra, Gutne, and Ishmia), and R. T. Wilson (from Matih). Their combined total of double registered foals was minor compared to the five farms discussed above, but it demonstrates that the concern with double registration and its effect on management policy were not confined to a select group of breeders. At Van Vleet’s, for instance, the Jockey Club mares were more likely to go to KABAR (Kaaba x *Raida) than *ZARIFE.

Until fairly recently, the Arabian Horse Club was inconsistent in assigning the breedership of foals to the owner of the dam at time of covering. Sometimes the breedership of a foal was attributed to the owner at time of foaling. The latter seems to have been the Jockey Club definition of “breeder,” and as a result the breeders of several familiar Arabians differ from ASB to AHC. RABIYAS, e.g., was bred by W. R. Brown according to The Arabian Stud Book and by the W. K. Kellogg Institute according to the ASB.

Some Arabians are in the ASB under a different name. Many of these amount to minor spelling variations, as in the case of HAWIJA (spelled “Hasijah” in ASB). Some take the form of the addition or subtraction of a prefix or suffix. DANAS is “Danas Maneghi” in the ASB, while *CRABBET SURA is “Sura.” Sometimes a numeral was added or subtracted. *Raffles is in the ASB as “*Raffles 2nd,” as there was apparently a Thoroughbred by that name. The mare *NARDA II is in the GSB and the 1906 Crabbet catalog as “Narda,” the numeral apparently added to distinguish her from an American Thoroughbred of the same name. In her case it carried over to her Arabian stud book registration. A few have entirely different names, e.g. RIFDA who is “Copper Cloud” in the Jockey Club Stud Book.

The last Arabians which the Jockey Club registered as Thoroughbred horses were 1943 foals. By the late 1950s, most newer breeders were not even aware that at one time there had been two categories of registered Arabians in America. Very few living Arabians in America show straight Jockey Club pedigrees; this writer estimates fewer than 1%. Among them one would have to include those horses bred from GSB registered Crabbet and Hanstead lines imported from the U.K. in recent decades. The GSB continued to register Arabians through the foals of 1964 and this function helped to a certain extent to hold the older English Arabian lines together as a breeding unit.

The issue of double registration had a controlling influence over the development of the Arabian breed in America. Until the early 1940s, all new breeders had to decide if Jockey Club Arabians were important to them, and if so, to what extent. The double registration factor goes a long way toward explaining why Davenport mare lines were more frequently top-crossed to Crabbet stallions than ASB mare lines were top-crossed to Davenport stallions. The double registration idea continued to influence after 1943, but one cannot know exactly how many breeders based decisions on the possibility of the Jockey Club reopening the ASB to Arabians. Readers are encouraged to examine the pedigrees of their own horses to find breedings selected possibly with double registration in mind.

[A final note regarding Jockey Club registered Arabians pertains to the use of the asterisk(*) to denote an Arabian horse imported to this country. Its first use as such in a printed stud book was in ASB Volume X (1910). The Jockey Club also used the symbol to denote imported Thoroughbreds. It was not until Volume IV (1939) that the Arabian registry adopted its use, though it has recently abandoned it. Arabians imported after June 1, 1983 no longer receive an asterisk as part of their registered names in this country. However, the symbol continues to delight advertisers and pedigree writers; there are no restrictions on its use in these contexts.]

The San Simeon Stallions, 1937: from left JOON, RAHAS, SABAB, GULASTRA, KASAR and GHAZI. Is it a coincidence that they were posed so that the single-registered horses alternated with double-registered ones?
Photo courtesy Harriet Hallonquist.

The Descent of Anazeh (Part I)

This entry is part 4 of 6 in the series Leopard and Linden Tree

by Michael Bowling
Copyright 1979 by MICHAEL BOWLING
used by permission
published in Arabian Horse World July 1979
Photos from the Carol Mulder collection (unless otherwise noted)

ANAZEH 235 — a painting by George Ford Morris (courtesy Lois M. Berry).

ANAZEH 235 as the camera caught him — a bit of *Naomi’s influence shows in the head, but this is a handsome horse.

To begin by clarifying one point–this is being put together under the heading of “the descent of ANAZEH” rather than “the genetic influence of *Leopard” because we know ANAZEH has descent (within the limits of reliability of studbook records, anyway, but that’s another whole story). At this late date and considering some of the pedigree contortions the *Leopard descendants went through in the early generations, I am not at all sure whether poor old *Leopard has any genetic influence at all. I do know that I have no idea how to go about computing it. (More of this later, when the subject of early redoubling of the *Leopard line comes along.)

Randolph Huntington’s pure Arab breeding program came about as a secondary project, in connection with his attempts to produce an American trotting breed–this story is gone into in the *Leopard and *Linden Tree historical review in this issue, in some detail. *Leopard was the origin and the inspiration for the purebred section of the Huntington stud–if he had not come along, Huntington would never have gotten a start in Arabs, and so *Leopard is essential to the story in that light. From a breeding standpoint Huntington did not make as much use of *Leopard, however, as he might have. Huntington was the first American Arabian breeder, which I suppose makes it inevitable that he was the first American Arabian breeder to be a proponent of intense inbreeding; this notion has been part of the breed’s history here from its beginnings.

What made things awkward from *Leopard’s point of view was that Huntington became captivated by the notion of the “Maneghi racing strain” and the desirability of inbreeding this type. *Leopard was a Seglawi Jedran–so he became a distraction from the Huntington program almost as soon as he inspired it; thus apparently, the fact that *Leopard was bred to “his” mare *Naomi 230 just once, leaving just one offspring in the program, his son ANAZEH, the object of this narrative. Ironically, *Naomi herself was of mixed strains, not inbred (brother x sister) Maneghi as was thought at that time, since she was sired by a Kehilan stallion. Further, *KISMET and MAIDAN, two supposed Maneghis which played important pedigree role in the Vidal program which Huntington bought out, turn out to have had no recorded strains at all–thus making it difficult if not impossible to make much sense out of the claims of the *Naomi family to represent “inbred Maneghi type” at least until Huntington got through with it. He did inbreed it to startling degrees.

Even though not inbred, *Naomi was a very prepotent broodmare; her outcrossed offspring *NAZLI and ANAZEH resembled each other rather strongly, and ANAZEH looked even more like *NAZLI’s son *NIMR (because both stallions were better looking than the mare). Bred to her grandson *NIMR, *Naomi produced Khaled, another good-looking horse, though less attractive about the head than his sire.

Naaman 116 ch. st. foaled 1896 by Anazeh and out of *Nazli, bred by Huntington.

NAAMAN (Anazeh x *Nazli) is downright beautiful in the one photo of him which survives, but with further inbreeding things got rather less pleasing — there are not many photos available from which to judge the intensely-bred results of this line, but they do seem to have gotten rather coarse and angular, with a high frequency of lopped ears, as things went on. Some of these inbreds outcrossed very satisfactorily indeed, with a number of quite distinguished early representatives, but I can’t help speculating as to what might have happened had a) Huntington kept on with his program a little longer (the most extreme inbreds were produced by programs founded on his stock) or b) *Leopard (or somebody else not closely related to *Naomi) been used more freely in the early days, giving a broader genetic base to continue operations on.

Since we are dealing not with what could have happened, but with the story as it actually took place, we must refer to the Studbook rather than to my imagination. ANAZEH is credited with just seven get in Volume V, but of course there is no way of knowing how many of his offspring went unregistered; his youngest listed foal was a 1900 model, eight years before the Registry was founded, and no great deal of industry was devoted to tracking down “lost” pre-Registry purebreds. The first point to note is that neither of his outcross sons left descent; thus all *Leopard’s immediate descendants were inbred back to the prepotent *Naomi, a fact which had to militate against his visible influence. ANAZEH’s first listed foal, out of his dam *Naomi, was also lost to the breed. The other four get of ANAZEH all bred on to one degree or another.

It would appear that the Pennsylvanian Herman Hoopes bought the full siblings, NAARAH 256 and the handsome NAAMAN 116, around 1900, and presumably from Huntington. His breeding program, based on this pair and cooperating with Huntington’s Maneghi project (since he bred to *Nimr in 1903 and Khaled in 1904), continued at least until 1911 and the production of NIMNAARAH 129, the only animal of this branch to leave descent and a “sure enough” inbred Maneghi; rather than try to explain the interactions here I refer the reader to her pedigree.

NIMNAARAH 129 Chestnut mare 1911	Naaman 116	Anazeh 235	*Leopard 233	DB
				DB
			*Naomi 230	Yataghan GSB DB
				Haidee GSB DB
		*Nazli 231	Maidan GSB	DB
				DB
			*Naomi 230	Yataghan GSB DB
				Haidee GSB DB
	Nimrette 128	*Nimr 232	*Kismet 23	DB
				DB
			*Nazli 231	Maidan GSB
				*Naomi 230
		Naarah 256	Anazeh 235	*Leopard 233
				*Naomi 230
			*Nazli 231	Maidan GSB
				*Naomi 230

DB: Desertbred

GSB: General Stud Book, England

NIMNAARAH’s descendants are all through her outcrossed daughter by *HOURAN 26 DB.

NIMNAARAH, fortunately for the sanity of pedigree readers, passed into the hands of Hamilton Carhartt of South Carolina, who bred four outcross foals (at least that many–note that only fillies are registered, suggesting the possibility of colts which may have dropped out of sight) from her by the desertbred *HOURAN, a Kehilan Tamri imported by Davenport. The next step is uncertain, but it appear that two NIMNAARAH daughters, HAARANMIN 451 and BINT NIMNAARAH 452, went to Traveler’s Rest with General J. M. Dickinson for a brief stay, during which BINT NIMNAARAH was bred to Dickinson’s ANTEZ. At any rate in 1932 both foaled fillies for John A. George of Indiana–BINT NIMNAARAH produced the ANTEZ daughter YDRISSA 947, and HARAANMIN produced the RIBAL daughter OURIDA 946, RIBAL being the George herd sire at that time.

The George program does not seem to have existed very long; the last foals for which he is listed as breeder came in 1935. HAARANMIN produced two more fillies and a colt for the program before leaving for Texas, where she produced in the Walter Gillis breeding group. This program got off to a good start and went along for several generations but seems to have left descent among modern registered stock in only a few collateral lines.

The George-bred HAARANMINs were luckier, and indeed count some of the breed’s most influential horses among their number. Her son YOHANAH 1174 is quickly dismissed as he has no registered get; daughter MINA 1097 went to New York and produced three sons, two of which were used for breeding. HAARANMIN’s second daughter BERLE 1021 by RIBAL, and thus full sister to OURIDA, produced a total of 14 foals in Indiana, Maryland and Pennsylvania by a variety of sires. Donald Shutz of North Manchester, In, recalls BERLE as “one of the taller mares” of her time and of good type, comparable to her sister OURIDA.

I am most familiar with the members of this family which entered the “Double R” program, including my favorite of the lot, the splendid mare AMYR DOREEN 26232. This branch carried the *Leopard descent to England and Australia, for BAZZA 7306 (Zab x Berris) was exported to England’s Briery Close Arabian Stud by Major and Mrs. T. W. I. Hedley, where she produced the filly BAZZAMA by AL-MARAH RADAMES. BAZZAMA is a highly-regarded matron for the Hedleys, and BAZZA’s son SNOW KING by the former head sire at Briery Close, named GENERAL GRANT oddly enough, is in Australia.

After YDRISSA, BINT NIMNAARAH produced IRMA 1022, blood sister to OURIDA and BERLE but rather less lucky in the stud; she produced three foals, including BAREK 1482 whose name one used to hear once in a while, but this line did not breed on any further. BINT NIMNAARAH’s last registered foal, BINT NARMA 1094, did a bit better; her first foal was SHARIK 1784, the noted “high school” horse exhibited by Ward Wells of Oregon. BINT NARMA also produced three redoubled-*Leopard-line foals by ALLA AMARWARD 1140; two of these bred on, one being dam of, among others, the superb Abu Farwa daughter ALLA FARWA 13333 and the “ultimate show gelding” RIBAL DEYR 14400. The gelding is not doing much to carry on the *Leopard descent genetically (except of course to promote his collateral relatives), but he is quite a horse.

[Photos from the Gina Manion collection appearing with this article included: Ourida and Ydrissa, Rafissa, and the “*Leopard descendant in costume class.”]

That sums up the NIMNAARAH branch of descent from ANAZEH–except for most of it. OURIDA and YDRISSA were the foundation mare of the Manions’ program, which celebrated its 40th year of Arabian breeding in 1976, and this group of *Leopard-descended Arabians has been very influential indeed.

CMK Arabian Horses

The Arabians of written record