Some Thoughts on Training and Showing Your Own Halter Horses

Some Thoughts on Training and Showing Your Own Halter Horses

Copyright by Rick Synowski 1993

from ARABIAN VISIONS May/Jun ’93

used by permission of Rick Synowski

I am among the multitude longing to see the return of the days when the majority of handlers in halter classes were owners rather than trainers. That is the way it was when I first started showing halter in 1962. Trainers would not necessarily be out of a job, but rather their role would change. It has always seemed to me odd that trainers themselves compete in horse shows whereas in other competitive sports trainers coach the competitors. What we now have, at least in the world of Class “A” shows, is a trainers’ competition, not a horse competition, especially in halter classes. Horsemanship has been replaced by “De Sade” methods of tormenting horses in order to achieve the petrified look which wins in today’s American show ring. The horses themselves are prepared by grooming and other methods to appear bizarre, even macabre. Sadly, it is amateurs too who mimic these “it’s-how-it’s-done” practices where insensitivity, if not outright abuse, is inflicted by their own hand on their own horses.

One either marches to a different drummer and sometimes lets the chips fall where they may in terms of winning, or one conforms. It is my experience you can win without conforming provided 1) your horse is very good and is expertly fitted and presented, 2) you have consistently put in long hours and meticulous care over months and years in fitting and training, and 3) you have done your homework in selecting a judge who will rate your horse knowledgeably and without prejudice. One insults one’s own horse to show under a poor or corrupt judge.

As an amateur-owner halter competitor, I believe showing can still be fun for you and for the horse. And you can facilitate a thrilling performance by the horse for the audience, whether the judge appears to appreciate it or not.

In my experience, certain horses demonstrate a natural halter attitude. These are the born show-offs. They tend to be “hot” and display an extra style and brilliance. Such a horse was *Nasik, imported to the Kellogg Ranch from Crabbet Stud, whom H.H.Reese described as “a real peacock” and “a made-to-order show horse.” These horses love to perform in front of an audience and they tend to be extroverts. This natural attitude is to be built upon and rewarded in halter training. Then one appeals not to the horse’s fear but to his vanity. I tend to select these kinds of horses to show at halter. Probably my prettiest mare is the most annoyed by halter training and showing. It was a real burden for her and not fun. But from the day she was born she never cared a whit about impressing anyone.

I begin halter training with a young horse by working a more experienced horse in the aisle in front of his stall. Horses, especially youngsters, do learn a lot by imitation. I have been amazed at how much a horse picks up this way. Normally I work my horses in front of their comrades, appealing again to the horse’s desire to show off or be shown off. Praise for ever-so-small right responses is loud and exaggerated; one might say I use applause as a reward. Sessions are brief — less than five minutes. Remember horses, like kids, have a low tolerance for tedious tasks. Bad days are allowed for without penalty or chastisement. I do not use a halter chain during training. I think this tends to sour horses. I prefer a short riding whip as a cue and sometimes as a reminder to pay attention. Some horses sour quickly with a whip, even lightly applied, and do best without it. If you are using the whip to discipline your horse during each session you are doing something very wrong and the whip is only making it worse. Likewise with the incessant jerking I see too often.

I train with the horse on firm ground rather than using the soft arena footing so the horse is not working against an uneven surface while he is learning. Lesson number one must be “whoa.” You cannot proceed until your horse has learned this. I let my young horses free-exercise prior to a halter session. It is much easier for them to focus and pay attention then. Concentration is hard work for youngsters, horse or human. Another cardinal rule: never back your horse into position. You may back him and then have him step forward into position. Also, I tend to be a visual thinker and it is natural for me to visualize what I am asking the horse to do. I know there is something to this in training horses. As far as positioning your horse’s legs, neck, and head: have someone evaluating your horse’s most flattering position, standing alongside your horse while you are at the front. Learn this position and train your horse toward it.

Equally important to training is conditioning. I do not believe there are shortcuts to the months of consistent, regular exercise program and proper horse management such as feeding, foot care, worming, and grooming to achieve a properly fit halter horse. In showing a youngster, one must also evaluate that individual’s stage of growth. If a young horse is slow to mature, small, or at an awkward stage, it is best to wait until he can be shown without the temporary handicap which time will change. I believe it is better to scratch and forfeit the entry fees than show when a horse cannot be at his best.

Training with these tips in mind, your horse should display a natural brilliance and sparkle in his eyes in contrast to the zombie expressions and contrived posturing which has become the norm. You may or may not win but you will be proud of your horse’s “good show” and there will be people in the audience who appreciate what they see.

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Delightful as Companion and to Ride

Delightful as Companion and to Ride

 Copyright by Rick Synowski 1995

from ARABIAN VISIONS Sept/Oct ’95

used by permission of Rick Synowski

“The perfect union between horse and rider” is a state of being for which the true horseperson strives, and achieves momentarily, perhaps. Exhilarating moments difficult to describe unless you have been there. In these moments, described by someone as like having a wire between your brain and that of your horse, you are aware of your mount’s keen ability to know and understand you. You are aware of his delight to function in harmony with your thoughts, your will, and your emotions.

Perhaps beyond his other attributes, this is the unique quality possessed by the Arabian horse which has been passed on in varying degrees as the progenitor of light horse breeds. This attribute was valued above all others by the Bedouins.

In his article: “The Arabian Horse as Your Friend and Companion” (Western Horseman, November-December 1942), Carl Raswan writes in his inimitable style, “The gift of an intelligent spirit was bestowed upon the mare of Ishmael and an intuitive soul to dwell within her beautiful, strong and symmetrical body. Psychic powers of her animal spirit were gifts of God, but her conscious mind developed through her intimate human association.” Though Raswan’s poetic description seems archaic to contemporary readers, he did faithfully reflect the Bedouin sentiment.

Do we believe this about the Arabian horse, or do we account it as another one of many myths which have come to us from the desert? Do we believe the “scientific articles” appearing in various horse magazines and recently in U.S. News and World Report which ascribe only rudimentary intelligence to horses beyond unconscious responses to basic, instinctive drives? What we believe is critical because it determines how we train, handle, and manage our horses, and what we experience of them. It even determines how our horses respond to us, or maybe more accurately how they do not respond.

It may be an inconvenience to perceive the Arabian horse as a complex thinking, feeling creature with a capacity to experience in some way similar to our own, because it begs the question how our horses experience the circumstances we force on them. One would define abuse in terms of how one understands this mental capacity as well.

Like other traits, the Arabian’s mental/emotional capacity exists in various degrees and with differences which are specific to families and to individuals, and this based largely on inheritance. Within the breed one finds a wide range of personalities and intelligence. One should expect that different horses respond differently to various kinds of handling, training, and management. Perhaps this is why certain bloodlines are more popular than others with professional trainers given the methods of training, managing, and showing horses which have become the norm. Horses which possess the greater mental/emotional capacities may adapt less satisfactorily to these methods.

“[D]elightful as companion and to ride” was penned in her journals by Lady Anne Blunt following a June 4, 1891 ride on Sobha. This was one of several references she made to the intelligence of the Sobha line. Riding and companionship of her horses was doubtless to provide respite for Lady Anne Blunt from her life made tumultuous by conflict with and eventual estrangement from her family. What she noted was the capacity of these horses to provide for her that which people no longer did.

It is difficult to imagine any quality more valuable than that which Lady Anne Blunt describes in the Arabian horse. In the Selby Stud Catalogue published 1937, Roger Selby quotes, “But it is his fine disposition coupled with his great intelligence that have made the Arabian ‘a horse you can chum with, a real trustworthy pal, one that adapts himself to the moods and whims of his riders.” Yet today one can thumb through any of the breed journals without finding a single reference to these qualities. You can be left only with the conclusion that at least in “the industry” these qualities are passe’.

The Davenport desert import *Wadduda, noted by Davenport as having been “the favorite war mare of Hashem Bey” (Sheik of the Bishr Anazah Bedouins) was extolled for her “almost human brains” and like Sobha she passed this trait to her descendants. Her grandson Antez was credited by W.K. Kellogg for saving his life by staying “cool in a crisis.” Kellogg later returned the favor by making sure Antez had a permanent home to live out his last years. Pep, a great-grandson of *Wadduda, was trained as a trick horse for the Kellogg Sunday Shows. Pep apparently got bored with the routine and discovered his calling as a stand-up comedian muffing his cues and exasperating his trainer, sending his audience into hysterics. It was reported that after the performances when he was taken ’round the barn to be corrected he did his routine without a hitch.

I remember the surprising cleverness of my own first Arabian, a double great-grandson of Antez, which he displayed from the first day we brought him home. He was six months old and just off his mother when my father and I brought him home in the back of our pick-up truck. About halfway home the canvas cover, which was lashed over the side-panels, tore loose and began flapping violently in the wind, collapsing over the colt. I don’t know how far we drove before we noticed, but the colt stood calmly while we stopped and pulled the canvas off him.

The next year there were more incidents. One day our hired man came to the house to tell us how the colt was helping him put up a new fence. He explained that the colt would carry nails in his mouth from a keg near the barn over to where the man was nailing up rails. That year we took him to his first show. We had arrived the evening before our class and left our now yearling colt in a stall in the race barns at the fairgrounds. It was his first night away from home since we got him. When we returned several hours later “Antez,” which we called him, was missing from his stall. Unable to find him we found friends who had been there the whole evening. They took us to where Antez was now stalled and recounted his evening of mischief and adventure. Apparently he unlocked his door and let himself out of his stall. He then proceeded to go down the barn aisle and free other horses. Surprised in the act by the night watchman, Antez ran into an empty stall, standing as if totally innocent, amidst the melee of loose horses.

Fortunately, Antez outgrew his mischievousness and matured to become a fine riding horse and wonderful companion for 28 years. Maintaining a mind of his own, he was never one to be forced to do anything. But working together as a team he was willing and eager to put himself into any task from trail horse to English pleasure, dressage, jumping, and even herding cattle. Each thing he did with eye-catching style.

One hopes we can get beyond our Arabian-as-living-art phase. His physical beauty is just one dimension to be understood and valued. It was this physical beauty which caught the eyes of Westerners perhaps, but it was the beauty beyond the physical for which he was valued by the Bedouin. His conversable personality and companionable nature may be the finest assets he brings to the horsepersons of this day and age.

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The Changing Eye

The Changing Eye

copyright 1999 by Robert J. Cadranell

from Arabian Visions Spring 1999

used by permission of RJCadranell

After you’ve spent a few years with horses, you don’t look at them quite the same way as you did when you started. I’ll give as an example my experience at about age ten with horses — these were not Arabians — from two different farms in the state where I grew up.

One farm was located “on the other side of the mountains” in the eastern part of the state, and the other farm “on this side of the mountains,” in the western part of the state. Today I am sure enthusiasts of that breed count both farms as successful breeders of sound, typey, and useful horses. But when I was ten years old, it seemed to me there was no contest. I liked only the horses bred at the farm on this side of the mountains, and I was always looking for them at the shows. The horses bred on the other side of the mountains — which I knew mostly from published photographs — looked to me coarse, clunky, and ugly. Nonetheless they were popular pleasure and show horses, so I assumed disposition must have been their one good point.

When I recently looked again at pictures of those horses I used to think were clunks, I was amazed to find average to pretty horses of sound, balanced conformation. There wasn’t a clunk in the bunch. Some of them even had bone that looked a little too light for the pronounced musculature it supported. Not all of them were perfect, but it was clear their breeder was doing something right.

What had changed? Certainly not the pictures. Yes, a few of the owners needed to learn a little more about how to pose and photograph their horse to its advantage, but most of the photos were acceptable or better. I can conclude only that the change has been in my eye for a horse.

At an Arabian farm I visited in my early teen years, I left the place wondering how that band of plain, indifferent mares could have produced those dazzling young stallions. One fleabitten grey mare in particular I thought was much too large and coarse: definitely offtype. I wrote her off almost immediately — no point wasting time going in the stall and looking at that mare and foal.

Only a few years later, I met that grey mare again in my travels. She had been sold to another farm, and somehow in the process she had shrunk down to 14.1 hands — maybe less — and had developed a beautiful head with particularly enchanting eyes. More likely she had always looked like that, but I was not able to see it the first time.

On a later visit to the band of plain, indifferent mares, it became clear to me where those dazzling young stallions had come from: that was actually one fine band of broodmares. All I had to do was learn how to see them, and it took a few years. It’s easy to be impressed by a prancing, dancing stallion. Properly evaluating a broodmare often requires a more practiced eye.

Broodmares know their priorities: good hay or pasture, and lazing in the sunshine. Most of the time, they don’t try to impress anyone. It’s easy for a visitor to walk right past the broodmares in search of the more animated residents of the farm. And maybe that’s just as well. Until the eye is ready to appreciate them, they might be evaluated unfairly.

The Banat Nura of Ali Pasha Sherif

Copyright © 1995 R.J. Cadranell II
originally published in The CMK Record Spring 1995 XI/2
used by permission

BINT NURA GSB a chestnut foaled about 1885 and bred by Ali Pasha Sherif, is widely influential through her sons KAUKAB, DAOUD and MAHRUSS GSB. This mare’s great elegance still is reflected in her modern descendants. (NBGS)

“Zeyd… offered 100 and 150, whereupon Ali Pasha exclaimed, ‘Ho, ho, ho! one hoof of the bint Nura is worth 100 pounds.'” — Lady Anne Blunt, Journals and Correspondence

Horses from the family of NURA consistently attracted Lady Anne Blunt’s attention, from her earliest visit to the Cairo stables of Ali Pasha Sherif. As Mr. Wilfrid and Lady Anne Blunt began to acquire more and more of Ali Pasha Sherif’s horses for their own studs at Crabbet and Sheykh Obeyd, the NURA line was frequently in the pedigrees.

Lady Anne Blunt first saw the Ali Pasha Sherif horses in 1880. Among them were two “banat Nura” (daughters of NURA in the usage that daughters, granddaughters, and great-granddaughters are all “daughters” of an original mare):

…we saw 2 bay Doheymeh Nejib mares difficult to choose between. The more interesting at first is a 5 year old, bright full bay (like Kars) with 2 white hind feet and small star. Her crest, wither and shoulder exaggerated like the portraits of the Godolphin Arabian. She is a picture and at a little distance very like Kars. The other mare was darker bay and altogether I think the best. Legs stouter and more muscle. She is 6 or 7 – a daughter of a celebrated D.N. mare called Nurah who died of the disease when this mare was 2 yrs. old [i.e. in about 1875-6]. The first bay is a grand-daughter of Nurah. Both of these are daughters of Vizir [Wazir]. The younger one has a head like Jasmine [Dajania] and Kars. 25 Nov: 1880.

On the occasion of another visit, she commented on three banat Nura:

The three daughters of Nura the Doheymeh Najib, have two of them got foals within the last fortnight. The beautiful bay I admire more than ever. [If this mare is the bay with the Godolphin crest – and the markings described, the comparison to Kars, and “I admire more than ever” comment indicate that she is – Lady Anne was apparently incorrect in 1880 when she recorded her as a granddaughter of Nura.] Her colt foal is 8 days old, a bay with no white by Shueyman. She has a narrow white mark on the forehead and two white hind feet to above fetlock and the finest head I ever saw. Her sire Vizir [Wizir]. The brown mare her half sister (daughter to Shueyman) [ if this is the same “darker bay” Nura mare described in 1880, Lady Anne was apparently incorrect when she recorded her as a daughter of Wazir] has a colt by the Dahman horse [ Aziz}…. there is a third daughter of Nura, a white mare, but I did not care for her so much as the other two. If we could ever get the bay it would be the glory of the stud. She is exactly the color of Kars (though less black points). 3 Dec: 1881.

Just a few months later, Lady Anne wanted to know whether Ali Pasha Sherif would sell either of the bay NURA mares. She sent an emissary to inquire surreptitiously.

Zeyd…went to Ali Pasha Sherif to inquire, as we supposed, privately, whether his Excellency would be disposed to sell one or both of the bay daughters of Nura (Doheymeh Nejib). But Zeyd was no match for the Pasha, let the cat out of the bag at the first question and then offered 100 and 150, whereupon Ali Pasha exclaimed “Ho, ho, ho! one hoof of the bint Nura is worth 100 pounds.” … I told Zeyd he had no business to tell Ali Pasha who had asked him to enquire about the mares, it would be time for that if the Pasha wished to sell. 15 Feb:1882.

During this trip to Egypt the Blunts apparently made their last visit to Ali Pasha’s stables before they were barred from entering Egypt in 1883. In 1887 they were able to return to Egypt, but do not appear to have visited Ali Pasha’s stables. In December of 1888 the Blunts were again in Egypt, and saw the Ali Pasha Sherif horses for the first time in about seven years. The NURA family had grown:

There was a bay black points – if white on feet very little, can’t remember, something like Kars but rather small hocks….He had a star. They said he was five years old. I suppose 6 next spring which would make it fit with his being the foal of the bay Doheymeh Nejib saw in 1882….we found he was by Aziz. I thought hocks small but no defect. Head very fine, carriage of tail also, remarkably good feet. Then No. 2 a brother of the above, also bay – 2 years I think. Perfect head better than proceeding. Legs look as if they would be stouter.

…a grey Dahman with very beautiful head and good legs, back, not quite so strong in back….really lovely little horse [Probably IBN NURA, who would have been about 12 and whose head Lady Anne consistently admired.]

a brown…with star, I forget if any other white. Her last year’s foal same color also star – very rough coat – foal by…Aziz….The mare I understood to be the daughter of the brown Dahmeh (or Doheymeh) Nejib we saw in 1882 – her dam I was told is dead.

…the bay Doheymeh..with a last year’s foal a chestnut of course the Dahman’s. This mare I think called Nura. She is a wreck of her former self, the crest like the Godolphin Arabian has gone, nothing but the immensely high wither remains – light of bone, nevertheless I should not mind having her!

This Doheymeh Nejib must be about 12 years old….a lovely chestnut mare also Doheymeh Nejib, daughter of the white D.N. we saw (now dead). She is very fine. 19 Dec: 1888.

IBN NURA, shown here as an old horse with the young Judith Blunt, was a sire for Ali Pasha Sherif and for the Blunts at Sheykh Obeyd. His most influential offspring was FEYSUL. (NBGS)

The Blunts were to acquire the blood of the NURA family through a mare they registered in Weatherby’s General Stud Book as “BINT NURA” and a stallion they entered in Sheykh Obeyd records as “IBN NURA.” In addition to BINT NURA and IBN NURA themselves, the Blunts also purchased two sons of BINT NURA, four daughters and a son of IBN NURA, and a grandson of both.

From published sources, the pedigree connections are not entirely clear between the IBN NURA and BINT NURA owned by the Blunts and the mares Lady Anne enthusiastically described on her early visits to Ali Pasha’s stud. A photograph of a Blunt herdbook entry[1] describes IBN NURA as “a fleabitten White Dahman Nejib his dam Bint Nura a bay Dahmeh Nejiba by [illegible in reproduction] out of Nura a grey Dahmeh Nejiba….” Lady Anne consistently dated the bright bay mare with the Godolphin crest to approximately 1875 or 1876 – too young to have been the dam of her IBN NURA, whom she also dated to about 1876. Ali Pasha’s “darker bay” BINT NURA mare (apparently by Shueyman) would have been old enough to have produced IBN NURA as her first foal – especially if she was 7 and not 6 in 1880, and if IBN NURA was foaled closer to 1877 than 1876. But pedigree information Upton took from Blunt notes [DH p. 48) describes the dam of IBN NURA as BINT NURA, a bay mare by ZOBEYNI and out of NURA. A mare of this description does not seem to have been recorded in the Journals — although it is possible she had been sold or died before Lady Anne first visited Ali Pasha.

Upton (DH p. 108), working from Blunt records, gives the dam of BINT NURA (GSB) as a bay mare by ZOBEYNI and out of NURA. The tables in Arabian Horse Families of Egypt (p. xxxi), also compiled from Blunt notes, list IBN NURA and BINT NURA (GSB) as both out of the same bay BINT NURA, by ZOBEYNI x NURA.

MAHRUSS GSB (Mahruss x Bint Nura GSB), sire of the influential RIJM and the American *IBN MAHRUSS 22 from his very few opportunities at stud (NBGS)

Listed in order of acquisition, the NURA descendants the Blunts purchased were:

  1. MAHRUSS, purchased from Ali Pasha Sherif on January 7, 1896. He was a son of the BINT NURA Lady Anne was to acquire in 1897. MAHRUSS arrived in England in May of 1897. His breeding opportunity, as seen in GSB, was limited. In 1898 MAHRUSS covered four mares. All were barren except BADIA, whose 1899 colt broke a leg and was destroyed as a foal. MAHRUSS does not appear to have been used at all in 1899. In 1900 he covered five mares and was then sold from Crabbet. Three of these last five mares were barren, one was sent to the United States carrying a colt (registered as *IBN MAHRUSS 22, and an influence in American pedigrees), and one produced a 1901 colt named RIJM. “It would be well to have more of Mahruss’s stock,” Lady Anne commented, but RIJM was to be his sole representative at Crabbet. RIJM was a favorite of all the Blunts, and started his breeding career in 1905. His get include the sires *NASIK and *Nureddin II, and the broodmares NESSIMA, *RIJMA, FEJR, JAWI-JAWI, and BELKA. In Australia his son FAKREDDIN has pedigree influence.

    FULANA and her daughters produced at Crabbet but in the long run she has remained in pedigrees only via her very handsome MESAOUD son FARAOUN, brother to the filly shown. He sired important mares in Australia. (NBGS)

  2. FULANA (Bint Bint Fereyha el Saghira) and
  3. ABU KHASHEB were purchased from Ali Pasha Sherif on December 14, 1896. ABU KHASHEB, full brother to MAHRUSS, was imported to England in 1898, but does not appear to have been used at stud prior to his sale to India in 1901. FULANA was a daughter of IBN NURA, and imported to England in 1897. Her family bred at Crabbet until 1911, but the only modern pedigree connection is through her son FARAOUN (by MESAOUD), a widespread influence in Australia.
  4. IBN NURA was purchased at auction January 15, 1897 when he was about 21 years of age. “Magnificent horse, head splendid and splendidly set on; neck shoulder and style perfection.” IBN NURA was apparently the only sire used at Sheykh Obeyd (except on his own daughters and BINT NURA) during the 1897, 98, and 99 breeding seasons, whether a mare was on her way to England or to remain in Egypt.
    Of the 11 or more foals that could have been expected, there were but two born: MAKBULA foaled a grey IBN NURA colt at Newbuildings (in 1899 according to GSB) in what must have been one of those ordeals every breeder fears: “Foal dead, mare nearly dead,” Lady Anne recorded in herdbook records. The other IBN NURA foal was born at Sheykh Obeyd: an 1898 grey filly named WUJRA, out of BINT FEREYHA, and thus a full sister to FULANA. WUJRA was dam of a colt that died at ten months, and then on February 1st of 1904 a stillborn filly. A week later WUJRA herself was dead, apparently of complications related to foaling. It was a “great loss. She is the youngest daughter of Ibn Nura, she was also perfect to ride…And her temper was of the best.”
    During the 1900 breeding season at Sheykh Obeyd IBN NURA covered only one mare, WUJRA’s dam, but once again it was a barren breeding. The other three mares bred in 1900 all went to FEYSUL. Thereafter IBN NURA was a pensioner at Sheykh Obeyd, where he died in the spring of 1903.
  5. BINT NURA (Bint Bint Nura es Shakra) and
  6. GHAZIEH (Bint Bint Horra) were purchased at auction March 26, 1897. BINT NURA was sent to England in May that year. For Ali Pasha Sherif she had produced MAHRUSS and ABU KHASHEB, as well as one of two colts by IBN SHERARA (one of these, an 1890 grey, was bred to JOHARAH). At Crabbet BINT NURA promptly produced three more colts. DEM-DEM (1900) and DURRAJ (1902) were sold, but DAOUD (1899) was a favorite of Lady Anne’s and a sire for her. In 1903 BINT NURA, along with NEFISA and ROSE OF SHARON, became one of Crabbet’s three oldest mares; BOZRA had died and JOHARA and BADIA were given away in 1903. Like some older mares, BINT NURA became a problem breeder. She produced just one more foal — a 1906 filly by HARB, which died. Among her barren breedings was one to her grandson RIJM. She was put down in 1912. DAOUD and RIJM were BINT NURA’s only breeding ties to later Crabbet pedigrees. DAOUD’s get included NASRA, SOMRA, NADIMA (exported to Argentina), MARHABA, SARAMA (dam of *SIMAWA), RUDEYNA and *RASIMA.
    GHAZIEH, an IBN NURA daughter bred by Ali Pasha Sherif, remained at Sheykh Obeyd where she became a broodmare. Her son GHAREB was used for breeding there, was were her daughters GHAZWA and FEYDA. After Lady Anne Blunt died, FEYDA found her way to the stud of Prince Kamel el Dine. He bred her son IBN FAYDA (by IBN RABDAN), a sire at the Inshass Stud. Through IBN FAYDA, GHAZIEH has a presence in “New Egyptian” pedigrees.

    JELLABIEH, daughter of IBN NURA, was closely related to FEYSUL – some references would have them full brother and sister. She produced in England but the line did not persist. This photo carries its own story. It was published in Lady Wentworth’s Thoroughbred Racing Stock, specifically as an individual bred by Ali Pasha Sherif and of the Jellabieh strain. The background is English. The Blunts imported only two grey Jellabiehs. The other MAKBULA, was always referred to as “white” and clearly appears so in her one photo, taken two years after importation. This mare still showing grey on her legs would by process of elimination, be JELLABIEH. (This also appears to be the photo on which Peter Upton modeled his painting of that mare.)

  7. JELLABIEH, an IBN NURA daughter bred by Ali Pasha Sherif, was purchased December 10, 1897 from Ayub Bey. She was imported to Crabbet in 1898. JELLABIEH produced four foals at Crabbet from 1899 to 1902 (none of which carriedc her family into another generation), and then spent some time in the ownership of Lady Anne’s brother Ralph, Lord Lovelace. When Lord Lovelace died in 1906, JELLABIEH returned to Crabbet. She produced *BERK fillies in 1908 and 1910 for Lady Anne and was sold to Musgrave Clark in 1912 carrying a third *BERK filly, JERAWA (1908) produced at least one foal (which died) before she was exported. JASK (1910) was sold by Lady Anne Blunt and repurchased by her daughter, Lady Wentworth, in 1918 or 1919, carrying JELLAL, by RIYAL. Lady Wentworth sold both JASK and her son JELLAL abroad. According to Colin Pearson, JASK may have left a line in South American pedigrees.

    FEYSUL sired such important individuals as GHADIA at Sheykh Obeyd and RASIM at Crabbet. (NBGS; thanks to Betty Finke for custom print work.)

  8. FEYSUL, an IBN NURA son bred by Ali Pasha Sherif, was acquired December 7, 1898. By 1900 it was becoming clear that old IBN NURA had a chronic fertility problem, and FEYSUL was promoted to head sire at Sheykh Obeyd, a position he held until he was sent to Crabbet in 1904 with his son IBN YASHMAK. FEYSUL’s sons FERID, GHADIR, and GHAREB were all, used for breeding at Sheykh Obeyd (although just briefly), as were his daughters GHAZWA and GHADIA, and GHADIA’s daughter ZARIFA. Lady Anne presented GHADIA to the Royal Agricultural Society in 1917, where she was listed as RADIA, and influenced Egyptian pedigrees enormously through her daughter BINT RADIA (dam of SHAHLOUL, ZAMZAM, SAMIRA and HAMDAN). ZARIFA was another who went to Prince Kemal el Dine after Lady Anne died. The Prince bred a daughter of hers who went to the Inshass Stud and founded a large family there.
    At Crabbet FEYSUL and IBN YASHMAK were both used for breeding. Among FEYSUL’s get in England were RASIM (a sire at Crabbet) and AAJMAN (a sire in South America). IBN YASHMAK was part of the Newbuildings Half, where breeding opportunity was more limited than in the Crabbet Half. His get included AMIDA, AJJAM, *NAFIA, *FELESTIN, *RIZVAN and RAZIEH (BINT RISSALA in Egypt).
    AZZ
    SAHAB
  9. AZZ was an IBN NURA daughter bred by Ali Pasha Sherif. Lady Anne Blunt purchased her in May of 1906 from Ali Pasha’s son, Osman Bey Sherif, but it was not until November, 1909 that she found out “Osman Bey swindled us as he knew that the mare had been hurt at last foaling.” Lady Anne sent AZZ to Crabbet in 1910, but she never produced another foal and was put down in 1916.
  10. SAHAB was a son of KAUKAB and AZZ bred by Osman Bey Sherif and foaled in 1903. Lady Anne Blunt bought him from Timur Bey in November, 1909, at about the same time she learned of the foaling accident of his dam. SAHAB was out of a daughter of IBN NURA and by a son of BINT NURA — apparently the BINT NURA owned by Lady Anne. When she saw KAUKAB she noted in her journal for February 20, 1914: “what style, the quarter splendid (I wish Sahab had inherited that)…Kaukab is son of B.Nura, and there is in him much to recall her – a perfect head.” SAHAB was used as a sire at Sheykh Obeyd from shortly after his arrival until Lady Anne’s death in 1917. He has Egyptian descent through his daughter ZARIFA (out of FEYSUL’s daughter GHADIA, thus with three NURA lines), his daughter SERRA (out of JEMLA, and dam of *BINT SERRA I and RASALA), and his daughter JAZIA (out of JAUZA and dam of GHANDOUR).
  1. [1]Desert Heritage: An Artist’s Collection of Blunt’s Original Arab Horses, p. 8↩

The South American Arabian Pedigree FAQ

by Robert J. Cadranell with Michael Bowling

Originally published in Arabian Visions, January-February 1997
Revised January 2005

Horses in South America were part of the deadlock between the Arabian Horse Registry of America (AHRA) and the World Arabian Horse Association (WAHO). This article answers some frequently asked questions about the South American horses.

The AHRA mentioned thousands of horses in South America with bloodlines it would not recognize as purebred Arabian. Which South American foundation horses are in question?

The foundation horses are O’Bajan V-6, Hamdani Semri I-9, O’Bajan-7, and Kurdo III. The first three were bred at the Babolna state stud in Hungary. Kurdo III was the son of a horse from Babolna. These four horses were imported to South America in the years just prior to World War I.

Babolna breeding is in the pedigrees of many Arabians in the U.S., including *Bask, Bey Shah, and Khemosabi. What makes these Babolna bloodlines in South America different?

In 1789, the Austro-Hungarian government established at Babolna a branch of its military horse breeding. In 1816, two desert bred Arabians arrived at Babolna: the stallion Siglavy Gidran and the mare 74 Tifle. Among the horses fostered at Babolna since then is a herd of purebred Arabians, which are designated in Hungarian Arab teliver horses (the German language equivalent is Arab vollblut, literally “Arab fullblood”).

Babolna’s Arabian purebreds were always outnumbered by its Arabian partbreds, known in Hungarian as Arab fajta horses. The Germans call them Araber rasse. In earlier years, Americans used the term “Grade Arab” to describe these horses. The words Grade Arab are used, for example, in a 1946 U.S. Army Remount catalogue to describe *275 Shagya XXV and *52 Gazal II, among others.

The nomenclature used at Babolna was also in place at other Austro-Hungarian state studs, like Radautz and Mezoehegyes. The handwritten pedigrees reproduced in Hans Brabanetz’s book about Radautz illustrate usage in German. Among partbreds, the male line determines the rasse of the foal. Partbreds descending in tail male line from a purebred Arabian stallion are “arab. Rasse.” Partbreds from the male line of the Norman import Nonius are “norm. Rasse,” just as partbreds by a Kladruber stallion are “Kladr. Rasse.”

Today, a number of distinct breeds have crystallized from the Hungarian partbred stocks. Among these are the Shagya and the Gidran, each named after an imported desert bred Arabian stallion who founded a prominent sire line. Both breeds aim to combine the intelligence, endurance, and hardiness of the Arabian with more bone, size, substance, and a larger frame. The Austro-Hungarian pedigrees carefully note the breed and origin of the early foundation stock. Behind Shagya X (1855), for example, are Arabian, Spanish, and Nonius ancestors. The pedigree of Gidran XXVIII (1857) includes Arabian, Lippizzaner, Nonius, Spanish, and English Thoroughbred ancestry.

Laszlo Monostory, former commanding officer of the Hungarian state stud Alsozsuk, mentions another category of horses recognized in Hungary, which he calls in English “Anglo-Arab purebreds.” These combine Arabian and Thoroughbred blood only. According to Monostory, in the records of the Hungarian state studs such horses were recorded in purple ink, while purebred Arabians were recorded in green ink, English Thoroughbreds in red ink, and partbreds in black ink. In his book on Babolna, Dr. Hecker mentions that a slightly different color coding system was used during the 19th century.

To return to the South American horses, O’Bajan V-6 and Hamdani Semri I-9 were Arab fajta horses. Kurdo III and O’Bajan-7 each have one line to an English Thoroughbred mare named 30 Maria.

How does the Babolna naming system work?

Foundation horses imported to Hungary were given their own names. For example, the black stallion O’Bajan, bred by the Sebaa tribe, was imported from the desert in 1885.

Babolna foals are given the name of their sire followed by a foal number indicating order of birth during a given year. Thus O’Bajan foals born during 1906 were named O’Bajan-1, O’Bajan-2, O’Bajan-3, O’Bajan-4, etc.

When mares enter the broodmare band, they are given broodmare numbers in front of their name, and the foal numbers are usually dropped. The many broodmare daughters of O’Bajan included 22 O’Bajan and 124 O’Bajan. If a mare dies or is sold from Babolna, her broodmare number is reassigned to a young mare entering the broodmare band.

When stallions are promoted to chief sires at Babolna, the foal number is replaced by a Roman numeral indicating order of coming into service. Several sons of O’Bajan stood at Babolna: O’Bajan I started in 1895, O’Bajan II in 1897, O’Bajan III in 1902, O’Bajan IV in 1903, and then O’Bajan V. The next sire of this line, O’Bajan VI, was a son of O’Bajan V. Recently Babolna has used O’Bajan XXIV, foaled in 1997.

Just as with the original O’Bajan, foals of these later horses are named after their sire, e.g. O’Bajan V-1, O’Bajan V-2, etc. Babolna stallions can also be assigned to state-owned stallion depots and given a number in front of the name. The 1954 colt O’Bajan X-5 became 4604 O’Bajan X-5.

Sometimes exceptions were made. The breeding sons of Mahmoud Mirza included Jussuf, Mehemed Ali, and Kara Mirza. The desert bred O’Bajan had a breeding son named Dzsingiskhan. Also, if a sire line disappeared from Babolna for several generations and was later reintroduced from another Hungarian government farm, the new horse might be unnumbered, e.g. Gidran or Samhan. Note also that Shagya X at Mezoehegyes, Shagya X at Babolna, and Shagya X at Radautz were three different horses. To further complicate things, if a stallion was moved from one farm to another, he was usually renumbered. Thus Shagya XVII at Mezoehegyes was known as Shagya VIII after transfer to Babolna.

Who was 30 Maria?

According to the 1972 Babolna stud book, the first edition of volume I of the Polish Arabian Stud Book, and Dr. Walter Hecker’s history of Babolna, the Austro-Hungarian broodmare 30 Maria was an English Thoroughbred foaled in 1842. Maria’s registration as a Thoroughbred and her foals born in England appear in Weatherby’s General Stud Book, which states, “Sold to the Austrian Government in 1852, before foaling” (see volume VII, page 230). The pedigree for 30 Maria appears here.

She was left in England to foal and then brought to the Austrian stud of Piber later in 1852. The Austro-Hungarian government established the stud farm of Kisber in 1853 for breeding Thoroughbreds and Thoroughbred crosses, and Maria was sold to Kisber in 1854. On May 3, 1861, she was bred to the imported desert bred stallion Aghil Aga, producing a bay filly on April 7, 1862. The filly was designated 3 Aghil Aga when she entered the broodmare band at Babolna, and the 30 Maria line descends through her.

30 Maria herself was transferred from Kisber to Mezoehegyes in October of 1862. Her last owner was Baron Bela Wenckheim; 30 Maria died in 1865.

The broodmare daughters of 3 Aghil Aga included 6 Mahmoud Mirza (1870), 35 Mahmoud Mirza (1871), and 90 Mehemed Ali (1878), but it was through 6 Mahmoud Mirza that Babolna developed a long line of horses with Arabian blood plus 30 Maria. A more recent example of such breeding is 30 Maria‘s tail-female descendant 125 Ghalion, born in 1975. After 12 generations of crossing to Arabian stallions, 125 Ghalion has just 0.024% of 30 Maria‘s blood.

The 30 Maria line appears in WAHO pedigrees through Babolna bloodlines that went to South America and Babolna lines that went to Romania. One of 30 Maria‘s first descendants to stand at Babolna as a chief sire was O’Bajan I. A son of his was sold to Germany where he sired Kurdo III.

Who owned Kurdo III?

Arabian breeding in South America began with the horses of Sr. Hernan Ayerza. He imported his earliest foundation stock to Argentina in 1894 and was for decades one of the world’s largest private breeders of Arabian horses. When he died in 1940, he owned 221 head. Hernan Ayerza’s foundation stock came from several sources, including France, Crabbet Stud in England, and his own importations of desert bred animals. Hernan Ayerza also had a stallion named Kurdo III. According to volume VII of the Stud Book Argentino (SBA), Kurdo III was imported in 1910 and was in service at Hernan Ayerza’s stud beginning 1912. He became a heavily used sire for Hernan Ayerza.

Kurdo III was bred at the Koenigsfeld stud in Saxony, Germany, but he was sold to Argentina through the Circus Hagenbeck. European circuses have a long tradition of acquiring Arabian stallions to train as performers. The Tierpark Hagenbeck in Hamburg, Germany, is still a popular tourist attraction. Kurdo III‘s dam, Gamorra, traced to horses bred at Weil in Germany, horses bred by Poland’s Sanguszko family, and in tail-female to horses from Babolna. See Kurdo III‘s pedigree for details.

Why is he called Kurdo III? Who were the other two horses named Kurdo?

According to SBA, Kurdo II was a 1909 colt by Racid and out of Kariban. The original Kurdo was an 1899 colt by Richam and out of Kariban. Both of these colts were bred by Hernan Ayerza.

Nebal by Rukham ex Mottaka, an O’Bajan V-6 daughter by Hamdani Semri I-9

Did Hernan Ayerza own O’Bajan V-6, Hamdani Semri I-9, and O’Bajan-7?

No. Hernan Ayerza had a brother named Alfonso Ayerza who also bred Arabians, although on a smaller scale. Alfonso Ayerza started his program with the stallion Hamdani Semri I-9 and mare O’Bajan V-6, both stated in SBA to have been imported in 1909. His pedigree appears here and hers is here, but it would be necessary to extend them for many more generations to calculate the exact amount of non-Arabian blood. Hamdani Semri I-9 and O’Bajan V-6 had a 1911 daughter named Mottaka. Alfonso Ayerza bred Mottaka to the Crabbet stallion Rukham to produce a colt named Nebal. In 1978, Colin Pearson described Nebal’s male line as the primary sire line of Argentine breeding.

According to the SBA, more imports soon joined Alfonso Ayerza’s program. Two more Babolna mares, Hadban I-4 and O’Bajan-7, were imported in 1911. Djellah was imported from France in 1912. In August of 1913, Alfonso Ayerza purchased the stallion Rukham and the mare Nadima from Lady Anne Blunt of the Crabbet Stud in England. Alfonso Ayerza also incorporated, starting 1911, a desert bred horse named Seglaani al Abdi.

Alfonso Ayerza’s herd developed separately from Hernan’s, at least through 1923. During this time the only use Alfonso made of his brother’s horses was to breed two mares to Racid, but both mares were returned barren in SBA.

Of the Babolna mares imported in 1911, Hadban I-4‘s pedigree was Arab teliver. O’Bajan-7‘s pedigree, however, traced in tail-female to 30 Maria. In summarizing the influence of Rukham, Colin Pearson mentions the 1924 colt Setuhan (Rukham x O’Bajan-7).

Although the two Ayerza brothers developed their programs separately, their bloodstock was the major foundation for the following generations of South American breeders.

I’ve heard that there could already be Kurdo III blood in Arabian horses in the United States. How is that possible?

In 1926, Hernan Ayerza sold ten mares to the Duque de Veragua as foundation stock for his newly established stud in Spain. Ayerza also gave the Duque a colt, Kumit, but Kumit and a colt imported in utero were both gelded and do not seem to have been used for breeding. The ten mares are listed below:

Holail II 1922 (Haurram II x Alima, by Ajman)

Radjef 1922 (Risfan x Kamil, by Kurdo III)

Roala III 1922 (Risfan x Aziyade, by Ajman)

Hayadjan 1923 (Haurram II x Kadidjah, by Kurdo III)

Heknat 1923 (Haurram II x Adda, by Ajman)

Razayel II 1923 (Risfan x Riyala, by Racid)

Kate 1924 (Kurdo III x Habaya, by Haurram II)

Khotbat 1924 (Kurdo III x Halama, by Haleb)

Rabih 1924 (Rustnar x Kefta II, by Kurdo III)

Rafa 1924 (Risfan x Kaaba, by Kurdo III)

As of Spanish Stud Book (SSB) volume XXII, six out of the Duque’s 29 broodmares had Kurdo III blood. The Duque bred Arabians for only about ten years. He and his stud manager were killed in 1936 during the Spanish Civil War. With the Duque and his stud manager gone, many of the Duque’s younger mares and fillies could not be identified positively. Nonetheless they were retained in the SSB as “Veragua horses” without further pedigree. It cannot be known if any of these Veragua horses descend from Kurdo III. Veragua blood is found in some Spanish Arabians imported to and registered in the United States.

In 1978, Michael Bowling discussed the fate of the Duque de Veragua and his stud with the Duque’s niece. See his article “Spain” in Arabian Horse World, October 1978, in particular pp. 155-7, in which he recounts the family version of the story as told to him in Spain.

Kurdo III does have traceable descendants in Portugal through Aksoum (Razada x Radjef), bred by the Duque and sold to Portugal in 1933.

Isn’t it also true that a few Arabians already imported to and registered in the U.S. trace to some of the same Hungarian partbred Arab ancestors as Hamdani Semri I-9 and O’Bajan V-6?

In 1891, Babolna traded chief stallion Zarif I for Ibn Achmet of the Antoniny Stud in Poland. Zarif I is the great-grandsire of both O’Bajan V-6 and Hamdani Semri I-9. According to Britta Fahlgren’s The Arabian Horse Families of Poland, this Babolna stallion was the sire at Antoniny of Tybet, whose grandson Ornis was exported to Spain in 1912. From there the Ornis blood has found its way to the United States. An alternate reading exists for the pedigree of Ornis, since his export document from the Antoniny Stud describes Tybet as imported, not bred in Poland. However, reported translations of material from the earliest Arabian stud book of Russian Poland do not support this version.

Another Babolna stallion with Gidran breeding, Jussuf (1885), also stood in Poland. At the Slawuta Stud, he sired the mares Otawa and Porta. These mares are in the pedigree of 40 Lenkoran II, a stallion bred at Sarajevo. 40 Lenkoran II is the grandsire of a mare imported to the U.S. in 1946 and later registered in the U.S. Arabian stud book, where she has descendants.

Sources and Selected Bibliography

Books

Rosemary Archer, Colin Pearson, Cecil Covey: The Crabbet Arabian Stud, Its History & Influence (Alexander Heriot, 1978).

Hans Brabanetz: Das k.k. Staatsgestuet Radautz und Seine Pferde (ISG Verlag, 1987).

Monique Dossenbach, Hans Dossenbach, Hans Joachim Koehler: Great Stud-Farms of the World (William Morrow & Co., Inc., 1978).

Britta Fahlgren: The Arabian Horse Families of Poland (Alexander Heriot, 1991)

Walter Hecker: Babolna und seine Araber (ISG Verlag, 1994)

Wojciech Kwiatkowski: The Complete Pedigrees of Arabian Horses from Babolna (Kawalkada, 1994)

Joanna Maxwell: Spanish Arabian Horse Families 1898-1978 (Alexander Heriot, 1983)

Otto Mayr: Allgemeines oesterreichisches und ungarisches Gestuetbuch (1867).

Erika Schiele: The Arab Horse in Europe (Borden Publishing, 1970)

C.G. Wrangel: Ungarns Pferdezucht in Wort und Bild (Schickhardt & Ebner, 1893-95).

Personal Communication

Wojciech Kwiatkowski for pedigree and other historical data

Veronica Lencinas for pedigree data

Tamas Rombauer and Andrea Toth of Babolna for checking the Babolna archives in response to specific questions

Carol M. Schulz for pedigree data

Gudrun Waiditschka for pedigree and other historical data

Periodical literature

Marta Cossio, “The Arabian Horse in Argentina,” Arabian Horse World, December 1979, p. 451.

Jill Erisman, “South America,” Arabian Visions, March-April 1995, p. 45.

Laszlo Monostory, “The Hungarian Naming System,” Arabian Horse World, May 1966, p. 50.

Carol Schulz, “Spain,” Arabian Visions, March-April 1995, p. 45.

Stud Books

as mentioned, plus the German Shagya Stud Book and Arabian Horse DataSource

A Wrinkle in the Stud Book: Rosa Rugosa 166

Copyright 1991 by R.J.CADRANELL
from Arabian Visions Jan 1991
Used by permission of RJCadranell

One of the most puzzling registrations in the first edition (1944) of Volume V of our Arabian Stud Book is 166. This is the number assigned to a bay mare foaled March 27, 1907, and entered in the Stud Book as “*Rosa Rugosa.” Her sire was *Imamzada, and her dam was *Rose of Sharon. The Stud Book states that Rosa Rugosa was bred by the Crabbet Stud in England, and imported in 1911 by American foundation breeder Spencer Borden, of Fall River, Massachusetts. The same Stud Book states that Borden imported both *Imamzada and *Rose of Sharon from England in 1905. There’s the rub, or in this case, the wrinkle. With both her parents owned in America, how was it that this animal was bred in England and imported to America as a four-year-old? Or could there be an error in the Stud book?

Unlike some problematic early registrations, there is enough evidence to iron out Rosa Rugosa’s wrinkle. The 1986 publication, Lady Anne Blunt, Journals and Correspondence, contains much of it. From correspondence published in this book, we know that Borden made what was apparently his first visit to Crabbet, on September 6, 1905. After his visit, he wrote to Lady Anne Blunt,

“I find the family that pleases me most is that of Rose of Sharon. As I should have to pay duty on the old mare, I would much prefer having Ridaa her daughter or Risala her granddaughter, unless the price of the old mare is quite a short one. Ridaa, I understand you will not sell, and I fear the price on Risala would be too high…” (1) (page 433)

*Rose of Sharon was then twenty years old, and had already assumed the position of one of the most valuable and distinguished broodmares the Blunts ever bred at their Crabbet Stud. She had produced her eleventh foal in 1904, and was in foal for 1906. Lady Anne Blunt replied,

“…I could take 100gs for Rose of Sharon. I am, however, not keen to sell the mare as she is in foal to Harb, and also at her age the change she is making to a new climate and surroundings might be trying…”(1) (page 433)

Despite the initial reservations on both sides, Borden and Lady Anne eventually struck a deal. *Rose of Sharon’s English Stud Book Certificate, recording her sale to Borden (now at the Arabian Horse Trust) is dated September 28, 1905. According to Michael Bowling, (2) the Crabbet herdbook records that, *Rose of Sharon was shipped from Liverpool on October 6. The section of Borden’s book detailing importations to America, states,

“In October 1905 there came… the famous old mare Rose of Sharon…”(3)(page 93)

Borden had added his prize, a mare he felt was just about the best the Crabbet Stud could offer him, to his own small herd in America.

A letter from Borden to “Harry” (perhaps Major Henry Leonard) dated November 3, 1919 (now on file at the Arabian Horse Trust) continues the story:

“When I visited Crabbett Park [sic] in 1905, I thought Ridaa the best mare…No price would buy her. As I wanted some of the blood, I had to buy her dam, the Rose of Sharon, then 20 years old.
“In January 1906, she foaled Rodan. I bred her to Imanzada [sic] and in 1907 she had Rosa Rugosa. I sold her to Ames as a yearling.”

*Rodan was the Harb colt *Rose of Sharon had been carrying when she left Crabbet. *Imamzada was a bay or brown stallion of non-Crabbet lines, foaled in 1891. Borden had bought *Imamzada from the Hon. Miss Etheldred Dillon during his September 1905 trip to England. This was “before he went down to Crabbet.” (1) (page 420)

Arabians of H.H. and W.R.Brown Registered in 1916:

  • (N.B. *157 was a Hingham Stock Farm foal registered 2-10-16)
  • 160 *Shibine
  • 161 Nazlet, mare of H.J.Brown’s from Borden
  • 162 *Antika, imported by Borden, owned by W.R.Brown
  • 163 (Alladin, colt bred by Albert Harris)
  • 164 *Narda
  • 165 *Risalda, imported by Borden, owned by Brown
  • 166 Rosa Rugosa
  • 167 *Noam
  • 168 Matina, 1913 foal bred by H.J.Brown
  • 169 Hajar, 1915 foal bred by W.R.Brown
  • 170 Jafa, 1915 Brown foal
  • 171 Mahmet, 1915 Borden foal owned by Brown
  • 172 Reza, 1915 Rosa Rugosa foal bred by H.J.Brown
  • 173 Abeleyd, 1913 *Shibine foal bred by H.J.Brown
  • 174 (Yemen, 1915 Hingham foal)
  • 175 Abyssam, 1916 Brown foal
  • 176 Gemar, 1916 Brown foal
  • 177 Kahlaga, 1916 Brown foal
  • 178 Suleiman, 1916 Brown foal
  • 179 Yaquida, 1916 Brown foal
  • 180 Djemeli, 1916 Brown foal
  • 181 Mariam, 1915 Brown foal
  • (N.B.*184 was a Hingham foal registered 12-4-16)

*Rose of Sharon did not live many years in America. This was not because she was sent back to England, as some people have hypothesized to explain the confusing Rosa Rugosa registration. Borden wrote to Lady Anne Blunt on July 29, 1907. “You will be sorry to hear that Rose of Sharon died last week. A severe attack of what seemed like cholera, perhaps brought on by the dreadfully hot weather, carried her off. She left me a fine filly, by Imamzada, which I have named Rosa Rugosa.” (1) (page 438)

Rosa rugosa is the botanical name of a species of rose having rough leaves with furrowed veins (from the Latin rugosus wrinkled). In naming the filly Rosa Rugosa, Borden was following the Crabbet Stud practice of connecting the names of foals to the names of their dams. *Rose of Sharon was the daughter of Crabbet foundation mare, Rodania. The Blunts named Rodania’s other daughters Rose of Jericho and Rosemary. Among Rodania’s granddaughters were *Rosetta, Rose of Dawn and Rose Diamond, the dam of Rose of Hind.

As we already know, Borden sold Rosa Rugosa to Frederick Lothrop Ames when she was a yearling. Ames was a descendant of the founder of the “Ames Shovel and Tool Company.” The family seat was in North Easton, Massachusetts. Beginning in 1909, Ames bought some Arabians of his own from Crabbet. On the occasion of Ames’ (July, 1909) visit. Lady Anne Blunt noted in her journal that, “[h]e possesses the R. of Sharon filly by Imamzada, very fine he says which he bought from Borden.” (1) (page 338)

In 1909, Ames bought a number of horses from Wilfrid Blunt, including the mares, *Shibine and *Narda. The mares were imported in 1910, and *Narda produced a filly named *Noam, in 1911.

The imported Arabians mentioned thus far, as well as Rosa Rugosa, were registered in the Arabian section of the Jockey Club’s American Stud Book, well before they were entered in our Arabian Stud Book. As of the Jockey Club’s 1914 Stud Book, the Ames’ mares, *Narda and *Shibine, were owned by Herbert J. Brown, brother of W.R.Brown of the famous Maynesboro Stud. H. J. Brown seems to have acquired the bulk of the Ames’ Arabians. As of 1914, H. J. owned Rosa Rugosa as well as *Narda and *Shibine; he is credited as the breeder of Rosa Rugosa’s first foal, Kheyra, registered in the Arabian Stud Book as born in 1913.

In 1916, the Brown brothers burst into the Arabian Stud Book with a nearly solid block of 20 registrations, as shown in the accompanying box. The first published Stud Book in which these registrations appeared was Volume II, dated 1918. At that time Rosa Rugosa was listed as dead, and the misinformation about her having been bred at Crabbet and imported by Borden in 1911, first saw print. Where it came from is difficult to judge; perhaps it was a clerical error, since the mare registered immediately before Rosa Rugosa, *Risalda 165, really was bred at Crabbet and really was imported by Borden in 1911. The one Jockey Club Stud Book naming Rosa Rugosa’s breeder, is Volume XII. It says that she was bred by Spencer Borden.

Arabian Stud Book Volumes II, III, IV, and V, all list Rosa Rugosa as bred at Crabbet and imported by Borden in 1911. The third edition of Volume V (1973) corrects the name of her breeder to Spencer Borden. The 1986 edition of the Registry’s Stud Book on microfiche, however, has returned to the erroneous information with the curious addition of a specious importation date of 3-28-07.

Though three of her four registered foals, Rosa Rugosa’s line is active in Arabian breeding today. Her daughter, Kheyra (by *Astraled) is the dam of Rawada. Rosa Rugosa’s most widespread line is through her son, Sidi (by Khaled), sire of Babyat, Raad and Rehal.

References

    Lady Anne Blunt, Journals and Correspondence
    CMK Record, Vol. IV, No. 3, (writing in )
    The Arab Horse, Spencer Borden

Lady Anne Blunt in the London Times

Lady Anne Blunt in the London Times

Copyright 1992 by R.J.CADRANELL

from Arabian Visions December 1992

Used by permission of RJCadranell

Readers are probably familiar with the name of Lady Anne Blunt, who founded England’s Crabbet Arabian Stud with her husband Wilfrid Blunt in 1878. Most articles written about Crabbet focus on the horses with little more than a glimpse of the woman behind them.

Lady Anne Blunt died in Egypt on December 15, 1917. Two weeks later, on December 29, her obituary ran in the London Times. It offers a summary of her life and accomplishments outside of her horse breeding interests:

Byron’s Granddaughter

The Late Baroness Wentworth

A correspondent writes:–

A distinguished and well-beloved personality has just passed away in the person of Baroness Wentworth — better known as Lady Anne Blunt. It is now half a century since she and her brother Lord Wentworth (afterwards second Earl of Lovelace), attracted much interest in London society as grandchildren of the poet Byron. A few still remember her charm as a girl. Her face, with its exquisitely delicate features, dark brown eyes, and expression of high intelligence and warmth of heart, was attractive at all ages. Her figure was small but beautifully made, and though simple and unassuming as a child, she had a gentle, old-fashioned dignity of manner which was all her own. An additional charm was the softness of her voice in speaking. It will be remembered that this attraction is recorded of her famous grandfather.

She learnt drawing from Ruskin. Her gift for sketching was unequaled, especially as regards horses, and the rapidity of her pen-and-ink drawings could never have been guessed from their minute perfection. An architectural drawing done by her at the age of 12 was hung in the Royal Academy. The beautiful house at Crabbet Park was designed by her. That her artistic and literary gifts are not better known to the world at large is due to her retiring nature and love of self-effacement; she always preferred to enjoy the triumphs of her friends. She was a first-class chess player, mathematician, and linguist, being a most distinguished Arabic scholar. She had much knowledge of music, and had been a friend of Joachim. She was a remarkable long-distance runner until she dislocated her knee on one of her desert journeys. Medical help not being at hand, she continued to ride for weeks with her swollen and useless leg supported by the foot in a rope tied to her waist. At the age of 77, she could still vault on to a horse unassisted, and while in the prime of her strength habitually rode a buck-jumper, which afterwards “put down” the crack Australian roughrider of that day. Perhaps this was her proudest achievement.

To her stoical endurance of pain and hardship, her asceticism and self-sacrifice, she joined a light-hearted gaiety, a delightful humour and lavish generosity and loyalty of nature, together with fathomless sympathy for the sufferings and weakness of others.

In 1869 she married Mr. Wilfred Blunt [sic], of Crabbet Park, Sussex, who survives her (then in the diplomatic service and not yet known as a poet), and for years moved in the best literary and general society of her day, always holding her own and distinguished among the best of company. But her heart was not in drawing-rooms. She worshipped the sun and the wind and the hills and the freedom of outdoor life, happiest always in the saddle, or caring for the welfare of her numerous family of Arab horses, so well-known to all her visitors both at Crabbet and at her Egyptian home at Sheykh Obeyd, near Cairo. Her perfect horsemanship, her absolute fearlessness, and the extremely abstemious habits which she inherited from a very remarkable father (the first Earl of Lovelace) made her singularly well fitted for the adventurous journeys which she undertook in the seventies and eighties of the last century. She rode (the only woman in the cavalcade) with her husband through the wildest parts of the Mesopotamian and Arabian deserts, penetrating to jealously guarded fastnesses and often in no slight peril. She crossed the Tigris, Euphrates, and Kherkha rivers, either on a goatskin raft or clinging to a swimming horse. Knowing the formidable nature of these rivers, she foretold the military difficulties in those regions. To the end of her life the romance and delight of these wild journeys were never far from her memory.

Her last years were mainly lived in Egypt, whence since 1915 she had been unable to return at all. She spent her time dispensing kindness to all about her, and especially to the soldiers, wounded and unwounded, who now surrounded her. It was within a few weeks of her 80th birthday that she simultaneously finished a book (her History of the Arabian Horse), which it is believed is likely to become a classic, and inherited the ancient barony that had descended to her through her grandmother, Lady Byron. About a month later she fell ill, and the strength that had up till then seemed extraordinary for her age at last failed her. For those whom she has left here it is a tragedy. For herself, no. She lies for ever under the Eastern sun, in the land of her heart, and her memory will not soon fade. To the end of her life she had the heart of a child, the brain of a scholar, and the soul of a saint.

***

Who was the correspondent who wrote to the Times about the passing of Lady Anne Blunt? It was someone familiar with her entire life, from her ancestry to her debut in London society to her marriage and desert journeys. The writer knew Lady Anne had designed the house at Crabbet and about her knee injury. Wilfrid Blunt’s name was spelled incorrectly, but that could have been done in typesetting at the Times.

It is probably safe to guess that the writer was Lady Anne’s daughter, Lady Wentworth. Mention is made of Lady Anne’s completion of a book on the Arabian horse. This manuscript she willed to her daughter. The tone and phrasing of the piece are strikingly similar to Lady Wentworth’s discussions of her mother in her own book, The Authentic Arabian Horse. The “my mother was a saint” theme runs throughout Lady Wentworth’s written commentary on her mother’s life. Whoever the writer was, he or she has left a moving portrait of a foundation Arabian breeder.

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Davenport Arabians

Davenport Arabians

Arabian Visions Jul/Aug ’96

Copyright © 1996

Used by permission of Arabian Visions

The Davenport bloodline is one of the original bloodlines of American Arabian breeding. In 1906, before there was even an Arabian Horse Registry, Homer Davenport realized his boyhood dream of traveling to Arabia and buying Arabians directly from the Bedouin horse breeding tribes.

Davenport was not the first English speaking importer of foundation Arabian bloodstock. Starting just over 30 years before Davenport’s trip, in the 1870s, a few people from England traveled the same desert regions and bought Arabian horses from the same tribes. These people–notably Roger Upton and the Blunts–put their travel experiences and Arabian horse lore down in books. Upton and the Blunts had apparently learned much from James Skene, British Consul in Aleppo since the 1850s. Davenport made use of the Blunt and Upton books in planning and executing his own trip. He learned the names of the principal horse breeding tribes, the various family or strain names of Arabian horses, and to insist on a sworn attestation of purity and breeding–known in Arabic as a hujja–for each horse purchased.

Davenport left the United States in July. By what has been described as a series of fortunate blunders, he was able to ship to the United States a group of 27 horses. Most of these were stud colts, an item easily and inexpensively procured from any horse breeder. Also included, however, was a real prize: eight purebred Arabian mares, along with two 1906 fillies.

Davenport was a political cartoonist, and it was thought that one of his cartoons was key to Theodore Roosevelt’s election in 1904. Thus President Roosevelt, a fellow horseman and interested in Arabians for cavalry breeding, was happy to lend diplomatic support to the expedition. Davenport’s partner in Arabian horse breeding was Boston industrialist Peter B. Bradley, who provided the financial backing. Inquiry through the Ottoman ambassador in Washington resulted in the Sultan’s issuing a permit (called an irade) for Davenport to export mares–an item illegal to export without special permission.

Anxious to be on their way, Davenport and his two traveling companions left as soon as possible after the irade was issued. This meant they would be in the desert during the summer, when the migrating horse breeding tribes were in their northern pastures. And for some reason, in 1906 the tribes had swung a little farther north than usual.

When Davenport arrived in Aleppo, he was not sure what to do next. But in a bazaar, he met two members of the Fidaan tribe, who told him their tribe was encamped just a few hour’s ride from Aleppo. One of them offered to conduct Davenport to the house of Akmet Haffez, a rich and powerful intermediary between the Ottoman government and the region’s Bedouin tribes. Being a man of action, Davenport went immediately to see Haffez.

This was a violation of protocol. Davenport was carrying an Imperial irade and traveling under the aegis of President Roosevelt. Propriety dictated he first call on the region’s Ottoman governor, Nazim Pasha. Haffez was so honored by Davenport’s visit that he presented two horses to the Davenport party and personally took charge of the expedition, accompanying Davenport out to the tribes, and assisting in negotiations. Davenport and Haffez became fast friends, and before the trip was out went through a blood brother ceremony which bound them together as family.

Davenport died not even six years after his importation. By then, however, most of the Davenport horses were located with Peter Bradley, who continued to breed them together until the 1920s.

Any bloodline this old should have long since been outcrossed out of existence. Yet enough people have recognized the importance of maintaining the Davenport bloodline, and bred enough foals along the way, that these horses have survived 90 years in the hands of American breeders–the majority of whom are bent on topcrossing to the latest imported outcross bloodline. The Davenports offer the intellectual fascination of owning something unique in Arabian horses animals tracing wholly to one of the breed’s foundation breeding groups. Their documented Bedouin origin is also unusual. Few other Arabian horses can show in every line uninterrupted descent from authenticated Bedouin stock.

This heritage and background would be of lesser note if the Davenport horses themselves were not so eminently appealing. They meld complex, almost human brains with the conformation of a using horse and the lithe, graceful beauty inherent to all desert creatures. Naturally there is some variation within the Davenport herd: like snowflakes no two are exactly alike, yet all are recognizable as examples of Davenport breeding, and all look like Arabians.

Among the most typical physical characteristics of Davenport horses are fine skin and coat, balanced conformation, flat bone, well let-down knees and hocks, and wideset, prominent eyes. Under saddle they are sensitive and smooth with a light and airy tread–as though riding on “wings and springs,” as one author put it. Their mental traits include intelligence and an interest in communicating not just with people but most any animal species they happen to meet. They are keenly aware of humans as fellow beings, not just another item in the catalog of their environment. The case for docility can be overstated, however. Although among the most manageable of Arabians, they are still horses, not overgrown puppy dogs, and need to be handled with sensible and responsible horsemanship.

Most Davenport horses have been bred by people interested in a friendly, companionable riding horse with traditional Arabian type. These values attracted the owners to the Davenport bloodline in the first place, along with an awareness of their history. Thus they were more likely to select matings with an eye to perpetuating rather than changing, the characteristics of Davenport horses. All Davenports are not equal, but the most glorious of them have never been surpassed as examples of the traditional Arabian horse.

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The Ever Expanding Crabbet Universe

The Ever Expanding Crabbet Universe

Copyright 1991 by R.J.CADRANELL

from Arabian Visions March 1991

Used by permission of RJ Cadranell

 

Words are defined in one of two ways: the first is by long-standing and widely accepted dictionary definitions. The second is according to how a word is actually used in the living language. As a word’s new meaning gains wider and wider acceptance in first the spoken and finally the written language, dictionary writers must acknowledge at last what is happening in the real world, and amend their volumes. The meaning of many words has changed over time, reflecting changes in society at large.

For example, the word “access” has traditionally been a noun. We speak of the access to a highway or building, or of gaining access to information. The advent of computers has changed this word into a verb: “Will you hold please while I try to access that for you?” is something one hears over the phone these days, when calling to make inquiries. An “access” is no longer just something we can see or acquire; accessing is now a thing we can do.

There’s nothing new about words changing their meanings. The Old English word “dysig,” meant foolish or ignorant. Its modern descendant, “dizzy,” means unsteady or light-headed. To call a person “dizzy” and mean “scatterbrained” is a slang expression, ironically close to the word’s original meaning.

If there were a dictionary of words used in conjunction with Arabian horse breeding and showing, adding a new definition to the word “Crabbet” is something its writers would have to consider seriously. The way the word is used today in conversation, advertisements, and magazine articles tells us that its meaning has changed dramatically.

In the middle of the eighteenth century, Crabbet was the name of an English estate in Sussex. When Sarah Gale married Samuel Blunt in 1750, the Blunt family acquired from her several estates, including Crabbet Park. Samuel Blunt’s son, William, was the father of Francis Blunt, who was the father of two boys. The elder brother died in 1872, at which time the younger brother, Wilfrid Scawen Blunt, became the owner of the Crabbet estate. Wilfrid Blunt was then age 31. Nearly three years before he had married Lady Anne Isabella Noel King-Noel. In November of 1877, Wilfrid and Lady Anne Blunt set out for Syria to buy a horse of the same blood from which the Darley Arabian had come. Before the year was out, they had hatched a plan to transplant specimens of the Arab breed to England and breed them there.

The first Arabians arrived at Crabbet Park in July of 1878. The spring of 1879 saw the first breeding season, and the first foal crop arrived in 1880. The official name of the horse breeding venture was “The Crabbet Arabian Stud.” In less formal parlance, the Blunts spoke of “the Crabbet Stud,” and among themselves of “the Stud.” Over the years they bred hundreds of Arabians at Crabbet, adding new bloodlines until approximately 1904.

Although for years catalogs had been issued with the name of the Crabbet Arabian Stud on the cover, it wasn’t until 1909 that the General Stud Book (GSB), the registration authority in England which handled the Blunt stock, published a stud book crediting foals to the “Crabbet Stud” as breeder. Prior to that time, they had been attributed either to “Mr. W.S. Blunt” or “Lady Anne Blunt.”

Lady Anne Blunt’s death in 1917 touched off a legal battle over the horses, fought between her husband and daughter, Lady Wentworth. In 1920, Lady Wentworth gained possession of the horses. She added new bloodlines, most notably the stallion Skowronek, and continued the operation of the stud until her death in 1957.

In 1924, Lady Wentworth issued a catalog under the name “Crabbet Arabian Stud.” Later she preferred to call her operation the “Crabbet Park Stud.” Breeder credits in the GSB reflect this change. Beginning with the 1949 edition, the credits read somewhat grandiosely, “The Wentworth, Crabbet Park and Burton Studs.” (Burton Park was the name of a Thoroughbred stud Lady Wentworth had bought during World War II.)

After Lady Wentworth’s death the horses passed to her stud manager, Cecil Covey. The horses he bred are credited in the GSB to the “Crabbet Arabian Stud.” He didn’t stable them at Crabbet itself, but rather at nearby Caxtons and Frogshole Farm. More than 1600 acres of the Crabbet estate, including Frogshole, was sold at auction in 1916. Lady Wentworth bought back Frogshole about 1929, and it was left to Mr. Covey, along with the horses. He also inherited Caxtons, a property “on the southern side of Crabbet Park, about half a mile from the house,” to quote Mrs. Archer in The Crabbet Arabian Stud, Its History and Influence. Mr. Covey’s breeding program was far smaller than that of the Blunts or Lady Wentworth. Highway construction forced the final dispersal of the stud in 1971.

Today, hardly a horse is now alive that was bred by the Crabbet Stud. If a “Crabbet Arabian” is one that was bred by the Crabbet Stud, there can be at best only a handful still living.

But Crabbet means much more than an Arabian horse bred by the Blunts, Lady Wentworth, or Cecil Covey. The name “Crabbet” has come to apply to an entire bloodline within the Arabian breed. Today some people specialize in breeding Arabians of ancestry tracing in every line back to the horses of the Crabbet Stud. A few people have horses bred only from the stock of the Blunts. Others choose to breed equally Crabbet horses making use of one or more of Lady Wentworth’s additions of foundation stock to the herd: Skowronek, Dafina, and/or *Mirage. Some expand their pool of Crabbet blood to include the descendants of Dargee, a horse with a pedigree showing only part of the Crabbet herd.

Horses from Crabbet were known as “Crabbet Arabians,” both to give credit to their breeder (and to acquire some of Crabbet’s luster), and to distinguish their bloodlines from those of other Arabians. The gene pool the Blunts assembled was unique. It is impossible to prove relationships between Blunt desert bred horses and anyone else’s desert bred horses. The Blunt stock is a distinct and self-contained part of the foundation of modern Arabian breeding. The horses the Blunts acquired in Egypt might have close pedigree ties to the horses of the various princes, but again exact relationships are for the most part impossible to prove. In this way, “Crabbet” is used as a handy term to identify a distinct group of bloodlines. (Skowronek’s pedigree does show that he was related to other Polish lines. Admirers of Crabbet and Poland will probably never resolve the question of to whom he really belongs.)

Miss Dillon and the Rev. F.F. Vidal were among the first Arabian breeders to make use of Arabians from Crabbet, for crossing with Arabians obtained from other sources. The horses from these crosses continued to be interbred with horses from Crabbet Park, sometimes for ten or more generations. This raises a sticky question: when, if ever, should a horse resulting from such crossing earn the title of “Crabbet Arabian”?

Many people have answered this question for themselves, by referring to any and every horse from the English Arabian breeding tradition as a “Crabbet horse.” British studs founded largely but not entirely on Crabbet blood (like Hanstead and Courthouse) produced an Arabian closely allied to those bred at Crabbet, but yet not exactly the same. For many, there is no reason not to blur the distinction.

North America has and always has had a particularly rich and diverse Arabian gene pool. Almost from the beginning, horses bred at Crabbet have been a part of it. *Raffles, *Raseyn, *Serafix, and *Rissletta are among the most famous of the many to have made significant contributions to American Arabian breeding. The Crabbet imports (and part-Crabbet imports) were combined with virtually everything else in our stud book. At one time the distinction between what had come from Crabbet and what had not was fairly easy to make. But time passed and these horses receded into the back lines of pedigrees, and finally dropped off entirely. What seems a subtle distinction is made less and less frequently. “Crabbet” has started to become a generic term to describe all of the older American breeding, much of which actually derives from the Crabbet Stud.

However, many of the older American lines of Arabian breeding have little or nothing to do with the Crabbet Stud. The Davenport and Hamidie imports, Huntington’s breeding, the lines to Mameluke, El Emir, Ishtar, and/or Kesia II behind some of the Borden imports and *Nuri Pasha, Maynesboro’s French mares, the Rihani horses, and individual animals like *Nejdran, *Lisa, and *Malouma are among the older American pedigree elements. When examined on a case by case basis, all of these are emphatically non-Crabbet. But when eight, ten or twelve generations back in a pedigree filled with significant Crabbet horses, it is temptingly convenient to blanket the whole thing with the label “Crabbet.” And in practice, many people do.

There is a further complication. Horses tracing back in all lines to Crabbet Park are today relatively scarce. In contrast, there is an abundance of predominantly Crabbet horses exhibiting many of the most admired traits traditionally associated with Crabbet stock. The World Symposium on Crabbet Breeding, held several years ago in Denver, issued a reference book containing pictures and pedigrees of some 180 horses owned by interested parties. Of these, fewer than 25 had pedigrees going back to Crabbet Park in all lines. Nevertheless, all 180 merit the label “Crabbet bred,” as the Symposium applied it to them.

“Crabbet,” as a term to describe the bloodlines from the Crabbet Stud, is not falling into disuse. Instead, the word is taking on an added meaning.

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The Crabbet Lawsuit (part II)

This entry is part 2 of 2 in the series The Crabbet Lawsuit

221b Baker Street: The Crabbet Lawsuit (part II)

As reported in The London Times

ANNOTATED BY R.J.CADRANELL

Copyright 1991 by R.J.CADRANELL

from Arabian Visions July 1991

Used by permission of RJCadranell

 

Last month this column presented the first three articles the London Times printed about the Crabbet Stud lawsuit. Those anxious to read the rest of the articles are invited to skip ahead and begin. Readers who missed last month’s “Baker Street” column might need some background information. Mr. Wilfrid and Lady Anne Blunt founded the Crabbet Stud in 1878 with horses they imported to England that year. In 1906, due to personal differences, the Blunts divided the 126 Crabbet horses into two herds and wrote a formal partition agreement. The agreement stated that on the death of one of the parties the survivor was to inherit all of the horses. Lady Anne Blunt died in 1917. Her will left her Arabian horses in trust for her teenage granddaughters. Blunt claimed all the horses as his on the basis of the partition agreement. Lady Wentworth, the daughter of the Blunts, claimed about fifteen horses for herself on the basis of exchange, purchase, and gift from her mother.

On February 14:

The Sale of Arab Horses.

Lady Wentworth’s Claim.

Mr. Pollock, the Official Referee, continued the hearing of the claims by Lady Wentworth and the Public Trustee to the ownership of a part of the Crabbet Park Arab Stud. The defendant is Mr. Wilfred Secawen[sic] Blunt, who carried on the stud for many years with his wife, Lady Anne Blunt.

Lady Wentworth, resuming her evidence, said that she was largely basing her claim to the “greys” on her mother’s entry in the catalogues: “To go to Judith on my death.”

Mr. Hughes, K.C. — Have you the slightest doubt that in the face of that Lady Anne Blunt intended to keep them herself during her lifetime?

The witness said that she had, but she would prefer the Official Referee to decide.

Are you sure that your father told you that he had transferred the management of the stud, and not the ownership?–Quite sure. You have it in my diary.

There is a letter from Mr. Blunt to your mother in which he said: “I have no desire other than to hand over to you the entire ownership and management of the stud, retiring altogether myself.” Are you clear that he used the word ownership to you?–Quite clear.

Lady Wentworth said the sale by her of portions of the Crabbet Estate was due to the burden of the mortgage of 15,000 on it when it was settled on her by her father. She sold the land very reluctantly, and she told her father at the time that it was his fault for burdening the estate.

As to the “assault” incident, Lady Wentworth said that she did not wish it to be thought she had been indifferent to the injury suffered by Holman, the stud groom, on the occasion of the encounter at the stables. She was sorry to hear that he had been hurt, and when he resisted the attempt to removed the horses she told him, no doubt, it was his duty to Mr. Blunt to protest, but she did “not think he need have been so violent about it.”

Mr. Hughes, opening the case for Mr. Blunt, said that it seemed to be clear that the object of the deed of 1906 was to maintain that there was really one stud in two halves, and if either party died his or her half was to go to the survivor. There were negotiations in 1915 for the preparation of a new agreement in accordance with the proposals made between Lady Anne Blunt and Mr. Blunt, but the agreement was never executed. Lady Anne Blunt wrote from Egypt that she was much amused at the squire’s having detected a flaw in it, and she added: “Meanwhile I suppose the old agreement holds and would save trouble in case of my death.”

In one of Lady Anne Blunt’s letters, which was quoted by Counsel, she spoke of “my exaggeratedly great age.” Lady Anne Blunt, said Counsel, was getting on for 80, and he had been told that she played polo until the age of 75. A letter of Mr. Blunt’s to his wife referred to “the latest of Judith’s mad letters,” and contained the remark: “It would be fatal to leave the stud to Judith.”

The hearing was again adjourned.

 

And on February 20:

The Crabbet Stud Dispute.

Lady Wentworth’s Claim.

Mr. Pollock, the Official Referee, continued the hearing of the claims by Lady Wentworth and the Public Trustee to certain horses in the Crabbet Park Stud.

Mr. Arthur C. Caffyn [sic], who was stud manager for Lady Anne Blunt, when she was in England, said she was practically her own stud manager.

Mr. Storry Deans (who appears for Lady Wentworth).–Lady Anne was a very estimable lady, wasn’t she?–Quite. If she had a fault it was that she was inclined to be too generous.

Was she the sort of person who was likely to conspire to defraud anyone of his property?–I should not have thought so.

Counsel read a letter from Lady Anne Blunt to Lady Wentworth, written in August, 1917, from Egypt. It said:–

My mind is so exhausted that I cannot say more to-day, though there are hundreds of things to be said which come into my head whenever I am able to put them down. One, however, which is a great relief to me is that I have succeeded in making the last preparations for death. About this I have been very anxious. It seems so near, always almost within my grasp, and you can imagine the joy of feeling ready. Please pray for me. …By the way, I have been reading again the book on miracles which I had lent to others and have only just got back.–Ever your devoted mother.

The witness said that Mr. Blunt never suggested to him that he would like to get rid of his half of the stud, and he was not surprised when Mr. Blunt’s horses came over to be kept by Lady Anne Blunt, because it had been talked of for months before they came over.

Counsel.–Wasn’t it a fact that after 1916 they were always spoken of as her ladyship’s horses?–They were always spoken of as “the stud.” There was no mention of a name.

James Holman, Mr. Blunt’s stud groom, said that he had been in the service of Mr. Blunt and Lady Anne Blunt for 40 years, and after the partition of the stud in 1906 he attended to the Crabbet half.

Counsel quoted a statement by Lady Wentworth, and he asked whether the witness had been bewildered when she spoke to him.

The witness.–No, I wasn’t any more bewildered than I am now. I was never much frightened at Lady Wentworth.

The witness then described the incident of April 4, 1918, when Lady Wentworth and her party went to the “Squire’s” stables and removed a mare [Riyala] and her foal.

Lady Wentworth, said counsel, called that a very humorous incident.

The witness.–Yes, I know about that. I was urged to take it to Court, but I did not like to. I had known them [referring to Lady Wentworth’s three children, and possibly Lady Wentworth herself] from babies and loved them.

The hearing was adjourned.

 

And on February 21:

The Arab Stud Dispute.

Mr. Pollock, Official Referee, continued the hearing yesterday of the claims by Lady Wentworth and the Public Trustee to a part of the Crabbet Park Arab Stud, which Mr. W. Blunt and his wife, the late Lady Anne Blunt, founded many years ago. The plaintiffs allege that Mr. Blunt transferred his share to Lady Anne Blunt in 1916, and that from that time the whole stud became her property.

James Holman, the stud groom, again went into the witness-box, and was cross-examined by Mr. Storry Deans, who appears for Lady Wentworth.

Mr. Deans.–Yours was rather a good job?–I can’t say that I disliked it, Sir. I always tried to do my duty.

I want to ask you about the horse Rasim. Rasim was tested to stand noise, wasn’t he?–Yes.

Rasim was subjected to the test of the Crawley Town Band?–Yes.

So he would not have minded the noise of cannon? (Laughter.)–I don’t know about that, Sir.

How was it that Rasim came to be removed by you from Lady Wentworth’s stables at 6 o’clock on a morning in January?–I was merely obeying orders.

Hadn’t Lady Wentworth given you direct orders not to move any horses from her stables?–She might have done. I carried out my orders, and that is all you will get from me.

Whom were the orders from?–I do not know.

Holman, continuing his evidence, adhered to his statement that Lady Wentworth held him by the throat when he resisted her attempts to remove the horse Riyala.

Counsel.–I suggest that you made a mistake about that in the scuffle that took place?–No, Sir: there was no mistake about it. They came up there on purpose for the business. They had all got their orders from their mother.

You really say that Lady Wentworth took you by the throat?–So she did, the second time. She held me when I was finished and I was very nearly dead.

The hearing was adjourned.

 

And on February 24:

The Crabbet Park Stud.

Mr. Pollock, the Official Referee, resumed the hearing of the claims by Lady Wentworth and the Public Trustee to a number of horses in the Crabbet Park Stud from Mr. Wilfrid Scawen Blunt, who, with his wife, the late Lady Anne Blunt, founded the stud.

Mr. Storry Deans, for Lady Wentworth, said that she did not intend to sell the horses if she established her claim to them, nor did she intend to let them go to America. Her object was to keep up the stud and so preserve the life work of her mother.

Mr. Grant, K.C., for the Public Trustee, who represents Lady Wentworth’s two daughters, said that he claimed damages against Mr. Blunt for conversion of certain horses which he had destroyed or had sold to America. Mr. Blunt had given evasive evidence. Where the versions of Lady Anne Blunt and of Mr. Blunt disagreed, the evidence of Lady Anne Blunt should be accepted.

Judgment was reserved.

 

The Arab Stud Case.

Judgment in the dispute about the ownership of the Crabbet Park Arab Stud which was claimed by Lady Wentworth and the Public Trustee, who sued Mr. Wilfrid Scawen Blunt, was given by Mr. Pollock, the Official Referee, in the High Court yesterday.

The Official Referee said that it was clear that after the deed of 1906 Mr. Blunt became very anxious to get rid of the responsibilities of his half of the stud. Over and over again, according to Lady Wentworth, who had kept a record of the conversations in her diary, he spoke of his desire to be rid of his animals, as the expense was too great for him and worried him very much. In 1916 Mr. Blunt wrote to his wife a letter in which he said he had no wish but to retire altogether from the stud. That letter showed that he desired to make over not only the management but the ownership as well. Both the conduct of Lady Anne Blunt and the letters of Mr. Blunt showed that Lady Anne Blunt regarded the stud as entirely hers, and Mr. Blunt’s attitude was that of a person who merely gives advice on it, not of one who had a controlling interest. He (the Official Referee) therefore found that Lady Anne Blunt quite rightly held the stud to be wholly hers, and therefore the action of the Public Trustee, who was the trustee under her will, must succeed.

Lady Wentworth claimed the greys as a gift from her mother, but he found that they were never made over to her, and as her claim to them fell to the ground. There remained the question of damages.

Mr. Storry Deans (for Lady Wentworth), said that he did not want damages for trespass if she got the horses.

The Official Referee.–Do you want an injunction?

Mr. Deans.–I do, to prevent Mr. Blunt from interfering with these horses. If he were an ordinary litigant I should not ask for it, but he is not.

The Official Referee.–Very well.

It was agreed that the question of damages for horses which had been destroyed should be mentioned to the Court at a later date.

(So ended one of the livelier accounts of the Crabbet lawsuit. The horses Mr. Blunt had brought to his property, Newbuildings, were returned to Crabbet. Lady Wentworth bought the horses from the trustees and, with a few carefully selected outcrosses, built a world famous breeding program which she maintained until her death in 1957 at the age of 84.)