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The Ever Expanding Crabbet Universe

The Ever Expanding Crabbet Universe

Copyright 1991 by R.J.CADRANELL

from Arabian Visions March 1991

Used by permission of RJ Cadranell

 

Words are defined in one of two ways: the first is by long-standing and widely accepted dictionary definitions. The second is according to how a word is actually used in the living language. As a word’s new meaning gains wider and wider acceptance in first the spoken and finally the written language, dictionary writers must acknowledge at last what is happening in the real world, and amend their volumes. The meaning of many words has changed over time, reflecting changes in society at large.

For example, the word “access” has traditionally been a noun. We speak of the access to a highway or building, or of gaining access to information. The advent of computers has changed this word into a verb: “Will you hold please while I try to access that for you?” is something one hears over the phone these days, when calling to make inquiries. An “access” is no longer just something we can see or acquire; accessing is now a thing we can do.

There’s nothing new about words changing their meanings. The Old English word “dysig,” meant foolish or ignorant. Its modern descendant, “dizzy,” means unsteady or light-headed. To call a person “dizzy” and mean “scatterbrained” is a slang expression, ironically close to the word’s original meaning.

If there were a dictionary of words used in conjunction with Arabian horse breeding and showing, adding a new definition to the word “Crabbet” is something its writers would have to consider seriously. The way the word is used today in conversation, advertisements, and magazine articles tells us that its meaning has changed dramatically.

In the middle of the eighteenth century, Crabbet was the name of an English estate in Sussex. When Sarah Gale married Samuel Blunt in 1750, the Blunt family acquired from her several estates, including Crabbet Park. Samuel Blunt’s son, William, was the father of Francis Blunt, who was the father of two boys. The elder brother died in 1872, at which time the younger brother, Wilfrid Scawen Blunt, became the owner of the Crabbet estate. Wilfrid Blunt was then age 31. Nearly three years before he had married Lady Anne Isabella Noel King-Noel. In November of 1877, Wilfrid and Lady Anne Blunt set out for Syria to buy a horse of the same blood from which the Darley Arabian had come. Before the year was out, they had hatched a plan to transplant specimens of the Arab breed to England and breed them there.

The first Arabians arrived at Crabbet Park in July of 1878. The spring of 1879 saw the first breeding season, and the first foal crop arrived in 1880. The official name of the horse breeding venture was “The Crabbet Arabian Stud.” In less formal parlance, the Blunts spoke of “the Crabbet Stud,” and among themselves of “the Stud.” Over the years they bred hundreds of Arabians at Crabbet, adding new bloodlines until approximately 1904.

Although for years catalogs had been issued with the name of the Crabbet Arabian Stud on the cover, it wasn’t until 1909 that the General Stud Book (GSB), the registration authority in England which handled the Blunt stock, published a stud book crediting foals to the “Crabbet Stud” as breeder. Prior to that time, they had been attributed either to “Mr. W.S. Blunt” or “Lady Anne Blunt.”

Lady Anne Blunt’s death in 1917 touched off a legal battle over the horses, fought between her husband and daughter, Lady Wentworth. In 1920, Lady Wentworth gained possession of the horses. She added new bloodlines, most notably the stallion Skowronek, and continued the operation of the stud until her death in 1957.

In 1924, Lady Wentworth issued a catalog under the name “Crabbet Arabian Stud.” Later she preferred to call her operation the “Crabbet Park Stud.” Breeder credits in the GSB reflect this change. Beginning with the 1949 edition, the credits read somewhat grandiosely, “The Wentworth, Crabbet Park and Burton Studs.” (Burton Park was the name of a Thoroughbred stud Lady Wentworth had bought during World War II.)

After Lady Wentworth’s death the horses passed to her stud manager, Cecil Covey. The horses he bred are credited in the GSB to the “Crabbet Arabian Stud.” He didn’t stable them at Crabbet itself, but rather at nearby Caxtons and Frogshole Farm. More than 1600 acres of the Crabbet estate, including Frogshole, was sold at auction in 1916. Lady Wentworth bought back Frogshole about 1929, and it was left to Mr. Covey, along with the horses. He also inherited Caxtons, a property “on the southern side of Crabbet Park, about half a mile from the house,” to quote Mrs. Archer in The Crabbet Arabian Stud, Its History and Influence. Mr. Covey’s breeding program was far smaller than that of the Blunts or Lady Wentworth. Highway construction forced the final dispersal of the stud in 1971.

Today, hardly a horse is now alive that was bred by the Crabbet Stud. If a “Crabbet Arabian” is one that was bred by the Crabbet Stud, there can be at best only a handful still living.

But Crabbet means much more than an Arabian horse bred by the Blunts, Lady Wentworth, or Cecil Covey. The name “Crabbet” has come to apply to an entire bloodline within the Arabian breed. Today some people specialize in breeding Arabians of ancestry tracing in every line back to the horses of the Crabbet Stud. A few people have horses bred only from the stock of the Blunts. Others choose to breed equally Crabbet horses making use of one or more of Lady Wentworth’s additions of foundation stock to the herd: Skowronek, Dafina, and/or *Mirage. Some expand their pool of Crabbet blood to include the descendants of Dargee, a horse with a pedigree showing only part of the Crabbet herd.

Horses from Crabbet were known as “Crabbet Arabians,” both to give credit to their breeder (and to acquire some of Crabbet’s luster), and to distinguish their bloodlines from those of other Arabians. The gene pool the Blunts assembled was unique. It is impossible to prove relationships between Blunt desert bred horses and anyone else’s desert bred horses. The Blunt stock is a distinct and self-contained part of the foundation of modern Arabian breeding. The horses the Blunts acquired in Egypt might have close pedigree ties to the horses of the various princes, but again exact relationships are for the most part impossible to prove. In this way, “Crabbet” is used as a handy term to identify a distinct group of bloodlines. (Skowronek’s pedigree does show that he was related to other Polish lines. Admirers of Crabbet and Poland will probably never resolve the question of to whom he really belongs.)

Miss Dillon and the Rev. F.F. Vidal were among the first Arabian breeders to make use of Arabians from Crabbet, for crossing with Arabians obtained from other sources. The horses from these crosses continued to be interbred with horses from Crabbet Park, sometimes for ten or more generations. This raises a sticky question: when, if ever, should a horse resulting from such crossing earn the title of “Crabbet Arabian”?

Many people have answered this question for themselves, by referring to any and every horse from the English Arabian breeding tradition as a “Crabbet horse.” British studs founded largely but not entirely on Crabbet blood (like Hanstead and Courthouse) produced an Arabian closely allied to those bred at Crabbet, but yet not exactly the same. For many, there is no reason not to blur the distinction.

North America has and always has had a particularly rich and diverse Arabian gene pool. Almost from the beginning, horses bred at Crabbet have been a part of it. *Raffles, *Raseyn, *Serafix, and *Rissletta are among the most famous of the many to have made significant contributions to American Arabian breeding. The Crabbet imports (and part-Crabbet imports) were combined with virtually everything else in our stud book. At one time the distinction between what had come from Crabbet and what had not was fairly easy to make. But time passed and these horses receded into the back lines of pedigrees, and finally dropped off entirely. What seems a subtle distinction is made less and less frequently. “Crabbet” has started to become a generic term to describe all of the older American breeding, much of which actually derives from the Crabbet Stud.

However, many of the older American lines of Arabian breeding have little or nothing to do with the Crabbet Stud. The Davenport and Hamidie imports, Huntington’s breeding, the lines to Mameluke, El Emir, Ishtar, and/or Kesia II behind some of the Borden imports and *Nuri Pasha, Maynesboro’s French mares, the Rihani horses, and individual animals like *Nejdran, *Lisa, and *Malouma are among the older American pedigree elements. When examined on a case by case basis, all of these are emphatically non-Crabbet. But when eight, ten or twelve generations back in a pedigree filled with significant Crabbet horses, it is temptingly convenient to blanket the whole thing with the label “Crabbet.” And in practice, many people do.

There is a further complication. Horses tracing back in all lines to Crabbet Park are today relatively scarce. In contrast, there is an abundance of predominantly Crabbet horses exhibiting many of the most admired traits traditionally associated with Crabbet stock. The World Symposium on Crabbet Breeding, held several years ago in Denver, issued a reference book containing pictures and pedigrees of some 180 horses owned by interested parties. Of these, fewer than 25 had pedigrees going back to Crabbet Park in all lines. Nevertheless, all 180 merit the label “Crabbet bred,” as the Symposium applied it to them.

“Crabbet,” as a term to describe the bloodlines from the Crabbet Stud, is not falling into disuse. Instead, the word is taking on an added meaning.

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The Crabbet Lawsuit (part II)

This entry is part 2 of 2 in the series The Crabbet Lawsuit

221b Baker Street: The Crabbet Lawsuit (part II)

As reported in The London Times

ANNOTATED BY R.J.CADRANELL

Copyright 1991 by R.J.CADRANELL

from Arabian Visions July 1991

Used by permission of RJCadranell

 

Last month this column presented the first three articles the London Times printed about the Crabbet Stud lawsuit. Those anxious to read the rest of the articles are invited to skip ahead and begin. Readers who missed last month’s “Baker Street” column might need some background information. Mr. Wilfrid and Lady Anne Blunt founded the Crabbet Stud in 1878 with horses they imported to England that year. In 1906, due to personal differences, the Blunts divided the 126 Crabbet horses into two herds and wrote a formal partition agreement. The agreement stated that on the death of one of the parties the survivor was to inherit all of the horses. Lady Anne Blunt died in 1917. Her will left her Arabian horses in trust for her teenage granddaughters. Blunt claimed all the horses as his on the basis of the partition agreement. Lady Wentworth, the daughter of the Blunts, claimed about fifteen horses for herself on the basis of exchange, purchase, and gift from her mother.

On February 14:

The Sale of Arab Horses.

Lady Wentworth’s Claim.

Mr. Pollock, the Official Referee, continued the hearing of the claims by Lady Wentworth and the Public Trustee to the ownership of a part of the Crabbet Park Arab Stud. The defendant is Mr. Wilfred Secawen[sic] Blunt, who carried on the stud for many years with his wife, Lady Anne Blunt.

Lady Wentworth, resuming her evidence, said that she was largely basing her claim to the “greys” on her mother’s entry in the catalogues: “To go to Judith on my death.”

Mr. Hughes, K.C. — Have you the slightest doubt that in the face of that Lady Anne Blunt intended to keep them herself during her lifetime?

The witness said that she had, but she would prefer the Official Referee to decide.

Are you sure that your father told you that he had transferred the management of the stud, and not the ownership?–Quite sure. You have it in my diary.

There is a letter from Mr. Blunt to your mother in which he said: “I have no desire other than to hand over to you the entire ownership and management of the stud, retiring altogether myself.” Are you clear that he used the word ownership to you?–Quite clear.

Lady Wentworth said the sale by her of portions of the Crabbet Estate was due to the burden of the mortgage of 15,000 on it when it was settled on her by her father. She sold the land very reluctantly, and she told her father at the time that it was his fault for burdening the estate.

As to the “assault” incident, Lady Wentworth said that she did not wish it to be thought she had been indifferent to the injury suffered by Holman, the stud groom, on the occasion of the encounter at the stables. She was sorry to hear that he had been hurt, and when he resisted the attempt to removed the horses she told him, no doubt, it was his duty to Mr. Blunt to protest, but she did “not think he need have been so violent about it.”

Mr. Hughes, opening the case for Mr. Blunt, said that it seemed to be clear that the object of the deed of 1906 was to maintain that there was really one stud in two halves, and if either party died his or her half was to go to the survivor. There were negotiations in 1915 for the preparation of a new agreement in accordance with the proposals made between Lady Anne Blunt and Mr. Blunt, but the agreement was never executed. Lady Anne Blunt wrote from Egypt that she was much amused at the squire’s having detected a flaw in it, and she added: “Meanwhile I suppose the old agreement holds and would save trouble in case of my death.”

In one of Lady Anne Blunt’s letters, which was quoted by Counsel, she spoke of “my exaggeratedly great age.” Lady Anne Blunt, said Counsel, was getting on for 80, and he had been told that she played polo until the age of 75. A letter of Mr. Blunt’s to his wife referred to “the latest of Judith’s mad letters,” and contained the remark: “It would be fatal to leave the stud to Judith.”

The hearing was again adjourned.

 

And on February 20:

The Crabbet Stud Dispute.

Lady Wentworth’s Claim.

Mr. Pollock, the Official Referee, continued the hearing of the claims by Lady Wentworth and the Public Trustee to certain horses in the Crabbet Park Stud.

Mr. Arthur C. Caffyn [sic], who was stud manager for Lady Anne Blunt, when she was in England, said she was practically her own stud manager.

Mr. Storry Deans (who appears for Lady Wentworth).–Lady Anne was a very estimable lady, wasn’t she?–Quite. If she had a fault it was that she was inclined to be too generous.

Was she the sort of person who was likely to conspire to defraud anyone of his property?–I should not have thought so.

Counsel read a letter from Lady Anne Blunt to Lady Wentworth, written in August, 1917, from Egypt. It said:–

My mind is so exhausted that I cannot say more to-day, though there are hundreds of things to be said which come into my head whenever I am able to put them down. One, however, which is a great relief to me is that I have succeeded in making the last preparations for death. About this I have been very anxious. It seems so near, always almost within my grasp, and you can imagine the joy of feeling ready. Please pray for me. …By the way, I have been reading again the book on miracles which I had lent to others and have only just got back.–Ever your devoted mother.

The witness said that Mr. Blunt never suggested to him that he would like to get rid of his half of the stud, and he was not surprised when Mr. Blunt’s horses came over to be kept by Lady Anne Blunt, because it had been talked of for months before they came over.

Counsel.–Wasn’t it a fact that after 1916 they were always spoken of as her ladyship’s horses?–They were always spoken of as “the stud.” There was no mention of a name.

James Holman, Mr. Blunt’s stud groom, said that he had been in the service of Mr. Blunt and Lady Anne Blunt for 40 years, and after the partition of the stud in 1906 he attended to the Crabbet half.

Counsel quoted a statement by Lady Wentworth, and he asked whether the witness had been bewildered when she spoke to him.

The witness.–No, I wasn’t any more bewildered than I am now. I was never much frightened at Lady Wentworth.

The witness then described the incident of April 4, 1918, when Lady Wentworth and her party went to the “Squire’s” stables and removed a mare [Riyala] and her foal.

Lady Wentworth, said counsel, called that a very humorous incident.

The witness.–Yes, I know about that. I was urged to take it to Court, but I did not like to. I had known them [referring to Lady Wentworth’s three children, and possibly Lady Wentworth herself] from babies and loved them.

The hearing was adjourned.

 

And on February 21:

The Arab Stud Dispute.

Mr. Pollock, Official Referee, continued the hearing yesterday of the claims by Lady Wentworth and the Public Trustee to a part of the Crabbet Park Arab Stud, which Mr. W. Blunt and his wife, the late Lady Anne Blunt, founded many years ago. The plaintiffs allege that Mr. Blunt transferred his share to Lady Anne Blunt in 1916, and that from that time the whole stud became her property.

James Holman, the stud groom, again went into the witness-box, and was cross-examined by Mr. Storry Deans, who appears for Lady Wentworth.

Mr. Deans.–Yours was rather a good job?–I can’t say that I disliked it, Sir. I always tried to do my duty.

I want to ask you about the horse Rasim. Rasim was tested to stand noise, wasn’t he?–Yes.

Rasim was subjected to the test of the Crawley Town Band?–Yes.

So he would not have minded the noise of cannon? (Laughter.)–I don’t know about that, Sir.

How was it that Rasim came to be removed by you from Lady Wentworth’s stables at 6 o’clock on a morning in January?–I was merely obeying orders.

Hadn’t Lady Wentworth given you direct orders not to move any horses from her stables?–She might have done. I carried out my orders, and that is all you will get from me.

Whom were the orders from?–I do not know.

Holman, continuing his evidence, adhered to his statement that Lady Wentworth held him by the throat when he resisted her attempts to remove the horse Riyala.

Counsel.–I suggest that you made a mistake about that in the scuffle that took place?–No, Sir: there was no mistake about it. They came up there on purpose for the business. They had all got their orders from their mother.

You really say that Lady Wentworth took you by the throat?–So she did, the second time. She held me when I was finished and I was very nearly dead.

The hearing was adjourned.

 

And on February 24:

The Crabbet Park Stud.

Mr. Pollock, the Official Referee, resumed the hearing of the claims by Lady Wentworth and the Public Trustee to a number of horses in the Crabbet Park Stud from Mr. Wilfrid Scawen Blunt, who, with his wife, the late Lady Anne Blunt, founded the stud.

Mr. Storry Deans, for Lady Wentworth, said that she did not intend to sell the horses if she established her claim to them, nor did she intend to let them go to America. Her object was to keep up the stud and so preserve the life work of her mother.

Mr. Grant, K.C., for the Public Trustee, who represents Lady Wentworth’s two daughters, said that he claimed damages against Mr. Blunt for conversion of certain horses which he had destroyed or had sold to America. Mr. Blunt had given evasive evidence. Where the versions of Lady Anne Blunt and of Mr. Blunt disagreed, the evidence of Lady Anne Blunt should be accepted.

Judgment was reserved.

 

The Arab Stud Case.

Judgment in the dispute about the ownership of the Crabbet Park Arab Stud which was claimed by Lady Wentworth and the Public Trustee, who sued Mr. Wilfrid Scawen Blunt, was given by Mr. Pollock, the Official Referee, in the High Court yesterday.

The Official Referee said that it was clear that after the deed of 1906 Mr. Blunt became very anxious to get rid of the responsibilities of his half of the stud. Over and over again, according to Lady Wentworth, who had kept a record of the conversations in her diary, he spoke of his desire to be rid of his animals, as the expense was too great for him and worried him very much. In 1916 Mr. Blunt wrote to his wife a letter in which he said he had no wish but to retire altogether from the stud. That letter showed that he desired to make over not only the management but the ownership as well. Both the conduct of Lady Anne Blunt and the letters of Mr. Blunt showed that Lady Anne Blunt regarded the stud as entirely hers, and Mr. Blunt’s attitude was that of a person who merely gives advice on it, not of one who had a controlling interest. He (the Official Referee) therefore found that Lady Anne Blunt quite rightly held the stud to be wholly hers, and therefore the action of the Public Trustee, who was the trustee under her will, must succeed.

Lady Wentworth claimed the greys as a gift from her mother, but he found that they were never made over to her, and as her claim to them fell to the ground. There remained the question of damages.

Mr. Storry Deans (for Lady Wentworth), said that he did not want damages for trespass if she got the horses.

The Official Referee.–Do you want an injunction?

Mr. Deans.–I do, to prevent Mr. Blunt from interfering with these horses. If he were an ordinary litigant I should not ask for it, but he is not.

The Official Referee.–Very well.

It was agreed that the question of damages for horses which had been destroyed should be mentioned to the Court at a later date.

(So ended one of the livelier accounts of the Crabbet lawsuit. The horses Mr. Blunt had brought to his property, Newbuildings, were returned to Crabbet. Lady Wentworth bought the horses from the trustees and, with a few carefully selected outcrosses, built a world famous breeding program which she maintained until her death in 1957 at the age of 84.)

The Crabbet Lawsuit (part I)

This entry is part 1 of 2 in the series The Crabbet Lawsuit

221b Baker Street: The Crabbet Lawsuit

As reported in The London Times

ANNOTATED BY R.J.CADRANELL

Copyright 1991 by R.J.CADRANELL

from Arabian Visions June 1991

Used by permission of RJCadranell

 

Most books and articles about the Crabbet Stud mention the famous lawsuit fought over the horses after Lady Anne Blunt died. Her husband and daughter each had claims to the horses. The material written in recent decades has the benefit of hindsight in assessing the situation.

The London Times covered the Crabbet lawsuit as events were taking place. Although newspapers are rarely the best source of information about long ago happenings, and although one suspects the paper of choosing for publication the most sensational aspects of the case, the account has an immediacy lacking in more staid historical works.

The first article appeared in the issue of February 11, 1920, on page 4:

The Ownership of Arab Horses

The case in which Lady Wentworth and the Public Trustee are claiming horses of the Crabbet Arab Stud from Mr. Wilfred [sic] Scawen Blunt, the breeder of Arab horses, came before Mr. Pollock, the Official Referee, in the High Court yesterday.

The stud was started many years ago as the outcome of the travels in Egypt[1] of Mr. Blunt and his wife. In 1906, by a deed of partition between Lady Anne Blunt and her husband, each took a half share in the stud, and this arrangement was continued down to 1916, when the Public Trustee, who represents beneficiaries[2] under Lady Anne Blunt’s will, alleged that Mr. Blunt transferred his half to his wife.

Mr. Storry Deans said that Mr. Blunt wrote to his wife in September, 1915, “I have no wish other than to make over to you the whole of the ownership and management of the stud, retiring altogether from it.” In 1916 Lady Anne Blunt appeared likely to be leaving Crabbet Park.[3] and he (counsel) suggested that if all that Lady Anne Blunt took over in 1915 was the management of the defendant’s half of the stud, it was incredible that Lady Anne Blunt should write to Mr. Blunt proposing to rent stabling from him in which to keep horses which she was only managing for him. After she had gone to Egypt she wrote to Holman, the stud groom, proposing to get rid of a considerable number not only of her own horses, but of those which Mr. Blunt now said belonged to him. Lady Wentworth’s case did not depend upon that of the Public Trustee at all, and assuming that the deed of partition between Mr. Blunt and Lady Anne Blunt in 1906 were held to be still in existence at the time of Lady Anne Blunt’s death, Lady Wentworth’s case rested upon the three heads of purchase, exchange, and gift.

Lady Wentworth, in the witness-box, said that she succeeded to the title[4] on the death of her mother, Lady Anne Blunt. Her mother used to find the money for the stud, and when her father paid anything he got it back again from her mother.

Lady Wentworth said: –Since this case has begun I have received an anonymous letter saying that if I mentioned a certain name some very startling revelations would come out. I want to say they can come out with their startling revelations. The person who wrote that anonymous letter can come on. I don’t mind.

Mr. Hughes, K.C. (for Mr. Blunt). –As far as I can see the letter has about as much to do with the case as the binomial theorem.

The hearing was adjourned.

 

The next installment appeared on February 12:

The Ownership of Arab Horses.

Lady Wentworth’s Claim

The hearing was continued before Mr. Pollock, the Official Referee, yesterday of the claims by Lady Wentworth and by the Public Trustee to Arab horses which were bred by Mr. Wilfrid Scawen Blunt at the Crabbet Park Stud.

Lady Wentworth was again in the witness-box. She produced a diary kept by her, and read the following extract from an entry which was made after a visit to her father in December, 1915:–“The mares are looking rather wretched now. H.F. (her father)[5] told me he had resigned the stud to M. (Lady Anne Blunt) and that the silly partition is finally scrapped. R.I.P. Good riddance of bad rubbish.”

Mr. Hughes, K.C. (for the defendant).–I don’t know whether the lady means that as a reference to Mr. Blunt, or whether it is merely a general comment.

Mr. Storry Deans (for Lady Wentworth). –We will take it as a general comment.

Counsel mentioned a letter written to Mr. Blunt by Lady Wentworth on April 28, 1916, and said that owing to the nature of its contents he proposed to hand it in without reading it aloud.

Lady Wentworth. –I have no objection if you want to read it.

Mr. Houghes. –What this lady wrote to her father, offensive as it was, does not seem to have any importance in the case. It is a very offensive letter for a lady to write to her father.

Mr. Deans.–I think that it has some bearing on the case. There is an expression which I propose to read. What she said was never contradicted.

Mr. Grant, K.C. (for the Public Trustee). –This is an unfortunate family quarrel and the less said about it the better.

Mr. Hughes formally objected to the reading of the letter, and the Official Referee upheld the objection.

Lady Wentworth then said that her father had declared that the quarrel between Lady Anne Blunt and himself was entirely about the estate, whereas the letter would show that that was not the case. In 1916 [?] she heard a rumor that her father intended to [original damaged] the horses, and she therefore instructed Holman, the stud groom, not to let them go. Holman replied that he daren’t disobey “the Squire.” She found afterwards that all the horses had been removed from her stables. Some were taken at night, and they were always removed when she was not on the spot. First of all they were shifted about, and when she asked where a particular horse was she was told that it was in another box. Holman explained that it was “the Squire’s orders.” When she found where the horses had been sent, she went with her son, Anthony, to get them back. The groom seized her by the neck to prevent her, and her son “went for” the groom. She did not think that the groom was much the worse, and she regarded it as merely a “comic encounter.” Her father had sold some of the stud horses at absurdly low prices. He told her that he would rather shoot them than let her have them.

A number of letters written by Lady Wentworth about the stud were read by Mr. Deans. In February, 1914, Lady Wentworth was in a liner approaching New York, and she wrote that she had been too wretched on board to talk about stud affairs. In another letter there was a passage about Philadelphia, which, in the present state of public feeling, he (counsel) would forbear to read.

Mr. Deans said the horses comprising the stud were catalogued, and against some of the names there appeared an asterisk, and at the bottom the words in Lady Anne Blunt’s handwriting, “To go to Judith (Lady Wentworth) at my death.”

One of the catalogues was handed to the witness, who identified the writing as her mother’s.

The witness said that among the greys which she was claiming was one of five which Mr. Blunt, in 1913, threatened to shoot if her mother did not take them. She explained that the partition deed provided that an animal before being destroyed by either of the parties should be offered to the other.

In reply to Mr. Grant, K.C., Lady Wentworth denied the suggestion which counsel said Mr. Blunt had made that she and her mother had been given of conspiracy in withholding information on stud matters from him.

The hearing was adjourned.

 

The next installment appeared on February 13:

The Sale of Arab horses.

Mr. Pollack, Official Referee, resumed yesterday the hearing of the actions by Lady Wentworth and the Public Trustee.

Lady Wentworth and the Public Trustee, the latter representing beneficiaries under the will of Lady Anne Blunt, are claiming from Mr. Wilfrid Scawen Blunt a number of horses from the Crabbet Park Arab Stud.

Lady Wentworth was cross-examined by Mr. Hughes, K.C.

Learned counsel asked her what her attitude had been towards Mr. Caffin, who held a responsible position at the stud, and she denied that she had tried to get her mother to discharge him.

A letter written to Mr. Caffin by Lady Anne Blunt, in May, 1917, ran:–

“Don’t let yourself be interviewed or accosted as it were by accident which I am inclined to think might be attempted with the intention of drawing you to reply so that what you say might be twisted as something supposed to be an insult to those by whom eight pages of invective have been sent.”

Mr. Hughes.–Were those eight pages of invective a letter of yours?–Certainly not.

Perhaps you quarrel with the word invective. Did you write a long letter to your mother about Mr. Caffin?–If it was invective I should think that it was from him.

Mr. Hughes read a further letter written by Lady Anne Blunt to Mr. Caffin November, 1915. She referred to an agreement which she promised to read “with the greatest care and in quieter surroundings than I did the old agreement, which, I suppose, holds meanwhile.”

Mr. Hughes. — That is the old partition agreement?–I suppose so.

Mr. Hughes.– Were there differences of opinion between yourself and Lady Anne Blunt over the stud at one time? You treated it rather as a hobby, and she regarded it as a national duty?

Lady Wentworth agreed that that was her mother’s view of the stud, at any rate.

Counsel read the following letter by Mr. Blunt to his wife in Egypt shortly before her death–

“Now that there seems so little chance of the war being over this year and of your being able to return to England, I feel something ought to be done about the future of the stud. Though yours is probably the better life than mine, in spite of my advantage of two years, it might be that I should have to take over the stud as your survivor, and as things are I should be very much at a loss how to find a suitable way of continuing it.”

The letter, Counsel added, mentioned the necessity that something should be done then instead of the stud’s being left “for heirs to quarrel about.”

Lady Wentworth. — Rather prophetic, wasn’t it? It shows how he was trying to prevent her from leaving the stud to me.

Counsel.–I should not be surprised if he was.

Mr. Hughes then asked whether Lady Wentworth really adhered to her statement that her father removed the horses by night.

Lady Wentworth.–I said some of them. I am not in the habit of telling lies.

Counsel read a letter written by Mr. Blunt’s solicitors complaining of an alleged assault by Lady Wentworth and her party on Holman, the stud groom, when Lady Wentworth removed some of the animals from his custody.

Lady Wentworth.–I did not assault Holman. He assaulted me.

The hearing was again adjourned.

To be Continued in July…

  1. [1]James H. Skene, H.B.M. Consul in Aleppo, was responsible for giving the Blunts the idea for the Crabbet Stud, and the first horses acquired were either bought through Skene or were the outcome of the Blunts’ travels in the desert regions near Aleppo. More than a decade after the arrival at Crabbet of the initial stock, the Blunts began to import horses representing the breeding program of Ali Pasha Sherif of Egypt. This perhaps accounts for the newspaper writer’s confusion.↩
  2. [2]2. The beneficiaries mentioned were Lady Anne Blunt’s granddaughters, Anne and Winifrid Lytton, ages 18 and 15. Lady Anne Blunt’s will had left most of her estate, including her Arabian horses, in trust for her granddaughters. Lady Wentworth, daughter of the Blunts and the mother of Anne and Winifrid, claimed for herself about fifteen horses. Some she said were gifts from her mother. Others she claimed to have purchased from her. The Trustees recognized Lady Wentworth’s claim, but claimed all the rest of the horses for the beneficiaries. Mr. Blunt maintained that he had never transferred his horses, known as “the Newbuildings Half” of the stud, to his wife. Blunt claimed not only the Newbuildings half but also Lady Anne’s “Crabbet Half” since he alleged the 1906 partition agreement was still in effect. This agreement had stated that on the death of one of the Blunts, the deceased party’s horses were to become the property of the survivor.↩
  3. [3]Lady Anne Blunt habitually spent her winters in Egypt, at her property near Cairo known as Sheykh Obeyd Garden. She left England for the last time in October of 1915, not 1916. Unable to return due to wartime activity, she spent the rest of her life in Egypt and died December 15, 1917.↩
  4. [4]Six months before she died, Lady Anne Blunt had inherited the title of Baroness Wentworth, becoming the 15th holder since the barony was granted in 1529. At her death the title passed to her daughter, Judith. Blunt commented that this would make Judith “more arrogant than ever.”↩
  5. [5]Wilfrid Blunt was known as H.F., “Head of the Family”.↩

Thoughts on the Evaluation of Historical Material

by R.J. Cadranell

copyright 1995 from “Scholar’s Corner” in CMK Record, XI/3: page 8 & 24

(Preface: This paper [originally written to be read at the 1995 Annual Meeting of the Arabian Horse Historians Association] is confined to commentary on Western writers, since this author is not familiar enough with Eastern writers to include them.)

One problem facing writers interested in Arabian horse history — and I seldom hear it mentioned — is how to evaluate a source. Much of the time a source is simply taken at face value, but historical writers nearly all had motives of one kind or another, and not all of them were benevolent motives. There might even have been a few crackpots at the turn of the century.

Nearly all of the writers whose work we read had Arabian horses for sale, and if they didn’t, their friends did. When someone sent a letter to the editor of the Rider and Driver criticising the Arabian horse, and Spencer Borden and Homer Davenport rushed to the breed’s defense, it was partly because their feelings were hurt and the Arabian was being treated unfairly. How fortunate that their own horses — among others — could provide examples of the virtue of Arabians. To use Borden and Davenport again as examples, when Davenport produced a detailed catalogue of his stock, and Spencer Borden wrote a couple of books, it was only partly to record photographs and information for posterity. Lady Wentworth in her Authentic Arabian Horse dismisses Davenport’s book [My Quest of the Arabian Horse] as an “advertising stunt.” Undoubtedly that was one reason for the book, but My Quest was far more than just that, as you all know. And let us not forget that Authentic Arabians includes a whole chapter on the Crabbet Stud as it existed at publication time, with a long list of champions bred.

Both Borden and Davenport had a flair for publicity. Two very different flairs, to be sure, but they each had one, and I am glad they did. We would know far less about these men and their horses if they, like Peter Bradley of Hingham Stock Farm, had been the type to stay out of the public eye. We must keep in mind that the books, newspaper and magazine items, catalogues and letters were not written entirely for our benefit and enjoyment. Multiple motives were involved, and the items were aimed at multiple audiences. Entertaining a group of horse history buffs 90 years later was probably not the primary motive. This use of their material is often simply a byproduct of the intended use — a byproduct of which the writers may have been aware, but a byproduct all the same.

Other categories of writers provide their own set of problems. When a writer claims to know all about someone else’s horse, how much credibility is he or she to be given? Perhaps none. Perhaps full credibility. Or somewhere in between? Then there are the writers who left pages of invective. Dismissing it as the ravings of lunatics may be extreme, but personalities and motives must be taken into account in evaluating any of this material. If taken at face value, there is potential for it to do great harm.

Although it becomes less true as more examples of diaries, herd books and correspondence of early breeders become available, frequently what we are left to evaluate is only what was designed for public presentation. Slick catalogues, carefully written books, ads in periodicals and letters to the editor put a veneer on a historical person or program. All that material has its place — without it we might be hard put to understand how the breeders wanted their horses or themselves to be perceived. But it frequently leaves us scratching our heads and wondering what was happening on the inside.

Using published stud books is essential, but I have to credit Charles Craver for saying that to understand a breeding program fully, one must know what was attempted and failed as well as what succeeded. And knowing what happened to every foal is important. Was an animal sold as a youngster, or kicked at three months and subsequently put down? It makes a difference.

I will take a few examples from the breeding program of Alice Payne at the Asil Arabian Ranch. AFARA was an Asil Ranch foundation mare and dam of the important broodmares CELESTE, TRITY, DESTYNEE and ASIL LYRA. AFARA’s last three registered foals were all by RAFFERTY, in 1958, ’59 and ’61. Yet she was still at the Asil Ranch when Alice Payne died in 1969. Was she retired from breeding, did her foals die, or did she become a problem breeder as an older mare? If she was bred, did she go to RAFFERTY or to another stallion? Asil Ranch records show that AFARA aborted a colt in 1962 and was treated for infection off and on over the next several years, during which she was bred not to RAFFERTY but to his sons SYZYGY and ASIL ECLIPTIC.

Another question. From 1962 to 1969, were there any stallions used who have no foals registered to them, or does the stud book record accurately reflect the full extent of the Asil stallion battery? The answer is yes, it does, with the exception that ASIL HARB did cover one mare before he left for Connecticut.

Another crucial perspective is the context of when something was written and what was happening at the time. If Lady Wentworth or Musgrave Clark writes a letter to the editor regarding the height of Arabian horses, particularly in the show ring, perhaps a divine muse suddenly inspired them to expound on the subject, and we have an opportunity to learn from their selflessly expressed knowledge and opinions. Or maybe the letter dates from the period when a violent debate on the subject was taking place within the Arab Horse Society. Clark may have felt that his drive to limit the height of Arabian horses in the show ring served some lofty purpose — but might it also bar from the ring many successful show horses owned by his competition, even some owned by Lady Wentworth? Undoubtedly.

Aiding in the evaluation of a writer is intimate knowledge of the biography and personality. I will go out on a limb and say that to understand the motives behind, and properly evaluate, any written material, one cannot know too much about the writer. This knowledge is gained by reading — and re-reading — everything he or she ever wrote, reading everything written about them by people who knew them, by a study of what they did, and by reading scholarly biographies if available. Newspaper and magazine accounts also help. If the person in question was also a breeder of Arabian horses, much can be learned from published stud books.

Take nothing at face value, and evaluate it only in the context of everything else known about the person.

Excerpts from Points of the Horse (Asiatic and North African Horses)

Excerpted from: POINTS OF THE HORSE

Chapter XXXII, Asiatic and North African Horses

by Captain M. Horace Hayes, London, 1897

From The Khamsat Vol 5, Num 4, Oct. 1988

We learn from General Tweedie that although Arabs pay great attention to preserving purity of blood in their horses, they have no written pedigrees of their animals, because they are illiterate. They apply the general term, Kuhailan, to their pure-bred horses in a manner somewhat similar to our use of the word “thorough-bred.” We read in The Arabian Horse, that the parent trunk of Kuhailan, has produced four great branches (Saklavi, U’baiyan, Hamdani, and Hadban); and that they, and it, are known in Arabic as al Khamsa (The Five).

Palgrave (Encyclopedia Britannica) tries to make out that pure-bred Najdi horses are not exported. Tweedie shows that this idea is entirely wrong, and that a large trade is done with India via Kuwait (Grane). As the Najdi Arabs ride only mares, they are naturally glad to get rid of their surplus entires at a remunerative price. Although they have a strong prejudice against selling mares for export, liberal payment enables them to occasionally overcome that feeling. Experienced Arab dealers whose friendship I have enjoyed, have often assured me that many of the best and highest caste horses bred in the Desert are to be found among the Arabs sent to India for racing…

“We do not know of an easier method by which a European might see and buy Najdi horses prior to export than by stationing himself from June to September in the well-oasis of Barjasia, a three day’s journey out of Kuwait. He would then be on the caravan route which leads from Najd to the sea coast.” (Tweedie).

The port of Kuwait is about 150 miles south of Bussorah.

Palgrave (Narrative of a Year’s Journey Through Central and Eastern Arabia), Skene (Sporting Review, March, 1864) and others have insisted that there is

“blood and stride in the desert which has never been seen out of it” (Skene).

“Not only do all the facts refute the argument that Arabia contains better colts than those which she distributes, but they go further. They show that every desert of which we have any knowledge is so extensively stripped of its best blood-horses, that not many likely colts of from three and five years old remain in the hands of their breeders. If England possesses too many stud-horses, Arabia retains too few. One may visit a considerable encampment of the Aeniza and see no unweaned colts, except a few reserved ones and those which dealers will not buy. The stock which these people always have with them chiefly consists of well-tried mares, aged stallions and the rising fillies.” (Tweedie)

My friend, the late Esa Bin Curtas, who was a large importer of Arab horses into Bombay, always maintained that the best Arabs did not, as a rule, exceed 14.1 to 14.2 in height. From an all-round point of view, this opinion is undoubtedly correct, especially with regard to the true Sons of the Desert, the Najdi Arabians… Judging by the Indian racing records of the past sixty years, the balance of galloping excellence is a little in favour of big Arabs (those over 14.3)… Yet during the respective times when Anarchy, Chieftain, Shere Ali, and Turkish Flag raced in India, there were no faster Arabs than those brilliant 14 handers. Consequently, I see no advantage in an Arab being over 14.1. The more an Arab exceeds, say 14.2 in height, the more inclined is he to be long in the legs, light in the loins, and flat-sided. We may infer from the foregoing remarks, that the typical Arab is, according to our Western acceptation of the term, a pony.

  Web cmkarabians.com

From the Desert, From the Green: The Imported Arabians of Lewis Payne

From the Desert, From the Green: The Imported Arabians of Lewis Payne

Copyright by R.J.CADRANELL

from Arabian Visions March 1992

Used by permission of RJ Cadranell

Of the Americans who imported Arabians from Crabbet, the name of Payne may not be as familiar as Brown, Kellogg, Selby, or Tankersley. Yet Lewis Payne probably spent more time making his selections, and became better acquainted with the horses and breeders in England, than did practically any other American buyer. In February of 1992 when I visited Lewis Payne in Stillwater, Oklahoma, I found him still at the same address listed for him in the 1966 stud book of the British Arab Horse Society. Also visiting that weekend was his daughter Penny Albright.

Mr. Payne’s first trip to Crabbet was in 1959. At that time Cecil Covey owned the Crabbet Stud. Lady Wentworth had died in 1957, leaving her horses to her former stud manager and tennis coach, Geoffrey Covey. As he had died a short time before she did, the horses passed to his son Cecil.

Mr. Covey was suddenly faced with owning a herd of approximately 75 head, on which he had to pay enormous death duties. Further, the Crabbet property itself had to be vacated; Lady Wentworth had left it to her youngest daughter, Lady Winifrid Tryon. Mr. Covey placed the stallions at Caxtons and the mares at Frogshole Farm, two properties he had inherited along with the horses, but it was imperative he reduce the herd to a manageable size. By the time of Lewis Payne’s 1959 visit, the dust was beginning to settle: large numbers of horses had been sold, and with a pared down herd Mr. Covey was continuing to breed.

Crabbet owned an impressive group of stallions in 1959. Although still photographs were not allowed, Lewis Payne was able to capture on movie film Oran and his sons Grand Royal and *Silver Vanity, as well as Indian Magic, Bright Shadow, and Dargee. Mr. Payne remembers that Indian Magic was considered probably the best ever bred at Crabbet. *Silver Vanity was also thought to be one of the best.

“There are many people who think that Dargee was probably the finest horse that ever walked at Crabbet Stud… he was just a picture horse.” he says. Dargee was bred by George Ruxton from mostly Crabbet lines. Lady Wentworth purchased Dargee as a yearling.

Lewis Payne did not buy any Crabbet horses in 1959. At that time he was still working for Aramco, the Arabian American Oil Company, and living on the east coast of Saudi Arabia at Dhahran. He had been living in Saudi Arabia since 1952. But it was several years after that when he and his daughter Penny began to participate in the equine activities at The Corral, originally known as The Hobby Farm, where a number of Aramco families kept horses and participated in the drill team or the gymkhana events, or simply enjoyed riding in the open desert. Lewis Payne bought his first horse in 1957, a bay stallion belonging to the Minister of Oil affairs. The mare he later imported from Saudi Arabia, “Johara,” was acquired in 1958 or 59. By approximately 1960, there were more than one hundred horses stabled at The Corral.

In 1961 some restructuring occurred within the company and Lewis Payne decided it was time to go back to America. Johara was shipped from Saudi Arabia in May of 1961. The trip took two months. In this country she was registered as *Hamra Johara, meaning “red jewel.” In America she produced nine foals, the last born in 1973.

Bringing horses back from Saudi Arabia was not difficult for Aramco employees. During the 1950s and early 1960s, Saudi Arabia imported goods, but had nothing to export on the cargo ships; oil left the country in tankers. Importing goods was expensive, because the ship’s return trip also had to be paid, in effect. Sending things back to America was therefore cheap. It cost about $350 to bring a horse home. Furthermore, the company covered the cost of building shipping crates and loading the horses on trucks and finally on ship, just as it did for furniture and other personal property an employee wanted to bring back to the States.

The year 1961 was also the year of Lewis Payne’s second trip to England. He had decided to breed Arabian horses, and after reading a magazine article had initiated a correspondence with Lady Anne Lytton, Lady Wentworth’s oldest daughter, about buying a young horse named El Meluk. Lady Anne replied that someone else had first refusal on El Meluk, but that she had a mare she would consider selling. Lady Anne invited him to spend a weekend with her at her home, Newbuildings, in Sussex.

Newbuildings lay about sixteen miles from Crabbet, and had been the final home of Lady Anne’s grandfather, Mr. Wilfrid Scawen Blunt. Together with her grandmother, Lady Anne Blunt, he had founded the Crabbet Stud in 1878. Mr. Blunt had died in 1922, leaving Newbuildings to his adopted niece, Dorothy Carleton. When she died in the early 1950s, the house became Lady Anne’s.

Lewis Payne’s weekend stay at Newbuildings expanded to last three months. The mare Lady Anne offered him he bought and imported to the United States. She was *Mellawieh. Her dam Mifaria had been a gift from Lady Wentworth to her daughter on the occasion of one of their reconciliations. In 1951 Mifaria produced for Lady Anne *Mellawieh, by Lady Wentworth’s stallion Indian Magic.

Lewis Payne and Lady Anne Lytton would drive to studs in England so he could look at horses for sale. He visited Patricia Lindsay, where he was able to see some of the first Arabian horses to leave Poland since the end of World War II. He particularly admired the mare Karramba (Witraz x Karmen II) and the colt *Grojec (Comet x Gastronomia), a horse Lady Anne Lytton later bought and used for breeding. Another Polish mare Lewis Payne admired was H.V.M. Clark’s Celina (Witraz x Elza, by Rasim Pierwszy). He filmed Celina as she won her class at Kempton Park.

Mrs. Bomford showed him the old bay stallion Manasseh, sire of Dargee. She also had Dargee’s full brother, the bay My Man. At Mrs. Linney’s he saw the thirteen-year-old grey stallion Sahran (Rangoon x Sahmana, by Manak), the last grandson of Skowronek in England. She also had the Rissalix son Mikeno, who had inherited a full dose of the famous *Berk trotting action through *Berk’s daughter Rissla, dam of Rissalix. From Mrs. Linney he bought a two-year-old Mikeno daughter named *Micah Bint Mikeno, out of Myoletta, full sister to Dargee. Lewis Payne took movies at each of these studs.

Once he and Lady Anne went to a riding school to look at *Astran, a stallion belonging to a Miss Silberstein. Lewis Payne bought him and brought him to Newbuildings, where he was stabling his horses later exported to America.

In 1961 Lewis Payne also made a return visit to the Crabbet Stud at Frogshole Farm. At Crabbet, Lewis Payne bought one of the 1961 foals. He named her *Qasumah, after a pump station in Saudi Arabia. Mr. Covey congratulated Lewis Payne on being one of the few American buyers to spend time getting to know the English breeders and horses. In his experience, American buyers would look at the horses for sale, indicate which ones they wanted, write a check, and never be seen again.

*Mellawieh had produced one foal for Lady Anne Lytton, a 1957 filly by H.V.M. Clark’s stallion Champurrado. She was named Sahirah of the Storm, having been born during one. At the time of *Mellawieh’s importation to America, she was in foal to her half brother, Lady Anne’s stallion Manto. Manto was a chestnut born in 1956 by Blue Domino (Rissalix x Niseyra). The in-utero import was a 1962 chestnut filly, *Qatifah.

During the stay at Newbuildings, Lady Anne Lytton told Lewis Payne stories of growing up at Crabbet. She talked of the time she had spent living with her grandmother at Sheykh Obeyd Garden in Egypt, referring to it as one of the happiest periods of her life. She also told how Wilfrid Blunt used to drive a team of Arabs at a full gallop around a sharp turn and through a gate. When she was still quite young he tried to teach her to do this; she negotiated the turn at a full gallop, but crashed the carriage into one of the gate posts.

In America, Lewis Payne quietly went about his breeding program, utilizing the bloodlines he had obtained in England along with the Saudi mare *Hamra Johara. Today he has approximately nineteen horses. In addition to his own imported stock, the herd also carries the blood of *Ansata Ibn Halima. A few of the older mares are straight English or English/Saudi crosses, but all of the young stock and stallions carry lines to *Ansata Ibn Halima. Lewis Payne liked the horse and the way he moved. The blood of *Micah Bint Mikeno is not represented due to her death at the time she had her first foal, which was also lost.

An impressive horse is Qarlo, probably the only stallion in the world with Oran and *Ansata Ibn Halima as grandsires. Qarlo is out of *Qasumah and by Qartume, a son of *Ansata Ibn Halima and Qate (*Astran x *Mellawieh). Lewis Payne has built a unique herd combining some of the best horses ever to leave England with *Hamra Johara and *Ansata Ibn Halima.

In the following transcript, we are pleased to present an audience with Lewis Payne.

SAUDI ARABIA

I first got acquainted with Arabians in Saudi Arabia. Somebody said. “We have some horses out here, would you like to take a ride?” I went and looked and thought, “Those scrawny, hungry looking things!” They didn’t mean much to me. So I got on [one] and I was absolutely astounded they did not have to be coaxed to go. The minute you got on them, they moved… So I finally bought a horse from the Minister of Oil Affairs. He was a poor hungry old horse, and I bought him out of sympathy as much as anything else, to fatten him up. He was a stallion, a bay…

In 1951, this may sound hard to believe, but the Arabs were pretty hard up… They had all these horses over at Khafs Dugra, which was near an irrigated place called Al-Kharj…. the king would send a head herdsman [saying], “Give one of my good horses to Prince Ali.” So he just marked down in a book, “One horse to Prince Ali.” Well Prince Ali wasn’t interested in horses, he was interested in Cadillacs… He would never come see the horse, didn’t even want it, so they continued to feed it, and one day Prince Feysul, who later became king, who was also Minister of Economics, he was pretty level-headed, he decided that people should feed their own horses. That was practically unheard of.

Some of the company representatives found out we could get horses. We made arrangements so we could go over and pick twenty horses out of the whole herd. There were seven or eight hundred there, I don’t know exactly. We all put up $200 and we had a committee go over. They picked out several horses, and [*Hamra Johara was] the one they gave me. She was seven years old and had never been broken. She had never grazed in her life… When I brought her over and we put grain in the feed box it was there a week before she found out it was good to eat. She wouldn’t eat out of your hand. An apple or a sugar lump meant nothing to her. She would eat this grass they would give her and some alfalfa. All that herd was being fed on grass, and occasionally alfalfa, just thrown over to them. Apparently she must have lived her first year of life with the Bedouins, because she was crazy about Arab women. She’d see Arab women walking in the distance — they looked like little black tents moving along — she’d always nicker, or want to go over to them. And little Arab children, she was crazy about them, she’d run over to see them… so we know she must have had her nose in a tent, at least the first year she was alive.

She was absolutely crazy about little kids, and people in general. She finally learned to eat apples, which were a rarity [in Saudi Arabia], we had to ship them in, and sugar. I could take a small cube of sugar and hold it between my two fingers. She’d reach over and very gently bite it in two, and never touch my fingers. She didn’t drink much water there… Even when I’d ride her out in the desert when it was terribly hot, I’d bring her in and give her a bath and put her in her stall, she never went to water. I’d catch her drinking water in the middle of the day sometimes, but she’d just barely sip it… When she came to this country she drank more water than she ever did over there, and she put on more weight. And she learned to graze. I would go down into this irrigated place and take her with me with a scythe and a basket. She’d stand there knee deep in this grass and watch me cut a basket full. Then I’d take it back and dump it in her box and she’d eat it.

How did the horses get to Al-Kharj? Ibn Saud just gradually collected horses, and they were put there because it was an irrigated area, and they could raise grass… None of them ever got to full build or promise, because they just didn’t have [the feed]… All the horses I had here were bigger than those there. A horse at Crabbet at a year old was bigger than a two year old desert horse, and it was feed, pure and simple…

The Arabs fed dates. One time we thought at the farm that dates were the thing to feed the horses, until it dawned on us the only reason they fed dates was because it was that or nothing.

…Horses at Khafs Dugra just accumulated. At that time all the ruling people lost interest in the horses because they got automobiles. The head herdsman had a book in which he’d write things down, I don’t know how accurate, I won’t make any promises on that. He pointed out the sire of my horse, a big red stallion, I don’t know his name, so we just called him “Big Red,” or Kabir Ahmar, big red horse. [Ed. note: this is not the same horse owned at the Corral and referred to there as “Big Red.”] What his breeding was, nobody knows. That man may have known, but it’s lost… My mare, I just list her as “D.B.” and consider her a foundation horse. She was accepted by the way for our registry, and I had her with these Crabbet horses, and when [Thompson] came [from the registry] to look [he] fell in love with her. She had a lot of good qualities, temperament more than anything else. Least head shy horse I ever saw; you could do anything with her.

RJC: Was any breeding done at Khafs Dugra, or was it just a place where they kept horses?

Lewis Payne: I don’t think they bred too much because they had all the horses they needed, and more.

Penny Albright: Feed was at a premium, too.

Lewis Payne: That’s not to say it wasn’t done, because it was. I know we got one quite young one, I think less than two years old, maybe two. Also we had a stallion from over there that had been chained to a stake and stood in one spot for five years. That’s why they didn’t breed any more. They didn’t know what to do with them. They had more than they could use, and nobody was interested in them.

BUYING HORSES IN ENGLAND

I was in Saudi Arabia from 1952. I spent nine years there…[then] there was a reduction in force… so I thought well, I’ll go home. But I stopped off in England to pick up horses. Of course Lady Anne Lytton was kind enough to invite me to stay at her place, and I spent some three months there gathering horses… She and I would go around and visit different studs… When we would leave she would say, “What did you think of this or that horse?” I didn’t really know too much, but I’d give my opinion and she’d tell me what was wrong with the horse. So the next time I’d look for a little more. When I heard [*Astran] was for sale… we went to look at him, and she told me, “He’s just a perfect horse.” I never heard her say that about anything. I asked the people there if I could bring a veterinary to come look at him. They said… “If you find something wrong with him, maybe we can buy him,” because they were merely boarding the horse. I brought the vet over… he would take care of the horses at the national stud, which really wasn’t far from Newbuildings Place. He went over and looked at him, and on the way back I said, “What did you think?” and he said, “That’s a nice horse, but the thing that puzzled me was I looked in his stall and he didn’t look very big, and I thought, ‘Why does this man want such a small horse?’ But he stepped out to the paddock and he grew four inches. I never saw such a thing.” He was only 14.2, but he said you would swear he was over 15 just by the way he stood. When Lady Anne and I were leaving after looking at him I asked her, “What’s wrong with him?” She said, “Absolutely nothing,” She said, “If he was here in the spring, I would use him on everything I have.” She said, “There’s a rumor around that he’s infertile, but nobody knows because he’s never been used.” When I had him checked for fertility after I got him to this country… we found he was highly fertile… He produced some pretty nice looking horses, to the third generation… [*Astran] was a direct descendant of Skowronek, but on that same level he had three crosses to Rasim, and that’s what made him….

[*Astran] was a very good riding horse, and I had the shock of my life when I put him in a show here, what they call English Pleasure… and he didn’t even place. I had him entered in a Park class. I said to the girl riding, “Go ahead and enter, but you’re not going to get anywhere,” and bingo, he won first. I went to the judge later and said, “What was wrong in the other?” He said, “I picked him in the first class to win the second class, because I thought he was too animated for a pleasure horse.” I don’t know why a pleasure horse should be a deadhead, but apparently that’s what they preferred….

*Micah bint Mikeno… strongly resembled the mare I brought out of Saudi Arabia. From across the pasture I’d have to look pretty close to tell the difference. Now that’s from two parts of the world, yet the type had so fixed…. I must admit the English mare moved better and she had a better shape of shoulder. There was also in Lady Anne Lytton’s box of photographs a picture of a mare that looked just like those two… *Micah was two years old. I bred her a year later, and unfortunately before she foaled about three or four days, I noticed her standing separate from the other horses…. I brought her in to another place to foal, and about four days before that she collapsed. She had a stroke. This place was right next door to the Oklahoma state veterinary school, so I had the vets over, and they couldn’t figure it out. It was definitely a stroke, and they had isolated it down to the third vertebra because she could move her head, but her body was inert. Her tail you could move over to one side and the next morning it would be exactly where you’d left it. After four days she tried to foal. The foal had no particular will to live. It had a beautiful head and four stockings, a lot like Mikeno, really. So I lost her. We finally had to put her down. …What caused it we don’t know.

The mare *Mellawieh was in foal to Manto; he was her half brother. She had been sent off but didn’t settle, so in sheer desperation Lady Anne Lytton bred her to her half brother Manto, by Blue Domino. She had a filly [*Qatifah]…

COLOR AND MARKINGS

At Crabbet, nobody worried about any white markings. I don’t see why people worry about it. I have seen horses in the Middle East, some with stockings clear over the knees, some with a big white splash on their bellies, and none of that that I could see ever affected a horse’s way of going, metabolism, threw them off their diet, or made them lame. If it did something of that nature, it would be a fault. But if it’s just a color or marking I just can’t see that it would make any difference….

[The Blunts] kept a stud [in Egypt], which was called Sheykh Obeyd, where they kept a good many horses that never came to England. One of them was a roan. I mentioned to Lady Anne that I’d never seen a roan Arab, and she said her grandmother had one and she showed me a photograph of [Kerima]. It’s a rarity, but don’t say it never happens. I’ve seen one horse in this country that was almost roan…. The people that owned it were so ashamed of it they kept it where nobody would see it. I snuck around and saw it and it was the best horse they had. Whatever the horse’s color is, or his markings, makes no difference…

It’s quite possible that colors do accompany other genes. I don’t know this for sure…. When Lady Wentworth died, Cecil Covey fell heir to about 75 pretty nice Arabian horses. There was hardly a single bay in the whole stud, if there was one at all. It had nothing to do with the color. It was merely that Lady Wentworth was looking for certain characteristics the bays didn’t come up with. Now this is not to decry a bay at all. It was merely what she was looking for. Lady Anne Lytton later bought a bay, a Polish horse, *Grojec, and was quite pleased to have him because of his color, because she said, “I remember we had some beautiful bays at Crabbet, and I’ll be awfully glad to get some back. I just think we need a little more variety.” And that is not to say one is better, or one is less than the other. It’s variety. Trying to get all Arabs to look precisely alike is a waste of time….

ACTION

The Blunts, and of course Lady Wentworth, were quite insistent on a horse’s being able to move, because their introduction to the horse was in the desert where action and movement with efficiency is of paramount importance, which seems to have been lost now. If he’s flashy right now they think he’s good….

Probably the finest moving horse in 1961 or that era was Mikeno, who was by Rissalix and had the Rissalix action, which he got from Rissla, which she got from *Berk. Lady Anne Blunt told her granddaughter, Lady Anne Lytton, one time as they stood and watched *Berk moving, “Anne, that is the way an Arab is supposed to move.” It’s a reaching stride. It takes good slope of shoulder and it takes strong quarters…

When the Blunts founded Crabbet, horses were a means of conveyance, not just a hobby. They had to move from here to there in an efficient manner. I don’t know of anybody in the present day who would have the same background as the Blunts, because time is against you. The Blunts were artists, both of them, so they appreciated the beauty of a horse, the balance, the conformation… They rode their horses in the desert, and they knew that the horse had to make it there and back, so consequently they were quite critical of efficient action….

Here, you ride a horse around the ring for ten minutes or so and that’s it. There’s nothing wrong with that, and you can do anything with your horses you want to, but it is unfortunate that this flashy action, the high knee action — ladder climbing I call it — has come intto vogue so much that a reaching horse, like an Arab should be, is penalized. There’s nothing of course we can do about that, but if you want a horse to move across country, you better get one that reaches, and never mind how high they pick the feet up; it’s how far forward they go.

…I think perhaps the true characteristic of the Arab is moving from point A to point B. That’s not well presented in a show ring. It’s just impossible. So I think perhaps cross country racing is the best, and they have in England now a cross country race… I can see something to that. As for racing on the track, I see nothing wrong with that. And I understand there’s a new program out now: chariot racing, and that strikes me as quite interesting. And I would see nothing wrong with a sulky race trotting, because some of these Arabs can trot….

CONFORMATION

It is better when you have a horse with good conformation, but unfortunately in the desert, or that part of the world, there are very, very few good horses, but seldom do you find a horse with enough good points to say that it’s a first class horse. Occasionally it does happen, but it’s rare….

I personally prefer a horse with length of neck; some are shorter than others, but I prefer the length, because a horse’s head and neck is what helps his balance, and they can’t move gracefully with a short stubby neck.

I like strong quarters. I’ve seen Arabs that people rave about the high tail set, which doesn’t mean a thing in the world if there’s no quarters beneath it.

…Most Arabs have no heels to speak of on their hoofs. They’re rather short. I hadn’t paid much attention to this. One of the veterinarians working on our horses asked me, “Do all Arabs have low heels like this?” I got to thinking, “Why yes, they do.” Some of these Arabs that are kept to imitate the American Saddle horses, they let the feet grow out, and put shoes on them to get a longer heel. I don’t care for that action at all….

LADY WENTWORTH

Geoffrey Covey had been a tennis coach, and Lady Wentworth had quite the thing with tennis. She purported to be world champion at royal tennis. They were quite friendly, so she appointed him to head the stud…. You must remember the nature of this woman. She was headstrong, strong-willed, opinionated. When she decided something was something, that was it. If she said it three times… it became a fact.

…When Lady Wentworth saw *Mellawieh, she ordered Anne to give her back to Crabbet. Anne said, “I’m not going to give you back that horse, I want her myself.” So her mother in a huff wasn’t even speaking to her. When I left England the last of October, she told me, “The last big argument I had with my mother was over that mare.” [At the end of Lady Wentworth’s life] she hadn’t seen her son in thirty years…. The only one speaking to Lady Wentworth was her daughter Winifrid. I had lunch with a family friend… who had been a school chum. She told me Lady Winifrid was to come over to her place for lunch, and she got a call from her: “I have to go… my mother is dying, and I’m the only one she’ll speak to.”

LADY ANNE LYTTON AND CECIL COVEY

[Lady Wentworth] left her horses to Geoffrey Covey, but he died… before she did. So Cecil Covey… fell heir to 75 beautiful horses…. He told me there was no way he could take care of that many horses. So they began selling horses. He told me… there were some very fine horses that sold for less than 100 pounds, which would be at that time around $300.

…I had talked to Lady Anne about breeding a mare to Dargee, and she had said, “Well, I’m not too sure about sending a horse over there.” There was a feeling between her and Cecil Covey, although they had grown up together at Crabbet, a feeling of estrangement… he told me… “I always felt that the family resented my getting the horses. I can understand that. But had any member of that family come to me and asked for a horse, any horse, they could have had it… because I feel that blood is thicker than water…” Lady Anne told me “well, we meet sometimes at horse meetings and are very cordial, but we just don’t have the comradeship.”

…I picked [*Qasumah] out of Mr. Covey’s herd because of the way she stood and looked…. She had a lot of white markings on her [and] he told me, “Americans don’t like white on horses.” I’d come out of Arabia and had seen white on horses and I didn’t see that it made any difference, so I said, “Well ‘Americans’ aren’t buying this horse, I am.” so I took her and I’ve never regretted it. I had talked to Lady Anne about what I’d picked out to buy there, so I asked Mr. Covey, “Would you mind if I had Lady Anne come over and look at this filly?” He said, “Why no.” A day or two later I spoke to her again…. I said, “Would you like to go over to Crabbet and look at this filly?” She was very eager… so we went over and in a few minutes they were just chatting…. He later told me, “I want to thank you for making it possible for Lady Anne to come over,” and this was when he told me he’d always felt that the family resented his having the horses.

I remember one time Lady Anne and Cecil were talking about something, and I thought, “I’ll just sit over here and listen and maybe learn something.” And they’d been talking thirty minutes or so about different horses when she turned to me and said, “Well what do you think? You haven’t said a word.” I was flattered those two people who had such a history with horses — she at that time was about sixty years old and he was approximately the same — they had all of those years of experience with the good horses, and I was amazed that they wanted to know my opinion on something. Yet I never once heard either one of those people say, “I’ve got the finest Arabs in the country.” Yet I’ve heard Americans say time and time again, “I have the finest Arabs in the country.”

At Crabbet, if a horse had something that they didn’t think was quite right… they would tell you…. They never tried to hide anything. They were looking more than anything else for the improvement of the horse.

Web cmkarabians.com

*Leopard the Arab and *Linden Tree the Barb (Part I)

This entry is part 1 of 6 in the series Leopard and Linden Tree

by Michael Bowling
from Arabian Horse World July 1979
copyright by MICHAEL BOWLING
used by permission of Michael Bowling
first published in the Arabian Horse World July 1979

*Leopard
*Linden Tree Engravings of *Leopard and *Linden Tree from Randolph Huntington’s 1885 book, General Grant’s Arabian Stallions
“Wonderful Arabian Horses Presented to General Grant by the Sultan of Turkey”—note that this is the same pose of *Linden Tree (in background), with same pyramids and palm trees, as in another photo which follows. (Courtesy Linda Sale)

The story of the Arabian breed in North America is a long and complicated one, and could be approached from any number of perspectives. We are centering on the arrival of the Grant stallions simply because 1979 marks the centennial of their setting foot here—and one of them, *Leopard 233, became the first imported and registered Arabian to leave descent in our studbooks.

*Leopard was by no means the most important stallion ever imported to this part of the world, but he does hold chronological pride of place, and he is not without strategic importance. With the passage of time it is no longer entirely clear just who got whom started in breeding Arabian horses in America, but certainly, just as *Leopard arrived first, Randolph Huntington’s program was the first of the American historical groups to produce horses that bred on into modern pedigrees. It is quite certain that it was *Leopard that started Huntington on his career with purebred Arabians, so any influence Huntington has had, on breeding stock or on ideas of the breed, is owed in fact to *Leopard as first cause. It may well be that, Huntington or no, American Arabian breeding would have had a start in 1893 with the Hamidie Society horses from the Chicago’s World’s Fair—but how do we know that Huntington’s beginnings with the breed did not prepare the way for that group and its barbaric showmanship to make an impression?

In another intriguing sense, which has come clear to me gradually over the course of the pedigree research into *Leopard’s descent, this line of horses is a marker for the “American” breeding groups. Whether they were key individuals of a given line or not, *Leopard’s descendants turn out to have been owned, and bred from, by almost all of the important early-day American breeders—and thus in all but a few of the pedigree-defined “breeding groups” of today, lines to *Leopard will be encountered.

My search for photos of, and references to, the Grant stallions and their get and immediate descendants, has made another indelible impression on me: I now understand, in a way I never had before, that a hundred years ago the horse was a fact of life, a given, so basic and so commonplace to daily existence that next to no notice of it was taken by most people. Witnesses of the time are maddeningly casual in their accounts of the doings and activities of horsemen as related to the horses. Photography was an infant technology and was seldom applied to recording images of horses. A great deal of frustration has been the result, for from a 1979 perspective it seems impossible that horse ownership and the pursuit of a breeding program could be taken so much for granted. (I suppose from the perspective of 1879 the fact that most people today own and drive automobiles and give them little or no thought would seem just as outlandish—and the way things seem headed, our successors of 2079 may find today’s automobile-oriented society just as farfetched.)

At any rate, in the days of the practical horse, history at large is recorded on a basis of horsepower. It seems not to have been thought necessary to record the details of how that power was generated and applied, and the details of individual power units were recorded very seldom. Much of what we do know of the careers of the Grant stallions, we owe to Randolph Huntington’s passion for detail and documentation of horse breeding information. Huntington had a feeling for the existence of a gene pool (a concept no one in 1879 could have defined, but which Huntington understood intuitively) in which individual animals are merely temporary combinations of elements which may be eternal if man allows them to breed on—but which are lost forever without man’s cooperation. Huntington devoted a lifetime to the cause of breeding better horses, and it is most fitting that he be remembered in connection with the centennial of the Arabian in America. An excellent article on his career appeared in the June 1978 issue of this magazine, originating with the Arabian Horse Owner’s Foundation; this is recent enough that is should be pretty widely available, so I will not go into too much detail except as he relates to the Grant stallions.

Our story properly begins with the world tour taken by General Ulysses S. Grant after he served as president of this country. In the late 70’s of the last century it was not a casual project to travel around the world, and the details of the trip would be most instructive. What matters to us in this context is that in March of 1878 the general and his son Jesse arrived in Constantinople (now Istanbul), the capital of the Ottoman Empire.

The published accounts of what actually took place on the day the Grants toured the private stables of Sultan Abdul Hamid II are distinctly contradictory. This is the first instance we encounter in the course of our narrative, of the misty insubstantiality of “fact” given the passage of sufficient time. This is especially true in a case like this, where the subject, a tour of a stable of horses, is of interest to specialists today but was scarcely a major event at the time.

In his memoirs published in 1925, Jesse Grant does not make it clear whether the Sultan was even present when the horses were displayed. He presents his father as asked to pick his favorites of the stallions paraded and naming a pair of bays; when asked his second choice, the general indicated a pair of greys. In his narrative Grant is shown as embarrassed on being told that the grey horses were his as a gift from the Sultan.

Thorton Chard, in a 1937 Western Horseman article drawing on Randolph Huntington’s private papers, quotes Grant’s friend and comrade in arms, General G.E. Bryant, as remembering a rather different story told him by Grant himself. Bryant’s version has the general told, by the Sultan speaking through an interpretor, that he was to be given his choice of the stallions, Grant naming *Leopard. Abdul Hamid II then presented *Linden Tree to make a pair.

CHRONOLOGY

  • 1873 – *Leopard foaled in the desert
  • 1874 – *Linden Tree foaled in Abdul Hamid II’s stables, Constantinople
  • Before 1878 – *Leopard presented by Jedaan Ibn Mheyd to Turkish governor of Syria
  • March 1878 – General U.S.Grant visits stables of Abdul Hamid II and is presented with *Leopard and *Linden Tree.
  • May 31, 1879 – Stallions arrive New Haven, Connecticut
  • Summer and Fall 1879 – Stallions exhibited at fairs
  • Late Fall 1879 – Stallions stabled at Gen. E.F. Beale’s Ash Hill Farm, Washington DC.
  • 1889-1883 – Randolph Huntington breeds Clay mares to stallions.
  • 1883 – *Leopard registered to J.B.Houston, New York, NY
  • *Linden Tree registered to U.S. Grant, Jr., New York, NY
  • Stallions shown at New York Horse Show, *Leopard placing first
  • 1884 – Stallions again shown at New York Show, *Leopard again first.
  • 1888 *Naomi imported by Huntington
  • *Linden Tree sold to General L.W. Colby and taken to Beatrice, Nebraska
  • 1890 – ANAZEH foaled
  • Linden Tree Park founded in Beatrice
  • 1893 or 1894 – *Leopard ridden in militia parade by General Colby, probably in or around Diller, Nebraska

An addition to this version of the story has the original “Linden Tree,” chosen by the Sultan, injured before he could be shipped, and replaced without the Sultan’s knowledge with our registered *Linden Tree.

In any event, Chard published a facsimile of a letter from Grant to Huntington documenting that he was given two stallions from the Sultan’s stables, and Huntington himself eventually tracked down their origin in more detail. In his 1885 book on the subject of the Grant horses, Huntington says that “I believed, as will any American, that they must be of the highest possible type. No empire or nation would insult herself by presenting to so great a man, also the one representative man of so great a nation as ours, an inferior gift from its native animal life. General Grant’s Arabs had to be the purest and best.” According to Chard, “breeding the two horses to the same mares produced offspring with such different characteristics that Mr. Huntington was convinced that there was a blood difference, so he began a deliberate search, which after eight years, resulted in information that confirmed him in his convictions and established the facts that Leopard was a purebred Arabian and Linden Tree a purebred Barb.”

*Leopard was a Seglawi Jedran, desertbred by the Anazeh, foaled in 1873 and presented by Jedaan Ibn Mheyd of the Fedaan Anazeh to the Turkish governor of Syria. (Some accounts list Ibn Mheyd as the breeder, but Carol Mulder, with typical caution, makes the distinction that we only know he presented the horse.) This governor then presented the horse to Abdul Hamid II, who in turn gave him to General Grant.

Recall that in the same year of 1878, the Blunts were traveling within the Ottoman Empire, and found that they could not gain access to the best horses of the desert Bedouin while in company with Turkish officials, as the Bedouin feared confiscation of their stock in the name of the Sultan. Presenting that potentate with an inferior specimen would have been a most risky course of action—he owned his subjects’ lives as well as their horses—so we may safely assume that *Leopard was accounted a high-class example of Anazeh breeding.

Other Seglawis of the Fedaan Anazeh figure in modern pedigrees; surely the most distinguished of them is the great ZOBEYNI, the most important breeding horse in the fabulous collection of Abbas Pasha I (another potentate with an eye, and a yen, for the best and rarest, so his possession of Seglawis from the Fedaan is high recommendation). The Blunts’ desertbred KARS, a high-quality individual and the original head sire at the Crabbet Stud, was a Seglawi bred by Jedaan Ibn Mheyd and foaled just a year after *Leopard.

A hundred years ago in the desert, strains were not just name tags—the horses of a tribe were by and large interrelated, and those of the same strain and tribe almost certainly so. *Leopard’s origin is thus in common with that of some of the breed’s most unimpeachable breeding animals. It is most unfortunate that a widely-read 1965 Western Horseman article made a sidelong reference to *Leopard and *Linden Tree and lumped them together as “not, however, purebreds.” In the nature of things, people who would never be tempted to do any pedigree research remember statements like this one, without realizing they have no documentation, and an astonishing number still recall this “fact.” People, it ain’t so!

*Linden Tree was apparently bred by Sultan Abdul Hamid II and foaled in Constantinople in 1874. His Barb ancestors were associated with Abdul Hamid’s family for generations. It seems quite likely—and would support the Bryant version of the presentation story—that the Sultan would like to see a horse of his family’s breeding ranked at least as highly as one he had been given. Thus his singling out of *Linden Tree and sending him along.

These names, incidentally, are purportedly translations of the original Arabic names of the horses, not bestowed by General Grant. *Leopard seems to have been named with reference to his dappling; the origin of the other title has puzzled me since I first heard it.

The Arabians of Ben Hur Farm

by Joseph N. White, Arabian Horse World 1981.

When we talk about the “greatness” of something, we are usually referring to its impact over a number of years. In this sense of the word, “greatness” aptly defines the influence the old Ben Hur Farms of Portland, Indiana, has had on Arabian breeding in this country.

Mr. Herbert Tormohlen, owner of Ben Hur Farms, Portland, Indiana, at his turkey farm the Christmas before his death in July, 1968.

Ben Hur Farms was owned by Herbert and Blanche Tormohlen, both extremely knowledgeable breeders. Its program, which lasted for over 35 years, combined the breeding of two of the most successful programs existing at that time — that of the Davenport horses and Crabbet Stud in England.

The first registered foal from Ben Hur was the mare Valencia 587, foaled in 1926, by Hanad 489, and out of the prolific mare Dahura 90. Valencia and her full brother Ameer Ali 644 (foaled in 1927) were sold, along with Hanad, to the Kellogg Ranch in California. In 1930, Hanad and Valencia were named Champion Stallion and Mare at the Los Angeles County Fair and thus, according to an early Ben Hur brochure, they became the first champion Arabian stallion and mare in the United States.

The mare Dahura continued to produce steadily for Ben Hur. In 1929 and 1930, she produced Aabann 736 and Aabab 741, respectively, both by Hanad. Next she was bred to Hanad’s half-brother Tabab 441 (*Deyr 33 x Domow 267), and produced Aabazem 874 in 1931. Her last foal, Aabella 1014 by Mahomet 729 (Hanad x Domow) was foaled in 1933. Aabella, along with Aabann and Aabab, played an important part in the early Ben Hur program.

In 1935, at the first National Arabian Show, Aabann and Aabab won Champion and Reserve in three-gaited performance, now known as park, a feat which matched the record of their sister Valencia.

Besides Dahura, there were two other foundation mares at Ben Hur — Hayah 385 (Harara 122 x Dehahah), a Davenport mare, and Nadirat 619 (*Rizvan 381 x Nusara 371), a Crabbet mare.

Hayah possessed a rather erratic foaling record, with time lapses ranging from two to nine years. While at Ben Hur she produced three foals. The first, by Aabab, was Aahar 1734 in 1939, followed in 1943 by Aahmad 2747, sired by Aanad 1735 (Aabab x Nadirat), and finally, in 1944, Hayah produced her last, and according to some, her best foal, Aah Abu 3060, by Indraff 1575 (*Raffles 952 x *Indaia 813). Aah Abu, by the way, was her only grey foal. All the others were chestnuts.

Nadirat also played an important part throughout the entire Ben Hur program. She produced at least three foals there, beginning in 1938 with Aanad 1735, and Aalita 2746 in 1943, both by Aabab. She produced at least one other foal for the Tormohlens, the filly Aalastra 3716, foaled in 1946. Aalastra was one of two Gulastra 521 (*Astraled 238 x Gulnare 278) daughters at Ben Hur. The other was Aastra 3712, out of Aadraffa 2075 (Indraff x Aadah 1857). Both of these mares figured prominently in the Ben Hur program.

Herbert Tormohlen was a firm believer in Gulastra blood. He felt that although it wasn’t necessary to have a lot of this blood, it was important to have at least a little of it. A friend of Mr. Tormohlen, after seeing these mares, once asked why he was keeping them, as she felt they were only average. Tormohlen told the lady to take a closer look at their heads. When she did, she saw some of the most beautiful heads she had ever seen on a horse. Tormohlen then went on to explain that was the reason Gulastra blood was so important in a breeding program — incorporating even a small amount of this blood would add to the beauty and refinement of the heads on the horses produced.

Of the three early mares at the farm, only Dahura and Nadirat were to play a key role in its later program. Dahura is remembered most through her double granddaughter, Aadah 1857 (Aabab x Aabella), who later became one of Ben Hur’s two premier mares. She produced eleven foals in twelve years, ten of which were fillies. Nadirat became more influential through a daughter that was not bred at Ben Hur, the mare Aarah 1184.

Aarah, 1935 chestnut mare (Ghadaf x Nadirat)


Bred by C. P. Knight, Jr., of Providence, Rhode Island, and foaled in 1935, Aarah was by Ghadaf 694, a half-brother to Gulastra. Aarah was the only horse ever at Ben Hur to be given a formal burial and a commemorative monument on her grave. Her ten foals were directly responsible for some of the most illustrious champions and producers of her day.

An almost immediate reaction by older breeders to the “double A”-named horses is to think that they trace back to Aarah, and to a certain extent they are right. Aarah was acquired by Ben Hur in the early 1940’s, and she foaled her first for them in 1942, a colt named Aaronek 2249 by Indraff. That year she was bred back to *Raffles 952 (Skowronek x *Rifala 815), and the following year she produced the beautiful chestnut colt, Aaraf 2748.

Had Aarah produced only this foal, her place in Arabian history would have been assured, for Aaraf sired over 125 foals in his lifetime. That may be a small number by today’s standards, but considering the times then, and the fact that many of these foals became champions and went on to produce champions, the record is impressive.

Aaraf was not, however, Aarah’s last foal. In 1944 she produced the mare Aarafa 2872, followed by Aaraq 3371 in 1945, Aarief 3717 in 1946, and Aarafla 4344 in 1947, all by *Raffles. Aaraq was the only one of these five to be sold — as a colt he went to Tom Sheppard of Colorado. There are still many foals by him in the Midwest. The other four *Raffles/Aarah foals were retained by Ben Hur and used heavily in their program — in fact Aaraf, Aarafa, and Aarafla were three of Mr. Tormohlen’s favorite horses. He felt that they were three of the finest Arabs in the country at that time, and that was quite an honor, considering Tormohlen’s fine eye for horses.

Aaraf, 1943 chestnut stallion, (*Raffles x Aarah). Sired 125 purebreds.
Aaraf, 1943 chestnut stallion, (*Raffles x Aarah). Sired 125 purebreds.
Aarief, 1946 grey stallion, full brother to Aaraf above.
Aarief, 1946 grey stallion, full brother to Aaraf above.

*Raffles was not the only stallion to which Aarah was bred. She also produced several outstanding foals by Azkar 1109.

Azkar was by Rahas 651 (Gulastra x Raad 474) and out of the imported Egyptian mare *Aziza 888 (Jamil x Negma). At one time, *Aziza was considered to be the most beautiful mare to come from Egypt and was of what is now referred to as Old Egyptian breeding (bred very closely to the Babson Egyptians). This cross to *Aziza blended well with the *Raffles/Aarah horses. *Aziza herself was a half-sister to *Roda 886, who crossed extremely well with *Raffles (producing Tut Ankh Amen 3830 and Star Of Egypt 4167, among others).

The cross to Rahas brought in another line to Gulastra, of which Mr. Tormohlen was so fond, while the cross to Raad (Sidi 223 x *Rijma 346) brought in yet another vital line. While *Rijma, who was imported from the Crabbet Stud, possessed a pedigree which read like a “Who’s Who” of Arabian horses from the studs of Abbas Pasha I and Ali Pasha Sherif, as well as from the Crabbet desert imports, Sidi’s pedigree represented some of the finest individuals of the early domestic programs.

Azkar sired many foals for Ben Hur, including Aazrar 10429, Aazhar 6145, and Aazkara 4879, out of Aarah; Aalzar 7984, out of Aahlwe 3403 (Khaleb 1168 x *Hilwe 810); Karada, out of Aadelfa 7983 (Aaraf x Aadah); Aaziza and Aazalia, both out of Aarafa; Aazdura 6146, out of Aadura 2744 (Indraff x Aadah); and Aazfar 13627, out of Aarafla. Many of these horses can still be found in modern pedigrees.

Produce of the *Raffles/Aarah cross became the mainstay of the Ben Hur program. Aaraf was head stallion, siring foals from mares who were daughters and granddaughters of their original foundation mares. The first Aaraf foals were born in 1946. Aakafa 3713 (x Aakala) was Aaraf’s first foal, followed by Aalurah 3714 (x Aadah) and finally Aarita 3715 out of Aalita 2746 (Aabab x Nadirat). Aaraf also blended well with the Azkar daughters, in particular Aazkara. Aaraf sired four sons and six daughters from Aazkara, and four sons and one daughter from Aazdura. Aaraf sired three foals from his full sister Aarafa — Aarafaa 10426, foaled in 1955, Lewisfield Sun God 21194 in 1962, and Lewisfield Sun Gal 27582 in 1964. From his full sister, Aarafla, Aaraf sired one daughter — Aafala 15522 in 1959.

Aarafa was one of the loveliest mares to come from Ben Hur, and another of Tormohlen’s favorites. She was a strong show horse, and won numerous championships. She also produced many champions, including U.S. National Reserve Champion Stallion, Lewisfield Bold Hawk by Aalzar; Lewisfield Nizrif 41760 by *Nizzam; Aaziza and Aazalia, by Azkar; Lewisfield Lovely by Lewisfield Nizzamo; as well as the three Aaraf foals, and many others.

Aarafla was also a consistent show champion and added many awards to the Ben Hur collection, most in what we now refer to as Park. In Tormohlen’s opinion, she exemplified what the “ideal” Arabian should be, as she possessed “the natural, uninhibited gaits and action of the exquisite beauty of the ancient or classic type of Arabian.” Carl Raswan was quick to verify this, and photos of Aarafla were added to his already famous collection. Aarafla, unfortunately, produced only two foals. The first was Aazfar 13627, by Azkar, who followed in his mother’s footsteps and won many park championships. Not only was Aazfar Aarafla’s only son, but he was Azkar’s youngest son as well. The second of Aarafla’s foals was Aafala, by Aaraf. Aafala was Aarafla’s only daughter, and at 21 years of age is still producing.

While Aaraf, Aarafa, and Aarafla were winning at shows in the East, Aarief was making an equally impressive name for himself on the west coast, while he was on lease to Lasma Arabians. While there he sired many foals, including Aadrief 12380 and Aalrief 14233, a National Top Ten horse. Aarief also played an important part in the breeding program at McCoy Arabians. He sired The Real McCoy, out of Fersara (dam of Ferzon), who influenced the breeding program at Lewisfield Arabians during the Sixties. Photos of Aarief were also added to the Raswan collection.

Ben Hur Farms acquired quite an impressive collection of trophies over the years, including numerous halter and park awards. The most prestigious, however, was the Egyptian Challenge Trophy, donated by King Farouk of Egypt. In order to retire the trophy permanently, Ben Hur had to win it three times at the Pennsylvania National Horse Show, in Harrisburg. The winners were selected for “perfection of breed type, and performance.” The first horse ever to win this trophy, and the first horse to win it for Ben Hur, was Aarafa in 1950. Later the trophy was awarded to Aalzar, and finally, in 1963, it was won by Raffarana 12401, by Handeyraff 3940 (*Raffles x Hanadin 2575), out of Yatana 1232 (Farana 708 x Ghazayat 584).

Ben Hur Farms produced a number of other excellent horses during its existence, many of whom were not only champions themselves, but also the sires and dams of champions, including Aadeara 10823 (Aaraf x Aadura), Aalurah 3714 (Aaraf x Aadah), Aabona 12277 (Aaraf x Aaba) and Aahfour 10820 (Aaraf x Aastra 3712).

*Raffles, 1926 gray stallion (Skowronek x *Rifala)


Around 1960 the bulk of Ben Hur stock, some 40 horses, was sold to James F. Lewis, Jr., to become part of the foundation for his Lewisfield Arabians. Lewis had also imported a large number of horses from Lady Wentworth’s Crabbet Stud in England, and had purchased several horses of the *Raseyn/*Raffles cross. Lewisfield’s main stallion was *Nizzam 16070, and Ben Hur mares, when bred to him, consistently produced exquisite foals — perhaps his finest. Numbered among the champions from this cross are Lewisfield Nizziza, Lewisfield Nizzarafa, Lewisfield Nizzaza, Lewisfield Nizzara, Lewisfield Nizzoro, Lewisfield Nizzamo, Lewisfield Nizrif, and Lewisfield Legacy.

Lewisfield also bred a few “straight Ben Hur” horses, most of whom were sired by Aaraf. Most noted among these are Lewisfield Serenade 13633 (also called Aadaia) and Rafhanna formerly Lewisfield Dixie), out of Aadah; Lewisfield Royal Flush 21195, Lewisfield Caress 23656, and Lewisfield Bahama 27580, out of Aazkara; and Lewisfield Sun God 21194 and Lewisfield Sun Gal out of Aarafa. Aarafa’s son Lewisfield Bold Hawk (by Aalzar) was also “straight Ben Hur.”

When Lewisfield was dispersed in 1973, these Ben Hur horses were sold to various farms throughout the country, where they were incorporated into already existing programs. Gradually the percentage of Ben Hur blood decreased and appeared farther back in the pedigrees. However, no matter in what type of program these horses were used, they always helped to improve it, thus proving their versatility as breeding stock by mixing well with various bloodlines and becoming ideal outcrosses.

Today there are a number of dedicated breeders throughout the country, mostly in the central part, who maintain small herds of Ben Hur-bred horses, including Mary Manor Farm in Troy, Ohio; Phara Farm in Hartford, Wisconsin; and Marcy Arabians in Dyersville, Iowa. The quality of the horses at these farms and many others is comparable to that of the horses produced ten years ago at Lewisfield, and twenty or thirty years ago at Ben Hur Farms. The stallion B.H. Bold Decision 71851 (Lewisfield Bold Hawk x Burr-Hill Gindara), owned by Judy Williams of Nobelsville, Indiana, bears a strong likeness to his great-grandfather, Aaraf, and especially to his father’s half-brother, Lewisfield Sun God, as well as a striking resemblance to his distant cousins Sun God Reflection and The Midnight Sun, both owned by Annette Patti of Phara Farm.

The quality of these horses has remained constant, yet the prices have stayed relatively low. Still, it’s nice to know that in these days when so many people are determined to latch onto the latest imported fad, there are still a few breeders following a proven domestic program, like that of Ben Hur Farms, which has rightfully earned the title, “American-Bred.”

Davenport Bloodlines in CMK Breeding

by Charles Craver
All rights reserved
(Copied to this web page by permission of Charles Craver)

Letan (*Muson x *Jedah) Foaled 1909. Bred by the Davenport Desert Arabian Stud. Both sire and dam were original imports.
Letan (*Muson x *Jedah) Foaled 1909. Bred by the Davenport Desert Arabian Stud. Both sire and dam were original imports.
Hanad (*Deyr x Sankirah) Foaled 1922. Bred by the Hingham Stock Farm. The most influential Davenport at the Kellogg Ranch.
Hanad (*Deyr x Sankirah) Foaled 1922. Bred by the Hingham Stock Farm. The most influential Davenport at the Kellogg Ranch.
*Wadduda, a famed war mare, imported by Homer Davenport in 1906, founded one of the greatest mare lines of the twentieth century. She was indeed the Queen Mother from whom many of the best Arabians of today descend. (from the back inside cover of the CMK Heritage Catalogue 1982)
*Wadduda, a famed war mare, imported by Homer Davenport in 1906, founded one of the greatest mare lines of the twentieth century. She was indeed the Queen Mother from whom many of the best Arabians of today descend. (from the back inside cover of the CMK Heritage Catalogue 1982)
*Hamrah, a desert-bred stallion and major progenitor of the Davenport legacy.
*Hamrah, a desert-bred stallion and major progenitor of the Davenport legacy.
Lysander (Sir x Dhalana), foaled 1966. Bred by Charles C Craver III. A straight Davenport Arabian stallion still gracing Craver Farms with his presence in 1997.
Lysander (Sir x Dhalana), foaled 1966. Bred by Charles C Craver III. A straight Davenport Arabian stallion still gracing Craver Farms with his presence in 1997.

By long-standing usage in the United States, the term “Davenport,” as applied to Arabian horses, is used to describe the horses registered by the Arabian Horse Registry of this country as having been imported in 1906 from the Arabian desert by Homer Davenport. By extension, the term is also applied to those horses which are entirely descended from those horses. The original importation consisted of twenty-seven head, of which twenty-five were registered. When they arrived in the United States, there were few other Arabian horses here. As the years went by, crosses were made with other bloodlines as they were imported. At present, almost all Arabians having several generations of American breeding trace to the Davenports to the extent that probably 90 percent of Arabian horses in the U.S. have in the neighborhood of 10 percent Davenport ancestry.

At the same time as this dissemination of Davenport bloodlines has gone on, a few Arabians have continued to be bred exclusively within the bloodlines of the Davenport importation. These horses are almost entirely of breeding stock which passed through the Kellogg Ranch. There are presently (1982) about 325 living Arabian horses of this sort in the ownership of about 75 individuals. This group of horses is one of the oldest breeding groups of Arabians anywhere to have been maintained on a closed pedigree basis: that is, without outcrossing to other bloodlines. As a group, their major distinctive feature is the similarity in type which they bear to the pictures and descriptions which we have of their imported, desert-bred ancestors of 1906. A few of them even bear marked resemblance to specific individuals in the importation. This is particularly noticeable in some descendants of *Muson #27, but people who know these bloodlines are also able to recognize features from others of the imported horses such as *Abeyah #39, *Deyr #33, *Farha #42, and *Hamrah #28.

The horses registered as imported by Davenport were as follows: *Haleb #25, *Houran #26, *Muson #27, *Hamrah #28, *El Bulad #29, *Wadduda #30, *Gomusa #31, *Azra #32, *Deyr # 33, *Mowarda #34, *Kusof #35, *Euphrates #36, *Antar # 37, *Reshan #38, *Abeyah #39, *Urfah #40, *Werdi #41, *Farha #42, *Hadba #43, *Jedah #44, *Haffia #45, *Enzahi #46, *Moharra #47, *Masoud #64, *Abbeian #111. All of these horses, having living descendants, are represented in pedigrees from Maynesboro (*Euphrates #36) or the Kellogg Ranch. The “Davenport” Arabians were personally obtained by Davenport through direct purchase from their bedouin owners who were required to establish their purebred status by oath taken before their sheikhs and fellow tribesmen. Davenport was proud that these horses were representative of the animals which were used in daily bedouin life.

The Davenport influence came into the CMK context with the stallion Jerrede #84 who was out of the Hamidie mare *Nejdme #1 and by the Davenport stallion *Euphrates #36. W. R. Brown was interested in using this horse as a sire at Maynesboro, but initially he was disinclined to do so because the sire, *Euphrates, like the other Davenports, was not registered with the Jockey Club, although he was, of course, registered with the Arabian Horse Club of America. Brown was able to arrange acceptance of *Euphrates by the Jockey Club through statements by Lady Anne Blunt of the Crabbet Arabian Stud authenticating his pedigree. This opened the way for registration by the Jockey Club of Jerrede and for use of that horse at Maynesboro by W. R. Brown. Jerrede’s role there is minor, and it is difficult to evaluate how successful he was as a sire.

In living CMK horses, practically all Davenport influence derives from the extensive use of Davenport related breeding stock at the Kellogg Ranch, where in early years, the Davenport bloodlines were very strongly represented.

Among the Davenports which were especially known as Kellogg breeding stock were the stallions Hanad #489, Antez #448, Letan #86, Jadaan #196, and *Deyr #33. Well-known mares were Adouba #270, Babe Azab #567, Fasal #330, Hasiker #268, Poka #438, Saba #437, Sankirah #149, Sherlet #339, and Schilla #419.

The Kellogg Ranch bred a few horses which were entirely Davenport in pedigree. The more frequent utilizations of the bloodlines, however, were in combination with horses of other background. Quite a number of these crosses were of foundation quality and provided the bases from which some of the most popular current American Arabians derive. Horses such as Khemosabi, Ferzon, The Judge, Fame, Ibn Hanrah, Fadjur, Galan, Garaff, and Saki all have strong Davenport elements in their pedigrees and would not be the same if there were to be replacement by ancestors of a different background.

When their numerical representation at the Kellogg Ranch was substantial, the Davenport bloodlines appear to have been well appreciated. From pictures of public record, foals produced by them were of excellent quality and helped to establish the reputation of the ranch as an Arabian horse nursery. In presentations at the Kellogg exhibitions, the Davenports were among the noted performers, with Hanad doing a trick and dressage routine he had learned as an older horse, Pep performing as a trick horse, and Jadaan being exhibited in costume. They were used successfully in a number of movies. In competition at public horse shows, they did well against other Arabians in California, including some of the most attractive and highly publicized of the Kellogg Crabbet imports.

As time has passed, a certain amount of partisanship had developed both towards and against the Kellogg Davenport bloodlines. From a distance in time it is difficult to understand the reasons for this, but partly, they may have had origins in the fact that the Davenports sometimes represented a different tradition in Arabian breeding from some of the other Kellogg bloodlines. These traditions were and still are reflected in the horses themselves. The Davenports were close to their desert origins. *Deyr #33 was actually a desert import. Others were only one or two generations removed. Such horses represented Bedouin values in Arabian breeding. Other fine bloodlines at Kellogg’s were quite different in their origins, some of them descending from long lines of Arabian breeding in Europe, England, and Egypt: perhaps these bloodlines tended to show the influences of the countries which had served as intermediate hosts for the several generations which transited the distance from Arabia to the Kellogg Ranch.

Actually, there was no good reason why one bloodline should be valued and another ignored among the Kellogg Ranch bloodlines, of which the Davenports were one. There was sufficient good in each that a lover of horses could be grateful they had been brought into a juxtaposition of some harmony and then passed on to private breeders as a contribution to the development of the Arabian horse in America.

The question naturally comes up as to what Davenport bloodlines added to CMK breeding. The answer breaks down into two parts, the first concerning those horses which are entirely Davenport in origin. This is a group of horses which is still quite representative of the desert imports of 1906. They tend to be of moderate size, athletic inclination, fine-skinned, large of eye, and wide between the jaws. Dispositions are comparatively quiet, and they adapt well to the owner who wants to give plenty of personal attention to his horse. Out of the small number which have been shown in recent years, there have been good successes in dressage, distance riding, halter, pleasure, costume, and park exhibition. One of the interesting things about this group of horses is that certain of them preserve the identity in type and strain of two of the major bedouin strains among the horses imported by Davenport, which were the Seglawi and the Kuhaylan. In recent years, the effort has been made to intensify this aspect of their breeding.

The other aspect of the contribution of Davenport bloodlines to CMK breeding has to do with how they have blended with bloodlines other than their own. For the most part, Davenport elements in CMK pedigrees are significant but certainly not overwhelming in terms of the percentage of total ancestry represented. In many instances their main contribution is probably in the form of background influences which facilitate the expression of desirable characteristics from other, more immediate pedigree sources. Where the percentage of Davenport ancestry becomes higher, of course, the influence of specific Davenport horses becomes more recognizable, and the vitality and muscularity of Letan, the long, upright neck of Hanad, the fine coat of Hasiker and the other identifiable characteristics can sometimes be picked out. Some years ago a study was done of the pedigrees of horses competing at our national show. It turned out that the more successful horses being exhibited in performance categories tended to have higher percentages of Davenport ancestry than the average horse winning at that show in halter classes. A frequent comment of trainers is that their horses having higher percentages of Davenport blood tend to be more easily trained. Usually the overall influence of Davenport blood in a horse is towards a smoother, more harmoniously built individual. This may be traceable to *Hamrah #28 who was a great brood mare sire and whose blood was very strongly present in the Kellogg Davenports.

The CMK movement offers an opportunity for increased appreciation of some of the older values in Arabian breeding. Davenport bloodlines have contributed very strongly to the expression of these values.

Randolph Huntington: American Horse Breeder

by George H. Conn, D.V.M.
(Western Horseman Apr ’49)

Leopard, the Arabian stallion imported into the United States in 1879 as a gift to Gen. U.S.Grant. (Bottom of image: “The Arabian Stallion presented to Gen. U.S.Grant by the sultan of Turkey. Foaled in 1873 height 15 hands; now owned by Gen. L. Colby, Beatrice, Nebr.”)

Linden Tree, a Barb-Arabian sent to U.S. Grant in 1879

RANDOLPH HUNTINGTON was born in Springfield, Mass., in 1828. It was he who demonstrated the possibilities inherent in the Arab horse for the purpose of developing a new breed of saddle and road horses. He was related to some of the most influential people of his age, yet he preferred the breeding of horses to any other business.

Randolph Huntington married a country girl who later inherited a farm near Bloomfield, Ontario country, N.Y., and it was on this farm that Huntington began to breed horses soon after the Civil War.

During his first years on the farm he bought and sold many colts and fillies as coach horses in New York City. He soon came to recognize the value of the Clay stock in that community which was largely the result of the breeding of a horse called Henry Clay which was brought to the nearby Genesee valley and whose stock was distributed through the valley.

Huntington soon realized that the Clay blood was fast disappearing and he set about buying up the most desirable daughters, granddaughters and sons of the old Henry Clay breeding. The Clays were an especially fine trotting breed for their day. He attributed the excellence of the Clay blood to the amount of Arab blood through Grand Bashaw, Young Bashaw, Andrew Jackson and Henry Clay.

Before Huntington began to build up the Clay breed he sold all his horses of Hambletonian and other families. He began to collect the Clays in 1877. He states that he was in good position to know about the value of Clay blood as the first stud season made by this famous horse was in western New York at the farm of Francis Neason, an uncle of his wife.

Writing to a friend on Nov. 2, 1888, he said,

“I know the horse [Henry Clay] thoroughly well and also his get. Residing in Brooklyn I knew also the horses there and on Long Island … practical experience in handling and driving as a young man, as a matured man and as a dealer during and after the [Civil] war, I found my opinions in favor of the blood advocated. My investment was between $40,000 and $50,000.”

On May 31, 1879, there arrived in America two very fine stallions which were presented to Gen. U.S.Grant by the Sultan of Turkey. These stallions were Leopard and Linden Tree. It is generally acknowledged that Linden Tree was a Barb-Arabian while Leopard was a pure Arabian. Prior to the time that these horses arrived in America, the very favorable results from inbreeding to produce typical Clay horses was shown to be practical. After seeing the stallions, Leopard and Linden Tree, Randolph Huntington at once started negotiations to breed three virgin Clay mares to each of these stallions. He hoped thereby to improve the roadhorse quality of his horses. In later years he called them Clay-Arabs. Since Huntington wanted to breed only virgin mares it was not until 1880 or 1881 that he was able to breed and raise just what he wanted.

The offspring secured from these matings were good and the results secured by breeding these offsprings later to each other were outstanding. Within a few years many prominent men in the New York area were beginning to see the advantages of breeding these Clay-Arabs. A company was formed and Mr. Huntington moved his horses to Long Island where the project was to be carried on.

Just before moving to Long Island, Huntington purchased Naomi, the only Arab that remained of an importation to England of three Arabians. These Arabians were the mares Haidee and Zuleike and the stallion Yataghan, which cost Sanderman $62,500 in gold. Haidee was bred to Yataghan, her full brother, and produced Naomi, one of the finest and largest Arabian mares of her day. In 1888 Mr. Huntington bought Naomi and she was brought to America. In England, Naomi had been bred to Kismet and had a six months old horse colt at foot named Nimr. While Naomi was owned in England by the Rev. F. F. Vidal she foaled a chestnut filly which was sired by a famous Arabian racer, Maidan.

Randolph Huntington from his study and observation of the Arabian horse was determined if at all possible to get Kismet-bred Arabs for his breeding operation. He was unable to buy Kismet, but did succeed in leasing him for a two year period at a reported price of $20,000 plus the insurance fee on Kismet for this amount to be kept on the stallion until his return to England. Kismet arrived Nov. 10, 1891, but was very sick with pneumonia, and died a few hours after being unloaded.

Since Huntington was to be denied the use of Kismet for breeding purposes, his next move was to purchase Nazli (the daughter of Naomi) and her horse foal Nimr. These two Arabians figure prominently in many old pedigrees of Arabian horses.

These importations did not have a direct influence on the Clay-Arabian horses, but it proves that Randolph Huntington knew the value of the Arabian horse. Huntington’s treasurer, a man named Weeks, embezzled and disappeared with a sum reported to be nearly $100,000. This money was to have been used in the development of the Clay-Arabian horse and for the preparation of a history of the Clay horse. Had this not occurred it is possible that there would have been a different history of the light horse in America.

Due to the depression of 1893 and to the lack of finances to feed, care and breed about 100 head of horses, Randolph Huntington’s breeding venture of Clay-Arabs (sometimes called Americo-Arabs) was forced into receivership. Eighty-five horses were offered for sale February 22 and 23, 1894, at American Institute Buildings. They were sold by Peter C. Kellogg and Co., the leading auction firm of the day.

The following quotation is from The Horseman, published right after the sale.

“After many years of trials and discussions in the horse papers, something practical and substantial has been shown by the advocates of the Arab blood. The sale in New York last week of a number of Americo-Arabs at an average price of over $1,800 per head demonstrates the fact that the Americo-Arab is already an established type. Although the sale was made by Theodore C. Patterson, Chestnut Hill, Pa., the whole credit is due to Mr. Randolph Huntington, Oyster Bay, as the founder of the type. The horses sold last Tuesday were mostly by Abdul Hamid II, a son of General Grant’s Arabian Leopard, and out of Mary Sheppard, by Jack Sheppard, by Henry Clay; second dam Galusha mare, by Jack Sheppard. When the two stallions presented by the Sultan to General Grant arrived in this country in 1879, Mr. Huntington was the only person to appreciate their value by breeding to them six of his best Clay mares, thus laying the foundation of a most desirable type of horses. More Arabian blood was infused into the type later by the importation of the pure bred Arab mares from England, Naomi and her daughter Nazli. It was mainly through influential friends in England and at great expense that Mr. Huntington succeeded in bringing these mares to this country, both of which proved great additions in establishing the Americo-Arab type.

“The gathering at the sale was unusually large, and much curiosity was evinced as to how the horses with Arabian blood would sell, and to say that a majority of the crowd was astonished at the sums bid is drawing it but mildly, and wonder was added to astonishment when it was learned that a majority of the offerings were withdrawn because the owner and consignor, Mr. Patterson of Erdenheim Farm, did not think the bids were high enough to justify him in letting his pets go. For instance, the 15-2 hand stallion Omar was bid up to $1,550 and the owner would not let him go. The little black pony bred gelding Blackbird, 13-3 hands, was run up to $700 and withdrawn. Several others were taken out after what most of the horsemen present considered extraordinary high prices were bid for them. The 13-2 hand chestnut mare Gulnare was bid up to $875, and Mr. Grand turned to Mr. Patterson, saying: ‘Let me sell her.’ Mr. Patterson looked thoughtful for a moment, then nodded his head, and the mare was knocked down to M. Evarts, New York.”

The following quotation is from The American Horse Breeders:

“Those who have ridiculed Randolph Huntington’s methods of breeding from Arabian stock received an eyeopener at the W.D.Grand sale in New York on the 21st inst. Six head of what Mr. Huntington calls Americo-Arabs brought $11,225 under the hammer, an average of $1,870.83 per head, Larissa, a four-year-old, 15.2 1/2 hand mare by Abdul Hamid II, son of the imported Arabian Leopard, owned at one time by General Grant, brought the top price, $3,500. She went to the bid of Ed de Cernea, who also paid $2,050 for Manila, a 15.3 hand, three-year-old full sister of Larissa. It is announced that these mares will be put in shape for exhibition next Fall at the annual National Horse Show in Madison Square Garden. It is Mr. Huntington’s turn to laugh now.”

The following quotation is also taken from the Oyster Bay Pilot and we quote as follows:

“We have the effort of Mr. Randolph Huntington to establish a type by mixing the blood of General Grant’s Arab stallions with the mares of the Clay family. It will be recalled that when General Grant made his famous tour of the world he stopped at Constantinople, and was entertained by the Sultan, who gave the American soldier, as a souvenir of his visit, two stallions, Leopard and Linden Tree. These horses were landed in 1879, and Mr. Huntington at once began making arrangements to breed to them. Mr. Huntington has theories as to in-breeding, or close breeding, as he prefers to call it, that are more in consonance with the ideas that prevail abroad than here.”